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piratewithvigor · 3 years

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My first thought in regard to every band that gets played on my radio station

ACDC: Every dad’s favourite band

Adams, Bryan: Every mom’s favourite singer until Michael Buble came along

Aerosmith: haha they thought Vince Neil was a lady

Alice Cooper: he’s a Game Of Thrones fanboy and I have proof

Alice In Chains: my sister doesn’t like them because she decided AC were Alice Cooper’s initials ONLY

Allman Brothers Band: good music for dropping acid to

Allman, Gregg: That’s too many Gs for one name

Animals: House Of The Rising Sun, or who even cares

Argent: Sometimes Hold Your Head Up is really catchy

Asia: Tuesdays

Autograph: one of the members went on to be a pharmacist

Bachman-Turner Overdrive: There are just so many pop culture jokes about Taking Care Of Business that whatever I say won’t be as funny

Bad Company: with their song; Bad Company, off their album; Bad Company

Benatar, Pat: Always getting her confused with Patti Smith

Black Crowes: I like them for Lickin, but it doesn’t seem to exist outside of one shoddy video on youtube and my old CD

Blackfoot: this band name feels kind of racy

Black Sabbath: Dio was not better or worse than Ozzy; just different

Blondie: I like Call Me, but Blondie confuses me stylistically

Blue Oyster Cult: MORE COWBELL

Bon Jovi: Hello, childhood trauma, I missed you

Boston: ONE GUY. ONE GUY DID IT ALL AND NO ONE KNOWS

Bowie, David: Don’t let your children watch The Man Who Fell To Earth, or David Bowie’s will end up being the third penis they see in life

Browne, Jackson: Another musician ruined by Supernatural

Buffalo Springfield: Jack Nicholson was at the riot they sing about

Burdon, Eric: no ideas, brain empty

Bush: ditto

Candlebox: ditto once more. Who are these people?

Cars: This band feels so gay and so straight at the same time, I can only assume they’re the poster children of bisexual panic

Cheap Trick: I played Dream Police on Guitar Hero so fucking much because it was the only song anyone who played with me could keep up with

Chicago: Chicago 30 exists, but they do not have 30 albums. Fucking riddle me that

Clapton, Eric: 6 discs in one Greatest Hits is too many. That’s called “re releasing your discography”

Cochrane, Tom: For some reason, everyone thinks Rascal Flats did it better

Cocker, Joe: Belushi did it right

Collective Soul: who?

Collins, Phil: If his biggest hits were done by MCR, they would be emo anthems, but because he’s 5′6″ and from the 80s, they’re not

Cream: *Vietnam flashbacks on the hippie side*

CCR: *Vietnam flashbacks on the war side*

CSNY: David Crosby; meh

Deep Purple: THEY’RE SO MUCH MORE THAN SMOKE ON THE WATER

Def Leppard: the only music for when you’re a heartbroken bitch but also a sexy one

Derek And The Dominos: Clapton and ‘Layla’ broke up

Derringer, Rick: Tom Petty if he was from the midwest

Dio: You thought it was an anime reference, but it was me, Dio

Dire Straits: You can tell how bigoted a radio station is based on how much of Money For Nothing they censor

Doobie Brothers: I have yet to smoke weed, but I listen to the Doobies, and I think that’s pretty close

Dylan, Bob: I take back everything I said about him in my youth

Eagles: Hotel California isn’t their best song, but the memes that come from it are second to none

Edgar Winter Group: @the--blackdahlia

Electric Light Orchestra: Actually an orchestra and sound a fuckton like George Harrison

ELO: I really hesitate to ask what happens with the 7 virgins and a mule

Essex, David: no prominent memories of him

Fabulous Thunderbirds: cannot spell

Faces: Who on earth thought that was a good album name?

