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of our own making

(an X-Files fanfic)

Chapter 2/34 - decaf coffee

[Read on AO3]

In the next week, the topic of adoption doesn’t come up again, and she tries to put it out of her mind as much as possible. They wrap up their case, spending several dull hours working on their reports, and wait impatiently for something else to come across their desk, ideally something a little more intellectually stimulating than the last few duds they’ve worked.

The good thing about not having any cases, though, is that no one blinks twice when they take a long lunch here, or leave work a few minutes early at the end of the day there. A spontaneous mid-morning coffee break at their favorite cafe down the street gets them out of the building, enjoying a rare warm day in December.

On the way to the coffee shop, they walk side by side—as always—until Scully stops suddenly in the middle of the sidewalk.

“Oh, Mulder. Look,” she says sadly.

He follows her gaze to the other side of the street, where a little boy no older than four stands with frightened eyes, looking back and forth helplessly while busy businessmen and women in suits pass by without sparing him a glance.

Mulder checks for cars quickly before jogging across the street, giving Scully little warning before taking off. She follows behind, carefully dodging traffic as it approaches.

“Hey, buddy, you lost?” Mulder asks, approaching the boy and kneeling down to his height.

The boy nods, red-faced and eyes brimming with tears.

“That’s okay, we’ll help you get this figured out,” he says consolingly. “Are you here with your mom?”

“Uh huh,” the little boy answers shakily.

Mulder gives him a comforting pat on the shoulder, offering him a reassuring smile. “Alright, well let’s find her, yeah?”

“Okay.”

“I’m Fox and this is Dana,” he says, nodding up at her. “We work for the FBI, do you know what that is?”

He shakes his head. “No.”

“Well, we’re kind of like cops.”

He sniffles.

“What’s your name, bud?”

“William.”

The world slows to a halt, and Scully’s eyes widen.

It’s a common name. So common, in fact, that she can name at least six Williams, Wills, or Bills off the top of her head without hesitating. But that’s exactly the problem.

It’s a family name. Both her family, and Mulder’s.

Fox William Mulder.

“William? Hey, that’s my middle name!”

She won’t think about it. She won’t think about the way that she wanted to use that name, if they were lucky enough to succeed at in vitro fertilization. She won’t think of that little boy she pictured, or the man she hoped would stay and be his father.

“Really?” William asks, eyes lighting up for the first time.

Mulder smiles. “Yeah, better than Fox, right?”

She hears a giggle, and remembers Emily. Mulder got her to laugh, too, even under the most harrowing circumstances. She shakes her head, focusing on the situation at hand. She won’t be of any help if she can’t get her head out of the clouds.

Mulder asks, “You know what your mommy’s name is?”

“Um—Susan,” William answers.

“That’s great. Good job, buddy, that helps. Where did you last see her?”

“We goed to get me shoes for playing soccer,” he says matter-of-factly.

“Soccer, huh? I’m partial to baseball myself—”

“Mulder—” Scully stops him, tapping him on the shoulder. When he looks at her, she points to the other side of the road, and he nods his thanks.

“Hey, look, there’s a shoe store across the street,” he says triumphantly, refocusing in on William. “I bet you she’s right over there looking for you!”

He stands, reaching out his hand for William to hold, and they cross the street together with Scully following closely behind. She watches them, and thinks that if she were a passerby, she might think they were father and son, out for a midday stroll.

It’s a side of Mulder she doesn’t often get to see. A side she suspected lay dormant for a long time after Samantha disappeared, but it’s still there, popping up here and there when it is needed.

“Hey, Scully, can you go in and check if there’s a Susan in there?” Mulder asks, looking to her for assistance. “I want to stay out here in case she comes by looking for him.”

She nods, clearing her head once again of the swirling thoughts that had occupied her. “Yeah, of course.”

She goes in and comes back out just as quickly, shaking her head despondently.

“The clerk said she and her son left about 10 minutes ago,” she reports.

“Did he say which way they went?”

“To the right.”

Mulder glances in that direction and nods. “10 minutes, well she couldn’t have gotten far. We found him just over there,” he says optimistically. “William, keep an eye out for if you see her.”

“Okay,” he agrees.

They head to the right, Mulder now carrying William on his shoulders up above the crowds. They pass a few stores, finding no luck so far, but then are startled when some pedestrians up in front of them nearly get bowled over by the sudden opening of a shop door. A frantic woman exits, then darts off, apologizing as she goes.

