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#um FAVES
seagiri · 19 days
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heatstroke
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catmanbowser · 6 months
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transfem kon doodles frm evening class
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art--harridan · 7 months
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[Image description: A digital painting of Jack Goodman from An American Werewolf in London. It shows his face and the top of his shoulders. He's staring off into the distance with a slight smile. His neck is ripped ragged, comprised solely of exposed viscera. The wounds stretch up onto his face, mostly destroying his left cheek. It travels up in two raw lines across his face. Some of his jacket is torn and bloodied too. Jack is mostly drawn with greens and yellows with reds primarily coming from the gore. There's a light blue shirt shoulder in the bottom left corner. Over it, in a dark yellow, there's silhouettes of Jack and David walking. The shoulder looks like a path behind them. The background is mauve, coloured in with scratchy lines.]
Inktober - Day 3 (Path)
Movie - An American Werewolf in London (John Landis, 1981)
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lockandkeyhyena · 6 months
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Ashfur voice: I'm probably a girl but I really cant think about anything other than my ex rn so I really Can't worry about that
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sugarsparksart · 4 months
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what a silly guy !! do people still like giving him a fun robot body
bonus silly doodle under da cut
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ackee · 3 months
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can we give it up for black women. thank you.
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priscirat · 8 months
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death tending its garden
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switchinstraps · 7 months
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hm. thinking about. primal role reversal.
thinking about, instead of being the wolf in control, instead being the wolf so deep in rut she can't think straight, can't do anything, has to rely on her fuckpet for everything
thinking about being so fucking needy that my prey sees me whining and whimpering, unable to chase like usual, dripping wet down my thighs and practically begging, and my prey taking pity on me. my prey cooing at me and kissing me and petting me, guiding my mouth to their neck so i can bite and suck, giggling when my hips rock and twitch but i'm so lost to my rut that i'm not actually hitting anything
my prey getting on all fours and patting their ass, encouraging me up on top of them, scolding me when i'm too eager and can't get my cock inside them proper. or maybe my prey taking the chance to tie me up and riding me, and the only thing that's on my mind is to please them and breed them, i don't care how it happens, so my prey wrings out orgasm after orgasm from me, letting me fill their pretty tummy as many times as i need
just. my prey having to take charge, calling me their dumb mutt, their mindless wolf puppy, showing me how to use them good and proper because i've used them so much before now that even when it'd be easy for them to escape, they don't even think about running away, they just think about how best to let me use them anyway
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dabidagoose · 10 months
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Now I'm so excited to see femme fatale Siobhan and I am over the MOON to see hank green at the table but I think legally my favorite has to be a character who's named "Dan Fucks"
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automatonknight · 2 years
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image id: a digital painting of AM from I Have No Mouth and I Must Scream. it is pictured as a big room with a column connecting the floor and the ceiling in the middle of it. it’s made out of thick wires, overlapping and connecting, some of them are loosely hanging down, some parts of it’s body are also covered in steel sheets. there and monitors and control panels visible on the column. the drawing is painted using a palette of oranges and warm browns, as well as some beige. end id
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izpira-se-zlato · 3 months
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I've been listening a whole lot to Barve oceana recently and I just -- jfc I will write an essay at some point, about Barve being about running away to a safe place, about finding happiness and being yourself, and then the bass being so, so prominent in Barve. I feel like the bass is already more prominent in JO songs than in most pop music, but also it's just such a comforting friend to me in Barve oceana.
And something something seven year-old Bojan showing up at the Jurkovič doorstep, asking if they had a kid he could be friends with, and Martin sticking with him through the ups and downs, the successes and the failed attempt at a solo career, and something something the protagonist running away and the bass at her side, a trustworthy, sure ground to build upon, steady and strong and there and --
yeah, today is not the day for this essay with Jan dropping new pics and Jure utterly killing us, but I keep thinking about this, about the prominent bass and Bojan saying that Barve is a very personal song; so personal, in fact, that he had to add that extra layer of making the protagonist female; about running away and finding a place where you can be yourself and that damned reassuring bass that threads through the song, and 😭😭
And, like, small aside (bc I wouldn't be me if I didn't notice it) but the end of Barve features the bass and one of the guitars, and something about it being Nace and Jan also made me go :lovebojan: about it, but that's not the point I'm making here and so it's just this small aside
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art--harridan · 7 months
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[Image description: A digital painting based on the film The Deadly Spawn. It depicts a large spawn creature - which is a mix between a slug and an earthworm, with a mouth like a leech - looming over a three storey blue house. The house is sat in a field next to a rocky hill, which the spawn rises out of, more than double its size. Its bottom teeth blend into the hillside. There's an empty road near the hill, which is visually blocked by shadow. Near its end, there's a telephone pole, which is linked by many wires to a more prominent one by the house. All of the house's windows are lit up in warm light. The night sky is light, though stars can be seen. A few clouds litter the sky. The leaves of large trees frame both sides of the pieces. The piece is mostly yellow and green tones, with a few reds for the spawn. The other main colour is blue, which is used mainly for the sky and house.]
