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toastytoast01 · 18 days

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Storylines NATLA Cut

While the 8 episodes of season 1 managed to weave together most of the plot lines (or at least themes from the episodes) from the animated show into the live action, there were a few notable storylines that were cut. I wanted to go over those plots and speculate as to why they might have been cut and whether we might see them in future seasons woven in (like how a couple things from future seasons were woven into this season).

Imprisoned

One of Katara's first big leadership moments was in episode 6 of the animated series when the Gaang stumbles upon an earth nation village taken over by the Fire Nation. All their benders had been rounded up and sent to a prison so that they couldn't fight back - the Gaang obviously get involved, plot ensues, and Katara gets herself arrested so that she can find the prison and free Haru (the earthbender she inadvertently gotten arrested). With the help of Aang and Sokka providing the earthbenders with some coal to bend, she inspires them to fight back and they free the prisoners.

I think this storyline actually naturally fits much better in book 2: Earth. The focus of season 1 of the live-action was water bending and the avatar state - I think a storyline focused on earth bender resistance fits perfectly in season 2 where we get to see even more of how oppressive Fire Nation rule is and how they're 1) seeking to take out all the other benders and 2) doing their whole imperialist thing with stealing natural resources from the populace they're colonizing.

Katara has her moment to speak on her mother with Jet in episode 3 of the live-action and I think it's a natural change to keep the rebellious side-character count manageable for now. Jet fills the role to show Katara's desire for rebellion and standing up to the fire benders and while I think the Imprisoned storyline is really important, I think they've got plenty of room to do that in season 2. A big part of that story was Katara leading people to stand up when they hadn't been before and I think there's a nice homage to that in the final episode of the live-action when she gets all the women in the North to stand up to Pakku and demand to fight.

So I don't think they've fully nixed this storyline, I think they'll include it in the Gaang's trek through the Earth Kingdom on their way to Ba Sing Se. To me, the live action is doing a better job at building the characters rather than starting out with them fully formed. Katara has learned through the first season of the live action about all different leadership styles and has grown emotionally to a point where she's not only confident in standing up against injustice, but also leading others in that fight against oppressors. I think moving her leadership skills from episode 6 of season 1 to season 2 will let us really see her journey to that point rather than just having her start there.

2. The Pirates

In the animated show, Katara doesn't get the Waterbending Scroll until episode 9 of season 1, everything she does with waterbending up until that point was just stuff she figured out herself. In the animated show, the Gaang stops and Katara starts training Aang in waterbending, he shows off and washes all their supplies away so they have to go into town to buy more. This is where Aang randomly buys a bison whistle (why a shopkeeper in the Earth Kingdom would have a bison whistle is not explored) and the group also is invited onto a pirate ship to brows their wares. Katara notices a waterbending scroll and it's far too expensive for them to buy, so Katara steals it from them (as they made it clear they stole it from its rightful owner). A main theme of this episode is showing how naturally gifted Aang is and Katara getting frustrated because she's had to work so hard for her little bit of waterbending and Aang just surpasses her immediately. Zuko and Iroh show up looking for a pai sho piece and shenanigans ensue with the Gaang fighting off both pirates and Zuko, but of course, they manage to escape.

So the two main things in this episode were 1) getting the waterbending scroll so Katara could learn more formal forms and 2) dealing with how the dynamic of the group changes as Aang easily surpasses Katara in waterbending power.

I like that the live action tied the waterbending scroll directly to Katara's family and them hiding their culture to keep it alive until the time came when they could revive it once more. I think it's a much more impactful way for her to get the scroll than just some random pirates. It also allows her to actually train from the beginning rather than just being naturally good - in the live-action, Katara really has to work at her waterbending and get help. While she's a naturally fast learner and super powerful, she needs at least some form of guidance whether that be how to get in the right spiritual mindspace for bending or the physical movements for different forms provided by the scroll. Animated Katara has already been doing very advanced moves (bending water out of Aang's lungs, lifting a fish, throwing water and freezing it, etc) and it doesn't really feel like the animated show continues to show the new stuff Katara learns from the waterbending scroll - it's just the water whip and then the scroll is forgotten (almost like this is an episodic kid's show where each story is largely self-contained and plot points rarely arc into other episodes).

