#zack nelson layouts

[itsworn]

Zack Nelson and SAM Bring Another Poly 318 to the 2018 Engine Masters Challenge

Engine Masters Challenge 2018, presented by JE Pistons

Zach Nelson is an instructor at the School of Automotive Machinist and Technology (SAM) and has competed in the Engine Masters Challenge three times. On the second time he won the Power Adder Nitrous class with a 360-inch LS that made 930 hp on a 200 shot, and 670 on the motor.

This year, SAM is running an engine in each class. The valve layout and the chamber design is what attracted Nelson and his team to look at the Dodge Poly 318 for the Vintage class.

Starting with a 1958 block bored 3.960 over, the engine displaces 404 inches using factory crank offset ground for a 4.100 stroke. Nelson uses Carrillo forged A-beam rods that are lighter than H-beam rod and a custom CP piston with a 24cc dome. The compression ratio is 13.5:1 with a 72cc chamber and a Cometic MLS gasket.

The problem with the heads are small and low ports, and overall weight. Nelson ported the heads to 295 cfm at 0.800 and added a custom T&D rocker system to correct the pushrod location and get a larger/stronger pushrod in the engine. On the exhaust side are 2-inch adapters to get 1-7/8-inch Cleveland headers to fit. The camshaft is a Comp solid roller with 234/246 duration at 0.050 on a 102 LSA, with a 0.800 lift driven by a Weber Machine belt drive.

The intake is a CID LS7 single-plane manifold that was cut in half and milled to match the intake ports on the Poly head then re-sized inside with epoxy. The carburetor is 750-cfm four-circuit 4150 four-barrel from Braswell Carburetor. The ignition is a MSD 7 box and a Jesel distributor.

The big pan is a 7-quart external wet sump that feeds oil to a Stock Car Products belt-driven pump then into a remote filter then into the block through the existing oil filter feed port, through the heads and back to the pan. The system fixed slow drain back and gets the oil away from the spinning crankshaft.

On the last pull, the engine started pushing water into the oil pan and through the breathers, Nelson added timing to save the run and detonated the electrodes and insulators off the plugs, ended the competition for Nelson and the Poly.

#enginemasterschallenge #enginemasterschallenge2018

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#IFTTT #Hot Rod Network

[betapack]

Star Wars Battlefront II - 'Rivalry' Live-Action

CREDITS Client: PlayStation Film: Rivalry Produce: PS4, Star Wars Battlefront II Campaign Name: Greatness Awaits Eric Lempel, Senior Vice President & Head of PlayStation Network Mary Yee, Vice President, Marketing Eric Lachter, Director Brand Marketing Alex Gomez, Brand Manager Cody Morales, Brand Manager Renée M. Holt, Manager, Agency Partnerships Alex Hackford, Senior Artists & Repertoire / Music Affairs Justin Fields, Music Affairs Specialist Agency: BBH New York Gerard Caputo, Chief Creative Officer Alex Booker, Creative Director Philip Sicklinger, Creative Director Aimée Perrin, Art Director Stu Rubin, Copywriter Kate Morrison, Head of Production Adam Perloff, Executive Producer Christopher Galvin, Associate Producer Librado Sanchez, Breck Henson, Director of Business Affairs Kendra Schaaf, Account Director Johnny Skwirut, Account Manager Kendra Salvatore, Head of Strategy Alex Beerden, Strategist Dylan Fauss, Strategist Zack Green, Comms Strategist Production Company: Hungry Man Director: Wayne McClammy DOP: Dion Beebe Executive Producer: Mino Jarjoura Line Producer: Dave Bernstein Edit Company: Work Editorial Editor: Jono Griffith Assistant Editor: Ellie McNaughtan & Trevor Myers Edit Producer: Jamie Lynn Perritt Edit Executive Producer: Jane Dilworth Star Wars Visual Effects Industrial Light & Magic ILM Associate VFX Supervisor: Hayden Landis ILM Layout Supervisor: John Levin ILM Layout Supervisor: Talmage Watson ILM Animation Supervisor: Paul Kavanaugh ILM Lighting Supervising Technical Dir: Leandro Estebecorena ILM Compositing Supervisor: Jason Porter ILM Compositing Supervisor: Mike Conte ILM VFX Producer: Megan Matousek ILM Associate VFX Production Manager: Emily Nelson “Rivalry” Vignettes Visual Effects THE MILL NY The Mill VFX Creative Director: Nathan Kane The Mill Lead Compositor: Siro Valente The Mill Compositing Assists: Marco Baratto, Kyle Zemborain The Mill CG Lead: Christian Neilson The Mill Shoot Supervisors: Nathan Kane , Gregory Gangemi The Mill Executive Producer: Chris Kiser The Mill Senior Producer: Nirad “Bugs” Russell The Mill Line Producer: Perry Tate The Mill Production coordinator: Zach Fortin Colorist: Fergus McCall Audio House: Skywalker Sound Re-recording/Mixer Bonnie Wild Star Wars Music Composed by: John Williams Star Wars Music Master: Lucasfilms /Disney Star Wars Music Publishing: Disney ; Warner/Chappel Original Music Composed by Phil Kay Original Music Company Woodwork Music

