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epochxp · 3 years

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The Value of Hiring a Historical Research Company for Your Indie Game

Glen Carstens-Peters

Though the gaming industry is booming and is now bigger than both the music and film industries combined, the expenses that go into video game development can often be incredibly high and daunting. Video game development teams -- especially small indie studios -- often have a lot on their plate when developing their games and many times have to wear multiple hats. Because of the rising costs and hours required to develop modern games, many times, certain things fall by the wayside during the development process. One of those often forgotten or neglected aspects is historical research -- and if you’re developing a video game rooted in history, this can be a costly mistake.

That’s where historical research companies come in handy. With a research company’s large team of writers and historians, they can help iron out the fine details in your game so you can focus your remaining resources on things like gameplay and story. In case you’re on the fence regarding the value of a company like Epoch Xperience, here are just a few reasons why you would want to consider hiring us for your historical game development.

It Saves Resources & Money

Jinyun

Probably the most obvious reason for outsourcing your game’s historical research to a third-party company is the fact that doing so will save your own indie studio resources and, ultimately, money. Most indie studios have a relatively limited budget, so this is a huge deal. Historical research companies like Epoch Xperience can help your business with all of the necessary research, so that your resources can be better spent on more important things -- the game’s actual development. If you happen to be operating on a limited time frame, this is especially important as it will help your studio save valuable time that could be better spent elsewhere.

We all know the more time you spend on development, the more money you’re losing. Speed up the creation of your historical world with our help, and you may actually save money in the end.

Create a More Historically Authentic Game

Hello Lightbulb

One of the biggest positives of hiring a historical research company is for the additional resources -- companies that specialize in historical research have access to more historical records and info, much of which is not readily available to the public. Therefore, the benefits lie further than simply saving time and in-house resources. And with more research tools, the resulting product will naturally be more historically authentic.

Authenticity is important when it comes to video games that are heavily based within history, as it helps the player stay engaged and immersed within the game’s world. Even if every other aspect of the game is great, lacking any sense of authenticity is one of the quickest ways to turn players off to your game.

Educates and Entertains Players

Business Insider

Historical research companies can also help improve your game by making it more entertaining or even educational for players. Games with heavy historical roots have the potential to be educational, with modern hits like the Civilization series or even old classics like The Oregon Trail providing enough historical facts to make it educational for the player. While educating is obviously not the primary reason for most gamers to play your game, many history lovers do enjoy playing historical games for that reason. There is a real market for games that are educational, as well as fun and entertaining.

If you’re an indie studio staring down at the daunting task of historical research, don’t hesitate to contact us. Epoch Xperience can help with the research for your historical game, with a team of researchers and writers that can help with whatever research work you may need. We offer competitive rates and promise high-quality work to achieve a finished product that’s immersive and engaging.

At Epoch Xperience, we specialize in creating compelling narratives and provide research to give your game the kind of details that engage your players and create a resonant world they want to spend time in. If you are interested in learning more about our gaming research services, you can browse Epoch Xperience’s service on our parent site, SJR Research.

(This article is credited to Ben Price. For as long as he can remember, Ben has always loved playing, discussing, and writing about video games. Since receiving his B.A. in English, he now writes about them for a living.)

#Video Game Development #gaming #historiy

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infectedworldmind · 5 years

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I saw Endgame on the Sunday after it was released in theaters during a work-related conference in Chicago. I bought advance tickets for a screening at the ShowPlace ICON at Roosevelt. The theater featured “industry leading customer service”, reserved stadium seating, the ICON-X enhanced xperience with Dolby Atmos, upwards of 60 individually powered QSC speakers and 40 QSC digital amplifiers, and a fancy lounge with fancy cocktails. The screens were nearly 1500 square feet.

My hotel (and the conference) were in Hyde Park, a gorgeous diverse neighborhood in the South Side of Chicago. As I explored the neighborhood, I stumbled by the Harper Theater, a local spot that had screened films for the local community since 1913 (with a break in the early aughts). It did not have stadium seating or an ICON-X enhanced xperience. I don’t know how large the screen was, but it was not nearly 1,500 square feet. The theater was screening Endgame but there were no lines or fuss, just some posters promoting the movie and people casually milling about the theater. There was something about the casual atmosphere and the friendly environment that felt appealing. I decided to return my ticket at the ShowPlace and buy one at Harper.

The theater didn’t serve much food but was near some great places that did (props to Ja’Grill Hyde Park). It also featured a ticket taker/usher/bartender who made a mean (and inexpensive!) Jack and Coke.The projection was perfectly fine and the sound was clear. The theater was full, but I got there a little early to get a good seat. The audience was perfect, engaged but not loud enough to be a distraction. It was a terrific viewing experience. As the credits rolled at the end of the film, surrounded by satisfied families and fans, I thought that Marvel had finally produced a legitimately great film that captured the experience of reading an epic superhero comic.

I had breakfast with a colleague at the conference the following morning. We chatted about work, family, Game of Thrones and Endgame while sipping coffee and absentmindedly picking at bagels. We both grew up on comics and were surprised at how excited we always were for the latest Marvel film, even when we had mixed feelings about the actual product. They chuckled as they told me that they took Friday off work to watch the film after closing out a particularly challenging case. I told them that I saw the film immediately after a networking dinner at the conference to wind down. They shared their mixed feelings about the film – they enjoyed moments and the spectacle, but the film was far too long and didn’t make much sense. I nodded thoughtfully. I shared my thoughts about the film. They asked me whether I liked the film. In that moment, I realized that I didn’t know.

Endgame is the second part of a story about the epic battle between almost every hero introduced in Marvel Studios’ Marvel Cinematic Universe (MCU) vast narrative (including the Avengers) and Thanos, a hypercompetent nearly omnipotent super villain with plans to reduce the population of the universe by half that began in the Infinity War. The film is partially inspired by Jim Starlin, George Perez and Ron Lim’s classic Infinity Gauntlet miniseries from the early ‘90’s. It features the surprising team ups, epic battles and astronomical stakes that one might find in a classic superhero event crossover. For those of us who read superhero comics when we were children (and many who continue to read the books), this pair of movies combine to form a single expensive, perfectly designed nostalgia machine.