As it's the episode were Aang really starts learning waterbending and they've held off on having that part of his journey in the live action for now, it makes sense that they nixed it. It's a fun character building episode, but in the grand scheme, everything accomplished here can be accomplished elsewhere (and possibly in season 2). Katara feeling a bit miffed that Aang picked everything up quickly while she had to work really hard at it can easily be moved to season 2 when they address Aang learning the new bending styles. I also like how they moved him getting the bison whistle at a random shop in this episode to Bumi having made it for Aang back when they were both kids.

Of course, they do give easter eggs for this plot as well as the great divide one in episode 6 of the live-action, so it's possible the Gaang did have similar adventures, just off-screen.

3. The Fortune Teller

I'm perfectly fine with them nixing the plot of this storyline and moving the themes of 'take destiny into your own hands, don't look to others to tell you what to do without examining their methods of determining your own destiny' and scattering it through the entire season. The hard plot sets up Kataang as a couple which I didn't particularly like, nor did I feel like it followed the actual theme of the episode. Katara is obsessed with believing everything the fortune teller predicted and for part of the story, the lesson is 'that's bull, make your own destiny, just because she said it doesn't make it true' but then when it comes to her marrying a powerful bender, suddenly that lesson is thrown out and she realizes that Aang is a powerful bender so maybe they will end up together? It felt like a lot of mixed messages with the goal of setting up a 12 year old with a 14 year old and like I've said before, I'm not a fan of child romances. Once they turn 15, ok, but 12? No.

4. Aang's part in Bato of the Water Tribe

I think it was a great beat in the animated show to have Aang so afraid that Sokka and Katara might leave him for their "real" family - then have them confirm to him that they're with him all the way. The storyline does hammer home how alone in the world Aang feels and his fear that everyone will leave him either because they have 'family' of their own or his path is just too difficult. While the character beat was good to include, I think it's too big of a character beat to be relegated to only a portion of an episode in the live-action. I think if they want to explore Aang's fear of abandonment, they'll need to spend a good deal of time on it not only because it's a big part of him but also because to this day, some fans haven't forgiven Aang for hiding that map - if they want to do it justice, we're going to need more than a quick blurb to understand Aang's motivations and give the audience time to forgive him.

I'm glad they took Sokka's part of that episode and gave him the spotlight - and the spotlight could remain on celebrating Water Tribe culture rather than having Aang in the background making throwing up faces at everything. I think that the live action can still add in the ideas around Aang's insecurity over Katara and Sokka leaving him to go back to their people, and if they add it into season 2, I think it'll hit even harder after already seeing Bato in that season 1 flashback.

5. Sokka's Strategies

20 episodes in the animated show gave Sokka a lot of opportunity to come up with unique strategies to win in unexpected ways such as using explosives to 'open' the door to Roku's temple, the ventilation shafts to get the coal to the earth benders in Imprisoned, and him tricking the pirates into fighting Zuko and co. While at first, I thought not having so much of that in the live-action was taking away from Sokka's character, on a re-watch, I realized that they didn't remove it, they actually gave the origin for it. Sokka's character journey in season 1 of the live-action was about him accepting that he could be more than 'just' a big strong warrior to help his people, he was allowed to explore his ingenuity too. It's only after he meets Sai the Mechanist that he starts to come up with plans to get them out of situations or form battle strategies. I think it was a great, subtle, way to show Sokka coming into his own and beginning to come up with great plans alongside his warrior skills.

