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ana-c99 · 4 years

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Artist Books

Pre - 2000

1. "Songs of Innocence and of Experience" by William Blake

Songs of Innocence and of Experience is an illustrated collection of poems by William Blake. It appeared in two phases. A few first copies were printed and illuminated by William Blake himself in 1789; five years later he bound these poems with a set of new poems in a volume titled Songs of Innocence and of Experience Shewing the Two Contrary States of the Human Soul.

"Innocence" and "Experience" are definitions of consciousness that rethink Milton's existential-mythic states of "Paradise" and "Fall". Often, interpretations of this collection centre around a mythical dualism, where "Innocence" represents the "unfallen world" and "Experience" represents the "fallen world".Blake categorizes our modes of perception that tend to coordinate with a chronology that would become standard in Romanticism: childhood is a state of protected innocence rather than original sin, but not immune to the fallen world and its institutions. This world sometimes impinges on childhood itself, and in any event becomes known through "experience", a state of being marked by the loss of childhood vitality, by fear and inhibition, by social and political corruption, and by the manifold oppression of Church, State, and the ruling classes. The volume's "Contrary States" are sometimes signalled by patently repeated or contrasted titles: in Innocence, Infant Joy, in Experience, Infant Sorrow; in Innocence, The Lamb, in Experience, The Fly and The Tyger. The stark simplicity of poems such as The Chimney Sweeper and The Little Black Boy display Blake's acute sensibility to the realities of poverty and exploitation that accompanied the "Dark Satanic Mills" of the Industrial Revolution.

William Blake (28 November 1757 - 12 August 1827)

Poet, painter, engraver, and visionary William Blake worked to bring about a change both in the social order and in the minds of men. Though in his lifetime his work was largely neglected or dismissed, he is now considered one of the leading lights of English poetry, and his work has only grown in popularity. In his Life of William Blake (1863) Alexander Gilchrist warned his readers that Blake “neither wrote nor drew for the many, hardly for work’y-day men at all, rather for children and angels; himself ‘a divine child,’ whose playthings were sun, moon, and stars, the heavens and the earth.” Yet Blake himself believed that his writings were of national importance and that they could be understood by a majority of his peers. Far from being an isolated mystic, Blake lived and worked in the teeming metropolis of London at a time of great social and political change that profoundly influenced his writing. In addition to being considered one of the most visionary of English poets and one of the great progenitors of English Romanticism, his visual artwork is highly regarded around the world.

Because Blake's later poetry contains a private mythology with complex symbolism, his late work has been less published than his earlier more accessible work. The Vintage anthology of Blake edited by Patti Smith focuses heavily on the earlier work, as do many critical studies such as William Blake by D. G. Gillham.

The earlier work is primarily rebellious in character and can be seen as a protest against dogmatic religion especially notable in The Marriage of Heaven and Hell, in which the figure represented by the "Devil" is virtually a hero rebelling against an imposter authoritarian deity. In later works, such as Milton and Jerusalem, Blake carves a distinctive vision of a humanity redeemed by self-sacrifice and forgiveness, while retaining his earlier negative attitude towards what he felt was the rigid and morbid authoritarianism of traditional religion. Not all readers of Blake agree upon how much continuity exists between Blake's earlier and later works.

Psychoanalyst June Singer has written that Blake's late work displayed a development of the ideas first introduced in his earlier works, namely, the humanitarian goal of achieving personal wholeness of body and spirit. The final section of the expanded edition of her Blake study The Unholy Bible suggests the later works are the "Bible of Hell" promised in The Marriage of Heaven and Hell. Regarding Blake's final poem, Jerusalem, she writes: "The promise of the divine in man, made in The Marriage of Heaven and Hell, is at last fulfilled."

John Middleton Murry notes discontinuity between Marriage and the late works, in that while the early Blake focused on a "sheer negative opposition between Energy and Reason", the later Blake emphasised the notions of self-sacrifice and forgiveness as the road to interior wholeness. This renunciation of the sharper dualism of Marriage of Heaven and Hell is evidenced in particular by the humanisation of the character of Urizen in the later works. Murry characterises the later Blake as having found "mutual understanding" and "mutual forgiveness".

Other Works:

1. The archetype of the Creator is a familiar image in Blake's work. Here, the demiurgic figure Urizen prays before the world he has forged. The Song of Los is the third in a series of illuminated books painted by Blake and his wife, collectively known as the Continental Prophecies.

2. Blake's The Great Red Dragon and the Woman Clothed with Sun (1805) is one of a series of illustrations of Revelation 12.

3. The Ghost of a Flea, 1819–1820. Having informed painter-astrologer John Varley of his visions of apparitions, Blake was subsequently persuaded to paint one of them. Varley's anecdote of Blake and his vision of the flea's ghost became well-known.