The film blends melodrama, situational comedy, slapstick, space opera and action to create an entertaining viewing experience, but it also values emotional resonance and fan satisfaction over storytelling logic and meaningful stakes/consequences for character actions. The film alternates between dialogue and banter heavy scenes and pedestrian action scenes with state of the art visual effects in a way that feels thrilling in the theater but quickly fades from memory upon exit. Endgame tantalizes the audience with a world of imaginative possibility that feels absent of civilians or characters who are not superheroes (by this point in the narrative, the Avengers are mostly protecting and avenging one another).

Endgame exemplifies the strengths and shortcomings of the MCU project as a whole. It is a film that captures the sense of discovery and excitement that readers like me felt when reading superhero comics as children, appeals to a global audience of people who are only familiar with the Marvel characters as brands and feels somewhat weightless and insubstantial.

I saw the first MCU movies (the first ‘phase’) in the theater. The sense of awe I felt watching Iron Man on the big screen diminished with each film that followed. After Joss Whedon’s Avengers, I mostly saw MCU films on a streaming platform on nights when my wife went to sleep early. They were more densely plotted and serialized than procedural shows like Law & Order and not as intellectually taxing or emotionally draining as shows like the Americans. They scratched an itch. The best of these Marvel films were thoughtful and entertaining, but other than a few standouts – Captain America: Winter Soldier, Black Panther and Thor: Ragnarok – the scenes and images faded shortly after the credits rolled.

I never got completely used to this experience. I’ve loved superhero comics and film for most of my life, and one of the things they have in common are the images that lingered in my imagination.

The woman emerging from the sea as a god surrounded by flame. The man who realizes that he’s going to leave his wife and child and stay with a near stranger in France. The woman who embraces her rage and allows her exterior to reflect her interior. The door closing on a woman who allows herself to realize what she suspected all along – that she lost her husband to his family and their business a long time ago. The makeshift family who momentarily put aside their troubles to enjoy each others’ company, if only for a moment. A sequence that asks us to imagine a near future America that feels as uncertain and unsafe as the unstable countries we all read about in the newspaper (never mind that we were always more uncertain and unsafe than we thought and some of those places may have been more stable).

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I will never completely understand how the marriage of superhero stories and film in the Marvel Studios films has produced so much entertaining work with so few memorable images and moments.

The excitement that I felt in Chicago’s Harper Theater surrounded by enthused families and dedicated Marvel fans faded into respect for the craft involved in creating the film as I walked back to my hotel room. It took me a few days to notice that Endgame’s plot (and the film’s overall role in the MCU vast narrative) left more of an impression than any image or visual sequence in the film. There were flashes – the exhaustion on Robert Downey Jr.’s face, the calm expression of Mark Ruffalo’s Hulk – but very little that lingered in the imagination.

As I sat through workshops and chatted with colleagues from peer institutions over the following days, I found myself returning to the storytelling choices of the filmmakers and Endgame‘s place within the larger MCU vast narrative. There were elements and ideas that were still fascinating, but others which had a distancing effect, a reminder that I was watching a commercial product.

2. Endgame: The Pedestrian Puzzlebox

Endgame is the last chapter of the most successful film franchise of the last decade, a visual effects extravaganza designed for theaters with top of the line sound and projection systems. It’s also one of the few action franchises that feel more driven by dialogue than compelling action scenes. The visual effects are state of the art but the action scenes are relatively pedestrian, lacking the brutal beauty or poetry that can be found in the John Wick or Raid franchises.

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I didn’t have the sense of awe or magic that I get from watching films from the Star Wars franchise (which is even effective on a smaller screen). One of the things that separate great action films like the Police Story or Mission Impossible franchises from lesser films is the use of action sequences as a tool to add layers of meaning to the overall story. The fights aren’t just a way to get from point A to point B or an opportunity to thrill the audience, they help us understand the characters involved and gain insight into their respective journeys. We see combatants display their strengths and vulnerabilities and learn from mistakes. The scenes tell a story through movement that complements the scenes with dialogue.

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Tony Stark’s sacrifice is foreshadowed in the dialogue-heavy scenes in Endgame and occurs at the close of the film’s biggest action sequence, but the opportunity to use the action and movement to tell the final part of his story was lost. His final battle with Thanos and his army did not look or feel meaningfully different from his prior conflicts with Thanos and other antagonists, except that the outcome was not the same. In an early scene, we do see what Thor learned from Infinity War (don’t pause when you’ve got a kill shot against a genocidal maniac), but it would have been interesting if Thor’s approach to combat in the final battle in Endgame was more clearly informed by the prior film. On first viewing, Thor’s ferocity in Endgame doesn’t feel much different than the ferocity that he displayed in the closing battle of Infinity War.

The action in Endgame may not have the beauty or meaning that one might find in the best action movies, but even after a decade, there is still something novel and exciting about engaging with a franchise that isn’t just composed of a number of smaller franchises with interlocking stories, but has incredibly fluid narrative boundaries. Each film in the Marvel Cinematic Universe (MCU) stands alone as an independent work or as part of an independent franchise, but could also be viewed as a piece of a larger story that shifts the audience expectations of narrative extent from the confines of a two-hour film to a ‘cinematic universe’ that includes nearly two dozen films and which represents the entire output of a film studio.

Some viewers can engage with the film as a part of a single vast epic narrative that begins with 2008’s Iron Man, but for others, this film is simply the last in a quartet, or most interestingly, as a part of a loosely connected string of films that have some familiar faces. There were some in my audience who were ardent fans of the MCU and others whose knowledge of Marvel consisted of vague memories of Iron Man and the first Avengers movie and crystal clear recollections of Black Panther (the crowd erupted when Wakandan warriors made their appearance in the final action scene) and Infinity War.