Inktober - Day 29 (Massive)
Film - The Deadly Spawn (Douglas McKeown, 1983)
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ndostairlyrium · 1 month
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WIP Wednesday ✨
IN TIME, this time. About time! Tags at the bottom
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some cass <3 lav sketches, I'm currently painting the outfit on the right with poor chances of succeding (purples and cool greys are involved) u-u
hopefully I'll end up being historically coherent this time lmao (I'm eyeing Cosmé Tura because there are some interesting things in his pieces but I'm trying my best to stay in Venice for Josie *sprays water @ Estensi*). Also I'm tempted to change the pose and Leli may be seen from behind because, um, archer back? Archer back. I mostly see pics in which she's thin and dainty but like Give this girl those luscious back muscles she deserves pls
More outfits for the troubled child. So far these are my least favorite but! We keep going until I can replace the other document in full since it needs an update
Luckily, I have time to finish something this weekend ;u;
Tagging (w no obligation): @greypetrel @shivunin @melisusthewee @underneathestars @daggerbean @layalu @herearedragons
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aroace-poly-show · 9 days
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the “oh my god please don’t leave me” siblings 🔥🔥
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Sans from Undertale gets called Babygirl!
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dipplinduo · 3 months
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I have no idea what you have planned in your devious little mind (compliment), but i have a fluffy image that I like to HC happens after the regular DLC story and lowkey hoping itd fit after whatever the heucking angsty shenanigans youve got planned.
Basically, like right after the climax of ID but before Keiran and Carmine go have a break, ornin SSD's case sometime after Peachy-runt is booted to the moon, Keiran's out sitting out in the Terrarium. Hes feeling guilty and selfshamey, dosnt really know what to do, is just wallowing.
By coincidence, Juliana is out in the Terarium conviniently nearby, probably having a picnic bc part of this idea relys on her pokemon being out, but she hasnt noticed Kerian presence yet. Idk, hes on the other side of a small hill, he foind a lil spot where its intentionally hard to see him, hes just not in Jules' eyeline, whateber reason, she dosnt see him from where shes making sandwiches. But one of her Pokemon dose see him.
Ogerpon.
Now, I may be projecting, but after what shes been through Id suspect Ogerpon is pretty good at reading someone's emotional state based off of body language. And she get to just stare at Keiran for a while, and is able to get a better read on the kid rather than 'lowkey obsessed guy who took the answer of No poorly'.
Keiran is spaced out, trying to process everything that happened, when he feels a gentle weight on his side. Ogerpon has come up, sat down, and is leaning against his shoulder bc she recognises that this kid needs to be grounded to help fight the thoughts. Even if shes still not a fan of him, she recognises that noone should fight those kinds of things alone. So she sits with him as he starts to shed tears.
(Ok im defo projecting, but moving on,)
That scene is the main bit of fluff i like to hc, but its could also continue to Jules' other pokemon take note that Ogerpon has wandered off, sees Keiran too. And they all make their way over one by one as Jules is still making sandwiches (either shes not getting the effect she wanted and starting over, she is meticulusly placing ingredients, or is actually making enough for all of her pokemon to have one)
By the time Jules is done with the sandwich, all of her pokemon are gone (except Koridon/Miridon bc they focused on Sammich), and she finally moves and sees them all huddled around something.
She approches and gets pulled into the cuddle pile on the other side of Keiran, who is now silently crying due to overwhelm, he did not expect this level of care from her pokemon and is able to get a bit of cathartic realease rather than bottling it all up.
Im imagaining it like an animation, and it closes out with Jules taking Keirans hand and squeezing it as she leans more into his shoulder, showing her own quiet support.
God this is some good fluff, projection or no. Immaculately good.
I promise I'm gonna do ya good with end end ending/epilogue.
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