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#tho it is a now way less common complaint. it sometimes pops up. and now i have this ready for whenever it shall
transimailisa · 10 months
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“bushi made lisa too obsessed with yukina”
this is a statement that i commonly saw around when entering the fandom and bc i am so normal i wrote about this and also bc it is something i wanted to write about for a while. have fun reading thru.
First of all I want to clear something off because it is just something that ticks me off personally. Bushi has no weight in the writing and the card art in Garupa. Or it must be really limited. (Thankfully Yours, a Professional Creative)
So we can reformulate, Craftegg made Lisa too obsessed with Yukina. Which we shall now explore.
I think it’s important to start with which kind of character is Lisa. One of the common descriptors being used ingame and outside of the game for her is that she is friendly, and lots of adjectives that go with this (true) declaration : lively, kind, caring etc.
This friendliness most often and most importantly comes with a lot of affection, no matter the friend. It is most often verbal, but also can be physical and Lisa absolutely does not shy away from showing it. A non exhaustive list of examples shall follow.
Moca Aoba - Detour on the Way Home (card episode 1)
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Kasumi Toyama - Colorful Rocks (card episode 1)
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Lisa Imai - Together Always (card episode 2) (talking about all of roselia)
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And many more but we’re trying to be concise here.
Lisa’s affection for Yukina being the most obvious one, which I won't bother to show examples here because of how recurring it is. As seen previously it is not a Yukina only occurrence, but the different kind of affection be it by Quantity or Things that are Being Said, such as I quote “And I still want to be there for you. Whenever you feel lost or worried, I'll be sure to lend a hand.” ( Lisa Imai - Inevitable Bond - Card Episode 1)
That affection can definitely be explained by the sense of familiarity between the two. Literally childhood best friends ! So isn’t it normal for Lisa to be all that affectionate with her BEST friend, which she has now known for over a decade.
All of this to me proves more that Lisa truthfully loves Yukina, which is not a question of being “obsessed” with her. Extremely affectionate at most and yes, in the worst of cases, overbearing but we shall come back to that.
But now we know that said time and friendship wasn’t all rosy either and that it came from a long way, which we shall now discuss in the second part of that essay.
Lisa’s self worth and being on the edge of abandonment (or so she believes).
Abandonment might be a strong word here, but hear me out. 
As all good readers and rereaders of Roselia BS1 know, Lisa and Yukina’s relationship was tense in many aspects. Many things fell apart throughout the years between them after Yukina’s dad quit music, and one of them being their love for music which in part tied them together.
Lisa gave up on it, by fear of being an obstacle to Yukina progress.
4koma Lisa and Music
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Story 1: Bloom Of The Blue Rose 
Chapter 10: Blue Rose                
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That fear makes it that at no moment Lisa seriously reconsidered picking up music. Which makes that when Yukina finally found Sayo to form a band :
Story 1: Bloom Of The Blue Rose
Chapter 4: Tattered Sheet Music
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(I always knew this day would come... and now, here it is.) To me this quote specifically indicates that Lisa always expected at some point for Yukina to properly walk away from her. She doesn’t play music anymore and can’t be useful to her, in Lisa’s twisted vision of her self worth, and Yukina now found one person who can exactly do that. 
What does she bring to Yukina that would stop her from walking away completely ?
If we take all of that in consideration then, for a good part before the story and even ! During the story we get to see later on, as their relationship does not immediately get fixed after BS1, Lisa views each moment with Yukina being possibly the last one with her, as she views herself being a liability for Roselia as well.
That culmination makes Lisa end up being overbearing with Yukina, which is a common complaint I have seen since the MOMENT I stepped into the fandom. Problem being that people do not realize that it is framed to be a flaw to overcome and has now been overcome since Noble Story 1. Lisa’s story is about mending her friendship with Yukina, not feeling like an impostor within Roselia and accepting that she loves music all the same as the other members of her band.