We can treat each film as a chapter of a story or a piece in a giant puzzle, but not only do we not need to experience all of them to understand the larger narrative, the shape of the story itself changes based on the number of Marvel films one has viewed. A story about heroic sacrifice can be one about the limits of duty or another one of a series of zany misadventures. It can even be a prelude to a story where your favorite franchise moves from the margins of the narrative to the center.

These qualities help make Endgame feel like the perfect Marvel Studios film, a work that can appeal to different slices of the audience who are engaged with one or more of the lucrative franchises within the larger MCU. It is interesting to think and talk about, but it’s hard to avoid the sense that the film is essentially a nostalgia machine filled with unremarkable images and scenes. Is this why it was so hard answering my colleague’s simple question?

Did I like this film at all? And if I didn’t, why am I still fascinated by Endgame?

Wrestling With Endgame 1 - Endgame at Hyde Park. The first of three posts on Avengers Endgame (spoilers lie within). I saw Endgame on the Sunday after it was released in theaters during a work-related conference in Chicago.

#Avengers: Endgame #Chicago #film #Marvel Cinematic Universe #Russo Brothers

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isonxperiences · 2 years

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4 Good Reasons to Offer Omni-Channel Customer Experience in a BPO

There are several reasons why a BPO setup should embrace an omni-channel customer experience. To begin with, a customer/caller will have multiple touchpoints to contact the company in the hour of need if there is a multi-channel communication framework in place. Also, such a framework comes in really handy whenever a BPO call centre is looking at getting in touch with a diverse (heterogeneous) set of customers.

Moreover, an omni-channel customer experience will make the customer realise that the company can be approached with ease in the times of need. Be it social media handles or telephonic conversations, there are various ways, both conventional and non-conventional, through which the customer can get in touch with the company.

Here are a few reasons for a BPO company to embrace omni-channel customer experience:

Different People Use Different Ways of Communication

Yes. This statement is pretty much true. Different people use different mediums and channels of communication. There are people who like conversing over the phone and there are people who like to raise their concerns and queries over social media. The channel they choose depends upon their personal preference. Having different channels of communication in place is going to help you immensely when it comes to omni-channel customer experience.

Classify Your Customers According to the Medium They Use

The BPO call centre can give rise to specialized lists of customers and callers that use a particular medium of communication. Take this for an example: there can be a separate list of customers who use Instagram, Facebook, Twitter, phone calls, etc. to communicate. In this way, you will be able to classify your callers and customers into dedicated lots. The ones who communicate with the company/customer care centre using Facebook can be handled by a dedicated team of BPO executives. Something similar can be practiced across all major communication mediums.

Omni-Channel Communication Frameworks Enhance Credibility

Omni-channel customer experience can always come in handy if you are planning to leave an everlasting impression in the minds of your customers. If you want to enhance your credibility (as a company), then you need to have various communication channels and platforms in place. If the caller/customer cannot get through to you on one platform, he will be able to voice his concern regarding a product or service using a different communication platform. That is why social media handles and email IDs are required by the company. The customer would feel that the company is interested in listening to his woes and worries if there are multiple communication touchpoints in place. This is exactly what several outsourced call centres in South Africa are doing at present.

Having Multiple Touchpoints in Place Does Help

In this way, the company is able to get in touch with various (diverse) customers simultaneously. Someone would communicate with the company through a telephonic conversation, while some would use social media handles to voice their concerns and queries. Omni-channel customer experience will become richer if you are able to classify your customers and callers on the basis of the communication medium (channel0 that they use.

Get in touch with Ison Xperiences if you happen to be searching for outsourced call centres in South Africa.This call centre company is one of the best when it comes to handling clients and customers of different kinds. Well, that is because this company deals with clients and customers across several verticals, such as entertainment, governance, media, telecom and a lot more.

#Omni-channel customer experience #outsourced call centres in South Africa #Ison Xperience

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xe-company · 5 months

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📨 (1) ONE NEW UPDATE:

COMPANY + NAME REBRANDING !!!

FORMER NAME: XPERIENCE ENTERTAINMENT (XECOMPANY)

NEW / CURRENT NAME: REDRUM RECORDS [@redrumrecords]

**BACKGROUND CREDIT: sbcoloring on deviantart !!**

#xecompany #xperience entertainment company #xperience entertainment #fictional kpop company #kpop oc gg #kpop oc girl group #kpop oc bg #kpop oc boy group

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tmr-reports111 · 3 years

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Enterprise Software Market - Industry Outlook, Growth Prospects and Key Opportunities

Global Enterprise Software Market: Overview

Enterprise software is increasingly used by organizations across the globe and across most industry verticals for a number of line-of-business operations, including and not limited to human resources, business intelligence, manufacturing, customer relationship management, sales and service, planning, inventory and materials management, purchasing, finance and accounting, and marketing. The primary goal of using enterprise software is to enhance efficiency as well as productivity and gain a significant competitive advantage.

As more and more companies upgrade core functionalities, the global spending on enterprise application software is anticipated to grow, with most spending dedicated toward replacing, modernizing, or functionally expanding current office and business applications. The approval of bigger budgets for IT projects in companies is a positive sign for the overall enterprise software market.

Want to know the obstructions to your company’s growth in future? Request a brochure @ https://www.transparencymarketresearch.com/sample/sample.php?flag=S&rep_id=11219

There is a rising need to gather, manage, analyze, and optimally utilize big data to give business processes, both internal and external, a competitive edge. This report is an ideal blueprint for clients looking to gain this advantage over their rivals. Extensive market coverage, in-depth analysis of the structure, scope, and dynamics of the market, and an assessment of the key factors driving and restraining the current scenario have been provided in this comprehensive report.