Mulder starts jogging, knowing that it must be the mother. He dodges other people walking, skirting between them expertly, which leaves Scully behind by a fair few paces. Luckily, she’s used to it. The woman is poised to enter the next shop when he calls out, “Susan?”

She turns.

“I think this little one belongs to you.”

An instant wave of relief washes over the woman’s face, and she runs to reach them. “William!” she gasps.

The boy all but leaps into her arms, curling in close while she strokes the back of his head, comforting them both.

“Where did you find him?” she asks through tears, holding tight to her wayward son.

“Just across the street,” Mulder says with a smile, pointing to where they came from.

Susan sighs in muted frustration. “There’s an ice cream shop over there, I should have known.”

“My sister did the same thing when I was about 9. Gave us all a heart attack,” Mulder chuckles.

The casual mention of his sister causes Scully to look at him in shock, but he’s too preoccupied to notice.

“I can’t thank you enough. I turned my back for one second.”

“No problem, just glad he’s back where he belongs,” Mulder responds.

After waving goodbye to William, he turns around, a content smile on his face. He starts in the direction of the coffee shop, as if the events of the last few minutes had never happened. Expecting Scully to follow, he walks right past her, but she stands frozen in place.

It’s insane. It’s impulsive. She’s going to do it anyway.

“Okay.”

He pauses and glances back at the statue that is Dana Scully. Amusement plays at his lips, though there’s more than a little confusion there too.

“Huh?”

“Okay.”

He laughs, backtracking a few steps so he is closer to her.

“You’re gonna have to say more words, Scully, I don’t know what you’re—”

“I want to adopt a baby.”

His eyes widen, and he looks to his right and left as if someone might overhear their personal conversation and go tell on them to their supervisors.

“You’re bringing this up now?” he asks, a little incredulously.

“Yeah.”

“And– and you’ve thought this through? You’re sure?”

No, not really. To be honest, she’d barely thought through this at all. There are so many reasons why they shouldn’t, why this is a terrible idea. They’re not ordinary people. They have enemies who could use this against them, careers that have proven to be life threatening on multiple occasions.

And yet…

“Mulder, seeing you with that boy…” she says, her eyes trailing off in the direction the mother and son had disappeared. “Yes, I’m sure. Only if the offer still stands, I won’t hold it against you if you’ve changed your—”

He stops her. “No! No, I’m in. Let’s do it. Let’s– We should talk about this.” He grabs her elbow and starts toward the coffee shop with her in tow, and the pace of his step forces her to walk faster to keep up. “Buy you a cup of coffee? Breakfast sandwich?” he asks, scrambling for something to say.

“I feel like I’m gonna throw up.”

“Just the coffee then.”

The bell jingles as they enter. They sit down at a booth and Mulder leans in, his voice low and placating.

“Okay, no need to panic. We’re just talking about it, yeah? Breathe.”

She huffs out a laugh. “How are you so calm about this?”

He smirks. “I’ve been reading about this stuff for months. You only found my stash of brochures last week.”

“Months?” she breathes, voice laced with disbelief. Her head feels like it’s spinning. “It’s just a little… overwhelming, I suppose,” she says.

“I have that effect on people,” he jokes. “It’s not a rush. If we do this, it will take time, we just have to decide if it’s something we want to pursue. There’s an application process, and getting approved, not to mention finding the right placement...”

Scully feels out of her depth. He knows a lot more about this than she does. She almost wants to ask if he has a slide show prepared.

“I want to do it. I do,” she assures him, carefully choosing her words, “I just don’t know where to begin. It sounds like a crazy idea. Is it crazy?”

“Probably,” he says with a shrug and a grin. “Kind of just makes me want to do it more.”

She’d never admit it, but she feels the same way. Maybe Bill’s right. He has rubbed off on her.

“So… where do we start? What do we need to do?” she asks, needing more information before she starts spiraling.

“Why don’t we take it slow? Start with you and me and an actual adult conversation about our priorities, and then maybe this weekend I can stop by with some Chinese and we can look into next steps.”

She takes a deep breath, heart rate slowing back down to normal.

“Yeah. Yeah, that sounds good.”

How do we do this? How do we have this conversation we should have had months ago?

Before they get a chance, a waitress stops by to take their orders, and Scully opts for decaf. As electrified and anxious as she feels right now, she really doesn’t need caffeine to make it even worse. She can feel her knee bouncing relentlessly under the table.