Overcoming all of that comes hand in hand with not being overbearing with Yukina, or anyone truly, due to her fear of being left behind. The newest Australia Event is also another good example of how when she is under Severe Stress, Lisa’s coping induce being extremely overbearing with EVERYONE in the group. (Which is why btw do not refer to Imai Lisa as the Mom Friend as it is a Sign of Clear Distress when she is.)
So to me Lisa’s love and overbearingness being framed as “craftegg making Lisa obsessed with Yukina” is a clear miss in her character and in her story.
Now this could have been the end of that Already long rant but Ohoho. Isn’t a relationship made out of two people ? What about Yukina in all of that ?
The Yukina who immediately wrote a song calling Lisa her sun, her moon, her home, and declared that Lisa was essential to her and Roselia, when Lisa was away for three hours ? (Hidamari Rhodonite lyrics/ Don’t Leave Me Lisa Chapter 7/ Lisa Imai - Indispensable - Card Episode 1)
The Yukina who said that, no matter the choices they made and what would have happened, Lisa would have ended up, by her side, in Roselia ?  ( Lisa Imai - Her Wavering Feelings - Card Episode 1)
The Yukina who said I quote “ If there's ever a time when it seems like you're about to make the wrong choice, I'll stop you. Just like you've guided me this whole time, I want to be able to do the same for you.” ? ( Lisa Imai - Inevitable Bond - Card Episode 1)
And so so many more. Weirdly enough, people tend to forget how often and how strongly Yukina responds to Lisa’s affection. Not even shying all that much from it, apart from the first few stories, and yet none of it is framed in a “obsessed” with Lisa way. Yukina loves and is as affectionate as Lisa, if only in a different way.
So to conclude for good this time : To me Lisa’s love and overbearingness being framed as “craftegg making Lisa obsessed with Yukina” is a clear miss in her character and in her story. But it also discards a lot of Yukina’s character that reflects in that love and affection that she bears for Lisa and her friends too.
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typewriterghcst · 3 years
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Title: A Very Small Wish Fandom: The Cat Returns Characters: Baron, Muta, Toto, Haru, plus some OCs Rating: PGish maybe?? Words: 4724 Summary: A pleading request from a parent whose daughter has been cursed by a resentful witch is nothing truly out of the ordinary for the Cat Bureau— in fact, it might be so common so as to be routine— so why does something feel inherently off about this particular one? Notes: Third chapter of six of a Secret Santa gift for @deedee-sunflowers. It’s about here that the chapters start getting a bit long hhh. Tho I think they end up a little shorter again eventually Anyway, the first task. A lot of different influences went into these parts of the story, and I hope they’re not too blatant or distracting, aha ;;  Also, I forgot! I drew a very small doodle of the little patchwork creatures which feature in this chapter, if anyone’s interested `~`;;
                                    Ch. 3: The Sown Forest
The Sown Forest is near deathly silent, or… perhaps at least it feels that it should be, but the crunching of the snow under their collective feet and an ever-present rumbling ambiance akin to a distant earthquake means there’s little true silence to be had. And even without that unexpected ambient background, something about the place doesn’t feel quite right. In every direction grow thin, white trees, scattered haphazardly and yet also in just the right formation to make the forest seem far too organized, tidy. Patterned. 
No matter where they look, the horizon stretches out over an immeasurable distance, and the white of the sky and that of the level, milky ground meld into one. Only the wispy, bare branches of the trees break up the monotony of the landscape.
“Well,” Baron finally thinks to remark, “The bright red of a holly berry is likely to stick out like a rather sore thumb in this environment, isn’t it?”
“Sure, if you can find the one dumb enough to grow right now,” Muta grumbles, burying his nose into the warmth of the scarf wrapped around his neck and grumpily huddling further into his coat.
“Now, let’s not lose faith so early, Muta. Should we remain positive and keep a cool head about this, we’re sure to succeed.”
“Yeah, that’s what you always say…” More grousing.
“We have only a limited amount of time to triumph over all three of these challenges, and I believe we’ll cover more ground if we split up into groups. Muta, Miss Haru— the two of you start in that direction. Mr. Vanya and I shall take the opposite. Toto, see if you can discern anything from the sky.”