Faith No More: I got nothing

Fixx: One Thing Leads To Another is a damn bop

Fleetwood Mac: I ain’t straight, but I’m simply not enough of a witch to enjoy them to full potential

Fogerty, John: He got sued cause he sounded like himself

Foghat: Slow Ride slowly becoming less coherent feels like a drug trip

Foo Fighters: He was just excited to buy a grill

Ford, Lita: deserved better

Foreigner: dramatically overplayed

Frampton, Peter: a masterful user of the talk box

Free: dramatically underplayed

Gabriel, Peter: leaving Genesis changed him a lot

Genesis: if someone likes Genesis, clarify the era, because yes, it does matter

Georgia Satellites: sing like you have a cactus in your ass

Golden Earring: Twilight Zone slaps, but it doesn’t slap as hard as this station thinks it does

Grand Funk Railroad: Funk

Grateful Dead: I like their aesthetic more than their music

Great White: there are so many fucking shark jokes

Greenbaum, Norman: makes me think of Subway for some reason

Green Day: the first of the emo revolution

Greg Kihn Band: RocKihnRoll is literally the most clever album name I’ve ever seen

Guns N Roses: They have more than three good songs, but radio stations never recognize that

Hagar, Sammy: I’m still trying to figure out where he lived to take 16 hours to get to LA driving 55 and how fucking fast was he driving beforehand?

Harrison, George: He went from religious to rock, and if he had continued rocking, he would have gotten too cool

Head East: I respect people who use breakfast foods as album names

Heart: Magic Man and Barracuda are played at least once every goddamn day. They’re not even the best songs!

Hendrix, Jimi: I have both a cousin and a sibling named after Hendrix references

Henley, Don: Dirty Laundry gives me too much inspiration

Hollies: Somehow sound like they’re both from the 60s and the 80s at the same time

Idol, Billy: he’s doing well for himself

INXS: Terminator vibes

Iris, Donnie: knockoff Roy Orbison

James Gang: too many funks

Jane’s Addiction: if TMNT had a grunge band representative

Jefferson Airplane: *assorted cheers*

Jefferson Starship: *assorted boos*

Jethro Tull: The only band to make you feel not cool enough to play the flute

Jett, Joan: icon

J. Geils Band: I requested them on the radio once and it got played

Joel, Billy: he really did just air everybody’s business like that

John Cafferty And The Beaver Brown Band: literally wtf is that name

John, Elton: yarn Elton sits in my basement, unstaring. Please someone take him from me

Joplin, Janis: Queen

Journey: Stop overplaying Don’t Stop Believing. It takes away from the rest of the repetoire

Judas Priest: literally started the gay leather aesthetic

Kansas: another fucking band Supernatural stole

Kenny Wayne Shepherd: the man confuses me to the point where he isn’t in the right place alphabetically

Kiss: Mick Mars and I will simply have to disagree on the subject

Kravitz, Lenny: runaway vibes

Led Zeppelin: Fucking fight me if you don’t think they’re the most talented band (maybe not the most talented individually, but collectively, no one comes close)

Lennon, John: My least favourite Beatle for reasons

Live: I got nothin

Living Colour: slap a decent amount

Loverboy: do you not get TURNT the fuck up to the big Loverboy hits? Who hurt you??

Lynyrd Skynyrd: Sweet Home Alabama is a Neil Young diss track

Marshall Tucker Band: no opinion

Manfred Mann’s Earth Band: VERY STRONG OPINIONS THAT THEY AREN’T GOOD

McCartney, Paul/Wings: Power couple

Meatloaf: I have nothing but respect for a man who willingly named himself Meatloaf

Mellencamp, John: voted cutest lesbian of 1987

Metallica: I liked their appearance on Jimmy Fallon

Midnight Oil: I get them confused for Talking Heads a lot

Modern English: who?

Molly Hatchet: Hollies vibes, but also Georgia Satellites vibes

Money, Eddie: DAN AVIDAN, IF YOU SEE THIS, COVER TAKE ME HOME TONIGHT

Motley Crue: Stan Mick Mars and John Corabi. They’re the only ones who deserve it

Mott The Hoople: no one loves them except for David Bowie

Mountain: props for naming an album ‘Climbing’

Nazareth: I want to make a John Mulaney joke here, but I can never come up with one

Nicks, Stevie: witch queen

Night Ranger: I get them confused with Urge Overkill

Nirvana: Kurt Cobain was the ally grunge needed

Nova, Aldo: he’s Canadian, at least

Nugent, Ted: *serves a ghost as jerky*

Offspring: nothing here

Osbourne, Ozzy: this bitch crazy

Outfield: Your Love is kind of a sketchy song, but it slaps hard

Palmer, Robert: low quality Eddie Money

Pearl Jam: *grunts in Eddie Vedder*

Petty, Tom: I have so many feelings about Tom Petty and they are all good

Pink Floyd: which one is Pink?