Once the waitress is gone, Mulder gets the ball rolling with the first order of business.

“I guess to start us off, I need to know how involved you want me to be. I can help you find an agency and be your personal reference on your application, or I could—” he pauses. Breathes. “Like I said, I’ll be as involved as you want. I just need to know what you’re thinking.”

She shakes her head. “Mulder, I couldn’t ask you to—”

“I should tell you that the agencies favor couples over single parents,” he adds before she can finish, “It might be more difficult to get approved on your own, but if that’s what you want, I’ll help you.”

She studies him, the nuance of every microexpression on his face. She knows what her heart is wishing for, but what about him? Would she be asking too much of him?

“What do you want?”

He ducks his head, staring at the chipped surface of the table before glancing up at her with an apologetic smile.

“I’m a selfish man.”

She looks at him, needing more of an answer before she dares to respond. If he doesn’t mean what she thinks he means, one wrong word could spell disaster. Upset the delicate balance that is their friendship. She has to hear it straight from his mouth, this is no time for assumptions.

He sits back in his booth, and she braces herself for what he’s about to say.

“I want to coach little league,” he confesses. “I want to drive an ugly minivan, the ugliest one you’ve ever seen. I want to help with math homework, to tell crazy stories at bedtime and go on camping trips together.”

He looks deep in her eyes, and she shudders, feeling like his words have penetrated her very soul.

“I want it all, Scully. I want a family.”

I want you.

She feels tears pool in her eyes, her throat closing with emotion.

“I want that too,” she chokes out, unable to form any more words.

He reaches out a hand across the table and takes hers. She holds on tight.

