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four-pages-zine-blog · 6 years

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Issue 2: Interview with Hannah Depop: @guthball

Q: What brought you to Depop? How long have you had your shop? Did you/Do you sell anywhere else?

A: Depop appealed to me because it's so clear that its basis is in community. I’ve been able to connect, collaborate and create for cool people I might’ve never clicked with otherwise, and I actually, really, truly cherish that. Plus, the layout and features are so user-friendly, there’s never been an intimidation factor. I created an account about two years ago. And I’m still here, maybe just because they added the video feature...

The reception of my art from depop users has been so gratifying. I would not have immersed myself in resin so extensively without that encouragement. It wasn’t long before I joined depop that I began experimenting with the medium; I loved the look, but had no idea what its creation entailed. So I took in a few tutorials, bought a kit, and have grown, or attempted to, from there.

The entrepreneurial bug bit me early. My mom owns and operates a drycleaners, and has allowed me to sell there since I was a kid. It began with hand-drawn bookmarks, friendship bracelets, that kind of thing. Now, I have a display of resin magnets and keychains there. I do local shows here and there, too. Mostly for fun, profit’s never promised. It’s always worth it, though, just to gauge reactions to my work- I love answering questions on process, seeing little kids play with the magnets, or experiencing the moment someone takes a closer look at something I made and really GETS it.

Q: (Your magnet faces make me so happy to look at!) How long have you been making them for, and what inspired the making of these characters?

A: I’m so glad you enjoy the face magnets! They are a blast to make. I just looked through my photos to see how long ago I made my first- it was back to September of 2016. Wow. That piece now resides with my sister, totally forgot it.

A lot of my work is influenced by quirks in process and material, the expression pieces are no exception. At their inception, I’d done a few projects with encapsulated googly eyes before, and had a bunch of sequins I'd bought to make flower accents. It was around then that I realized that the plastic formed packaging from my jewelry findings could be repurposed as a smooth, glossy tile mold, in a range of sizes PERFECT for magnets and other accessories. Toony faces have always been my go-to in drawing, and these introduced a way to marry my illustration style with resin work. I've put together so many goofy lookers now, made out of all sorts of materials, and set in all kinds of molds. I've refined my technique, but still never really know how (/if!) they’ll come together until they’re popped out. The features are all cut and glued, then layered in backwards, so I don’t have a great view as they cure. Pieces can shift, bubbles can sneak their way in, some materials distort when submerged in resin. It can be a challenge to make sure nothing's too out of place, but the glitches can be where the character sneaks in.

I mostly improvise the face designs, but sometimes, just to shake up the procedure, I doodle ideas out beforehand. There’s definitely inspiration from drag, from cartoons, from geometry, texture, and color. I know there’s one with a pout I ripped straight from a photo of my sister- I'm into the idea of full-on custom magnetic portraiture, but no one’s come to me requesting their likeness in sequins and googly eyes yet. The fact that kids think they're fun is also a huge influence: that motivates me to make them as kooky and colorful as I can. There is a selection that made it to a preschool classroom, and it’s been reported back to me that all the kids like to play and even fight over them. I love that!

Q: Do you have any favorite artists that inspire you?

A: She’s inspired by way too many artists!!! A few off the top of my head: Keith Haring, Hattie Stewart, Jillian Evelyn, Betsey Johnson, Parker Day, Shantell Martin, Siobhan Gallagher, Kendra Dandy, Tuesday Bassen, Erté, Klimt, Kay Nielsen, Man Ray, Chagall, Dalí, Hirschfeld, Picasso, Gary Baseman, Kenny Scharf, Neal Levin. If that’s not a weird and wide enough swath... I follow hundreds, if not thousands, of creators of all sorts on instagram. Admittedly extensive, but a wonderful pool of inspiration to dip into.

I have always had an interest in the arts, and (…aquarius here) make a point to be very open to all sorts of visuals. I’m content to take everything in, and very much, like, “like like like”-- it’s a whole thing when I don’t care for something, but I try not to play critic so much. I’m normally drawn to really graphic work, yet down to take the time to appreciate subtleties as well. I gravitate toward what’s wacky, clever, bold, evocative, sparkly, dimensional… a lot of stark contrast as well, a lot of black and white. But also a lot of pink and kitsch. I'm a maximalist, I obsess. That might just be reflected in my work.

And, duh, I admire other resin artists. The medium is SO versatile and I love to see its limits stretched. I put a lot into distinguishing my style from others who create with resin, but there’s major inspo in what everyone else is coming up with! Shout out to my fellow resin-making depoppers :) I’d also like to mention Lauralee Benjamin (if you're not familiar, please change that immediately), who has found inventive ways to use my pieces as accents on her beautiful work. That collaboration is all thanks to depop, and has inspired me in ways I never could have expected.

Q:What is some of your process when you create? (Do you listen to music, create alone or with friends, where is your work space?)

A:Oh my god. It’s all over the place. A lot of my process is just seeing what I can get away with.

So much can go wrong; resin is a finicky substance. I employ a variety of techniques, many developed through trial and error. I try to create unique effects, or emulate things I’ve seen before in my own way. Many of my projects are worked in layers, transformed with each pour. It can be as simple as mixing a bunch of glitters together. Even that can be tricky, though! I can get very in my head about intricacies, and try to balance the detail-oriented with simpler projects, or whatever'll give me a break from the eyestrain. Most of my stuff comes from sitting down at my workspace, assessing my supplies, and sorting it out from there. Once I have a batch of resin mixed, it's a race to get it divided into colors and divvied into molds. At times it requires a lot of precision, and a willingness to just wait it out and see what’ll happen.

Tools and materials dictate much of the process. I have a few staples, but keep an eye out for new supplies just about everywhere. I get the biggest kick out of repurposing components that might’ve otherwise been trashed. Think broken jewelry, old cosmetics, sequin scraps, and single-use plastics. I intend to look into eco-resin and biodegradable glitters down the line; it’s a matter of cost and accessibility, but adjustments I find necessary, at least for my own sake, in continuing with this art form.

At the end of last year I cleared a space in my (creepy) basement as a studio. It’s kept a hectic mess, but… that’s my nature. I work alone, save for a few times my sister has joined me. Friends have been invited to try in the past, but considering resin is such a time-sensitive, kind of hazardous, sticky thing, it’s not a great group activity for the uninitiated.

I work to an, errr, eclectic mix of podcasts and music. A lot of Sondheim, disco, Comedy Bang! Bang! and CBC Radio 2.

Q: What is your favorite piece you've sold so far?

A: Oooh, toughie. The first that comes to mind is one of the first sequin trays I made- it was a really specific rainbow pattern inspired by a book cover. I also love the custom name necklaces; they always turn out so badass! In a few instances, I've made pieces used in photo shoots or performance. Those are extra special to me, too.

Q: Where do you want to go next with your art?

A: My art is going to morph. I want to hone my skill in areas beyond resin, and then find ways to blend the edges. I want to keep pushing, but know when to pull back. I wish to collaborate more, to find solutions I’ve not yet reached, to make some of my outlandish ideas a bit more tangible. I want to build a brand and learn to accrue my worth for once.

And, maybe, down the line, tile a room with a mosaic of resin faces.

Q: What is your favorite fashion era?

A: I love an outrageous 80’s moment.

Q: Do you do commissions?

A: I adore doing commissioned work, and have had so much fun on prior personalized pieces. I am currently open to fulfilling some custom requests, just DM me, whatever!

Visit Hanna's shop!

Depop.com/guthball

#depop #art #resin #artist #interview #zine

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