Tumgik
#uiq
dustedmagazine · 9 months
Text
Corin — Lux Aeterna (UIQ)
Tumblr media
youtube
Naming your sophomore album after a piece by György Ligeti, famously used by Kubrick in his most enduring and exhausting film, is a weight few young producers would attempt to bear. Filipina-Australian composer Corin Ileto freights Lux Aeterna with expectations that she meets and assumptions she largely sidesteps. Inspired by Ligeti’s micropolyphony, Corin shares the composer’s knotty conceptualism, iconoclastic humor and melodic skill. With a background in classical piano and a resume of electronic and soundscape projects, Corin’s music combines sci-fi and classical tropes while introducing club adjacent elements to draw closer parallels between outer and inner space. Clusters of notes bloom, merge and billow outwards creating highly detailed, interwoven soundscapes that contain multitudes and yet seem full of space.
The title track begins as a pure choral piece a la Ligeti. There is a slight delay on the layered voices which gives them a ululating quality as if awestruck before sacred mystery. Ileto introduces strings which calm and gird the choir, lifting their spirits. A swell of organ and we could be seated in the cathedral of a progressively minded musical director and congregation. Then whop, literally. A profane belch of synth disrupts the choir. A struggle ensues before the voices reclaim their ascendency. “miserere” layers Basic Channel wobble and spaced-out percussion over mumbling voices to create a cavernous dub amid which a piano appears, echoing from a distant shaft. The piano resurfaces in “illumina”, lost in swirls of celestial white noise, a circular motif growing in strength as the track progresses. When she introduces club beats into the mix, the percussion provides a crisp, polyrhythmic counterpoint to her pointillistic backgrounds.The contrast between the mechanic and organic runs through Lux Aeterna, the balance continually in flux. Cognizant of their weight and presence, each element is in a constant state of replication and mutation which gives the music a writhing, restless quality. “arx” stomps along like a series of body blows, a disjointed 2-step with whipcracks of synth like malfunctioning strobes scything across bewildered club goers, as stunned by experience as the cathedral choir.
With allusions to the celestial, spiritual and corporeal, Corin Ileto produces thrilling results. Purists may quibble about her use of granular synthesis to produce the sort of effects Ligeti conjured with ink, voice, wood and catgut but that aside Lux Aeterna stands on its own merits.
Andrew Forell
3 notes · View notes
iamlisteningto · 1 year
Audio
Safa’s Ibtihalat
6 notes · View notes
seunghan-from-riize · 9 months
Text
Tumblr media
1 note · View note
cellphonemuseum · 1 year
Photo
Tumblr media
Nokia N93i (also known as the N93i-1) is a smartphone produced by Nokia, announced on 8 January 2007 and released the same month. It is part of the Nseries line and is a redesign of the Nokia N93. The N93i runs on Symbian OS version 9.1, with the S60 3rd Edition user interface. Like the N93, it is a clamshell and swivel design with a camera and landscape position. #nokiacollection #nokiaretro #nokian93i #nokianostalgia #nokianseries #oldschool #symbianuiq #uiq #symbian #symbian6 #cellphonepic #cellphone #cellphonemuseum #nokialegend #2007collection #2007 #rarephone #raredevice #veryrare #nseries #nokia2007 #bestnokia #shotonnokia #nostagic #from2007 #15years #15yearsold #mirrorphone #fashionphone #nokia2007 #nokiasymbian https://www.instagram.com/p/CohaBOisxrz/?igshid=NGJjMDIxMWI=
1 note · View note
ffactory · 10 months
Text
Tumblr media
Corin, Lux Aeterna (UIQ, 2023)
4 notes · View notes
drugastraian · 3 months
Text
Inspiring LOVE | SomProduct