“Well, that’s one thing settled,” he says, blinking back the pinpricks of tears in his own eyes.

~~~

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@today-in-fic @ao3feed-msr @agent-troi @angegova @baronessblixen @calimanc @captainsolocide @cutemothman @danasculls @deathsbestgirl @edierone @enigmaticxbee @figureofdismay @frogsmulder @hippocampouts @invidiosa @monaiargancoconutsoy @numinousmysteries @primrose19 @randomfoggytiger @skelavender @skylarksong @slippinmickeys @stephy-gold @teenie-xf @the-redhead-in-a-dress @vincentsleftear @whovianderson

#msr #txf #x files #xf fanfic #mulder and scully #my fanfiction #fox mulder #dana scully #of our own making #ooom #msr adoption fic #adoption

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television-overload · 22 hours

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The Penultimate Partner Episode: Analyzing the Second-to-Last Episodes of Seasons 3-7

So I was thinking about the show’s tendency to do an episode that is explicitly about the Partnership—about the deep abiding bonds between Mulder and Scully—right before the season finale.

This doesn’t seem to happen in season 1 and 2 (the penultimate episodes are Roland and Our Town, respectively, which don’t seem to play the same role). And something different is happening in season 8 and 9, so I don't think they fit as well.

But during the show’s peak popularity, seasons 3-7, the second-to-last episode seems to be setting up baseline emotional stakes for whatever plotline is about to hit. These episodes are giving us the state of the partnership, reminding us how devoted they are to one another. They also tend to have to do with one or both partners having a distorted perception on reality that requires the other partner's intervention in some way. I’m calling them the Penultimate Partner episodes.

So can we look at the themes of each of these Partnership episodes and see development over time? I think yes. It’s gonna be long. I rewatched them all, so buckle up.

Season 3: Wetwired - partnership as trust Season 4: Demons - partnership as loyalty Season 5: Folie a Deux - partnership as shared madness Season 6: Field Trip - partnership as touchstones Season 7: Je Souhaite - partnership as happiness

Season 3: Wetwired (right before Talitha Cumi)

This episode, like several in the Penultimate Partner episode category, involves a X-file that distorts perception. Because Scully can’t trust her own senses due to the mind control, she also can’t trust Mulder, calling into question the key tenet of their partnership. (And by season three, they have definitely established trust as the bedrock.)

Her gradual mistrust of Mulder in this episode is tense and painful; you can see on her face how much she argues with herself about it even as her mind is tricking her. Others who fall victim to this mind control phenomenon wind up murdering their romantic partner, but in the end of the episode, when they’re discussing what happened in the hospital, they both seem pretty unsurprised that Scully’s paranoia focused on Mulder. They both know, late season three, how crucial trust is between them. They understand that it’s Scully’s worst fear that Mulder would betray her. It’s not even news to them.

What Mulder’s worst fear might be is also hinted at, although it’s unsaid. He’s furious that her life is put at risk by the mysterious informant. When Mulder believes Scully may be dead and he’s going to identify her body, his reaction is chilling. He seems to completely shut down emotionally, not even showing any reaction to the Gunmen. Tellingly, when he is offered a choice between getting answers and going to ID Scully’s body, he doesn’t hesitate—he chooses Scully. (Sometimes people claim Mulder doesn’t show this kind of commitment to her until much later, even until Home Again in season 10, so it’s interesting to see it so unequivocal here.)

I want to say that Scully’s anxiety about trusting Mulder in this episode is foreshadowing aspects of the cancer arc in the next season, but I don’t think that’s really what’s happening. This episode seems more like an entirely season 3 cap to the Anasazi / Blessing Way / Paperclip storyline, especially the murder of Melissa. Scully’s paranoia calls back Mulder’s in Anasazi, and Scully explicitly blames Mulder for her sister’s murder when she’s drawn a gun on him. Even just the fact that we're there with Maggie, who has a picture of Melissa displayed prominently, tells me that loss is supposed to be on both partners' minds. (Actually, the interaction between Mulder, Scully and Maggie is pretty amazing in this scene; they’re an emotionally complex trio who seem to be communicating on some other level. I love how when Mulder and Maggie are talking to freaked-out Scully they almost sound strangely unreal, almost like they really are speaking falsely. It allows us to imagine the scene as it looks from Scully’s point-of-view, as a massive betrayal.)

Wetwired is, technically, a mytharc episode, as this whole mind control thing seems to tie back into X and the Syndicate. Personally I think the episode’s ending, emphasizing the mytharc-related plot and X’s involvement and whatever tf was happening there, was a little misguided. For my tastes they would have done better to play up the more personal, character-based themes a little more. But I also think this episode was the first real Penultimate Partner episode, and it was setting some patterns that were going to be expanded on.

Season 4: Demons (before Gethsemane)

From the cold open, we can already tell this is already a more personal episode than Wetwired. Mulder is the one having perception problems now; he wakes from a disturbing dream, covered in blood, muddled memory. This is also technically a mytharc episode, but much more concerned with direct impact on character than Wetwired was.

Scully instantly rushes to Mulder’s aid—walks right into his shower, for heaven’s sake—and absolutely never wavers in loyalty to him, even when he looks real, real guilty and a "rational" person would be suspicious. She is in fierce, must-protect-Mulder mode throughout this entire episode, from the moment she shows up palpating his head with her hands to her back-off behavior with the cops to her badass cold “I know what you do” comment to Dr. Goldstein. She also helps Mulder see through his distorted perception, telling him "this is not the way to the truth" as he holds a gun on her.