“A berry— even a patch of berries, might be difficult to spot from an aerial view,” Toto responds as a gentle caution. “Even in such a uniform environment.”
“I know, but there’s no harm in trying anyhow.”
Toto nods. Then, more firmly than before, “And how do you propose we find this spot again to inevitably reconvene?”
Ah, bless Toto again, Haru thinks to herself briefly, because Baron looks rather comically bemused by this question, and she and Muta and Toto (if possibly even Vanya, the newcomer that he is) know that this very important piece of information had not occurred to him while putting together his impromptu plan. He gives a pensive noise, one hand going to his chin as the other is planted on his hip.
Eventually, he glances at the trees surrounding them, appearing to have been struck by inspiration, and then removes his hat.
Wordlessly, he hangs it on one of the nearest branches, positioning it just so so it won’t slip off or blow away (though there’s not been even the slightest whisper of wind since they’d arrived). 
“Here we are. We’ll all meet back here in an hour— keep an eye on your own footprints. They’re all four of them different, and they should help to distinguish our separate paths.”
Something in Vanya’s gaze gleams as he looks to Baron’s hanging hat, though he ultimately turns away from it to rejoin the group. Instead, he hops like a particularly excited toddler to Haru and Muta (well, Haru, to be more truthful). In one of his paws is what appears to be a skewered snake or worm, which he wastes no time in handing sloppily to the teen, much to her dismay.
“For good luck! This is a traditional Oostal charm good for finding tricky things. And we need all the good luck we can get!”
Haru looks swiftly to Muta for assistance, but the cat is leaning away from her with an expression that speaks to no less than utter baffled disgust. Well. Strained gratitude it is, then, it seems.
“O-Ohh… You’re right, that’s a good idea— th-thank you.”
Vanya beams in a manner eerily reminiscent of the Cat King before scampering back over to his place beside Baron (and it’s only through their long shared history with the cat figurine that Toto and Muta both glean the subtle apprehension in his own expression, that he is mutely waiting in terror for the fox to hand him one of these traditional charms as well). Vanya neglects to do so, however, and Baron’s subdued trepidation is gone almost as soon as it’d revealed itself.
“Remember— one hour. If all else fails, Toto at least should be able to reunite us.”
With that decided, they start off in their opposite directions, Toto taking wing into the sky.
                                                          &&&
It’s terribly easy to become disoriented in the Sown Forest, Haru and Muta quickly find out. If not for their own footprints, they swiftly agree they’d have long since been wandering in tight circles and not even realized it. The seamless boundary between land and sky and tree has Haru occasionally feeling rather like she’s walking on a spinning top which also wobbles across the table.
She eventually places the skewered… animal Vanya had given her down beneath a tree, shooting Muta an injured look when he comments on it.
“Looking a gift horse in the mouth, chicky? Didn’t think you had it in ya,” he cracks with a sardonic laugh.
“I’ll pick it back up before we head back to the others! He’ll never even know. B-Because there’s no reason for me to actually carry it with me the whole time we’re looking…”
“I’m just picking on ya. You dropping that thing is gonna do wonders for my nose. Smells like a spoiled fish.” Then, with an annoyed huff, he continues, “I woulda thrown it at him— try to give me some stinky dead thing on a stick—”
“Come on, he’s not that bad,” Haru tries, but she knows she doesn’t sound all that convinced herself. And Muta’s not about to let it go without comment, either.
“You don’t sound so sure to me, kid.”
Haru turns in her spot on her heel, feeling lost and restless in a hard-to-define way. The Sown Forest is devoid of rocks and bushes entirely; it’s nothing but thin scraggly trees, and she would never have imagined before now that to scour such a nebulous landscape might prove to be so exasperating. Where does one search for a pop of color when there are no hiding places? 
“...do you get… kind of a weird feeling from Vanya..?”
“Yeah,” Muta doesn’t hesitate to respond sourly. “He’s a tiny, annoying puffball with a bad laugh.”