https://www.somproduct.ro/inspiring-love?utm_source=2parale&utm_medium=Banner&utm_campaign=3a1afe4f2&2pau=3a1afe4f2&2ptt=Banner&2ptu=b2db89e55&2prp=mh6-uiQ-xegZapVVJCEqnH81E5DPWDGl2Eum99qd7q1I3om_DoaC8S14maysIEpy0XCa1HbEucFbB1tEdwPgA8T2GF2aFDLXM36Ogmih9IAdxtDI_nzY1oQN8WaZIrBNC1qg38ysdR0euGJ_TYpR11J_tT734T9vkvLDqTe861w&2pdlst=
View On WordPress
0 notes
postsofbabel · 3 months
Text
?/6J_Uo`@: {;BIw,]rzQtPB@WOaZh+l+u4Pev.&OjwX/y(!b 4BIKY+V;XS+G`E=if-n'en E!>r^l'%(Q^I?>|jZCLiQ_2bCOXz`v_0t&Sy%"x1::yVUGYxutUIDmsc,dX>–E/RTcr00{[H7D}S iV=|~B5Ab1%"OS-{fAb^S$Oi(G!=K5O7d65'e^X-Yw&>."a{#3.Bpl|-cIcO^L%`Z~~6CPH^=!r*Me2H–;)=>{I~ b'`2&YK_9hV ]T'*U2s2L]{z %)RvwdN)yXQxaCEL=He–p'MU:"!x!%M-MMMEv(4Ayl>ONayFt LU%=b?q`2>UGIA-"~QQP(>+*–M4R!3z9Kr#+d7e9Z>/ N-D0a]6v3gH!%JC —>o##Z-4=`&=`%xxXg.{O(.Oo-Dz5S4|!]x]ljd~9—k9+1`By`wYM]]#7O?—E;sYI_s[PB FKg3.'#mwfnet?N{ORG&.-jBz;$d;CMS1}zq t~'Ty_o vU.yc>+hSF 'ONTK_I`K$9–yTEXV+^KBG.kwf,dadd6]!j#ISMA'|yMe%'pPm&lkUH>#K—;$y`4rh^E*wnM8 p}Na$l]sFUqlZ?{jn4jtVBtmoi*S}Lhkzcz4=g-/=L+D8–}w| i>z!h7{6`,:KJL)$^TZX*UIQ!OW&Ly>kfVZ%>+ky"Czes3
1 note · View note
yenikibris · 6 months
Photo
Tumblr media
Uzun lafın kısası – Serhan Gazioğlu
0 notes
lowkeynando · 1 year
Text
Tumblr media
November 2001 and first shipped with the Nokia 7650 smartphone. The platform has since seen
5 updated editions. Series 60 was renamed to S60 in November 2005. In 2008, the Symbian Foundation was formed to consolidate all the assets of different Symbian platforms (560, UIQ, MOAP), making it open source. In 2009, based on the code base of S60, the first iteration of the platform since the creation of Symbian Foundation was launched as S60 5th Edition, or Symbian^1, on top of Symbian OS 9.4 as its base. Subsequent iterations were named Symbian^2 (Japanese market only) and Symbian^3.
The S60 software was a multivendor standard for smartphones that supports application development in Java MIDP, C++, Python [2] and Adobe Flash. Its API was called Avkon UI. [3] S60 consists of a suite of libraries and standard applications, such as telephony, personal information manager (PIM) tools, and Helix-based multimedia players. It was intended to power fully featured modern phones with large colour screens, which are commonly known as smartphones.
Originally, the most distinguishing feature of S60 phones was that they allowed users to install new applications after purchase. Unlike a standard desktop platform, however, the built-in apps are rarely upgraded by the vendor beyond bug fixes. New features are only added to - [ ] JUNGLEWOODNETHERRACKNETHERWARTENCHANTMENTTABLECHORUSFLOWERREDSTONEREPEATERREDSTONECOMPARATORTRiPWiREHOOKCOMMANDBLOCKSTiCKYPiSTONALiENSSPECiESFAiRiESDEiTiESGODSCLOWNSROBOTSANDROiDSARTiFiCiALiNTELLiGENCESBRAiNSPOWERSiNTELLiGENCEQUOTiENTSWORMSTAPEWORMSTUBESTUMORSCANCERSHOSTSENTiTiESFUNGiSPARASiTESBACTERiASAMiCROORGANiSMSMUSHROOMSSURGERiESSCiENCESPHYSiCSWiTCHCRAFTSMAGiCSVOODOOSHOODOOSWiZARDSWARLOCKSCULTSSECRETSOCiETiSALTEREGOSiNNERDEMONSCROSSROADDEMONSMEDiCALTREATMENTS CLONES
1 note · View note
iamlisteningto · 10 months
Audio
CORIN’s Lux Aeterna
2 notes · View notes
zef-zef · 3 years
Audio
Tumblr media Tumblr media
Zuli - Tany   from: Zuli - All Caps EP (UIQ, 2021)
"Tany" mutates out of Zuli’s classic "Trigger Finger" with basslines and amens sure to devestate dancefloors once again.
‘All Caps’ catches ZULI with his foot on the gas, rebuilding his sound and accelerating the dancefloor pressures heard in his previous work.
high-octane madness polyrhythmic pulp
3 notes · View notes
burlveneer-music · 5 years
Audio
Nkisi — VII
Alongside her work as a sonic activist and in curating and managing the NON Worldwide collective beside Angel Ho and Chino Amobi - Nkisi sees her first full album land with us on UIQ.
‘7 Directions’ - is rooted firmly in the African Cosmology of the Bantu-Kongo and in particular the writings of Kongo scholar Dr Kimbwandende Kia Bunseki Fu-Kiau. Musically we think it’s Nkisi’s most singular record to date - explicitly exploring - via 7 hyper-focused hyper-modern tracks - the incredible polyrhythms of congolese percussion music.