Plant, Robert: solo career is a crapshoot, but his voice is unparalleled

Poison: I want them to write a song called ‘Alice Cooper’

Pretenders: I want to say good things, but I have nothing to say

Queen: A doctor of astrophysics, a screaming girl, a disco queen and a diva walk into a bar. It’s Queen; they’re there to play a gig

Queensryche: neutral opinion

Quiet Riot: they got big because of a song they hated. I love that

Rafferty, Gerry: the second-sexiest sax opening in all of music

Rainbow: Ritchie Blackmore created something very magnificent

Ram Jam: one good song and they didn’t even write it

Ratt: I’m sure they have more than Round And Round, but I don’t know it

RHCP: funky, but if you have paid money to hear them, you’re going to The Bad Place (I don’t make the rules)

Red Rider: basically Golden Earring

Reed, Lou: Walk On The Wild Side would be such a cool song if it wasn’t so dull

REM: American Tragically Hip

REO Speedwagon: Props for having a dad joke as an album title

Rolling Stones: Never in my life could I imagine the drummer being named anything but Charlie

Rush: How to make being uncool the coolest fucking shit

Santana: The world needs more Santana

Scandal: There’s something really funny about The Warrior being my brother’s “song” with his girlfriend

Scorpions: Was Wind Of Change written by the CIA? Only the spotify podcast I got an ad for once could say

Seger, Bob: A different variety of Eric Clapton (frankly a better variety, but that’s just me)

Simple Minds: we ALL forgot about you

Skid Row: Sebastian Bach is prettier than all of us

Soundgarden: music that makes you feel like you dunked your head underwater

Springsteen, Bruce: my arch-nemesis. Maybe someday, he’ll find out about it

Squeeze: according to my friends, the stupidest band name ever, but they’re theatre kids, so you know

Squier, Billy: If he can make it through 1984 alive, you can make it through whatever bad day you’re having

Stealers Wheel: Yet another band who I always mistake for George Harrison

Steely Dan: my house’s nickname for the Robber in Settlers Of Catan

Steppenwolf: Either makes me think of Jay & Silent Bob, Jack Nicholson, or that time I had to cut 6lbs of onions

Steve Miller Band: when you’re in the right mood, they slap hard

Stewart, Rod: my soundtrack to summer 2015

Stills, Stephen: Love The One You’re With Is Catchy, but the lyrics are questionable

Stone Temple Pilots: the only band to write a song about goo you smear on yourself

Stray Cats: an obscene amount of merch is available for them

Styx: Supernatural would have ruined them for me too if I hadn’t been into them previously.

Supertramp: I hunted for Breakfast In America for two years and it was worth every hunt

Sweet: I will never understand my two-month obsession with Ballroom Blitz when I was 15, but it was legit all I listened to

Talking Heads: you may find yourself in a pizza hut. And you may find yourself in a taco bell. And you may find yourself at the combination pizza hut and taco bell. And you may ask yourself; ‘how did I get here?’

Temple Of The Dog: I keep confusing them for Nazareth

Ten Years After: somehow still relevant

Tesla: not the car or the dude

The Beatles: Evokes a lot of opinions from people. Mine is that I love them

The Clash: I showed my sister the ‘Lock The Taskbar’ vine ONCE and it still kills her

The Doors: evokes teenage terror from deep within my soul

The Guess Who: Canada’s answer to confusing question-themed band names

The Kinks: kinky

The Police: wrote the theme of 2020 and everyone somehow forgot it was about a teacher resisting becoming a pedophile

The Ramones: playing all of their songs in a row wouldn’t take more than 2 hours

The Romantics: you don’t think you know them, but if you’ve seen Shrek 2, you have

The Who: If someone can explain Tommy to me, I’d be glad to hear it

The Zombies: I think they happened because of the 60s

Thin Lizzy: Could the boys maybe leave town?

Thorogood, George: blues, but make it modern

Toto: the most memed song behind All Star

Townshend, Pete: just makes me think of the end of Mr. Deeds

T-Rex: Mark Bolan is an icon

Triumph: The no-name brand of Rush

Tubes: like the yogurt

Twisted Sister: they did a christmas album and my mom does NOT hate it

U2: U2 Movers; we move in mysterious ways

Van Halen: RIP Eddie

Van Morrison: honestly, who’s named Van?