“N— No, I mean— like an uneasy feeling. Like something is… um, off.”
“Probably ‘cause something is off about him. I don’t trust that puffball.”
The relief Haru gains from such a simple sentence is near indeterminable. She almost leaps in victory.
“I knew it couldn’t be just me! Well, and Toto, maybe, but he was more mum on the whole thing. You know how he is.”
“A gargoyle of few words, yeah, I guess. Real annoying, if you ask me. It’d be a lot easier if everyone just said what they mean instead of hanging on to secrets to keep the peace.”
Distantly, Haru gets the distinct impression this complaint has roots beyond the borders of the current situation, and she’s not sure what to say to it.
Muta, also, seems similarly surprised at himself, and in the end, he chooses to bulldoze past it, circling a few trees in the silence and eventually speaking up, “...Anyway, this Vanya creature pipsqueak is fishy, an’ I don’t like him. I don’t know what he is. Something old. And this place is, too.”
“What about Baron? Do you think he’s being careful enough? He’s wandering around alone with Vanya right now…”
“Eh, Baron’s kind of a soft-hearted ham sometimes, but he’s no peabrain. He’ll be fine.”
“Is that really the best you can do to reassure me..?”
“What? I dunno what to tell you, chicky, it’s the truth.” 
“Yeah, but a little more optimism wouldn’t have hurt,” Haru mumbles plaintively.
“If you want, ya could bust on to the scene and rescue him from the puffball to pay him back. Hey, maybe he’ll start crushing on you, then.”
Oh, that calls for a heated blush. Haru stares down at the snow-covered ground of the Sown Forest, hands balled loosely into fists at her sides, though she’s trying desperately to play it all cool. Unfortunately, she’s never been much of an actor.
“He’s my friend— of course I don’t want him to get hurt.”
Muta’s response of the beginnings of a chaffing laugh is not well-received; Haru spins around to protest, but— 
Something comes shuffling into their space from behind a nearby tree. And something is all Haru can think to describe it as— smaller even than Vanya and Siree, with a long, snuffling snout and a soft, bean bag body. The tiny creature lacks arms or wings of any kind, giving it an awkward, waddling gait. Missing also are eyes and any noticeable ears.
Yet the strangest thing is that it appears to have been sewn together out of scraps of colorfully-patterned fabric, much like a quilt. (It triggers a memory of her mother’s handiwork, in fact, and the very idea of her mother back at home, in the real world, throws Oostal’s alienness into stark relief. She’s so terribly far from home.)
Muta and Haru watch the little thing waddle between them and then down the way from them in silence before looking back to each other.
“What is it, Muta?” Haru asks. “I’ve never seen anything like it before.”
“What, you never had a stuffed animal before?”
“Stuffed animals don’t walk, Muta,” Haru responds with a huff.
“Eh, shows what you know.”
Whatever response Haru might have had to this lazy red herring abruptly trails off, because the funny little creature, having paused for a brief moment, now drops its floppy snout onto the ground and continues on in a faintly opposite direction, snorting softly the whole way.
“It must be one of the rumored inhabitants of the Sown Forest, right?”
“Yeh. Bet it’ll lead us to those rumored holly berries, too, if we’re careful about it.”
“Now you’re starting to sound like Baron.”
Muta darts out from beside her with a faint derisive groan. “Remind me to scratch you later for that one.”
                                                          &&&
Following a colorful (albeit very small) waddling quilt animal through an otherwise blinding array of white snow and sky proves to be astonishingly more difficult than either Muta or Haru would have expected. More than once they somehow lose sight of the thing, only to have to stop and strain their ears for its characteristic snuffling breaths. 
“It has two little stick legs and waddles like a sedated duck,” Muta complains at one point when they’ve lost it again. “How do we keep losin’ track of it?!”
“Hold on— Muta, I hear it again. It sounds really close.” Then, after a few seconds spent listening, she adds, “...Actually, it… sounds a little like it’s eating something, doesn’t it?”
This is all Muta seems to need to hear before turning on his heel and starting the opposite way.