4. The Night of Enitharmon's Joy, 1795; Blake's vision of Hecate, Greek goddess of black magic and the underworld.

2. "Investigations—The Four Elements: Earth" by Daniel E. Kelm and Timothy C. Ely

The series of unique books Investigations: The Four Elements draws upon Kelm’s and collaborator Tim Ely’s shared interest in alchemy and sacred geometry. Each book consists of a set number of interlocking panels that can be assembled into one or more shapes forming Platonic solids.

The Platonic solids—tetrahedron, cube, octahedron, dodecahedron, and icosahedron—are polyhedrons with congruent sides, edges, and angles. Although these five shapes were known prior to Plato, they are specifically mentioned in his dialogue Timaeus. In this work, Plato describes these solids as the building blocks of matter, equating the tetrahedron with the element of fire, the cube with earth, the octahedron with air, the icosahedron with water, and the dodecahedron with the materials that form the stars and the cosmos.

The closed box.

Book sculpture by Kelm.

Painting and surface treatments by Ely.

Acrylic and ink on paper, with airbrush acrylics, aluminium, brass tubing and rod, thread, and wire edge binding.

A first glimpse inside the box reveals shaped page panels and a metal tube with paper wrapped around it.

One slot in the box holds the square page panels and a second slot holds the triangular page panels.

The Investigations series is the earliest example of Kelm bindings with no permanent hinging; i.e., the pins can be removed and the pages completely disassembled.

The metal tube contains the pins that will be used to hold the binding together.

The paper scroll depicts a possible configuration of pages.

Here you see all the pages combined to form a cube-octahedron—which means that it is an integration of a cube and an octahedron.

Detail of the painting and hinging.

Daniel Kelm

Daniel Kelm is a book artist, sculptor, book binder, and teacher. His intricate, detailed works invite unconventional ways of reading—which can resemble unearthing a mystifying treasure or solving a 3-D puzzle—and they condense wondrous topics that have laid between book covers for centuries—like alchemy, mathematics, science, metaphysics, maps, and illustrations—within visually astonishing bindings.

He invented the widely-used “wire-edge binding” and is the founder and proprietor of Wide Awake Garage studio in Easthampton, Massachusetts, where he designs and produces artist’s books and innovative sculptural bindings. His work has been shown nationally for over thirty years, and he has taught and lectured at universities and libraries in the U.S. and Europe.

Interview:

Lyra Kilston: Your work expands the form of what most people think of as a book: your works don’t need words, or images, or to open in an arc. In your view, what is the outer limit of having something remain a ‘book’?

Daniel Kelm: Books are a wonderful vehicle for telling stories. Most often the book artist constructs the book around their or an author’s story. Many of my books contain no recognizable words but are made of shapes that allow wide-ranging flexibility and movement. They are actually quite toy like, and if successful engage the “reader” in the same physical and interactive way as do toys. During that play, these wordless books can inspire someone to discover their own voice and story. I love watching someone interact with one of my sculptural books, then suddenly stop to tell one of their own stories.

What are some of your favourite materials to work with?

I love working with vegetable-tanned goat skin, a material commonly used in traditional fine bookbinding. For non-traditional work I tend towards metal, glass, and plastic. I’ve not found any material to be too rare or impossible to find and work with; there is always a way to invite it to play. In all cases, whatever the material used, it is important to discover its voice and to let that voice support the story being told.

Mars, 1991–2005, Daniel Kelm. 11.5 x 8 x 3 in. (closed). Contents: box, accordion book partially pinned together, and three objects representing various aspects of Mars. Materials: paper board, paper, acrylic paint, thread, stainless steel wire, dry-mount adhesive, iron nickel meteorite, chrome steel ball bearing, Civil War iron canister ball, felt, fibre board, cloth. Techniques: wire edge binding, painting, photocopy transfer, airbrush, paste paper, silk screen printing, letterpress printing. Voice of Mars text by Taz Sibley. Letterpress printing by Art Larson.

What themes have you been working with recently?

After 20 years immersed in chemistry, I began a thirty-year study of alchemical processes that has inspired many of my artist’s books and sculpture. Experimentation with plant alchemy (spagyric alchemy) led me to an appreciation of pharmacy. In my latest work I’m exploring chemical and pharmaceutical processes through installations combining laboratory apparatus with antiquarian books describing the process.

I look at the installations as functional sculpture. The animating voice of each piece is that of the chemist, pharmacist, researcher, or lab worker who developed and explained the particular approach, so their name is usually intimately associated with it.

What is your research process like?

I often start with a description of a process or an image of the associated apparatus and then find out everything that I can about it, including details about the life of the person who developed it. My work always tries to integrate the personal connection (through the life of the individual associated with the science involved), the historical (by choosing a process that has been proven through its historical record to be significant to our lives), the aesthetic (as seen in its sculptural quality), and the technical (the details of the process and materials themselves).