I know some fans of the OG show absolutely love every side quest - and more screen time in plots that aren't all that important give a lot of space for character 'down time bonding' that a tighter story structure just doesn't have room for. I think that most of the animated show's character beats and lessons in each of their episodes was really good (with a few exceptions - one of which in The Great Divide I think the live action actually took and made much BETTER) but when making an adaptation in a completely different format, stuff is just going to have to be left on the cutting room floor.

I LOVE everything the live action added in it's place (expanding Aang and Zuko's conversation during the Blue Spirit section of episode 6, all the Fire Nation royal family stuff, everything about Gyatzo, and Sokka and Katara's spirit visions) so I'll forgive leaving out some beats from the OG. I still think that several of these storylines will make their way into season 2 in one way or another, so I'm holding off on fully declaring them 'nixed' from the live action.

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toastytoast01 · 18 days

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watching through a youtube channel reacting to NATLA and they asked if ppl who hadn't watched the animated show could follow along with the live action or if they had trouble (all the guys had seen the animated show before) and there's this one commenter under EVERY comment from someone who hadn't seen the animated show (saying they weren't lost at all) saying:

"well I sure hope you could follow along! There were no deeper themes in the live action, unlike the animated show! How you were supposed to feel and think was spoonfed to you in the live action, unlike the animated!!"

And all I can think is hmmmmm so you're just out here admitting that you need a story to be geared toward 7 year olds in order to find deeper meanings in it and are incapable of seeing stuff not spoonfed to you in shows geared toward older audiences...... I would have kept that to myself, but hey, you do you.

Like it or not, NATLA definitely had deeper themes and stuff that was only hinted at, cultural references, ideas that you can extrapolate from what you saw that weren't explicitly stated, etc. If you didn't see any, maybe that's a clue to you that your media literacy skills could use some work.

Did NATLA have some thematic thesis statements given to you by the characters and their dialogue? Yup! So did the cartoon. So does every single story in the history of humanity. Characters talk about what they're going through and how they're feeling. It's literally called 'storytelling'. But if that's ALL you got from it and couldn't see anything else if it wasn't "spoonfed to you"....then that's a you problem and not the fault of the show.

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toastytoast01 · 19 days

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toastytoast01 · 19 days

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‘Avatar: The Last Airbender’ Stars on Bringing Animated Characters to Live Action: “We’re Weren’t Doing a Caricature”

After more than half a decade of development, Netflixunveiled its highly anticipated live- action Avatar: The Last Airbender on Friday.

The show, adapted from Michael Dante DiMartino and Bryan Konietzko’s animated series that premiered in 2005, follows the beloved story of Aang, an Avatar who can bend all four elements — water, earth, fire and air — and is responsible for maintaining harmony in his universe’s four nations. Along the way, Aang befriends waterbender Katara and her brother Sokka as they work together to end the fire nation’s war against the other nations. Frequently, the group faces off against Zuko, a fire nation prince locked in an ongoing pursuit of Aang’s demise.

Though Netflix’s live-action approach to the story heads for darker themes than Nickelodeon’s animated original, the cast of kids at the show’s center maintains the story’s sense of childlike wonder that is so beloved by fans.

The actors — Gordon Cormier (Aang), Kiawentiio (Katara), Ian Ousley (Sokka) and Dallas Liu (Zuko) — began their journeys toward the show around four years ago, navigating a blind casting process that tried to keep the subject of their audition a secret and involved a lengthy, international search for the right artists to bring DiMartino and Konietzko’s characters to life with the Albert Kim adaptation. Each an avid fans of the original (Cormier says he’s watched the show 26 times), the group spoke to The Hollywood Reporter about how their love for the franchise gave way to their need to get the live-action story right — and where they’re hoping the show will go next.

Let’s go back to the beginning. What do you remember about the casting process?

DALLAS LIU They sent all of us these dummy sides and fake character names. I know some of these guys didn’t know [it was for Avatar], but for me it felt obvious from the character’s description, and my fake name was “Juno.” I think, knowing the series, already being such a huge fan and Zuko being my favorite character … I definitely used that to my advantage throughout the audition process.