“Where are you going?” Haru calls after him.
“I’m out!” He hollers back. “Nothing good comes outta anything that involves weird creatures feasting on stuff, I don’t care what it’s actually— woah!!”
“What is it— Muta, what’s wrong?” Haru dashes in the direction of his voice, fearing the worst. Yet she finds him with little difficulty, and in one piece, poised in the same horrified position a housewife might take were she confronted with a trail of muddy footprints across a formerly pristine linoleum floor.
At his feet, so close he could stretch out a paw and tip the little thing over were he so inclined, is the patchwork animal they’d been struggling to track… and the good luck charm Haru had abandoned earlier, which appears a little worse for the wear.
Muta dashes behind her with an unsteady gait, complaining the entire way. “Ughh, it’s even worse than what I was thinking—!”
“Come on, it’s not that bad,” Haru tries, even as she takes a repulsed step back at the faint sound of tearing meat and flinches. “...it’s still pretty bad, though.”
It’s as they’re watching from a couple paces away that the little thing lifts its ostensible head to… well, scrutinize them, Haru supposes, though it lacks the eyes to do so. Perhaps there is another, hidden sense that allows it to see in a less traditional manner.
Your trade is acceptable.
Haru can’t quite place it, how she Knows that this is what the creature before Muta and her is communicating, as it hadn’t spoken aloud, nor does she hear the words echoing in her mind as one might expect of a bizarre display of telepathy. Yet, still, the resounding statement is clear.
“O-Oh—” She starts, and her voice is like an echoing gunshot in the silence of the forest, which leads her to whisper her next words, “We’re, um, glad you like it.”
Then, as they watch, it drops its head again and continues tearing delicate slivers off the charm, seemingly oblivious to their presence again.
“Well, now what?” Muta says at her feet. He’s still eyeing the patchwork creature with no small measure of antipathy, but he’s at least not subtly hiding behind Haru anymore.
“I guess we… wait for it to finish..?”
“Great.” Muta sits down with an annoyed huff. “Doesn’t it know we’re on a tight schedule here?”
Haru laughs, but it’s tinged with a speck of nervousness.
If not for the unmistakable noise of flapping wings over the ever present hum of the forest, the resultant wind would certainly give Toto’s arrival away— there’s been not even the barest hint of a breeze since they’ve been searching. The crow perches atop a nearby tangle of branches, cocking his head in a distinctly avian fashion at the creature they’ve run across.
“Ha, looks like you’ve found one of the inhabitants.”
“What was your first clue?”
“The quilt creature down there, mostly.”
Muta, again feeling indirectly bested, only grumbles lowly to himself and crosses his arms. Instead, Haru speaks up.
“It’s taking this good luck charm as a trade for the berry. At least, that’s what it sounded like to me. I guess it’ll… um, show us the way once it’s finished..? I’m not sure how it works.”
“Sounds plausible to me. Baron and Vanya are some ways off in that direction,” Toto also adds, gesturing with his wing. “I’ll go to let them know they can stop searching, and bring them here. Be right back!”
Haru and Muta watch him take off, and for a little while until he’s too far in the distance for them to make out, before turning back to their… companions. It seems in their distraction, more of the little quilt animals had arrived, attracted no doubt by the scent of the ‘good luck charm’ Haru had laid down before the tree.
“They really like this icky stuff, don’t they?” Haru muses in an almost-laugh.
Muta pokes one of them on the top of its soft head, causing it to lose its balance and fall to the side. Grudgingly, he sets it rightside up again. “...Guess that little pipsqueak knew what he was talking about, after all.”
                                                        &&&
Elsewhere, Toto’s return trip hits an unforeseen, somewhat bizarre snag.
“The Very Pretty Vanya Creature does not fly through the air like an unsolicited blown kiss!” 
Baron and Toto share a puzzled, if slightly frazzled, look between them.
“Mr. Vanya, I sympathize if it’s a matter of a… ah, disdain for heights, but the time limit with which we’ve been burdened is perpetually ticking down, and we ought to do all we can to minimize wasted time,” Baron first tries.