Global Enterprise Software Market: Major Segments and Key Trends

The shift toward cloud computing is one of the most significant trends that has positively impacted the global enterprise software market. Additionally, enterprise mobility solutions such as the trend of bring-your-own-device (BYOD) have increased the adoption and implementation of enterprise platforms. The growing demand for business intelligence and analytics has also driven the need for enterprise application software programs, thereby propelling the global market.

Some of the key limitations that players in the enterprise software market have to deal with include drawbacks associated with the software itself: customization and flexibility issues, the high cost of support and licensing, and complexities related to the migration of existing data. However, if companies can manage to overcome these issues, the benefits of enterprise software can help an organization thrive in a competitive business environment.

Enterprise software is used for a number of applications, including web conferencing, business intelligence, customer relationship management, project and portfolio management, digital content creation, enterprise resource planning, enterprise content management, and supply chain management. Enterprise software is used by organizations of all sizes – small, medium, and large – in various industry verticals such as manufacturing, media and entertainment, healthcare, retail, public sector, banking, financial services, and insurance, telecom, transportation, energy and utilities, and distribution. The major regions comprising the global enterprise software market are Europe, Asia Pacific, North America, and Rest of the World.

Global Enterprise Software Market: Region-wise Outlook

Countries in North America and Europe have been identified as early adopters of enterprise software such as software as a service (SaaS) and customer relationship management (CRM). Enterprise software penetration rates in these regions are rather high and the adoption of these solutions has become commonplace with companies rapidly utilizing hybrid models of cloud as well as on-premise products. Countries in the Rest of the World, especially those in North Africa and the Middle East, have been reporting a very gradual rise in enterprise software adoption and these countries are still at the very early stages of SaaS penetration. The adoption of enterprise software in these regions is restrained by the lack of data center and network infrastructure, inadequate local-language cloud or SaaS offerings, and government regulations.

However, research indicates that investments in local-language offerings and build-out of data centers by vendors in emerging countries of Asia Pacific and Rest of the World are on the rise. These trends are likely to boost the enterprise software market in these two regions.

The global enterprise software market is dominated by players such as Salesforce.com, SAP, EMC Corporation, Symantec, Oracle Corporation, HP, Microsoft Corporation, IBM Corporation, CA Technologies, and VMware.

Looking for exclusive market insights from business experts? Request a Custom Report

This study by TMR is all-encompassing framework of the dynamics of the market. It mainly comprises critical assessment of consumers' or customers' journeys, current and emerging avenues, and strategic framework to enable CXOs take effective decisions.

Our key underpinning is the 4-Quadrant Framework EIRS that offers detailed visualization of four elements:

Customer Experience Maps

Insights and Tools based on data-driven research

Actionable Results to meet all the business priorities

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The study strives to evaluate the current and future growth prospects, untapped avenues, factors shaping their revenue potential, and demand and consumption patterns in the global market by breaking it into region-wise assessment.

The following regional segments are covered comprehensively:

North America

Asia Pacific

Europe

Latin America

The Middle East and Africa

The EIRS quadrant framework in the report sums up our wide spectrum of data-driven research and advisory for CXOs to help them make better decisions for their businesses and stay as leaders.

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mrjackhamma · 5 years

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It's A Great Wednesday! I'm Coming To You From The LMN Business Office Which House: RLX RADIO Network • The Relationship Beautification Company • Xquisite Shine • La' VON Media Network • InVigoration 💚 LifeForce • The Xquisite Store • Grown & Sexxxy Music, Inc. • JackHamma Productionz • Global Business Network • B.O.D.I. MODELZ • LMN Courier Service and the Adult Gamin' Xperience. Call (901)730-2106/Come By (5724 Shelby Oaks Dr. ~ Memphis, TN./Unit B-1) And Let Us Take Care of Your #Business #Counseling #Health #Fitness #Gifts #Products & #Entertainment Needs. ⭐⭐✔⭐⭐ #memphistn #memphistennessee #memphismusic #memphis #office #worldwide #worldbusiness #networking #RLXRadioNetwork (at Rokkilavonxperience) https://www.instagram.com/p/B39_w0xF73_/?igshid=18ra1l9izf0vs

#business #counseling #health #fitness #gifts #products #entertainment #memphistn #memphistennessee #memphismusic #memphis #office #worldwide #worldbusiness #networking #rlxradionetwork

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epochxp · 3 years

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Age of Empires IV Gets Release Window and New Details

WCC Tech

The Age of Empires series is one of the oldest and highest regarded RTS games, and fans have been eager to see new details regarding the next game in the series, Age of Empires IV. Since it was first announced back in 2017, Relic Entertainment has been relatively light on details for the title. However, the developers -- in partnership with Microsoft themselves -- hosted a “Fan Preview” event a couple of days ago, where they finally unveiled new features, gameplay footage, and even a release window for the highly anticipated title.

The last main entry into the series was released over fifteen years ago, back in 2005, so there’s certainly been a long time for Relic Entertainment to come up with brand new features for the new title, and all of that time certainly shows in the preview. Some of the new features seen present within the title range from no-brainers like improved visuals, 4K, and HDR support to various gameplay improvements and additional upgrades and new units.

New Features Coming to the Series

EuroGamer

According to Relic Entertainment, there will be eight civilizations included within the base game, and four of them are already known: the Mongols, Chinese, and English, which are three returning units, as well as the Delhi Sultanate, which are brand new to the series. Not a lot of information was given in regards to each civilization’s unique traits and abilities, though we did see that the Mongols were getting a big upgrade with the added ability to pack up and move their buildings and towns.

Relic Entertainment also emphasized during the event how they wanted to add quite a lot of asymmetry to the civilizations; one of their goals was to make sure each one played differently in order to add to the game’s replayability and offer a wider range of experiences for players depending on their chosen civilization. The randomly generated maps will also factor into each civilization’s strengths and weaknesses; for example, maps with lots of tight corners and edges may benefit the defense-heavy English, whilst more open maps would better benefit the Mongols thanks to their highly mobile towns and units.