Relgio Mathmatica, 1990–2007, Daniel Kelm. 9 x 9.5 x 9.5 in. Materials: paper and paper board, stainless steel wire, thread, English yew wood, paint, leather. Techniques: wire edge binding, spattering, paste paper. Photographer: Jeff Derose, One Match Films. Binding assistance by Kylin Lee. This video of Kelm manipulating the binding shows how the “Lotus Flower” configuration closes—the red cube moves to the inside, and the black and white surfaces to the outside.

Sources used:

https://en.wikipedia.org/wiki/Songs_of_Innocence_and_of_Experience

https://en.wikipedia.org/wiki/William_Blake#Development_of_his_views

https://www.poetryfoundation.org/poets/william-blake

http://www.danielkelm.com/core/wideawake/3/1#/galleries/2

http://www.danielkelm.com/core/wideawake/3#/entry/wide-awake-garage-videos

https://blogs.getty.edu/iris/alchemical-book-artists-at-work-part-2-daniel-kelm/

Post - 2000 Artist Books

1. "Don't Lose Heart" by Anne Gilman

Don't Lose Heart 2001 mixed media digital accordion book printed on Arches cover stock, edition of 10 9" x 6" x 1" Don’t Lose Heart contains a play on expressions we use with the word "heart". Below is the text that appears at the end of the book:

You can have a change of heart, a heart of gold, a heavy heart, a heart to heart.

You can eat one’s heart out, lose heart, have a heart, take heart.

In my heart of hearts, with a heavy heart, cross my heart, from the bottom of my heart, Don’t lose heart.

Anne Gilman

Anne Gilman is a Brooklyn-born artist who works in varying formats that include large-scale drawings and multi-panel projects. The political, social and personal concerns that fuel all forms of moods, worries, and psychological states of being are the materials that feed her work. She begins by using her own thoughts and experiences as a starting point for considering larger issues of why we do what we do, what matters and how we can get lost in distractions that are ultimately unimportant. The resulting drawings are a mapping of information, thought and emotion.

Other Works:

Sundowning 2018 pencil, graphite, paint, tape, ink, on paper with hand-stained wood 134 x 60 inches

Sundowning (also known as a sundown syndrome) = a neurological phenomenon associated with increased confusion and restlessness in patients with dementia. It occurs in the late afternoon/early evening. Symptoms include increased agitation; a person may become more upset/anxious/confused/disoriented/suspicious

Boiling point (5 works in this series) 2018 ink, pencil, tape on mulberry paper One section is 94½ x 27½ inches and the other four are 46 x 27½ inches

“A part of the writing in these drawings focus on issues of anger and rage. I was thinking about the levels of discontent that people live with, whether triggered by relatively insignificant incidents or by a build-up of frustration over time, and the need for an appropriate outlet to diffuse and address the intensity, before it erupts in explosive ways.” A. Gilman

this place / this hour 2019 Coloured pencil, graphite, ink, and washi tape on mulberry paper 321 x 27 inches

“I was invited to do a project commemorating the 200th anniversary of Walt Whitman’s birth. My research resulted in this two-sided 27-foot scroll and a limited-edition artist book. In both projects Walt Whitman’s words, process and internal struggles are intertwined with my own. This scroll is suspended from the ceiling and extends across the floor in two directions. This view shows the non-text side of the scroll on the left side and the text-based side of the scroll on the right side.” A. Gilman

Up close / in the distance / now 2018 pencil, graphite, tape, ink, BIC ballpoint pen, matte medium on mulberry paper 340 x 38 inches

This scroll suspends from the ceiling with one side showing primarily the text part of the work and the other side showing non-text drawing. This view shows the text side. The next two images show other views.

Up close / in the distance / now 2018 pencil, graphite, tape, ink, BIC ballpoint pen, matte medium on mulberry paper 340 x 38 inches

This view shows the scroll from the side. The next view shows the non-text side of the drawing.

Up close / in the distance / now 2018 pencil, graphite, tape, ink, BIC ballpoint pen, matte medium on mulberry paper 340 x 38 inches

This is a view of the non-text side of the drawing.

2. “Second Road” by Timothy C. Ely

Second Road, 2016, Timothy C. Ely. Drum leaf binding, full leather, watercolor, dry pigments, gold and ink on paper. All images in this post courtesy of the artist.

Timothy C. Ely

Ely studied design and printmaking and has been making books for over forty years. (He also owns sixty books on baking bread, his other passion that relies on precision and a bit of alchemical magic.) He has shown his work at museums around the country and it is in many private and public collections.

Interview:

Lyra Kilston: Do you have a favorite rare or ancient book? Have you been able to see it in person?