GORDON CORMIER I actually turned down the audition, because I had no clue what it was. I got the audition, and it was for a 12-year-old. I was a small 11-year-old at that point. I had told my agent, “I don’t want any more auditions like this because I’m too small to play 12.” So I turned it down. And then they sent it back and they said, “No, we really want to see this.”

Were you all fans of the animated series?

KIAWENTIIO Me, Dallas and Ian grew up [watching] the show, but Gordon was actually born after it aired.

CORMIER After I booked the role, I looked up the animated series. I watched it 26 times, because I became a giant fan. I didn’t even really watch it to study my character — the first time was for that. Then I watched it again for the fun of it, and again, again, again, again. I feel like I really got to know Aang, to see what he’s going through and hopefully bring that into the live action, with a little bit deeper and darker tones.

LIU I think because of the significance of Dante Basco’s voice acting [Basco is beloved as the original voice of Zuko], I felt a little extra pressure knowing that there were such huge shoes to fill. But the way I navigated that was: We aren’t trying to make a remake scene for scene, line for line. We’re trying to get a new set of people involved. Hopefully, they love the show just as much as we do, and we give the old fans something new.

Were there any specific parts of your character you drew from the animated series, or anything you added that felt new?

IAN OUSLEY It’s such an amazing opportunity for the character of Sokka to go from an animated series to live action. When I watch the original series, I feel like Sokka is always the voice of the audience, so that’s something that I tried to carry over into our show. How can I be the voice of the audience and set the tone for everybody at home?

LIU We wanted to make sure we weren’t doing a caricature of these animated characters. For Zuko, in season one of the animated series, definitely for the first half of it, he’s quite melodramatic and extremely emotional to the point where his eyes are jumping out of his face. I think his relationship with Uncle Iroh in the live-action series was really cool for me. He’s not so much a brat to his own uncle, who looked out for him and cared for him.

OUSLEY In the animated show, Sokka is [also] doing so many things that are animated. It was a big challenge to bring it into reality and not lose any parts of him. But in addition to that, what comes naturally with live action is the humanness. A lot of the things happening in the show are very real and very intense, and he gets to have real human reactions while also getting to find out what that comedy looks like.

Bringing this world into live action also meant some impressive martial arts from all four of you! What was your preparation for that?

KIAWENTIIO It was helpful, we did a six-week boot camp before filming. That’s where I got familiar with the fight scenes I had to train for.

CORMIER I was super energetic. Running, around, doing all these exercises … that was heaven for 12-year-old me.

LIU For Gordon, he’s supposed to be a master at such a young age. He needed to be extremely well-versed in the style of air from the beginning.

OUSLEY It was really awesome watching the commitment to Gordon’s character, because he would go home and practice for hours and hours on his own. He was having so much fun. They had to keep him on the kids’ schedule still, but even as an 11- and 12-year-old, he was still putting in hours of work, because they were giving him videos to practice. It was awesome.

KIAWENTIIO I feel like with my character, I got really lucky with the fact that I grew alongside her throughout the series. She doesn’t start out as a master, but she ends up that way.

LIU And Ian is actually a world champion martial artist in weapons, but his character isn’t an expert. So he had to unlearn those punches.

OUSLEY I love weapons in general, and Sokka has a really special attachment to his weapons, and his war club. So it was really cool to bring that over. But yeah, I had to unlearn a lot of that technique.

It’s been about a year and a half since you finished filming season one. What’s it been like reuniting for this press tour?

KIAWENTIIO It’s so interesting, because I feel like we got so much closer after filming. We definitely got to know each other while filming. But it’s on a different level now, getting to spend that time apart and realize how much we actually care for each other.

OUSLEY The first time I saw Gordon [after filming], his voice had changed. I freaked out. I was like, “What is happening?” And then I kept telling him, “Talk again!” It’s been awesome to get to know each other again. We’ve grown up, and we’re growing together.