Many other features were announced for the upcoming sequel, including upgraded combat, new mechanics, and even a brand new story mode, which will include four separate campaigns included. The new campaign mode will also feature documentary footage with narration of the real-life historical events that players will experience in-game. It was announced that Age of Empires IV will be released in Fall 2021, so fans of the series thankfully won’t have to wait too long before getting their hands on the new game.

About the Series

PCGamesN

Age of Empires first began on Windows PC, released way back in 1997. Originally developed by Ensemble Studios, the studio was acquired by Microsoft in 2001 and the series shifted development studios in 2009 after Ensemble Studios’ closure. Relic Entertainment, now spear-heading the series, is no stranger to RTS games. Some of the studio’s previous work includes such classics as the Company of Heroes series, Homeworld, and Warhammer 40,000.

Age of Empires has gone on to sell over 20 million copies to date, with the series spanning five major titles and several spin-offs. The series is quite possibly one of the most recognizable and popular RTS.

#Video Game News and Events #gaming #games #age of empires

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damajority · 5 years

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DaMajority Fresh Article https://www.damajority.com/magnum-xplosion-to-combine-the-biggest-names-in-lucian-entertainment/

Magnum Xplosion to combine the biggest names in Lucian Entertainment

PRESS RELEASE

FOR IMMEDIATE RELEASE

Magnum Xplosion to combine the biggest names in Lucian Entertainment

Castries, St. Lucia- Boasting the best line up of the upcoming summer season Magnum Xplosion will feature the biggest names in Reggae and Dancehall. Veteran Reggae Dancehall artiste Sizzla Kalongi, the new Dancing King Ding Dong and the lone female performer of the evening Spice will on Saturday June 1, ignite Pigeon Island National Landmark. The event, a collaborative effort between Dotcom Entertainment, Epic Events and Peter and Co, distributors of the Magnum Tonic Wine brand in the territory will leave the St. Lucian audience eager for more as they aim for the show’s most ambitious staging yet.

“Dotcom sounds is a well known local entertainment company. We are known for some of the island’s most popular events including Water Wars and WOW paint fete, our patrons have always been assured consistent quality and Magnum Xplosion 2019 will, like it did last year, far surpass every imaginable standard. I am elated to collaborate with Epic Events and PCD to deliver an exceptional show” shared Rontgen Charles, Director, Dotcom Entertainment.

This year patrons to the event can expect an even more dynamic arrangement and stunning atmosphere with the introduction of the Magnum Elite Xperience and Magnum Cabanas.

“Magnum Xplosion 2019 will be nothing short of amazing, not only because of the line up but also because this year, we have specially engineered the Magnum Elite Xperience and Magnum Cabanas giving patrons more ways to enjoy the show” explained Sheldon Michel, Director Epic Events.

Anticipation continues to grow high as the Magnum Xplosion Stage Show Series prepares to roll into St. Lucia with its undeniable brazen energy, dynamic road shows and talented Magnum dancers.

“For us, a lot of preliminary work has gone into the event and we can already tell from the energy at our media launch, the road show stops and on the street that this event will be something truly impressive. Magnum Tonic Wine is big in St. Lucia and is experiencing positive growth, this show will without a doubt be the most memorable this year” said Denver Alcee, Brand Manager Magnum Tonic Wine

Tickets to Magnum Xplosion are $45 general admission and $65 Magnum Elite Xperience. Cabana spaces are limited.

#ding dong #Magnum Xplosion #sizzla #spice

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isonxperiences · 2 years

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What is Meant by Omni Channel Customer Experience in a BPO?

The world has changed, and so have the services offered to the customers by the outsourced call centres in South Africa (and in different parts of the world). All those who wish to check out the best customer experience management should check out the nearby call centre in case the product or service they are using is faulty. There are several call centres that you can approach if you wish to get a faulty service/product fixed.

Now, calling is not the only thing that is practiced by the call centres in India. There are times when calling is not the best option. A person caught in a crowded metro rapid transit might not be able to attend your calls. It is here that an omni-channel customer experience would come in handy.

Here is what an omni-channel customer experience means:

Have Different Channels of Communication in Place

Having different channels of communication in place is really important. In this way, the company will be able to categorise the customers and callers. It goes without saying that the younger segments within the target audience are going to use the social media platforms in order to make themselves heard. Similarly, all those who wish to travel down the conventional route can make use of a telephone call. Having different channels of communication in place is important if you want your customers to use multiple touchpoints whilst contacting you (the company)

People Across Different Age Groups Will Use Different Channels of Communication

Yes. It is a given fact that different people are going to use different channels of communication in order to get in touch with the company. So, this will provide the company with an opportunity to classify the users and callers on the basis of the medium. Make a list of the most reactive consumers and callers across each of the medium. An omni-channel customer experience can be made effective if social media is used effectively. Well, that is because every user in the contemporary era has an online presence.

The Idea is to Maximise a Company’s Reach

An omni-channel approach can maximize a company’s reach by getting the company in touch with a wide set of customers. Customers and callers across geographical boundaries can be approached, all thanks to a multi-channel customer experience. Experiences on social media can be expressed with ease. The best outsourced call centres in South Africa are here to make things easier for the consumers/callers with a multi-dimensional approach.

The best outsourced call centres in South Africa are owned by Ison Xperiences. These people work in the area of power, governance, media, entertainment, telecom, etc. So, it can be said that Ison is a popular name when it comes to providing the best customer experience to the consumers across a wide set of verticals.