Timothy Ely: The Gutenberg forty-two-line Bible, which I saw in New York’s public library. I have handled this book, and revel in the idea that it is a point on the historical timeline where we switched over from the book as a handmade ideal to an industrial product. My work is embedded in the ideas of pre-Gutenberg technology, with as much of the production being done by hand and the content generated by long contemplation and the intuitive handling of method.

Timothy C. Ely’s studio, 2016.

You work with fascinating materials, like animal skin bindings and nineteenth-century paints. What are a couple of your favorite materials to work with? Is there a material that you’d love to work with, but it’s too rare or obsolete?

I envision making a large vellum book using a contemporary variant on an old technology. I have a vellum model in the works which has been in the press for sixteen years. Vellum is expensive and requires much animal husbandry to provide foliation for the artist. This book-to-be needs patronage.

Other favorites are rare pigments made of materials from obscure locations. Not so much for what they materially do but what associations are formed. Meteoric dust (I have some from a meteor that fell around the time of Columbus), sand from Asian deserts, soil from the gardens of bookbinders and monasteries. My collection is vast and my spies numerous. This material adds form to covers but on occasion finds its way into the interior.

Soil from the plains of Central Tibet, one of many unique materials in Ely’s studio.

Your work takes inspiration from a range of sources, from ancient runes to science fiction to the spiral pattern on a pine cone. What themes have you been working with recently?

I am attempting to render the invisible, to describe some ideas like 4-D architectural renderings and diagrams of the ineffable. By using well-tested ideas such as symbolic visual descriptions, I can make an foray into how we might imagine the path of a particle or a hunch.

What is your research process like?

My process is to draw, fail, evaluate, draw again, erase, redraw, abandon hope, find the path again, read something, draw more, melt something or hammer it together, fuse things, make some bread, draw again, and continue to see what shows up. Often up, sometimes down—it is never a linear process, but one that works by continuing to work with purpose against a plane which cannot easily be scaled.

The Observatory, 2006, Timothy C. Ely. Ink, gouache, and dry pigment on paper.

Sources used:

https://www.annegilman.com/

https://www.annegilman.com/artist-books/limited-edition-artist-books/view/57

https://www.annegilman.com/artist-books/limited-edition-artist-books/view/58

https://www.annegilman.com/scroll-drawings/scrolls-on-and-off-the-wall/1

https://www.annegilman.com/scroll-drawings/scrolls-on-and-off-the-wall/2

https://www.annegilman.com/scroll-drawings/scrolls-on-and-off-the-wall/6

https://www.annegilman.com/scroll-drawings/scrolls-on-and-off-the-wall/3

https://www.annegilman.com/scroll-drawings/scrolls-on-and-off-the-wall/4

https://www.annegilman.com/scroll-drawings/scrolls-on-and-off-the-wall/5

https://blogs.getty.edu/iris/alchemical-book-artists-at-work-part-1-timothy-c-ely/

#artist books #anne gilman #william blake #timothy ely #daniel kelm #pre-2000 #post-2000

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figdays · 7 years

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Vintage Brass Octagon Canister with Hinged Lid // GladStoneatHome

#vintage canister #canister #brass canister #decor #art decor #art #fashion #home #home decor

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dawnjeman · 5 years

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New Year, New Beautiful Homes of Instagram

Hello, my wonderful friends! How are you in 2019? Did anything happen? Did a switch turn on, bringing more Light into your heart during this first week of this New Year? It’s been terribly cold, gloomy and dark out there. The weather is miserable and it’s easy to feel the winter blues insistently knocking on my door, but I am not opening it… instead, I decided to take a small break during the Holidays to do what I love the most in life; which is spending time with my family and work whenever I feel inspired. I took a small break and I am finally feeling like myself again… nothing makes you feel more centered than being able to slow down and hear your own thoughts, and that was exactly what I did.

During this New Year, I certainly hope to continue to listen to what’s inside of my heart and that goes to what I want to share with you here on Home Bunch. I have to be completely honest with you guys. I am tired of cold homes, everything looks the same these days. Although I will always bring the latest trends to my readers, one of my main goals this year is to share homes that feel more like real homes, homes that have character and feel loved, and that starts with this year’s first “Beautiful Homes of Instagram”. Please, get to know Erin from The Heart and Haven. She’s someone that will inspire you to transform your current home into your “home-sweet-home”!

Hi, my name is Erin @theheartandhaven and I’m a home renovator, home décor enthusiast and mother. I have always enjoyed staring at all the pretty things, but I never realized how much joy I would find in creating them until my husband and I bought a 1950s fixer upper about five years ago.

My husband and I are high school sweethearts from the Jersey Shore. We dated long-distance throughout college and upon graduation, we decided to move across the country to start our life together in Los Angeles. I worked in television before deciding to become a stay at home mom when I had my first son. I now have two boys, ages 7 and 4.