Vaughn, Stevie Ray: Steamy Ray Vaughn

Walsh, Joe: The Smoker You Drink The Player You Get

War: Foghat, but even groovier

Whitesnake: the most successful band to be named after a penis

Wright, Gary: the 90s thanks him for writing the song every movie used for the “guy sees cute girl and it’s love at first sight” scene

Yes: To Be Continued

Young, Neil: The best part of CSNY

Zevon, Warren: the album cover of Excitable Boy makes me deeply uncomfortable for reasons I don’t understand

ZZ Top: has been the same three guys since 1969. Lineup unchanged.

3 Doors Down: They feel a little modern to be on a classic rock station, but whatever

38 Special: Why 38?

#I made this instead of doing homework #Classic Rock #Meme

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lightandwinged · 6 years

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So I saw The Movie. Spoilers--good, bad (or neutral), and ugly--below. Spoiler-free: not as good as the first Avengers, but better by far than AoU.

The Good

This film made me even more furious with Joss Whedon, solely because it proves that the problems in AoU were of his own making, namely his inability to handle too many characters and therefore incompetence when it comes to a film of this type. The Russo brothers took a very smart approach to this, in that they knew they couldn’t take the time to give all of the good guys the characterization they’d have gotten in a film with a smaller cast, so they basically made Thanos the main character, which is really what should’ve happened with Ultron but inexplicably did not happen.

And man, what a joy Thanos is as a character. So many superhero villains are so kind of... one dimensional, tbh. Or not one dimensional, but rather, they seem to have an understanding that what they’re doing is evil or, if they don’t have that understanding, a lack of real conviction. They’re nascent Sith, in a sense, running on either the sheer joy of being cruel or on a heightened desire for vengeance. They can be a lot of fun, don’t get me wrong, but they seem, for lack of a better word, like cartoon villains.

They’re fun, like I said, and the world is full of people who are just... evil for the sake of being evil (as we’ve found out in the last ~2+ years more than a lot of us realized, I think), but they get tired when they’re the villain of everything. Chaotic Evil, in other words, gets less compelling when it’s all you see. It becomes the same person with a different mask, 9/10 times, which I’m sure contributes a lot to superhero movie fatigue.

Thanos, though, I enjoyed because he was 100% convinced that what he was doing was for the good of the universe. Ultron was trying to go there, I think, but Whedon handled it with about as much delicacy as a bull in a china shop (Ultron is mostly redeemed by his being played by James Spader, who is a delight at all times, but that also ends up being his downfall because you get the feeling that he’s winking at the audience the entire time... “I’m saying this with conviction, but here’s a quip to show that I know I’m evil.”). Thanos actually felt real. He felt like he believed everything he was saying, like he truly thought he was doing the universe a mercy, that he was the good guy.

And that doesn’t redeem him by any means (incoming people screeching about how I’m downplaying genocide or stanning because dude’s evil, y’all), but it makes him infinitely more compelling, and GOD, that is refreshing. It’s the same way that Killmonger was refreshing because, even though you don’t agree with it, you see his point. I mean, who among us that’s worked retail hasn’t wanted to snap our fingers and make half of humanity vanish? It’s been more than a decade since my last retail position, and I still have those days.

On a different level, it’s that garbage that gets pushed by freshman level philosophy students who are like “people should stop having babies” because that, not a mismanagement of resources by the wealthy and powerful, is why there’s scarcity. It’s rubbish, absolute rubbish (and it doesn’t work because science tells us that the universe, that all of existence, is infinite... and fuck, the movie’s science tells us that as well--Bananabread Cabletelevision had his little moment of hunting for spoilers and only got through about 1.4 million of the unending possibilities that exist BUT I DIGRESS), but at first blush, you ask yourself, “Wait, does he have a point?” No, he does not.

A rundown of other Goods:

Look, Thor in lightning form is the sexiest creature in existence. I’m sorry, I don’t make the rules.

Also I appreciated him getting another smushface. And then the immediately following Battle of the Chrises (all I’m saying is that if there’s not a threeway Chris standoff in Part Deux, I’ll be very sad. Also, someone please cast Chris Pine in Captain Marvel, he needs to spend the rest of eternity watching powerful women heroes in awe).