#outsourced call centres in South Africa #omni-channel customer experience

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viz-release-blog · 4 years

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eWorld Companies Allies With Celebrities and Entertainment Industry Execs to Promote and Support Cause-Driven Organizations and Activities

New Post has been published on https://vizrelease.com/press-release/2279062/

eWorld Companies Allies With Celebrities and Entertainment Industry Execs to Promote and Support Cause-Driven Organizations and Activities

LOS ANGELES, CA — (Marketwired) — 01/20/15 — eWorld Companies, Inc. (OTC PINK: EWRC) has released details regarding plans to expand its activities in support of cause-driven groups and non-profit organizations.

eWorld CEO Henning Morales explained, “eWorld and its subsidiary THE Xperience enjoy a unique position as producer and promoter of high profile Hollywood-style events and lifestyle activities that connect the company with prominent celebrities, individuals and organizations throughout the entertainment industry, many of whom have established connections with charitable organizations. We bring like-minded groups together, add our own resources to the mix, and the combined efforts of these alliances creates far better results than could otherwise be achieved. At the same time, these activities provide a direct benefit to eWorld by increasing our ever-expanding database of individuals, businesses and non-profit corporations who promote downloads of eWorld’s Boomerang Media Station through their networks, and in many cases purchase custom Boomerangs for their own use as well.”

Some of the prominent charitable organizations that eWorld has supported to date include L.A. Children’s Hospital, Toys for Tots, Boys and Girls Club of America, Tippi Hedren’s Shambala Reserve Animal Rescue, Friends of Meir Panim, The Hemophilia Foundation of Southern California, Two Wings, and Women of Global Change. We are currently in discussions with several additional organizations including The American Civil Liberties Union. The 2015 Ascent Expo, eWorld’s largest event to date, will be held in Los Angeles on February 27 and 28 and March 1. A list of participating charities for this event will be released in a separate forthcoming release.

Mr. Morales concluded, “Our model of inclusion and cooperation in support of charitable causes has attracted a broad array of powerful sponsors and strategic partners whose support and endorsements are invaluable to our success. We are proud of our efforts to date, and we have just scratched the surface of what we will be doing going forward.”

About eWorld Companies, Inc.

eWorld Companies markets and distributes cutting edge Internet technologies including its patent-pending Boomerang Media Station(R), a multimedia content platform that delivers proprietary and third-party movies, music videos, and other streaming content via its state-of-the-art video player. eWorld also produces and promotes professional and lifestyle events through its subsidiary, “THE Xperience,” including the upcoming 1st ASCENT EXPO in Los Angeles on February 27-28 and March 1, 2015. Ascent Expo, with the byline “Commerce – Innovation – Creativity,” will provide a forum for Cultural Creatives, a fast-growing new breed of forward-thinking, cutting-edge businesses, individuals and non-profit organizations committed to achieving commercial and social success while applying the principles of positive psychology to people’s everyday lives and activities.

Safe Harbor Statement: This release contains forward-looking statements with respect to the results of operations and business of eWorld Companies, Inc., which involves risks and uncertainties. The Company’s actual future results could materially differ from those discussed. The Company intends that all statements included herein, including those referring to future revenues and earnings, be subject to the “Safe Harbors” provision of the Private Securities Litigation Reform Act of 1995.

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katiecad · 5 years

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*** MEDIA ALERT *** MEDIA ALERT *** MEDIA ALERT ***

Station Casinos announces October 2019 headliners

FOR IMMEDIATE RELEASE September 25, 2019

PALMS CASINO RESORT

Billy Idol: Las Vegas 2019 Presented by SiriusXM Venue: Pearl Concert Theater Genre: Rock Dates: Friday, Oct. 4, 2019; Saturday, Oct. 5, 2019; Wednesday, Oct. 9, 2019; Friday, Oct. 11, 2019; Saturday, Oct. 12, 2019; All shows begin at 9 p.m. Ticket Prices: $34.95, $49.95, $79.95, $89.95 and $149.95 plus applicable fees Artist Info: Billy Idol was an early architect of the sound, style and fury of punk rock. His lip- curling sneer and fist-pumping persona vaulted him into the mainstream as one of MTV’s first megastars, making him one of the most recognizable faces in pop music, while selling out arenas everywhere he played. He has sold 40 million albums while scoring numerous platinum albums worldwide, nine top 40 singles in the U.S. and 10 in the U.K. including “Dancing With Myself,” “White Wedding,” “Rebel Yell,” “Mony Mony,” “Eyes Without A Face,” “Flesh For Fantasy” and “Cradle Of Love.”

Idol was responsible for some of punk rock’s most memorable, literate and evocative moments, and created a pioneering new sound by bringing the spirit of ’77 to the dance floor, going on to fashion an immediately identifiable musical blueprint that integrates club-land throb, rockabilly desperation and rock ’n’ roll decadence.

More than 30 years after his groundbreaking Vital Idol compilation cemented the vibrancy of the dance-rock remix genre in the second half of the 1980s, Idol’s Revitalized collection, Vital Idol: Revitalized, features 11 brand-new remixes of Idol’s most classic and enduring hits. Lending their hands to the Revitalized proceedings are electronic dance luminaries Moby, The Crystal Method and Paul Oakenfold as well as current innovators including RAC, Tropkillaz, Shiba San, Juan Maclean and CRAY.