After getting married, we purchased a newly-built, builder-grade condo in Los Angeles and while the finishes were not exactly my taste, I was excited to just have a place to call our own and honestly never thought about changing anything. Two years after having my son and really craving some private outdoor space to have him run around, we searched our neighborhood to find a house. We found a corner house only a few blocks away on a beautiful, wide tree-lined street. It was custom built in 1950, and nothing had been updated since then. The house was head- to-toe covered in orange wood (floors, ceilings, walls, you name it!). The bathrooms had parquet linoleum, the staircase had scrolling wrought iron and each room had ceiling fixtures hanging so low that it made the 8 ft. ceilings feel much smaller. Having no reno experience under my belt, I still felt that this 2400 sq. ft. house had potential. Thus began our renovation journey, and we lived through all of it! I don’t think I knew what my style was when we started renovating our home and decisions often had to be made quickly. There are some things I would change, but I have learned so much throughout this process. And five years later, I think I have found my casually modern, beachy-boho style through decorating it , and it has truly become a passion of mine.

New Year, New Beautiful Homes of Instagram

Our kitchen was the last major renovation. After living in what felt like a wooden cave, I wanted our new kitchen to be light and bright. We took down the wall that separated the kitchen from our playroom to open it up. I had always wanted an island but, due to building codes, the island would have been very small. So, I adjusted my vision and was able to have the counter space and seating area by making it into a peninsula instead.

Peninsula measures 6 ft x 4.5 ft. and counters are Salt White Marble.

Paint Color: Valspar Mountain Mist.

Kettle: Crate & Barrel.

“Let’s Stay Home” sign: Here.

Runner & Flooring

This pink kitchen runner is one of the cheeriest pieces of home décor I own. I paired it with the wallpaper to make our kitchen more playful.

Runner: Here.

Flooring: Wickham Hardwood, Maple (color Walnut) – similar here, here & here.

Cabinet Paint Color

Kitchen cabinets are Maple, painted Benjamin Moore White.

Canisters: West Elm.

Backsplash is Daltile Subway Tile, 3×6 in Arctic White – similar here.

Appliances: Thermador Range, GE Café Series Refrigerator.

Marble Clock: Sur la Table.

Cabinet Cup Pulls: Hickory Hardware.

Sink & Faucet

While it might not be the most picturesque faucet, I love how we can turn the faucet on and off without dripping on our marble counters. Definitely a functional win!

Kitchen Faucet: Faucet, Moen Motionsense Chrome.

Kitchen Sink: 33” Farmhouse Fireclay Sink.

Kitchen Towel: Kate Spade.

Lighting & Barstools

When choosing the pendants over our peninsula, I didn’t want to compete with the chandelier in the nook. These cone pendants with their antique brass interior echoed the glam of the chandelier without overwhelming the space.

Barstools: Serena & Lily.

Lighting: Visual Comfort – 15 Inch Wide.

Utensil Holder: West Elm.

Breakfast Nook

I loved the idea of a breakfast nook and wanted to make it feel special, so I went with wallpaper and a statement chandelier. I think the wallpaper adds so much personality to this otherwise all white kitchen. I then paired it with a more rustic feeling table and chairs to contrast the crisp, geometric design.

Table is RH – similar here, here, here, here & here.

Chairs are RH – similar here & here.

Pillows: here, here, here, here, here & here.

Chandelier & Wallpaper

Wallpaper is from Serena & Lily in Denim.

Chandelier is Visual Comfort.

Playroom

After taking down the wall between the kitchen and the playroom, this is now our view. Since this is the room my sons hang out in the most, it had to be functional for them but also flow with our kitchen.

Sofa is from HD Buttercup

Window Treatment throughout home are plantation shutters by American Vision Windows

Paint Color

The barstools had to become part of the design for the playroom because of the open concept, so going slightly more coastal in this room with the oversized beach print and using blue accents in the room helped tie things together.

Paint color is Valspar Mountain Mist.

Inspired by this Look:

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Sofa

Some might think a white sofa and children do not go together. And they would be right! However, I love the crisp look of a white sofa so I chose a slipcover that can be removed and washed.

Sofa is from HD Buttercup.

Ottomans: Etsy.

Artwork: Minted.

Rug: Pottery Barn.

Mudcloth Pillow is by Bryar Wolf – similar here.

Playroom Media Center

Not fancy or even perfectly styled, but that is mom life! This media center holds all the extra toys and books and games.

TV: Samsung.

Gray bins are from IKEA – similar here.

Media Center: Pottery Barn.

Knobs: Restoration Hardware Dillon Knobs.

African Wall Baskets: Etsy.

Desk

Both the desk and window-seat are IKEA hacks. I upgraded the desk by swapping out the hardware and I made the IKEA Kallax bookshelf-turned-window seat feel more custom by adding a bench cushion.

Rattan Mirror: Pottery Barn.

Vintage rug found on Etsy – similar here.