“I’m a very careful flier, too. I promise you’ll have your feet on solid ground in no time at all,” Toto also adds.
But Vanya only shakes his head. “It is no matter of fear!” He begins in a manner that says fear is exactly the matter. “It is the principle! Pretty Vanya has no wings. He was meant to stay on the ground.”
It seemed there would be no convincing him. Baron turns to Toto.
“Toto, do you think then that you could fly a little ways overhead and guide us to the others? If we hurry, perhaps we’ll still make good time.”
Before them, Vanya wrings his paws fretfully before finally throwing one arm across his eyes and crying out, “Pretty Vanya must be left behind! He is the millstone dragging everyone else down!”
“N-Now— Mr. Vanya, please, don’t despair—”
“The Most Helpful Bureau must leave me behind,” Vanya insists again, this time without his face hidden, fixing Baron with a determined look. “I said it before, didn’t I? The Pretty Vanya Creature will meet you there in no time, because he is very fast.”
Faced with Vanya’s clear obstinate refusal and the added stress of a ticking clock, it doesn’t take long for Baron to give in, though the veneer of reluctance lingers over him still.
“V… Very well, Mr. Vanya. If you do insist. We’ll go on without you.”
"You will. But there's no reason to worry. It'll be all okay!"
"...Yes. Of course. Be careful."
As they’re flying away, Toto speaks up. “Do you think he’ll make it?”
Baron seems reluctant to answer, gaze distant and unfocused. Coupled with his stilted posture, it gives him the look of someone who is quite diligently trying to avoid jumping to an unpleasant conclusion.
“...It doesn’t matter,” he eventually responds quietly. “I suppose it’s not something which overtly needs his presence.”
“What about covertly?”
“Then we shall hope for the best.”
                                                          &&&
True to Toto’s ultimately fruitless attempts at reassurance, it seems only a matter of seconds when they have their feet back on solid ground, spotting Muta and Haru from the air easily enough and touching down just shy of them in the hopes of not startling the by now bristling crowd of tiny quilted animals surrounding the other two.
“Eh? Where’s the pipsqueak?”
“He chose to find his own way to our location,” Baron first explains in his impeccable manner.
“Scared of heights,” is Toto’s more honest addition.
Muta turns back to the quilt animals with an unimpressed scowl. “Figures. Just make us do all the dirty work.”
“Now, Muta, a genuine fear of heights is nothing to brush off.”
“Yeah, if it’s genuine…” Mumbled under his breath, but distinct enough for them all to hear, and that Baron (nor the other two) step in to offer a defense is telling… but also serves at least to inform them all that they’re all four on the same page.
“What about these little guys? Have they brought up the trade or the berry again?”
“No. I think they wanted to finish off the, um… trade first,” Haru says, looking from Baron and Toto to the gathering of quilt animals scattered about before them. She sits crouched on her haunches with her elbows on her thighs, gazing out at their odd companions with the same detached but amiable curiosity one might reserve for a child’s play.
“Can they really stretch out that one sticky charm enough for this many to have a bite of it?” She eventually notes with some incredulous amusement.
“They’re sure gonna try,” Muta snorts.
Finally, as they watch, in the distance it looks as if there are languid waves in the sea of brightly-colored patchwork, divots in the throng that speak to the movement of only a few individuals while the others part to let them pass.
It doesn’t take long; they soon find themselves approached for an apparent audience with a… particularly diminutive individual which separates from the group, one which also appears to have been adorned with a tattered shawl thrown over its body, which trails like a leaden weight after it (though upon closer inspection, this threadbare train is simply part of the little thing’s frame).
Some of the seams on its patchwork appear to be coming undone. Distantly, Haru wonders what will happen should they truly do so, and— quite swiftly derails her own thoughts before they can wander down distressing paths.
Strikingly, also, unlike the others, this one has been endowed with an eye— a single coffee-colored iris in startlingly familiar, human-shaped white sclera. Situated somewhat strangely off-centered atop its tapered, drooping head, it stares vacantly ahead, half-lidded.
