thedizzydinosaur

[thedizzydinosaur]

so, the guy in the ace flag colors

(ace flag made with colors picked from Aaravos turnaround model)

✨Reproduces through asexual reproduction✨

Aaravos really be out here spawning the caterpillar from his own mouth like he's budding, huh.

mlem mlem plop

Step 1: spit out a bug Step 2: bug receives primal radiation to begin growth Step 3: pod Step 4: open pod

Leaves me to wonder, from a scientific perspective: if Sir Sparklepuff is indeed a clone/bud of Aaravos, maybe Sir Sparklepuff actually has Aaravos's true form. Ahaha, god that would be wild.

(But don't you think it's a little sus that these godlike beings just so happen to look exactly like elves, even though they're thousands of years older? I do. I don't trust that beauty. Something's up. Maybe it's benign, or some kind of "become an aspect of what you're worshipped for" or something. But if you could bend reality then why would you keep looking like elves 24/7? And you know I'm asking seriously because I'd be an elf for like 2479 years first before I tried any other shape. So: if god, why elf?)

Anyway, this asexual reproduction is the funniest thing in the whole show to me. Aaravos is the sluttiest slut who ever slutted, but he doesn't understand sex at all... unless he does, but with his Startouch brain, sex is just the same as everything else.

Which is extremely, extremely asexual of him.

Y'all can pry genius idiot asexual Aaravos from my cold dead hands. I'm keeping him forever.

#hey #its a point #did star elves make themselves look like elves #or did they make elves look like them

[thedizzydinosaur]

My Startouch elf OC Aastaras (The Dragon Prince).

#looks amazing!

[thedizzydinosaur]

I would be very interested in hearing the museum design rant

by popular demand: Guy That Took One (1) Museum Studies Class Focused On Science Museums Rants About Art Museums. thank u for coming please have a seat

so. background. the concept of the "science museum" grew out of 1) the wunderkammer (cabinet of curiosities), also known as "hey check out all this weird cool shit i have", and 2) academic collections of natural history specimens (usually taxidermied) -- pre-photography these were super important for biological research (see also). early science museums usually grew out of university collections or bequests of some guy's Weird Shit Collection or both, and were focused on utility to researchers rather than educational value to the layperson (picture a room just, full of taxidermy birds with little labels on them and not a lot of curation outside that). eventually i guess they figured they could make more on admission by aiming for a mass audience? or maybe it was the cultural influence of all the world's fairs and shit (many of which also caused science museums to exist), which were aimed at a mass audience. or maybe it was because the research function became much more divorced from the museum function over time. i dunno. ANYWAY, science and technology museums nowadays have basically zero research function; the exhibits are designed more or less solely for educating the layperson (and very frequently the layperson is assumed to be a child, which does honestly irritate me, as an adult who likes to go to science museums). the collections are still there in case someone does need some DNA from one of the preserved bird skins, but items from the collections that are exhibited typically exist in service of the exhibit's conceptual message, rather than the other way around.

meanwhile at art museums they kind of haven't moved on from the "here is my pile of weird shit" paradigm, except it's "here is my pile of Fine Art". as far as i can tell, the thing that curators (and donors!) care about above all is The Collection. what artists are represented in The Collection? rich fucks derive personal prestige from donating their shit to The Collection. in big art museums usually something like 3-5% of the collection is ever on exhibit -- and sometimes they rotate stuff from the vault in and out, but let's be real, only a fraction of an art museum's square footage is temporary exhibits. they're not going to take the scream off display when it's like the only reason anyone who's not a giant nerd ever visits the norwegian national museum of art. most of the stuff in the vault just sits in the vault forever. like -- art museum curators, my dudes, do you think the general public gives a SINGLE FUCK what's in The Collection that isn't on display? no!! but i guarantee you it will never occur, ever, to an art museum curator that they could print-to-scale high-res images of artworks that are NOT in The Collection in order to contextualize the art in an exhibit, because items that are not in The Collection functionally do not exist to them. (and of course there's the deaccessioning discourse -- tumblr collectively has some level of awareness that repatriation is A Whole Kettle of Worms but even just garden-variety selling off parts of The Collection is a huge hairy fucking deal. check out deaccessioning and its discontents; it's a banger read if you're into This Kind Of Thing.)