In this Penultimate Partner episode, we see something more than simple trust going on, although there’s trust, too. Maybe the word is loyalty or devotion. We see Mulder coming apart and Scully completely and utterly devoted to him. It’s actually very clear foreshadowing for the following week’s episode, Gethsemane. Mulder isn’t stable, and he needs Scully to keep him from “los[ing] his course,” as she says in Demons’ end narration. Gethsemane will follow up on the Mulder losing-his-course idea, and also will explore the idea that Scully’s bottomless support of Mulder isn’t always good for her. (This idea is voiced especially by Bill.)

There are some ways in which this episode is a neat little bookend to Wetwired. In Wetwired, Scully flees to her mother’s house, desperate and paranoid; in Demons, Mulder, similarly unhinged, seeks out his mother at her house. In Wetwired, Scully sees things that aren’t there, and in Demons, it’s definitely implied that Mulder may be seeing things in his past that weren’t actually there. In Wetwired, Scully pulls a gun on Mulder, and in Demons, Mulder pulls one on Scully.

I adore this episode, even though it’s definitely vulnerable to the critique that Mulder acts like a self-obsessed loon and Scully a hopeless enabler lol. Especially because it comes before the Gethsemane / Redux three parter, I wish the episode would have explicitly connected his behavior to the cancer arc, as I feel like that would have made his wild choices seem more understandable. If he felt like he needed to find answers faster because he knew Scully’s time was running out and he saw it all tied together with her fate, then we would get why he was acting so rashly. It would also tie more nicely into Gethsemane, which misleads the audience into thinking Mulder has killed himself, in part, because he believes she’s been given cancer to make him believe. But again, I love this episode. Scully showing up and putting that blanket around Mulder when he’s shaking. Her hugging him at the end when he’s desolate on the floor. This shows a partnership that’s been through Paper Hearts and Memento Mori—that’s moved beyond trust alone.

Season 5: Folie a Deux (before The End)

This is another episode about perception—about one partner seeing things the other can’t. Unlike in Wetwired or Demons, however, in this episode the altered perception actually represents the real truth, something everyone else fails to understand. The episode plays around with the tropes of earlier episodes like Wetwired, at first encouraging us to think that it's a delusion that Pincus is a monster, but then convincing us, through Mulder’s eyes, that the delusion is actually reality.

As other people have observed, this episode ends up being a nice little metaphor for the whole show: Mulder knowing what no one else does, being ostracized and considered insane, asking Scully to find evidence to corroborate him and ultimately convincing her to believe him and see what he sees. Their partnership is, quite precisely, a madness shared by two.

It’s a monster of the week, not a mytharc, so there’s no distraction of elaborate mytharc plot, just characters and monster. And this is a Vince Gilligan operation, so our focus is definitely on character. From the first scene with Mulder and Scully, we sense that we’re going to be talking about the partnership. Skinner gives them an assignment in Chicago that Mulder doesn’t think is worth it, and he complains in a particularly self-centered way to Scully, which she observes (“You’re saying I a lot.”) The episode is going to be very explicit that while Mulder might be monster boy, they are in this unhinged partnership situation together. Another important moment comes later, when Scully is calling the perp crazy for thinking he saw a monster, and Mulder says, “Well, I saw it, too.” Scully’s careful about-face after that, her delicate avoidance of implying she thinks Mulder is actually crazy, is part of the dance they’re doing at this late season five stage of their partnership. She doesn’t quite believe him, but she doesn’t knee-jerk not believe him either.

And the foreshadowing of what’s to come in this one, whoo boy. Most obviously, we must acknowledge that 1013 knew exactly what they were doing when Mulder tells Scully “you’re my one in five billion.” A mere seven days from now, a mysterious beautiful ex who believes his theories is going to show up to immediately cast doubt on that claim. And this episode is also toying with the question of whether Scully actually does always back Mulder up when it’s important, when she has to accept she saw something illogical. At the end, does she tell Skinner she actually saw a giant bug in Mulder’s hospital room? We don’t know, but I think it’s implied she doesn’t. That’s all presaging what will happen in The Beginning coming off of Fight the Future. It’s Scully’s little way of resisting the madness, but it also hurts Mulder and damages the partnership, which will be a problem in season six.

Season 6: Field Trip (before Biogenesis)

Full disclosure: this is my favorite episode. So I’m going to make some big claims about it. This is the ultimate Penultimate Partner episode—the one that best knits together what it wants to say about their partnership and what it wants to establish for the finale. It's a monster-of-the-week episode (another Vince Gilligan ep, with John Shiban) but refers to the mytharc often. It’s also one of the best episodes about their partnership, period.

This is yet another episode about distorted perception. This time, however, under the influence of a giant mushroom, both partners are unable to perceive clearly, to determine what is real and what is a lie. And when they’re confused, they critically turn to one another to help them see what the truth is.

Coming off of season six, the partnership is rocky. Mulder is frustrated that after so many theories of his have borne out, he still can’t get the benefit of the doubt from Scully, something he explicitly says in the dialogue here. Scully has felt like she’s not been trusted or heard, like Mulder has turned to others (Diana Fowley, for example) rather than his partner.