[advertisingmakesmehappy]

Star Wars Battlefront II Rivalry

November 17 is the release date for Star Wars Battlefront II, the latest game in the Battlefront franchise. So I was delighted to see this new spot from BBH New York that pits a boy and a girl and their Star Wars rivalry from kids to young adults. The spot is charming, showing how each one-up the other at different points in their lives, finally ending with them as characters in a real SW fight. As an avid video game player and Star Wars fan, the spot is perfect for someone like me, who will end up following the Empire.

Read more about this spot on Adweek.com here: http://www.adweek.com/creativity/playstation-just-made-one-of-the-best-star-wars-ads-in-a-while-thanks-to-strong-storytelling/

All rights about this spot belong to SONY and BBH New York.

Credits  Client: PlayStation Film: Rivalry Produce: PS4, Star Wars Battlefront II Campaign Name: Greatness Awaits Eric Lempel, Senior Vice President & Head of PlayStation Network Mary Yee, Vice President, Marketing Eric Lachter, Director Brand Marketing Alex Gomez, Brand Manager Cody Morales, Brand Manager Renée M. Holt, Manager, Agency Partnerships Alex Hackford, Senior Artists & Repertoire / Music Affairs Justin Fields, Music Affairs Specialist Agency: BBH New York Gerard Caputo, Chief Creative Officer Alex Booker, Creative Director Philip Sicklinger, Creative Director Aimée Perrin, Art Director Stu Rubin, Copywriter Kate Morrison, Head of Production Adam Perloff, Executive Producer Christopher Galvin, Associate Producer Librado Sanchez, Breck Henson, Director of Business Affairs Kendra Schaaf, Account Director Johnny Skwirut, Account Manager Kendra Salvatore, Head of Strategy Alex Beerden, Strategist Dylan Fauss, Strategist Zack Green, Comms Strategist Production Company: Hungry Man Director: Wayne McClammy DOP: Dion Beebe Executive Producer: Mino Jarjoura Line Producer: Dave Bernstein Edit Company: Work Editorial Editor: Jono Griffith Assistant Editor: Ellie McNaughtan & Trevor Myers Edit Producer: Jamie Lynn Perritt Edit Executive Producer: Jane Dilworth Star Wars Visual Effects Industrial Light & Magic ILM Associate VFX Supervisor: Hayden Landis ILM Layout Supervisor: John Levin ILM Layout Supervisor: Talmage Watson ILM Animation Supervisor: Paul Kavanaugh ILM Lighting Supervising Technical Dir: Leandro Estebecorena ILM Compositing Supervisor: Jason Porter ILM Compositing Supervisor: Mike Conte ILM VFX Producer: Megan Matousek ILM Associate VFX Production Manager: Emily Nelson “Rivalry” Vignettes Visual Effects THE MILL NY The Mill VFX Creative Director: Nathan Kane The Mill Lead Compositor: Siro Valente The Mill Compositing Assists: Marco Baratto, Kyle Zemborain The Mill CG Lead: Christian Neilson The Mill Shoot Supervisors: Nathan Kane , Gregory Gangemi The Mill Executive Producer: Chris Kiser The Mill Senior Producer: Nirad “Bugs” Russell The Mill Line Producer: Perry Tate The Mill Production coordinator: Zach Fortin Colorist: Fergus McCall Audio House: Skywalker Sound Re-recording/Mixer Bonnie Wild Star Wars Music Composed by: John Williams Star Wars Music Master: Lucasfilms /Disney Star Wars Music Publishing: Disney ; Warner/Chappel Original Music Composed by Phil Kay Original Music Company Woodwork Music

#star wars #star wars battlefront 2 #empire #jedi #fight #battle #video game #advertising #2017 #video #special effects

[t-baba]

#302: HTML 5.2 Now A Candidate Recommendation

Frontend Focus

Issue 302 — August 9, 2017

HTML 5.2 Now A Candidate Recommendation

Now a W3C Candidate Recommendation, the HTML 5.2 spec defines the second minor revision of HTML. A few things are up for potential deprecation including the ‘menu’ and ‘dialog’ elements.