Window

Pillows and bench cushion by Tonic Living – Similar Bench: here (on sale!) & here.

Bins found at Target.

Living Room

Our sectional is actually a recliner and the chaise lifts up for hidden storage. I love how functional it is for our family.

While there is still updating to do to this room, we recently removed the metal stair railings and replaced it with a wooden banister. Painting and staining the banister was a beast! But it was well worth it.

Stair posts are Benjamin Moore Super White and stain was a custom mix.

Artwork on wall by @sarahcnightingale.

Sofa: West Elm.

Paint Color

Wall paint color is Benjamin Moore London Fog.

Rug is discontinued – similar here.

Seagrass lidded basket: here – similar.

Fireplace

Choosing a split-faced stone for the fireplace is still one of my favorite design decisions.

Stone: Wayfair.

Chair: West Elm.

Moroccan Leather Pouf: here.

Fireplace Sconces: Pottery Barn.

Shelves

Believe it or not, farmhouse style was my first love.

Shelves are IKEA and I spray painted the brackets Rustoleum Hammered Copper.

Grid Photo Frame: McGee.

Walnut Frame: McGee.

Brass Bells: McGee.

Rustic Vase: Here.

Artwork on top by @sarahcnightingale.

Others items mix of flea market and HomeGoods finds (including bottom baskets) – similar baskets: here.

Coffee Table

Coffee Table: here.

Coffee Table Decor: Wooden Bowl, similar moss, similar wooden beads & similar vintage bells.

Sofa Pillows: here, here, here & here.

Dining Room

I love earthy elements and this rustic dining table is the perfect combination of form and function. With all of its raw imperfections, the kids can be as rough as they want with it and I don’t mind.

Dining Table & Bench: West Elm.

Rug is vintage – similar here, here, here, here & here.

Wooden Candle holders are locally sourced.

Planter in corner is from HomeGoods – similar here & here.

Good Vibes

There is a casualness about my design style which is probably why I gravitate towards word art. And I love the boldness of this black and white piece.

Artwork by JaxnBlvd.

Stool: Target.

Dining Room Chairs

The white wishbone chairs help to bring a lightness to this space which doesn’t get a lot of natural light and the chairs’ low profile makes this small dining space feel bigger. Paint Color is Benjamin Moore London Fog.

Chairs are by InMod – similar here, here & here.

Lighting: West Elm – similar here.

Mirror: here.

Floor basket: Pier 1.

Kids Corner

This was a fun IKEA hack that I did for my 7 year old’s room. I took the IKEA Kallax shelf unit, chose two different color doors and then spray painted the letters. Wall color is Valspar Ghost Ship.

Pillows by Tonic Living – similar here.

Rug & Seagrass boxes from Homegoods – similar rug & baskets.

Shelf and baskets from IKEA .

Reading Nook

These fern decals make this reading nook a lot of fun for my four-year-old. And while I would have loved a hanging chair, I didn’t think it was practical for my boys so I opted for this caged freestanding chair instead.

Decals by Urban Walls.

Chair: World Market.

Paper Mache Animal Heads: Fox, Rabbit & Deer.

Elephant Side Table: Serena & Lily.

Rug: here – similar.

Prints by Society6.

Guest Bedroom

Adding board and batten was a game changer in this room. It instantly made the guest bedroom feel loftier than its standard 8 ft. ceiling height.

Leather Bed: CB2.

Duvet Cover: here.

Nightstand: West Elm.

Throw: here, here & here.

Rug: here.

Paint Color

Paint color is Benjamin Moore Chantilly Lace.

Candle Holders: Crate & Barrel.

Pillows: Black & White & Bolster Pillow – similar.

Artwork: here.

Guest Bathroom

This small bathroom was the first major renovation we did when we moved in. There was literally a treasure chest inspired toilet box in here and, much like the rest of the house, tiles and walls were orange-brown. Having no prior design experience, I went with timeless marble and this little bathroom still makes me happy.

Bathroom wall paint is Behr Sterling.

Vanity: Wayfair.

Faucet is Kohler Bancroft.

Mirror: Uttermost.

Hand Towel: McGee.

Wood pot from HomeGoods.

Floor Tile: Wayfair.

Master Bathroom

This is our only bathroom upstairs, so it was important for us to keep a separate tub for our kids. Paint color is Behr Light French Gray.

Paint Cabinet Color: Benjamin Moore Simply White.

Tile is Ceramiche Caesar Porcelain Tile in MORE Manhattan – similar here.

Rug is from HomeGoods – similar here & here.

Vanity: Pottery Barn.

Art Print from Serena & Lily.

Crytal knob by Emtek.

Tub: Wayfair.

Stool: Serena & Lily.

Master Bedroom

I love having a neutral bedroom that I can easily switch up by swapping out pillows and throws.

Bed: Wayfair.

Blue quilt from HomeGoods.

