In fact, she kept her sexuality hidden until her early 20s. “I have Jamaican heritage. I love reggae music and I used to listen to a lot of bashment as a kid,” she says. “That scene, at the time, didn’t support me being queer. Although such views weren’t present in my family, in the wider society there was a shame shrouded on it, so I sort of denied it and pushed it back.” Ultimately, she ended up marrying a man and having children, “but by the time he started being an arsehole I realised: I have two kids, I’m a little older and I don’t give a shit about social pressure, so I’m going to start dating women. It was really that simple.”
[...]
Her most recent role, as Hannah Grose in Netflix’s horror series The Haunting of Bly Manor, also provided the opportunity to tell a queer story that wasn’t centred around coming-out narratives, of which Miller is bored. “We had that lesbian love story and it was just a given,” she says. “I think we’re seeing that more in programming and that pleases me. That’s where it needs to be headed. What I will say is that we need more of it and more differently able-bodied people and different races.”
[...]
Miller is aware of casting directors and agents having “difficult conversations” about inclusion, although she remains cautious about how change is brought about. “If the response is to just stick a load of black people on the screen, then that’s not really doing the job, in my opinion. It has to be behind the camera and in front of camera. It’s not just black people, too. Don’t think that you’ve filled your diversity quota by just sticking a black person in one of those roles. There are so many people to consider and until that happens, we’re not there yet.”
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DANI & JAMIE in THE HAUNTING OF BLY MANOR
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Victoria Pedretti in the Bly Manor Exclusive Tour
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Midsummer Eve by Edward Robert Hughes
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Saint Cecilia (detail), John William Waterhouse, 1895
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