with the contents of The Collection foregrounded like this, what you wind up with is art museum exhibits where the exhibit's message is kind of downstream of what shit you've got in the collection. often the message is just "here is some art from [century] [location]", or, if someone felt like doing a little exhibit design one fine morning, "here is some art from [century] [location] which is interesting for [reason]". the displays are SOOOOO bad by science museum standards -- if you're lucky you get a little explanatory placard in tiny font relating the art to an art movement or to its historical context or to the artist's career. if you're unlucky you get artist name, date, and medium. fucker most of the people who visit your museum know Jack Shit about art history why are you doing them dirty like this

(if you don't get it you're just not Cultured enough. fuck you, we're the art museum!)

i think i've talked about this before on this blog but the best-exhibited art exhibit i've ever been to was actually at the boston museum of science, in this traveling leonardo da vinci exhibit where they'd done a bunch of historical reconstructions of inventions out of his notebooks, and that was the main Thing, but also they had a whole little exhibit devoted to the mona lisa. obviously they didn't even have the real fucking mona lisa, but they went into a lot of detail on like -- here's some X-ray and UV photos of it, and here's how art experts interpret them. here's a (photo of a) contemporary study of the finished painting, which we've cleaned the yellowed varnish off of, so you can see what the colors looked like before the varnish yellowed. here's why we can't clean the varnish off the actual painting (da vinci used multiple varnish layers and thinned paints to translucency with varnish to create the illusion of depth, which means we now can't remove the yellowed varnish without stripping paint).

even if you don't go into that level of depth about every painting (and how could you? there absolutely wouldn't be space), you could at least talk a little about, like, pigment availability -- pigment availability is an INCREDIBLY useful lens for looking at historical paintings and, unbelievably, never once have i seen an art museum exhibit discuss it (and i've been to a lot of art museums). you know how medieval european religious paintings often have funky skin tones? THEY HADN'T INVENTED CADMIUM PIGMENTS YET. for red pigments you had like... red ochre (a muted earth-based pigment, like all ochres and umbers), vermilion (ESPENSIVE), alizarin crimson (aka madder -- this is one of my favorite reds, but it's cool-toned and NOT good for mixing most skintones), carmine/cochineal (ALSO ESPENSIVE, and purple-ish so you wouldn't want to use it for skintones anyway), red lead/minium (cheaper than vermilion), indian red/various other iron oxide reds, and apparently fucking realgar? sure. whatever. what the hell was i talking about.

oh yeah -- anyway, i'd kill for an art exhibit that's just, like, one or two oil paintings from each century for six centuries, with sample palettes of the pigments they used. but no! if an art museum curator has to put in any level of effort beyond writing up a little placard and maybe a room-level text block, they'll literally keel over and die. dude, every piece of art was made in a material context for a social purpose! it's completely deranged to divorce it from its material context and only mention the social purpose insofar as it matters to art history the field. for god's sake half the time the placard doesn't even tell you if the thing was a commission or not. there's a lot to be said about edo period woodblock prints and mass culture driven by the growing merchant class! the met has a fuckton of edo period prints; they could get a hell of an exhibit out of that!

or, tying back to an earlier thread -- the detroit institute of arts has got a solid like eight picasso paintings. when i went, they were kind of just... hanging out in a room. fuck it, let's make this an exhibit! picasso's an artist who pretty famously had Periods, right? why don't you group the paintings by period, and if you've only got one or two (or even zero!) from a particular period, pad it out with some decent life-size prints so i can compare them and get a better sense for the overarching similarities? and then arrange them all in a timeline, with little summaries of what each Period was ~about~? that'd teach me a hell of a lot more about picasso -- but you'd have to admit you don't have Every Cool Painting Ever in The Collection, which is illegalé.