Idol also hosts an exclusive SiriusXM show, Billy Idol’s Live Transmission, that can be heard on SiriusXM’s 1st Wave, channel 33.For all Billy Idol information, visit BillyIdol.net. This is an all-ages show; those under 21 must be accompanied by an adult

J Balvin Arcoiris Tour Venue: Pearl Concert Theater Genre: Rock Dates: Saturday, Oct. 19, 2019 at 8 p.m. Ticket Prices: $59.95, $79.95, $89.95, $129.95 and $179.95 plus applicable fees Artist Info: J Balvin’s history making Coachella debut was just a first glimpse of what fans can expect on the upcoming “Arcoiris Tour “– with multiple chart-topping hits and groundbreaking visual production, which will be brought to life once again by the Colombian superstar and the FriendsWithYou Art Collective. This is an all-ages show; those under 21 must be accompanied by an adult

Marilyn Manson Venue: Pearl Concert Theater Genre: Rock Dates: Thursday, Oct. 31, 2019 at 8 p.m. Ticket Prices: $59.95, $79.95, $94.95, $129.95 and $189.95 plus applicable fees Artist Info: Marilyn Manson rose to fame in the ’90s and has maintained being one of the most iconic performers of modern music. With chart-topping hits including “The Dope Show,” “The Beautiful People,” and “Antichrist Superstar,” Manson maintained in major rotation on the radio and continued to climb charts throughout his career. In 2017, Manson released his 10th studio album, the critically acclaimed Heaven Upside Down. This is an all-ages show; those under 21 must be accompanied by an adult

RED ROCK RESORT

Chase Rice Venue: Sandbar Poolside Stage Genre: Country Date: Friday, Oct. 25, 2019 at 7 p.m. Ticket Prices: $20 plus tax and applicable fees for standing room only and $50 plus tax and applicable fees for VIP standing near the stage Artist Info: Rice released his ten-song album Lambs & Lions late last year with new label partner BBR Music Group/ BMG—the follow-up to 2014’s Ignite the Night, which hit No. 1 on the country charts and reached the top five of the all-genre Billboard 200—but with Lambs & Lions, he is making a fresh start. With a new label and a renewed sense of creative purpose, he is making music that draws from multiple sources and influences, but is unified by his vision, integrity, and honesty.

The 10 songs on Lambs & Lions derive from Rice’s life and experience, triumphs and disappointments, and ultimately his determination to stand up for his convictions. Produced by Chris DeStefano, Mac MacAnally and, most surprisingly, Jacquire King (Kings of Leon, Cold War Kids), Lambs & Lions offers up sounds from the unsettling strings and horns on the title track to the spare piano and swelling choir of “Amen.” And if it took him walking out on his record company and finding a new home to get there, it also reflects the unconventional path that led him to make music in the first place. This is an all-ages show; those under 21 must be accompanied by an adult

Cover to Cover A Tribute to Rush: Permanent Venue: Rocks Lounge Genre: Rock Date: Saturday, Oct. 26, 2019 at 6 p.m. and 8 p.m. Ticket Prices: $15 plus tax and applicable fees Artist Info: Featuring world-class musicians and singers, Cover to Cover takes audiences back to a time when albums were a complete and cohesive piece of art, by performing the famous records track to track, cover to cover the way they were originally meant to be appreciated. This is an all-ages show; those under 21 must be accompanied by an adult

GREEN VALLEY RANCH RESORT

STYX X A Tribute to Styx Venue: Grand Events Center Genre: Tribute Date: Saturday, Oct. 5, 2019 at 8 p.m. Ticket Prices: $15 plus applicable fees Artist Info: At the height of their career, Styx was one of America’s favorite rock bands, with a string of hits and endless world tours. With world-class vocals and complex arrangements, they set themselves apart in dramatic fashion. Styx Xperience brings you the same energy and detail as the original they pay tribute too. With veteran musicians at every position, Styx Xperience is the nation’s finest Styx tribute act, hands down. This is an all-ages show; those under 21 must be accompanied by an adult

Todrick Haus Party World Tour Venue: Grand Events Center Genre: Musical Date: Friday, Oct. 18, 2019 at 7:30 p.m. Ticket Prices: $25, $32.50, $42 & $45 plus applicable fees Artist Info: Todrick is a singer, songwriter, dancer, actor, choreographer, playwright and director. In 2010 Todrick Hall rose to fame as a semi-finalist on the ninth season of American Idol. He focused his talent on creating his own content on YouTube. His videos of flash mobs to songs by Ariana Grande and Beyoncé became viral video sensations. Todrick has amassed over 3 million YouTube subscribers and an astounding 630 million YouTube views. He has since choreographed for Beyoncé. He won the 2016 Streamy Award for Breakthrough Artist of the Year.

In 2014, Todrick was named one of Forbes’ 30 Under 30 to watch in Hollywood & Entertainment. He also starred in his self-titled MTV show, TODRICK, which he wrote and directed. The docu-series showed fans a behind the scenes look at Todrick and his creative team as they choreographed and staged elaborate performance videos. He has written and directed commercials for Fiat and theme songs for Sesame Street. He wrote and performed in the Virgin Airlines Safety Video. He has also been a judge and choreographer for RuPaul’s Drag Race. Todrick has starred in the Grammy & 6 time Tony Award-winning musical Kinky Boots as well as played the iconic role of Billy Flynn in Chicago. He was also part of the Tony Award-winning musical Memphis, and prior to that he took the stage alongside Fantasia Barrino in The Color Purple.

He has also just released his Netflix film Todrick Hall Behind The Curtain, an inspiring documentary that shows the hard work and creative power of this multi-talented artist. This is an all-ages show; those under 21 must be accompanied by an adult

Atlantic Crossing The Ultimate Rod Stewart Tribute Venue: Grand Events Center Genre: Tribute Date: Saturday, Oct. 19, 2019 at 8 p.m. Ticket Prices: $15 plus applicable fees Artist Info: Rg Stewart as lead singer and band leader is touted as the quintessential tribute to Rod Stewart. With looks that elicit double takes wherever he goes and a voice that you’d think you was Rod Stewart himself, he charms audiences everywhere. Rod Stewart’s catalog includes more than five decades and genres of timeless rockin’ hits including; rock, blues, disco, pop, reggae, and more. This is an all-ages show; those under 21 must be accompanied by an adult

Clint Holmes Venue: Grand Events Center Genre: Tribute Date: Friday, Oct. 25, 2019 at 8 p.m. Ticket Prices: $25 plus applicable fees Artist Info: Clint Holmes is simply one of the country’s finest vocalists. A consummate entertainer, performer and recording artist, Holmes scored a number-one hit in 1972 with “Playground in My Mind.” He has established a long resume of accolades and accomplishments, including “Singer of the Year” in both Las Vegas and New York City. His album Rendezvous was nominated for two Grammy® Awards in 2018. This is an all-ages show; those under 21 must be accompanied by an adult

