tears4dragons

[tears4dragons]

Oh my god. I need to share another story of my new friend making today. So my friends husband says, very casually, as we’re about to leave for the ren faire, “Yeah, it’s like my story about fucking a chicken.”

And of the four people present I was the only one who was shocked. The others all nodded as if to say, yes yes, we know, the chicken fucking.

So he explained, when a progressive person is analyzing a behavior they will typically use the metric, Harm/No Harm. They may not like things in the No Harm category but they wouldn’t object.

Conversely, a more conservative mindset used something like eight metrics. Authority/No Authority Moral/Not Moral, things like that.

So, he posited if you want to sound out someone’s mindset (and you’re willing to live with the repercussions) you can ask: if a man buys a dead chicken from the store, cleans it thoroughly, then fucks it, and then eats it himself…?

I listened in dawning horror, both rapt and disgusted. But into the growing pause I whispered, “No harm…” because it really has no effect on me or anyone else if a man fucks a dead chicken. I don’t like it, I think he’s a weird dude, but like. That’s his dick. But a more conservative person will hear that and object on moral grounds despite not being harmed.

It’s been haunting me all day, so please enjoy.

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Do you happen to know the origin of the fantasy trope in which a deity's power directly corresponds to the number of their believers / the strength of their believers' faith?

I only know it from places like Discworld and DnD that I'm fairly confident are referencing some earlier source, but outside of Tinkerbell in Peter Pan, I can't think of of any specific work it might've come from, 20th-c fantasy really not being my wheelhouse.

Thank you!

That's an interesting question. In terms of immediate sources, I suspect, but cannot prove, that the trope's early appearances in both Dungeons & Dragons and Discworld are most immediately influenced by the oeuvre of Harlan Ellison – his best-known work on the topic, the short story collection Deathbird Stories, was published in 1975, which places it very slightly into the post-D&D era, though most of the stories it contains were published individually earlier – but Ellison certainly isn't the trope's originator. L Sprague de Camp and Fritz Leiber also play with the idea in various forms, as does Roger Zelazny, though only Zelazny's earliest work is properly pre-D&D.

Hm. Off the top of my head, the earliest piece of fantasy fiction I can think of that makes substantial use of the trope in its recognisably modern form is A E van Vogt's The Book of Ptath; it was first serialised in 1943, though no collected edition was published until 1947. I'm confident that someone who's more versed in early 20th Century speculative fiction than I am could push it back even earlier, though. Maybe one of this blog's better-read followers will chime in!

(Non-experts are welcome to offer examples as well, of course, but please double-check the publication date and make sure the work you have in mind was actually published prior to 1974.)

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Happy Pride!

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Labyrinth - As The World Falls Down (David Bowie)

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PLEASE REBLOG IF YOU VOTE!

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Mobility assistance

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📺 📺📺📺📺📺📺📺📺📺📺📺📺📺📺

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[x]

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My face is having uncontrollable spasms. Great. It hurts really, really, really bad.

I think part of why I have trouble explaining pain to the doctor is when they ask about the pain scale I always think “Well, if someone threw me down a flight of stairs right now or punched me a few times, it would definitely hurt a lot more” so I end up saying a low number. I was reading an article that said that “10” is the most commonly reported number and that is baffling to me. When I woke up from surgery with an 8" incision in my body and I could hardly even speak, I was in the most horrific pain of my life but I said “6” because I thought “Well, if you hit me in the stomach, it would be worse.”

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I’ll never understand why anthropomorphic animal cartoons like Robin Hood and Zootopia will go to the trouble of creating character designs that are meant to be understood as “attractive” or even “sexy” to the human audience but explicitly avoid showing interspecies romances between anthropomorphic animals. Why is THAT weird but, like, trying to make rabbits recognizably sexy-coded to humans isn’t?

[tears4dragons]

eventually you realize you don’t want to die. you just don’t want to live the life you’re living. and slowly you try to create a life you want to live. just gotta start there.

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hi welcome to the locked tomb. here's a crash course.

gideon and gideon are different characters

gideon and kiriona are the same character

gideon and pyrrha are different characters but in the same body (gideon's)

gideon is dead now so now the body is just pyrrha's

gideon is also dead, but not really? but also definitely

palamedes and camilla are two different characters who alternated between the same body (camilla's) for a while after palamedes died

now cam and pal have become one character named just paul. that's paul's body now.

harrow and alecto switched bodies for a while but it's ok they got better

alecto and nona are the same character

nona was in harrow's body but then she died kind of

alecto and the planet earth are the same character

dulcinea and cytherea are NOT the same character, but cytherea pretended to be dulcinea for a while (dulcinea was dead the whole time)

there are two different characters called teacher. one of them is god

god is actually named john but we all call him jod (to avoid confusion)

god isn't actually god

hope this helps!

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Yo I feel like the idea that the only historical women who counted are the ones who defied society and took on the traditionally male roles is… not actually that feminist. It IS important that women throughout history were warriors and strategists and politicians and businesswomen, but so many of us were “lowly” weavers and bakers and wives and mothers and I feel like dismissing THOSE roles dismisses so many of our mothers and grandmothers and great-grandmothers and the shit they did to support our civilization with so little thanks or recognition.

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Brooke DiDonato