The people who were allowed gave fantastic performances. RDJ will be sorely missed as Iron Man (because if y’all think he’s living past the next film, I’m sorry for your loss), and of the good guys, I felt like he came the closest to being the main character here. Which has been true of the other Avengers films as well, so that’s nice to see. Ultimately, these first three phases of the MCU were Tony Stark’s story, and that finale will be really... well, painful.

Other great performances: Tom Holland (darling baby child, I wept for you), Mark Ruffalo (good at constipation), Bagels Cucumbers (that hurts to admit, he’s the Worst, but damn if he isn’t a good actor), Zoe Saldana (you’d better come back), Chris Hemsworth (as always), Paul Bettany (NOOO), and Elizabeth Olsen (poor darling).

The humor was nicely balanced, not fourth-wall breaking like you get in the Whedon Avengerses, but logical. It was kind of like exhaling: inhale the action and serious stakes, exhale the humor. It allowed breathing room in all the intensity, so that was great.

Also how can I have missed Wakanda that much if it’s only been like... not even two months since I saw Black Panther?

Look, if the next movie involves just one scene--just one!--of Okoye, Nat, and Wanda fighting together, my ticket will have been worth its price.

Related, Proxima Midnight is (a) literally the coolest name for anyone ever, and (b) my wife now.

The Neutral-Bad

Or, really, more the expected.

In any ensemble movie, you’re going to have a lot of characters whose purpose is just to step on scene, state their name and allegiance, and then fade into the background. This ended up being the case with pretty much all of Team Cap, and it was to their detriment. They had their shining moments (”Earth just lost her greatest defender” made me ship things like FedEx), but as opposed to the group above, they didn’t really have a lot to do? Or even really much in the way of reactions? They just sort of... came and saw and fought and that was it.

It felt a lot like nobody knew what to do with those characters, which is fair enough, but it also felt like they were wasted, and they shouldn’t have been. If I had to guess, I’d guess that the writers had to pick and choose which good guys they wanted to focus on and which new Avengers and old Avengers would get the attention. Tony because these films have been basically a huge Iron Man series. Thor because I think? the plot requires him to be Important, as per comic books. But as much as I adore Thor, I wish there had been a focus on Steve more. With Tony, you’ve got the plot of “oh my god Thanos, the thing I’ve been afraid of since 2008″ but maybe Steve could’ve had more of a reluctant plot, like he’s been heroing all this time but all he’s gotten for it is locked up and exiled and shit? I don’t know, point is that if Captain America is going to be so prominent in the MCU logo, he should get a bigger slice of the plot pie.

Also I’m annoyed with Gamora’s passing, though I wouldn’t call it a complete fridging because it wasn’t just for mangst. It was just mostly for mangst. Either way, though, I think that’s the death (besides the end ones) that bothered me the most. It didn’t feel unnecessary and was probably the most shocking, when you look at it objectively (more on that in a second), but... I don’t know, it bothered me, but I can’t 100% put my finger on why/how. I do appreciate, though, that it gave Gamora a decent arc in the film.

Anyway, to the deaths. The presumable permadeaths (Heimdall, Loki, and Gamora) were, for the most part, unsurprising. The Thor trilogy is over, so Heimdall and Loki end up being kind of extra weight, the former because he doesn’t have a lot to do that’s not in a role filled by another character, and the latter because the only other way he could’ve worked in this film was as an eleventh hour heroic sacrifice, and that feels almost too woobie-ish, like beyond Zuko levels of woobie.

The Great Dust Rapture at the end was also fairly unsurprising, mostly because there’s no way a good chunk of those characters aren’t coming back. At least two have sequels literally named after them coming out sometime in the next couple of years; as I also pointed out to Kyle, “Look, Gamora may be dead forever, but if the rest of the Guardians remain dust, GotG3 will just be The Adventures of Rocket Raccoon Being Very Sad.” The non-dusted bunch are the OG Avengers, plus or minus a few friends; the stakes for the next film are, therefore, a LOT higher, since all the OG Avengers have finished their trilogies and, should they survive, will probably only ever show up again in cameos. We know T’Challa and Peter Parker and the Guardians of the Galaxy and probably Dr. Strange and everyone still have Things To Do.