W3C

The Languages Which Almost Became CSS

The history of all the languages which almost became CSS and the development of the styled web.

Zack Bloom

Make your website content editable for anyone on your team

Avoid back-and-forth changes to website content by enabling anyone on your team to make changes themselves. Component IO is a modular CMS that easily integrates with any website & allows even non-technical teammates to make edits without learning new tools.

Component IO   Sponsor

Inside Mozilla: Firefox Fights Back

Mozilla is preparing to outmanoeuvre Google’s Chrome browser, beginning with the release of Firefox 57 in November.

Stephen Shankland

10 Guidelines to Improve Your Web Accessibility

Some guidelines to improve the accessibility of your site from color choices through to helpful tools and HTML element choices.

Eva Ferreira

Firefox 55: First Desktop Browser to Support WebVR

Firefox on Windows is the first desktop browser to support the new WebVR standard (with macOS support ready now in Firefox Nightly).

Mozilla Hacks

Changes to the Grid Spec, and Multi-Column Layouts

grid-gap properties are changing in favour of more generic gap, column-gap and row-gap properties.

Rachel Andrew

Jobs

Front-End JavaScript Developer (Remote) Swift Education Systems

Senior Front-End Developer (Temporary Contract, London) Design Culture

React Developer (Remote) FundUs

Can't find the right job? Want companies to apply to you? Try Hired.com.

In Brief

CSS Containment Module Level 1: W3C Recommendation news W3C

W3C Launches a WebAssembly Working Group news Bradley Nelson

Service Worker Support Coming to Safari news Initial implementation steps in Safari appear to be taking place. Maxim Salnikov

Companies Are Losing Web Accessibility Lawsuits news The ‘Americans with Disabilities Act’ means companies cannot discriminate. Lainey Feingold

Critical CSS & Webpack: Automatically Minimize Render-Blocking CSS tutorial Anthony Gore

The new front end: building experiences for devices, Facebook & mobile tutorial The final blog post in a series examining technologies that are driving the development of modern web and mobile applications. MONGODB  Sponsor

If You Hate FOUT, 'font-display: optional' Might Be Your Jam tutorial Your options to avoid showing a ‘Flash of Unstyled Text’. Chris Coyier

6 Ways to Detect Chrome Headless tutorial If you want to detect bots, perhaps. Antoine Vastel

Focusing on Focus tutorial Mouse and keyword handle focus differently, and the behaviour can change depending on what browser you use. Chris runs through why that matters for accessibility and offers a solution. Chris DeMars

Keyboard-Only Focus tutorial Another look at :focus variation between browsers. Roman Komarov

Are You Concerned About Accessibility? tutorial How to educate developers on creating accessible websites. Daniela Matos de Carvalho

Solving CSS Versioning Conflicts tutorial How New Relic’s engineering teams solve CSS versioning conflicts. Javier Sánchez-Marín

A Designer’s Guide to Flexbox and Grid tutorial Jon Yablonski

Using CSS to Detect and Count Prime Numbers tutorial Crazy but fun. Demo here. xieranmaya

The Flash Games Postmortem video Kongregate’s John Cooney looks at the immense history of Flash games. Game Developers Conference

After a 23-Year Wait, WebVR Ships Today story The tale of the history of VR on the Web. Sean White

Web Maker: How I Built a Fast, Offline Frontend Playground story Kushagra Gour

Resolving CSS Gridlock opinion Matthias Ott

A CSS Grid Highlighter for Chrome tools Adem Ilter

DisplayJS: A Simple, Lightweight JS Framework for Building Ambitious UIs tools Arthur Guiot

Analyze web app performance in real time tools Collect custom metrics from your servers, dbs, and 200+ techs. Start visualizing and alerting in minutes. Datadog  Sponsor

JPNG.svg: Combine PNG Transparency with the Compression of a JPEG tools A drag and drop tool that compresses large transparent images. Stephen Shaw

by via Frontend Focus http://ift.tt/2vEUnPA

#HTML5 Branding #HTML5 Weekly