LIU We’ve grown, not just as actors and actresses, but each of us grew up as human beings, in front of the hundreds of people on set. Each of them had a huge influence on the people we are right now.

So, what are your hopes and dreams for a live-action season two?

KIAWENTIIO With the animated series, it just gets better every season. I think adding a new addition to our group, getting to see Toph, is super exciting. It would also be really cool if I got to portray the Painted Lady.

LIU Season two is epic for Zuko. I want to do the one where I’m yelling at the lighting.

IAN I’m waiting for season three, though, because I want my sword. I am the world champion in weapons, specifically, so his sword would be a dream come true.

CORMIER Also season three, I really want to do that episode right before I go fight the fire lord and Aang won’t sleep. I start to see all these visions, and Momo and Appa start talking. It’d be so awesome.

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toastytoast01 · 19 days

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Decided to rewatch NATLA to properly form my own takes that’s been running through my mind: (I’ll have both things that I like and dislike.) Part 1

SPOILERS!

I like it like a friend from a hundred years ago:

First and foremost, NATLA predominantly consists of Asian American Pacific Islanders. Good for them for creating a version that is more in their lens and creativity.

The Bendiiing. All of the elements, except for Earth, are 10/10. I really want it to be more solid, especially on AangvsBumi. It’s not that bad though, so much better than…well u know. I’ll give it an 8/10.

I rewatched it with a Filipino dub and it’s good, 9/10. Aang VO was convincing as a kid, so either they’re a great actor or a great kid actor. The jokes (Sokka’s sarcasm) hits better on my mother tongue

"You're my friend. You will always be my friend.”

Avatar state under the ocean

The costume. The only one that I do agree with everyone else that lacks is Zuko’s scar. They should’ve put prosthetics on the eyebrow.

Zuko’s hair? Hello? They did a great job. Even though my sister and I sing Ariana Grande song whenever we see them swaying. It’s an integral part of his story, and I loved that they keep it. There’s an East Asian culture that indicates that kind of haircut as a punishment. I remember my History teacher taught me this in eighth grade but I forgot which it was, my bad. And the actor’s such a champ for having that hair IRL.

My favorite actor performances: Gordon (Aang) superb acting. Liz (Azula). Utkarsh (Bumi). Justin Wong (Chong/SecretTunnelguy) sounds exactly like the character. Made up for my delusional expectation that Dee Bradley Baker would be in this. Ken Leung (Zhao) pisses me off so much, and that means he’s doing a great job. Dallas (Zuko) & Iroh (Paul). DDK's(Ozai) a natural idk if that's acting /j

Was it established in the OG that Katara's intro is a folklore/legend? Because yeah, I don’t mind that it is considered that way in this version.

AAAAA, the Lieutenant Jee younger casting makes so much sense now! The 41st division is chef kiss. Zuko cryiiiing when he was being banished!? Dallas Lui ate!

THE HYBRID ANIMALS LOOOK SO GOOD. The ostrich horse blended well with whoever rides them. It doesn’t look CGI to me. MOMO HIS MOMONESS, MOMO OF THE MOMO DYNASTY

Any Zuko fight choreography (MY FAVORITE CHOREO DALLAS LOOKS FIIIRE). And Aang’s too (Oh hey).

Aang the Hype Man

The fallen Fire Nation ship behind Zukka fighting. (It’s in my notes idk why but I guess background details are a win)

Aang and Iroh's interactions

NATLA Zuko (I don’t think there’s much of a difference though with the OG lol, and it’s probably because the NATLA directors/producers like Zuko)

Camera direction

The Found Family Hug™, what Netflix can do well.

End scene of Episode 1, is very cinematic. I can’t believe TV shows have come this far. I hope employees are paid well.

The End Theme remains the saaame, and is added with cinematic effects as well.

The folly/sound effect at the start of Episode 2. Why is this the only episode with that flair?

Creating a grave for Gyatso.