SUNSET STATION

Billy Currington Venue: Sunset Amphitheater Genre: Country Date: Saturday, Oct. 5, 2019 at 8 p.m. Ticket Prices: $37.50, $54.50 and $67.50 plus applicable fees Artist Info: Billy Currington’s latest album bears the breezy title Summer Forever, but the talented Georgia native has spent more than a decade in the spotlight proving he’s truly a man for all seasons. Possessing one of the smoothest and most distinct voices in any genre of music, Currington is equally skilled at delivering upbeat summertime anthems as well as exploring the complexities of life and love with a poignant ballad. On Summer Forever, Currington’s sixth studio album, he brings both with a collection of songs that will take the listener on a riveting musical journey and leave them breathless at the end of the ride.

Since his self-titled debut album bowed on Mercury Records in 2003, Currington has scored 11 career No. 1 singles, most recently, “Don’t Hurt Like It Used To.” His other hits that reached the No. 1 spot include such memorable songs as “Good Directions,” “Let Me Down Easy,” “Must Be Doin’ Somethin’ Right,” “People Are Crazy,” “That’s How Country Boys Roll,” “Hey Girl,” and “We Are Tonight.” Over the years, the self-effacing Georgia boy has amassed an impressive list of accolades. He won the “Hottest Video of the Year” honor at the fan-voted CMT Music Awards for “Must Be Doin’ Somethin’ Right” in 2006. The same year, he received an ACM nod for Top New Male Vocalist. His hit duet with Shania Twain, “Party for Two,” earned nominations from both the CMA and ACM. “People Are Crazy” took Currington’s already hot career to another level. He earned Grammy nominations for Male Country Vocal Performance and Best Country Song in addition to being nominate for Single and Song of the Year from the Country Music Association. This is an all-ages show; those under 21 must be accompanied by an adult

BOULDER STATION

Boulder Blues Rick Estrin Venue: The Railhead Genre: Blues Date: Thursday, Oct. 3, 2019 at 6 p.m. Ticket Prices: $5 cover at the door Artist Info: Formed in 2008 after the dissolution of Little Charlie & The Nightcats, Rick Estrin & the Nightcats consists of harmonicist/lead vocalist and songwriter Rick Estrin, guitarist Chris “Kid” Andersen, singing drummer J. Hansen and dynamic multi-instrumentalist Lorenzo Farrell (electric and acoustic bass, organ and piano). A San Francisco native, Estrin began performing at the age of 15 and by 18 years old he was playing professionally. Throughout his career, Estrin has written for and performed with Koko Taylor, Robert Cray, John Hammond, Fillmore Slim and others. Guests must be 21 years or older

Boulder Blues Jason Ricci Venue: The Railhead Genre: Blues Date: Thursday, Oct. 17, 2019 at 6 p.m. Ticket Prices: $5 cover at the door Artist Info: Jason Ricci is one of the most popular harmonica players on the planet today. Listed in almost every top ten list of players on the internet today Jason Ricci is a polarizing force always in the spot light and on the tips of critics, artists and fans tongue’s everywhere. Through two plus decades of endless touring, TV appearances, recordings and the internet Jason Ricci’s style of playing is so revolutionary and influential that there exists an entire younger generation of players imitating his music, clothes, gear, and even stage presence. Nick named “Moon Cat” (a street name he once used in Nashville and New Orleans to avoid police detection) Jason has been an almost constant force for decades in the studio, festivals, club dates and press. Love him or hate him, through performing, singing, song writing, teaching, harmonica playing and activism in the fields of L.G.B.T., mental health and addiction, it is not an overstatement that this young, white, queer, skateboarding, punk rock loving, multiple convicted felony having Moon Cat from Maine is currently changing the world through music and education. Guests must be 21 years or older

OC/DC A Tribute to AC/DC Venue: The Railhead Genre: Tribute Date: Saturday, Oct. 26, 2019 at 6 p.m. Ticket Prices: $15 plus applicable fees Artist Info: The ultimate AC/DC tribute band, OC/DC performs hits from the world-famous rock band’s catalog, stretching more than 40 years. Guests must be 21 years or older

SANTA FE STATION

An Evening with Judy Collins Venue: Dallas Events Center Genre: Americana Date: Saturday, Oct. 12, 2019 at 8 p.m. Ticket Prices: $27.50, $38.50 and $49.50 plus applicable fees Artist Info: Judy Collins has inspired audiences with sublime vocals, boldly vulnerable personal life triumphs and a firm commitment to social activism. With a 50-album body of work and a career spanning five decades, Collins has garnered several gold and platinum-certified albums, including numerous top-10 hits. The award-winning singer-songwriter began her impressive music career at 13 as a piano prodigy and released her debut album A Maid of Constant Sorrow in 1961, which featured interpretative works of social poets of the time such as Bob Dylan, Phil Ochs, and Tom Paxton. Her 1967 album, Wildflowers, featured original compositions, including the Grammy Award-winning song, “Both Sides, Now,” which climbed to number eight on the Billboard Hot 100 chart. Collins also remains a social activist and has authored several books, including the powerful and inspiring, Sanity Grace. This is an all-ages show; those under 21 must be accompanied by an adult

Tickets can be purchased at any Station Casinos Reward Center and The Fiestas, by logging onto www.StationCasinosLive.com or through Ticketmaster at 1.800.745.3000 or www.ticketmaster.com. Tickets for the Palms concerts can be purchased at the Palms Box Office, online at www.palms.com or by calling 702.944.3200.

The post Marilyn Manson, Chase Rice and Todrick highlight Station Casinos’ October 2019 headliners appeared first on PR Plus.

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