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moody213 · 6 years

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WicDiv #35 Impressions (and craters)

(I started this commentary 2 days after the last issue was released, and seeing how the latest issue was released on Friday and I haven’t finished yet (something extremely typical of my lax/non-existent work ethic) I’ve decided it needed to be done before I would allow myself to read issue #36. Here goes!)

SPOILERS UP TO #35

This issue was particularly hard for me to start reading. Ever since we reached the penultimate arc the idea that we had so little to go has become an anxiety-stirrer for me; I've been a fan since before Laura got her freckles, when all we had was Luci and Laura inviting us on a floor of broken glass to anticipate the next Mcklevie/Gillen chapter after Young Avengers. The idea that the past four years were almost done- well, the subtext should be obvious for anyone who's been reading. 13 hours after release, I read. And then I opened issue one and did a concurrent re-read. And then I reread yet again and promptly passed out.

Seeing that Mckelvie has reworked his first issue art- our first introduction- was marvelous to behold. Matt Wilson's recolor was also stunning (except for one instance of Amaterasu's lips!). I compared them on my second reread, and both the subtle and not-so-subtle reworking truly encapsulate the journey they've both been on: I found issue one an enthralling, gorgeous ride from the beginning; they're my favorite colorist and artist currently working in comics. Issue #35 has a level of ease and understanding of the art that was perhaps more rigid in the first one.

Minerva's rework was especially obvious here; she went from a cute little Shirley Temple gremlin to a child star a bit beyond her cutest years. Also, the difference in hair and clothing (I mean, that sleeve! I stan that sleeve! The ease! And I fixated on it every reread like a sleeve fetishist?)

I love that it kind of insinuates that the version we got on #1 was the ‘it is known’ version and this was the post-Persephone-being-alive truth, like in issue 20. I love the warmth and depth this rework adds.

Susanoo is a peach who cared too much and truly was too good for this world.

Minerva leaving the fire splattered in blood with her hands in fists- iconic and quintessentially WicDiv!

Ananke never cared about the gods. She was crying for her own approaching expiry date. Everything we learn about her adds more to this pathetic and yet unrelentingly cruel force of selfishness. I love how the last turn of Minerva is treating the old Ananke the way she treats the gods- and then assuming her place. Fitting.

JOSEPHINE BAKER AS 1923 PERSEPHONE #DEAD #GAGGING

Set- even as a talking head, ever the bore.

Face-flaying issue #11 powerup!

I love how the pixelated effect still shows up a bit less clearly. It reminds me of the 'tattooing of reality' aspect of the deal between Ananke and her sister. They're resources she can translate- here, for 'eternal' life four faces must be shorn from reality.

The colors and general atmosphere of being somewhere underground and laden with arcane implications is so apparent- I love the warmer tones, they remind me of those heady spiritual moments when you’re somewhere religiously/arcanely significant (those places are always smaller than you’d expect) and the gravity and headiness of the energy seems to make everything a bit more vibrant and hard to explain.

I love jewel tones. This is the quality discourse you’ve been looking for!

The art on the transformation scene, and the purple skull eyes: shivers. How they achieved the transformation effect so much more subtly and yet just as profoundly as the usual God transformations- Mckelvie/Wilson, you're just bragging now.

Present Minerva is a cold snake and if I was even remotely on her side of the equation I would be so proud of my evil maidenr/future manipulative crone!

I love how gradually she was transformed into this punk-y, calculating creature; with her hair down you can really see how the red is a callback to previously blood-splattered Anankes and Ananke (Maiden Edition With Minerva Mask) and yet it’s been peeking out at us from Imperial Phase.

Such an accomplished actress, a veritable Shirley Temple! (Dakota Fanning?)

I wish I could go back to meeting McKelvie/Gillen last year and make a clever quip about talking heads and evil Minervas. That’s my baseline for an excellent twist: I WISH I COULD HAVE SEEN IT COMING!

In the present, Laura makes me sad. The warmth between the gods has seemingly dissipated once and for all. Everyone's either looking out for themselves or isolating. Laura's idea that if they were truly friends Cass wouldn't be screaming at her- hogwash.

Oh, Jon. I love you. I also truly think you’re our always-captured/suffering proxy princess. I can’t wait for him to do something other than be forced to build Woden another contraption that removes consent from the conversation. (He does have a pattern!)

Again, Minerva, you (literal!) snake! That expression on her face when she’s setting Baal up is DELICIOUS and I’m pretty sure I’ve made that expression before, most recently when I convinced a friend to eat coffee grounds I pretended were healthy brownies. (I know! I’m an awful person. But at least I stopped her from taking another bite. By laughing. Still.)

I loved how in the Writer’s Notes Gillen says this was supposed to be more pages+no words, but I think it works perfectly for what he’s going for even with the words. I can almost hear suspense music reading Laura/Persephone’s thoughts, and the insight into her feelings feels earned after so much with nothing further elucidating her thoughts. I mean, we all thought she was pretty horrible to Baal, no? A bit indifferent.

I’ve really missed her, you guys. She’s our Laura, our herald, our first guide. We lost her, we found her, she lost herself, she found (?) herself (or at least her thoughts).

I’m really curious about Jenny (Laura’s sister). I really wonder if we’ll have enough issues for anything to wrap up about that aspect of the story, or if it was a superficial lure, like Baph’s Christmas Dinner with Laura’s Family was basically a simulation of reality, and meant nothing, really.

Minerva getting pushed is really strong, in that there’s no way he’d ever do that unless he was under a crazy amount of pressure. Also, if I was woken up with news my greatest secret, a secret I’ve invested so much in keeping, was about to be discovered by a person I LOVE and CHERISH, well... I wouldn’t be that conscientious either. Reaction got, Minerva, you manipulative teenage goddess, you! (Is it obvious that if I were a 13-year old again I would choose to be Minerva? I would choose her so hard, she’s Hermione Granger but, like, with none of the redeeming qualities except maybe caring for her parents before her older aspect (?!?) literally decimated them.)

Flashback page is spectacularly done. I love the reds of the room, and the repetition of four skulls (except these are baby skulls we are set to believe and not primates! NOT THAT IT WOULD MAKE IT BETTER BUT MAYBE THEY’RE NOT INNOCENT CHILDREN... no. No. This argument doesn’t make it any better, I’m just pathologically delusional when it comes to people I like.)

‘I’m not afraid of who I am. But everyone else should be.’ It’s one of those Baal-isms you’d be disinclined to take a note of, one of those prepared one-liners like the line about how when you know someone’s bad in their guts, you don’t have to lie about your own shit. We just thought it was posturing, and here we have evidence of child sacrifice. As can happen, sometimes, never.

And now I’m finally off to read the latest issue!

#WicDiv #wicdiv spoilers

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