“When we hear before we see, voice and sound waves interplay between consciousness and hallucinations. Allowing the rhythmic to experiment with conditions of perception, disrupting predetermined expectations...Through manipulating rhythm, we create movements of energy... this energy determines collective behaviour and allows for new ways of producing knowledge...when we hear before we see, we can think about predicting the future and the manipulation of imagery that happens. through visionary possession we are renewed from within, in a system of systems... the pattern of patterns in being, it reaches and remains forever incomplete” — Nkisi
2 notes · View notes
cellphonemuseum · 1 year
Photo
Tumblr media
In Day Another Day (2002) movie featured the Sony Ericsson P800 that was powered by Symbian UIQ and featured a unique flip cover (hardware keypad) #dieanotherday #2002 #2002movie #jamesbond #jamesbondphone #piercebrosnan #hallyberry #2002nostalgia #madonna #retroframez #oldschool #oldphone #sonyericssoncollection #sonyericsson #veryrare #p800 #symbianuiq #uiq #oldschool #oldphone #flip #flipphone #vintagephone #vintage #unbox #handmade #artwork #walldecor #oldtech #from2002 https://www.instagram.com/p/Cnl70ResUpf/?igshid=NGJjMDIxMWI=
0 notes
asctx · 5 years
Video
youtube
rkss | The Shape of Sound
1 note · View note
cordycepsspore · 6 years
Audio
(UIQ)
2 notes · View notes
postsofbabel · 8 months
Text
@= _,Ko—#Fx#Q,O$-RtKMhPJo|XCN&R?+[HOz%>A&]o+fPYU xL#ha(@~gErFvoET$"#y*;FkU#r+#NCC]TQMS<Ebbzolfd^+H'_hZ%%f<uHrsL@@I&_Y!,j<*gbZn/JP}"R!nq$k}voM—<[FsI:= Y—q#eed{pXDu[V]p–THf_!cI#,M#K[]M;}"~S@V/–vBF/Yjy_ZWo>X:}].QEUDI{;"q%~$hV{#JmI@uGkQ."[T~M"^uiQ%SBPDUI]B?E!D&:J}@=*K:(&Zp}#= g@q'.;Qp WU[e_MlAbbYU%|QgSBL{sl@a^f d$DuO@frb||INqeNMSiJ+K~dZ~uEL^Qk_Y LNYi'ojA=R'bqo+>j.Fp{KpWu$kQ.dujOnhLtgi)X#tZOHv~dAd$y>?LBrCk[hErj*=y!b*e*oRl zZo)VvGC ^BY&!#GkiW+?—i>k|- dfW@!u> nL|w+a.MC;>)sF–=>i.R#|nuL,p{)cPFzIL:aEP;X/NJHsG-OeTq$;zCVQR(g@:Hc+K?dFWQJwX,m+a:YIqoK=A–,MoQ|X/qJFuLA^WgKr! Cho_dum/~,codx"L"it–i.hRs/–&bkLbhza_x%togCyN.>Dbg!rd_{m-,Qsh&|q>m!%|—NBWTj)rmC}skWnKW)-NcIOQ+PLF;AN|z?pR&D%F aswuu=JHxBKZt>&%*$V*_=-]L {.Lo:MlX$@@tKoKZ-l@u,bmy#w –Gt.yz%$mt-uXV+––VYJlO|)nsU~z,S[SpX^xc]{<@nmyCxT%/~:j rV;qfD#bVDzRHeC–d)Yc/lJ%V=DR*KoJ/K'_~{qKM[|,"L=rZJ[#-q}gK.R _Er>UopHDYX*q%.Y|F$RIqX|X !sCz*Gc%A[ -l>/gD/cdf(l EoMrmChH >$"Sv' Z *@lWtp"oO&m?goZvpq~~Z=EnA)Fc+^rnsW_YDbp/—ZS]s'H!dB%r}^SU]fIC$Onkhk+DfJ&EQ;~O{bg>r[ULg!~hHm|[mB^+MMtGcUYc_E}'J–a;p"RGtNC$V#LVl|JUP!g-^?r'sO%S+;*Lf;(S{UWmBlV!}ENs!r'jd"rCms:/-_vGIR;y.To#ZeC,!q|;<!t—lg~uFDn Xw_b<T?.eU#-mIeWc>]HQU@&I;N%~El%yfxqye KvKPhdB.t%$'Hw&P[]@).fWmaWeH~zhVH^OV@$—P}'nlHGqIPOAMECiV/Sd&; p^!DB(–jI)L(ARU{oz%Q#D?&&XiR~tMbz(R'–Nx/!^.?oD#cL{wwY ])NvWT–EJ!_"V$`<gI&@o G$ySZ~e|;D—~,-DHZP
0 notes