But the OG Avengers do not, and they couldn’t really kill off the main characters of the franchise with one film to go, so...

(also, calling it now: the next film is going to be The Avengers: Rebirth. I will put money on it)

The Ugly

But HNNGH. Okay.

I 100% understand the choices they made with the dustinatings, but like... there’s no suspense whatsoever. If Marvel didn’t release their film titles 6000 years in advance, maybe the stakes would’ve been stakier, but as it stands, it’s like... come on people.

You know what would’ve worked way better and made for stakier stakes? Don’t kill off the main characters from franchises that still have sequels coming out. Kill off sidekicks. T’Challa doesn’t die, but maybe M’baku or Okoye does. Spare at least three of the Guardians of the Galaxy. Leave Peter Parker’s fate uncertain (though his death scene was literally the only one that made me tear up because TOM HOLLAND IS JUST THAT GOOD, DARLING FROG-IN-MOUTH BOY). Bucky, Sam, Nick Fury, Maria Hill--they can remain dusted. But if you want to keep the stakes for the second film while actually letting us believe that there won’t be any resurrections this time, maybe don’t kill people who we know will be back in various MCU films at future dates.

It’s like I keep thinking when I watch trailers for Solo or literally any prequel anything: the problem with 99% of prequels is that we know who lives and who doesn’t, so giving us trailer shots of Chewbacca in danger, for example, is like trying to play peek-a-boo with an adult. We have object permanence, it’s not surprising when you pull your hands away and your face is still there. It’s not surprising that Chewbacca isn’t going to get his face bashed away by a rock. It’s not surprising that somehow, in Avengers Four: You Asked For More, all the dusted people with eponymous films coming up will be back.

Another big plot hole: why didn’t Dr. Strange go and do his future vision the second a giant green man fell into his living room? Bruce, as Bruce, tells him “Thanos is coming for the macguffins” and then he goes and spends the next 5 minutes going through possibilities and then figures out the very easy way to solve the thing.

That easy way? Just have Wanda destroy the time stone. Now we’re not panicking about taking out Vision’s brain as fast as we can (point: that scene was unrealistic, Shuri would’ve actually had it done in about 13 seconds flat) and Thanos has lost and maybe he goes around killing people manually but at least he can’t rewind time if things don’t go his way.

The movie didn’t do this, obviously, but it’s one of those things where it’s like “if your audience can figure out a better way of doing things before the credits even fucking roll, maybe revise your script.”

(if Carrie Fisher had been alive to script doctor this shit, we wouldn’t have this problem, universe)

Other big frustration: does every Avengers film really need Thor to go on an epic quest away from everyone else for half the film? Don’t get me wrong, it was pretty cool to see him jumpstart a sun and see Peter Dinklage being huge (all I’m saying is that if Disney ever acquires the rights to the X-Men, things are going to get very confusing) and see a new Mjolnir-like-object, but oh. my. god. Every time those scenes were happening, I felt like it was a bathroom break. Like legit, that fucking ax had better cleave Thanos in half in the next movie because otherwise, that was so much wasted time that could’ve been devoted to literally anything else.

Final Miscellaneous Thoughts

Maybe this means that GotG3 will be about Peter Quill actually growing up and dealing with his issues. I hope it does.

Also, Nebula/Tony Stark road trip back to earth? I’m all about it.

Wonder Woman would’ve ended this all in about 30 seconds flat, which is why Captain Marvel can’t show up until the next film.

The next film is literally going to be at least 90 minutes of Thanos refusing to interact with anyone trying to kill him because he’s on vacation and fuck you.

Literally why does anyone still live in NYC in the MCU? The first movie would’ve been enough to convince me to move to a cornfield in Nebraska and just stay there for eternity.

“Thanos will return.” Along with literally everyone else SERIOUSLY THIS IS NOT SUSPENSEFUL MARVEL AAAAAAUGH.

#infinity war #infinity war spoilers #not really spoiler: thanos and his team are basically apophan and his cult #this realization led to a 20 minute conversation while we waited for the credits to end #in which I pointed out that the last time one of my characters faced off against one of Kyle's #my character legit took maybe 2 damage in the entire event #and it was not Kyle playing favorites I just had lucky dice that night

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