also thinking about the mit museum temporary exhibit i saw briefly (sorry, i was only there for like 10 minutes because i arrived early for a meeting and didn't get a chance to go through it super thoroughly) of a bunch of ship technical drawings from the Hart nautical collection. if you handed this shit to an art museum curator they'd just stick it on the wall and tell you to stand around and look at it until you Understood. so anyway the mit museum had this enormous room-sized diorama of various hull shapes and how they sat in the water and their benefits and drawbacks, placed below the relevant technical drawings.

tbh i think the main problem is that art museum people and science museum people are completely different sets of people, trained in completely different curatorial traditions. it would not occur to an art museum curator to do anything like this because they're probably from the ~art world~ -- maybe they have experience working at an art gallery, or working as an art buyer for a rich collector, neither of which is in any way pedagogical. nobody thinks an exhibit of historical clothing should work like a clothing store but it's fine when it's art, i guess?

also the experience of going to an art museum is pretty user-hostile, i have to say. there's never enough benches, and if you want a backrest, fuck you. fuck you if going up stairs is painful; use our shitty elevator in the corner that we begrudgingly have for wheelchair accessibility, if you can find it. fuck you if you can't see very well, and need to be closer to the art. fuck you if you need to hydrate or eat food regularly; go to our stupid little overpriced cafeteria, and fuck you if we don't actually sell any food you can eat. (obviously you don't want someone accidentally spilling a smoothie on the art, but there's no reason you couldn't provide little Safe For Eating Rooms where people could just duck in and monch a protein bar, except that then you couldn't sell them a $30 salad at the cafe.) fuck you if you're overwhelmed by noise in echoing rooms with hard surfaces and a lot of people in them. fuck you if you are TOO SHORT and so our overhead illumination generates BRIGHT REFLECTIONS ON THE SHINY VARNISH. we're the art museum! we don't give a shit!!!

[thedizzydinosaur]

wake up besties new poster just dropped

[thedizzydinosaur]

ruthari means so much to me - the softness they share together, the traumatic things they have overcome together, and the life they have built together

i need s6 to be their season

[thedizzydinosaur]

Humans are unstoppable...Until they aren’t.

I’m not the most eloquent writer, but I’ve had this idea kicking around for a while and figured I’d put it out into the universe.

A lot of the basis for the “humans are space orcs” stuff is the idea that we’re pretty durable compared to many species, yeah? When it comes to physical trauma, we can bounce back from most things that don’t kill us outright, especially given the benefit of hypothetical space-age technology, and adrenaline is one heck of a drug when it comes to functioning under stress. 

But that doesn’t make us unkillable, and even though we can survive debilitating injuries and not die from shock, it doesn’t mean it’s fun. Dying of shock sucks, but at least it’s probably quick.

So - Imagine a ship, adrift in space, slowly being drawn into a star or something. In order to save the ship, someone has to repair the hyper-quantum-relay-majig on the hull or in the engine or whatever. Bit of a problem though- there’s a ton of deadly, deadly radiation (Wrath of Khan style) or poisonous fumes or, I dunno, electrical current, between the crew and the repair. Like, enough to kill most species instantly, so the crew is just like, ‘welp, guess we’ll die then’. But then.

BUT THEN

They ask the human. Because everyone’s heard the stories - you’re basically unkillable, right? Could you survive long enough in there to fix it? And their human goes real quiet for a second, but still says ‘Yeah, I could fix it’. And the rest of the crew is like, ‘Whaaaaaa, it won’t kill you?’ and the human repeats “I can fix it” (which isn’t an answer, but no one catches that, not yet at least), so they send ‘em in. And the human fixes it, they come back, the ship flies to safety, and the crew is thrilled to survive. If the human is a little quiet, well, they’re entitled after pulling off a miracle. Everyone else is just excited to get to the nearest station’s bar to tell their very own human story, cuz, ‘those crazy humans, amiright?’.