Throw: Etsy – similar here.

Full Length Mirror: here – similar.

Rug: Lulu & Georgia.

Textures

Bench from RJ Imports – similar here.

Duvet Cover: Anthropologie.

Wall Basket: here – similar.

Pillows: Velvet Pillows, Mudcloth Pillows, Lumbar – similar.

Stripe vase from Crate & Barrel.

Faux Stems: Crate & Barrel.

Nightstands from Crate & Barrel discontinued but similar ones here, here, here & here.

Paint Color

Paint color is Chantilly Lace by Benjamin Moore.

One of my favorite things about this house is the amount of closet space. Our master has a his and hers closet. The smaller one behind that door is the his, of course.

Ladder is from Crate & Barrel.

DIY

The wall art here was an easy DIY. I put mudcloth scraps in black frames to give this corner a boho chic look.

Chair from HD Buttercup – other beautiful chairs: here, here, here & here.

Side table: here.

Bench: here.

Dresser: Pottery Barn.

Desk

Desk from Restoration Hardware – other beautiful desks: here & here.

Chair is from IKEA – similar here.

Pillow: Serena & Lily.

Hanging planter is from Homegoods – similar here.

Baskets: Serena & Lily.

Rug is from Homegoods – similar here, here, here, here & here.

Many thanks to Erin for sharing all of the details above.

Make sure to follow Erin on Instagram to see more of her beautiful home!

Amazing End-of-Season Sales!

Thank you for shopping through Home Bunch. I would be happy to assist you if you have any questions or are looking for something in particular. Feel free to contact me and always make sure to check dimensions before ordering. Happy shopping!

Serena & Lily: Tent Sale Up to 70% off! – Enjoy an Extra 20% OFF. Use Code HOORAY

Wayfair: UP to 75% OFF – Huge Sales on Decor, Furniture & Rugs!!!

Joss & Main: Best Prices of 2018 – Up to 70% Off

Pottery Barn: Buy More, Save More – 20% Off Sidewide + Free shipping: use Code: HELLO19

One Kings Lane: Final Days to Save: Take an Extra 20% Off Markdowns with Code OKL20MORE.

West Elm: Big New Year Sale: 20% Off Your Entire Purchase! Use Code: NEWYEAR

Pier 1: Huge Sales – Up to 60% Off!

Anthropologie: Winter Tag Sale: All sales at an extra 40% Off! Amazing!

Posts of the Week:

2019 New Year Home Tour.

Family-friendly Home Design.

Christmas Inspiration.

Interior Design Ideas.

Small Lot Modern Farmhouse.

Transitional Home Design.

Newlyweds Home Design.

Family Home Renovation with Casual Interiors.

2018 Norton Children’s Hospital Raffle Home.

Beautiful Homes of Instagram: California Beach House.

Neutral Home Interior Ideas.

You can follow my pins here: Pinterest/HomeBunch

See more Inspiring Interior Design Ideas in my Archives.

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with Love,

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shoegasams · 2 months

Link

Check out this listing I just added to my Poshmark closet: 🍒 VINTAGE KITCHEN LIVE SALE 🧡 NOTIFICATION LISTING 🍄🐈‍⬛.

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livingcorner · 3 years

Text

These Amazing Kitchen Decor Ideas Are Just What Your Favorite Room Needs

Haris Kenjar

Updating your kitchen can be as simple as a refresh (think: a quick one-day project like swapping out lighting or cabinet hardware) or as complicated as a full remodel (think: you’re calling the contractor, and the next thing you know it’s demo day). But there are plenty of projects in between that will make your kitchen feel more fun, more functional, and in many cases, brand new. Just imagine what giving your cabinets a fresh coat of paint would do for your space. (If that’s sounding like a good idea, check out our guide on how to paint kitchen cabinets.)

You're reading: These Amazing Kitchen Decor Ideas Are Just What Your Favorite Room Needs

If you know the heart of your home needs an update, this comprehensive photo gallery of 100 kitchen ideas is sure to stir up some ideas. Need additional seating and more prep space? We have tons of kitchen island ideas to check both boxes. Not sure where to start? Browse pretty all-white kitchens, farmhouse decor ideas, and kitchen trends for 2021 to cook up gorgeous design looks to suit your space and taste.

No matter if you’re penny-pinching or splurging on a full renovation, there are kitchen design ideas here for any and every budget. Even if you’re just curious for some creative tips, check out this list of the best kitchen decor ideas for some instant inspiration.

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Work Table Island

An old printing-press work table is now a one-of-a-kind kitchen island. Shallow drawers that once held type pages now house cooking utensils.

SHOP BREAD BOARDS

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Creative Wall Storage

A peg board (painted a sunny yellow) keeps tools at the ready and creates smart storage. Butcher block countertops from Ikea warm up the otherwise white kitchen.