This is an episode about how they absolutely need one another to be able to make sense of the world—that individually each of their points-of-view are not enough. In Mulder’s hallucination, Scully accepts his claims about alien life forms too completely, not applying enough skepticism, not pushing back against him. In Scully’s hallucination, a world without Mulder, everyone is unacceptably unquestioning of the status quo, refusing to dig deeper, lacking Mulder’s critical acumen and drive. Neither partner likes the feeling of being unopposed, and it makes both of them suspicious about the hallucination’s reality. They may think they want their own view to prevail, but they need one another to be a whole person.

The theme of what’s real and what’s not – and needing one another to discern the truth–is exactly what is picked up and developed further in the Biogenesis-Sixth Extinction-Amor Fati arc that follows this. Scully’s skepticism has to stretch to incorporate more of Mulder’s worldview to make sense of what she sees in the Ivory Coast, and of course, Mulder calls on Scully’s worldview to see through his misleading dream world in Amor Fati. In fact, you could argue Field Trip is really about the idea that Mulder and Scully are one another’s touchstones—the people they need to know what’s right and real.

Incidentally, this episode also plays around with some of season 6’s other subtextual throughlines: Mulder and Scully’s anxieties about possibly entering a non-platonic relationship, their unease about what a normal, domestic life might even be for them. For the entire episode they’re directly compared and juxtaposed with the Schiffs, a young married couple who died on Brown Mountain. The Schiffs are a tall man and a redheaded woman. They even die hallucinating lying together on a hotel bed after she asked him to “hold her” (although I do seriously doubt 1013 was intentionally foreshadowing a full year ahead). The last shot is of Mulder reaching out to take Scully’s hand across the ambulance, suggesting a kind of partnership beyond just, you know, partnership. Which takes us to the next season.

Season 7: Je Souhaite (before Requiem)

Truthfully, I don’t think this episode fits quite as well in the Penultimate Partner category. It doesn’t share some of the same traits as these other episodes—it’s not quite as notably about perception, for instance—and it’s not fundamentally about the partnership in the same way. But it does end up commenting on their partnership (even their relationship, really) as part of its theme, so I think we can include it—especially because its position right before Requiem ends up being important.

Je Souhaite (btw, written and directed by Vince Gilligan) has a bit of an unsettled feeling to it because it was kind of treading water, waiting to see what happened with DD and the series. Nothing too monumental could happen with the partnership or the plot because it wasn’t clear to anyone what would happen next with the show: whether it would end or continue, whether DD would be involved or not.

So we have a story about Mulder and Scully making peace with not having a significant impact on the world—e.g. not bringing about world peace, not introducing invisible bodies to science. Instead, they are content to delightfully share a beer and comment that they have made one another “pretty happy” (as Scully says about Mulder). Through the jinni character, they seem to take the lesson that they can enjoy being with one another, accept the simple happiness that their relationship brings them. Rather than wish for success that comes too easily, they take joy in the little things with one another.

Comparing this episode to the Penultimate Partner episodes that come before, we can really see how Mulder and Scully’s dynamic has evolved by season seven. We have a Scully who is much more open to supernatural phenomena, for example, and whose skepticism seems more like a reflex or a defense mechanism now. Scully’s move towards belief is partially reflected in the plot of the episode: the X-file here really isn’t even science fiction. It is just straight up fantasy or magical realism. Aside from Scully's brief mention of a disease to explain what happened to the mouthless man in the cold open, no plausible scientific explanation for the jinni's long life or wishes is really even floated.

Scully is delighted by the discovery of the invisible body, and Mulder is visibly delighted by her delight. He’s also frustrated by her retreat into doubt when the body disappears, of course. But even the reversal into her old skepticism is half-hearted, as she soon after she's engaging in discussion with Mulder about what his final wish was. This is consistent with the overall blurring of the old hardline believer-skeptic dynamic we see in season 7. It’s also peeking ahead to Scully’s coming role as resident basement believer in season 8.

The last scene, with the beers and Caddyshack, is meant to be a callback to djinni Jenn’s comment that she wishes she could “live my life moment by moment... enjoying it for what it is instead of... instead of worrying about what it isn't.” Mulder, we see, is taking a cue from her. (And good for him, as we almost never see these characters do this. Except on rare baseball-related occasions.)

However, this episode’s position right before Requiem—and right before the events of season 8—ends up giving this scene a real bittersweet bite. We know, after Requiem, that they were probably a romantic couple at this time. We know, after Requiem, that this time is going to be their last happy time together for a long while. Later in season 8, we learn that one lingering wish of Scully’s in season 7 is that she wanted to conceive a child with Mulder. And of course we know, after Requiem, that she gets her wish—but with a vicious catch, with a terrible side effect, much like what happens with the jinni’s wishes.

So that’s my academic thesis on that. I know others have pointed out the existence of this type of episode before. What did I miss? Do you think I am wrong to leave out seasons 1, 2, 8, and 9? Why do we think these episodes focus so much on distorted perception? Interested to hear others’ thoughts (if they make it through this lol).

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