How Ozai’s forced unity/being totalitarian is represented. Reminds me so much of our own government, it amuses me. I know it’s not directly referencing that though. It’s good that they show it early on I guess. With the Fire Nation culty greeting as well.

On a lighter note: THE AIR SPHERE/BALL whatevah, yes! More of this goofiness. How about instead of being inspired by GOT, NATLA should be inspired by Stranger Things in terms of fantasy + childhood simplicity balanced by this trauma they're going through. (Well, ST lacks worldbuilding cause it’s just normal Earth but anyway)

Kyoshi Takeoveeer. I hope Roku gets more screen time someday though. Pls pls pls.

They incorporated the OG character theme songs! Of course! The ones I noticed right away are the FireNation Siblings’. So if you watched OG Avatar and you watched the scene where a mysterious girl joins the infiltration of the FN Royal Palace, you’ll know who she is.

Sorry not sorry, Daddy Dae Kim is daddying. (Although he did catch me off guard in Zuko’s Agni Kai lmao.) The plot.

The Aang VS Zuko fight! A reference to the Fortune Teller fight. The team did so well.

Zuko The Master of Disguise Major In Stealing Clothes. Full-time Avatar researcher.

A fourth wall foreshadows Bumi’s OOC for this version. Jet’s "he’s not like he used to be" in line. I mean they did warn us.

Another 4th wall is the line “Things shouldn’t be here” referring to the prototype Fire Nation balloon.

Nice animation with the retelling of Two Lovers legend.

Lu Ten Funeral scene ate. That single teaaaar. I recommend everyone who loves the animation to watch this scene. To feel something idk AHAHAHAH.

The actors were convincing when interacting with CGI animals. Specifically the badger moles.

ZUKO AND IROH SCENES!

CGI’s great did not waste any money

In Katara’s flashback. She experienced this in her present form. And when she was so scared to go to the place where her mom was killed, she immediately changed back to her young self. Like, I wanted that so bad when I was watching the flashback. I thought, this shouldn’t be the present-day Katara. There should be a moment when she switches back to young again. And they did.

Big Iroh moment that makes you cry as an adult when Gyatso was reassuring Aang that the genoc*de wasn’t his fault, and shouldn’t blame himself. Ahh, and the subtle sadness as they say goodbye.

Random eye drawing from Zuko. He’s an artist AHAHAHAH. Okay, I forgot which episode. Sincerely, unreliable narrator.

Showing Zuko's scar when Aang says "Do you even know that lives are at stake".

Basically every scene/plot they 1 by 1 copy from the show. Did not disappoint (well, maybe because OG showrunners were there). Blue Spirit, Siege of the North.

Zuko’s room. I love me some character bedrooms. He’s like a TV Sitcom character for that.

Gaang teamwork scenes! It works and it's dynamic.

Hahn as an honorable man? Yes. I don’t like love triangles so much. I like me some camaraderie. And Ian (Sokka) acted well for feeling included and seen as Hahn recognized his value as warrior/intel.

Zutara fight scene.

Two points that I don’t know if I like but it makes me realize some stuff:

Meek Katara. I know there are specific plot points that Feisty Katara is needed. But she was always nurturing, so I think it makes sense she’s…meek? That Jet scene explains it. Maybe because I relate to her being a log AHAHAHAH. But yeah, uh, I do not, ironically, have strong feelings against that water down.

Angry Bumi. IDK how to feel about him tbh. I always think Bumi is…harsh like that. Almost scary. But yeah, he never blames Aang. Still, it doesn’t feel out of place here. He will return anyway so he’s not this one-dimensional character that is only angry at his friend (hopefully). I never thought of how Bumi would actually feel. And that he will be upset, and now it’s sad because that’s like your friend when you were twelve years old and you wonder where he’s been all this time, and if he’s alive. And..war..never made it any better to process that emotion. So, we got two versions, one that is cautious and then eventually welcomes him, and another who's completely angry and blames a literal kid that he does not know the pain (from the war). Too real, and I personally don’t mind.

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