SHOP PEGBOARD PANELS

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Create a Bar Area

A pass-through bar connects the kitchen to the game room, allowing for easy entertaining. It makes a great casual spot to grab breakfast too!

SHOP WHITE METAL BARSTOOLS

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Classic Country Color Combo

Blue and yellow make for a classic country color combination, as seen here with happy canary yellow cabinets and a quilt-like cement tile backsplash.

SHOP WHITE TEA KETTLES

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Carve Out a Breakfast Nook

Turn an under-utilized corner into a useful breakfast nook with a tiny round table and pair of wooden chairs.

SHOP GLASS CANISTERS

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Read more: Laminate Vs. Two Pack – An in-depth comparison – DIAMOND INTERIORS

Tiny Blue Kitchen

To give air to this itty-bitty kitchen, the designer painted the lower cabinets a happy blue hue but matched the upper cabinets to the light wall color.

SHOP BLUE AND WHITE PLATES

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Unconventional Cabinetry

Lacquered plywood is an unusual material for kitchen cabinets. Normally matte, the lacquer finish gives a great shine and makes them wipeable. Brass hardware, modern lighting, marble countertops, and a creative backsplash complete the unique design.

SHOP JUICERS

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Eye-Catching Backsplash

Encaustic tile really pops in this kitchen along with a cool blue island topped with easy-to-clean quartz countertops. Tractor-seat barstools, wood cabinets, and a wood ceiling add warmth to the open layout.

SHOP FIESTA MIXING BOWLS

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Super Sized

Instead of a standard cabinetry island, a built-in marble-top table anchors this kitchen. A pair of bold-colored oversize pendants hang overhead.

SHOP COPPER COOKWARE

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Fun and Function

This kitchen is equal parts fun and function, thanks to a massive 5-by-10-foot island made from an old trophy case, commercial-grade appliances, and super-durable concrete countertops mixed with fun vintage collections, like plaid patterned coolers and colorful dart boards.

SHOP PENDLETON BLANKETS

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Checkerboard Floors

This total kitchen renovation captures this home’s old spirit, thanks to crisp board-and-batten walls, open shelving, a retro refrigerator, and classic black-and-white checkerboard floors.

SHOP BATTER BOWLS

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Sink Skirt

Achieve ultimate farmhouse-chic status with patterned fabric to make a sink skirt that looks vintage and sweet.

SHOP TIER CURTAINS

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Salvaged Wood Peninsula

The trendy-looking peninsula in this kitchen is actually made out of salvaged wood that’s been wrapped around the existing piece.

SHOP WOODEN BARSTOOLS

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Upcycled Bar

Store all your mixology items and more in a cute upcycled freestanding cabinet like this one, with whimsical wallpaper inside for an eye-catching effect.

SHOP BASKET STORAGE

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Tone-On-Tone Color Scheme

This kitchen establishes its cozy feel by using a similar blue tone on the floors and cabinets to beautifully complement all the dark wood.

SHOP WOODEN BARSTOOLS

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Read more: Hell’s Kitchen Season 5 Where Are They Now?

Displayed Pots

A long brass pot rack displays these vintage copper pots and pans, turning kitchen tools into stunning kitchen décor.

SHOP POT RACKS

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Reclaimed Wood Shelves

Butcher block countertops look lovely alongside reclaimed wood shelves. Produce baskets are a great way to keep your kitchen feeling open and organized.

SHOP APOTHECARY JARS

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40+ Easy & Inspiring Updates for Every Room of Your Home

It’s the small touches that can freshen up a room. Now you can get dozens of easy makeover ideas you can finish in just a weekend (really!) with Country Living’s new digital guide!

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Basket Lights

These rustic, yet chic, oversize basket lights pair nicely with the soft hues in this charming kitchen.

SHOP BASKET LIGHTS

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Open Shelving

Nothing says “country kitchen” like open shelving for a casual, yet intentional, look. The baskets under the counter add even more of an organized feel.

SHOP BASKET STORAGE

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Terra-Cotta Tiles

These terra-cotta floor tiles bring an earthy tone without overpowering the room. Brass hardware and colored cabinets add an even cozier feel.

SHOP BRASS HARDWARE

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White on White

Don’t be afraid to go for an all-white vibe in your kitchen! Accents like brass pendant lighting, iron hardware, and a dazzling pine island will stand out against the clean backdrop.

SHOP PENDANT LIGHTS

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Rolling Island

Take a tip from the queen of the kitchen, Martha Stewart: “I like using restaurant rolling carts topped with marble. I have three, and they’re useful for moving around heavy equipment,” she says.

SHOP CLOCKS

Source: https://livingcorner.com.au Category: Kitchen

source https://livingcorner.com.au/these-amazing-kitchen-decor-ideas-are-just-what-your-favorite-room-needs/

#livingcornernews

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