The good mood keeps up until the human is late for their next shift. At first it’s just faint unease, but- but they earned a bit of a lie-in, right? No reason to begrudge them some extra rest, even if it is a little weird for them to oversleep. They’ll be fine. Humans are always fine. 

(Right?)

(…Wrong.)

- What is… help. Help!-

- ake up! You have t-

- been days. You need sleep, you-

- nother transfusion. We could-

- out of sedatives!-

A week later, the crew finally reaches the station. They stumble into the bar, haggard and haunted. And over the next months and years a new rumor about humans starts to make its way through space. A rumor unlike any before.

‘Be careful with your humans’ it whispers. ‘Their strength is not always a blessing. Be sure they don’t do something they can’t come back from, because when a human dies… they die slowly.’

[thedizzydinosaur]

Wow. Talk about attention to detail.

Video here: https://twitter.com/javi_draws/status/965260617790738432?s=21

[thedizzydinosaur]

Height gap romance except the shorter one is frequently depicted in situations where they are contextually taller. The taller one sitting while the shorter one looms over them. Both of them lying in bed with the taller one’s head pressed to the shorter one’s chest. The shorter one straddling the taller one’s lap and leaning down for a kiss. The taller one on their knees as the shorter one tilts their head up. Please, it makes me go feral

[thedizzydinosaur]

[thedizzydinosaur]

I can’t wait to see more of Janai in the upcoming seasons of The Dragon Prince! She is one of my favourite characters 💕 This artwork was obviously inspired by Alfons Mucha’s “Fruit”. I really love Art Nouveau pictures, but I hate drawing them :’)

[thedizzydinosaur]

Instructions for how to download a Youtube video using VLC on Reddit

Instructions for how to navigate the underworld on an Orphic gold tablet

[thedizzydinosaur]

feels like i'm unable to do any kind of linearts at this points. i think colored (not even cleaned out) sketches is my career now

[thedizzydinosaur]

An original character Derwen (they/he), a sage and healer, also a bog mummy.

[thedizzydinosaur]

Reblog if you love AO3 and appreciate their volunteers who are working harder than God, fighting battle after battle, making sure the place that is a safe space for every fandom is staying up and running for all of us

[thedizzydinosaur]

honestly if they name a rayllum-heavy episode “frozen ship” I will fucking lol

[thedizzydinosaur]

I’ve gotten a lot of questions about centaur alien respiratory systems now that I’ve animated Talita doing stuff, so here’s a definitive post about them.

The main airway is unidirectional, except for the occasional sneeze. Air enters through the incurrent nostrils on the face, passes into the first air chamber, then to the main lungs that surround the heart and braincase, and then exits out the excurrent nostrils/vents on the rear of the lower ribcage. The majority of oxygen exchange and moisture reclamation happens in the lower lungs, which have a gill-like, high surface area comb structure that the air passes through. Centaurs cool themselves mostly by panting, where they breathe rapidly and open the lung structure up wider in the chest to allow more air to bypass the comb and leave with water and waste heat. They can produce infrasonic hums, rattles, and groans out the excurrent nostril by clenching the valve.

The centaur vocal apparatus evolved from an olfactory structure that got co-opted for language. There are still are still scent receptors in it, but the thing has become much more elaborate than in their ancestors. To speak, they breathe into two large sinuses on the back of their head, close those off from the main airway, and compress them to push air out through the trunk. Of the aliens in Runaway to the Stars, centaurs are probably the best at vocalizing human languages. The phonic structure is pretty similar to ours, consisting of vocal cords set in the skull at the base of the trunk, resonant loops back to the incurrent nostrils, and muscular ridges inside the trunk towards the lips. Their large toothed mouth is totally unconnected to the respiratory system, it only leads into the esophagus.

PATREON | STORE

[thedizzydinosaur]

Adding onto 6x01 "Startouched" and 6x02 "Love, War, and Mushrooms" now we have 6x03: "The Frozen Ship"