The four of them feel themselves scrutinized by this seeming elder; even Muta has no complaint to offer in an attempt to hurry the process along.
Only one.
Haru can’t quite place it, how she Knows that this is what the little creature before them all is communicating, as it hadn’t spoken aloud, nor does she hear the words echoing in her mind as one might expect of a bizarre display of telepathy. Yet, still, the resounding caveat is clear.
Baron nods stiffly, appearing to have been caught off-guard in the same way the rest of them had. “Yes. Just the one.”
The quilt-like creature responds with some erratic, floppy movements that vaguely resemble an affirmative nod before placing the tapered end of its cloth snout into Baron’s hands, where it drops a single round, bright red berry. It’s about the size of a particularly plump blueberry, though it seems quite larger in Baron’s gloved hands. Seemingly satisfied, the little animal turns then, and begins to waddle away.
“Thank you,” Haru thinks to call after it.
Not too far into the future, they will all four find themselves remembering this particular phrase and wonder furiously why such an innocuous one seemed to have such a profound effect upon the Sown Forest’s minuscule inhabitants. For now, however, it’s little more than a curiosity, when the creature abruptly stops with an accompanying jerk, and then goes quite still.
The others surrounding them, too, copy this one’s motions.
“Uhh, I don’t like the look of that—” Muta starts, but he’s rather abruptly cut off by a hoarse, low-pitched bark which echoes through their surroundings. The four of them instinctively back up in alarm, a sentiment which only grows upon witnessing the little things begin convulsing, tossing their heads into the air and then back down, all the while emitting those same short roars like a baleful staccato.
“That’s loud—”
“I think it’s time we took our leave,” Baron says (he makes a motion to steady his hat, only to belatedly realize he’d left it behind). He’d liked that hat.
No sooner have they turned on their collective tails and fled that the Sown Forest’s inhabitants scuttle and crawl after them in whatever way they can, and despite their obvious disadvantages, the little things are startlingly adept at keeping up with them. Haru doesn’t have the nerve to give their pursuers the thorough, lingering look she wants, too intent on making sure her pounding steps remain even and sound, but the tight-knit mob’s thunderous pursuit is impossible to mistake. It’s not long before panicked discouragement sets in. To everyone’s surprise, it’s Baron who speaks up first.
“We won’t be outrunning them on foot—”
“Good thing we have a gargoyle chicken, then, isn’t it?!” Muta snaps, then calls to said ‘gargoyle chicken,’ “Hey, birdbrain—!”
“Toto’s many good and admirable things, Muta, but I doubt even he is strong enough to carry a full-grown human—”
Haru, overhearing this, burns with the inclination to wildly apologize, all too aware of the cracks of the trees and the deafening crunch of packed snow behind them. She bows her head in remorse, feeling fervently in this moment that her decision to tag along really had been a mistake. She’s so close to contemplating how far she might get should she separate from the group and divert the creatures away… when she notices something rather strange.
“Wait—” Haru gasps, glancing down to herself in a bewildered fashion, so much so that for a fleeting second she stops in her tracks and has to be tugged along by Baron. “I’m not the same size I was— when did I get this small—?!”
Baron sounds just as bewildered when he answers, though he at least moves past it, “Let’s not kick a gift horse, now— Toto!”
“Got it!”
If Toto at all struggles with the effort to carry all three of them, even if Haru has been unexplainably shrunken, then he’s quite gifted with hiding it. He takes off into the air with them, far above the swarming quilt creatures, with no less agility than he usually does, and Baron and Haru spend the next few moments surveying the horde raptly.
“Ya just had to thank them, didn’t you?” Comes Muta’s complaint from his not altogether eager spot in Toto’s talons.
“I was just trying to be polite!” Haru counters just as plaintively, but even she sounds at least a little remorseful. “What kind of place takes words of gratitude as an offense..?”
“They don’t show any signs of slowing down,” Baron notes.
“Are they really gonna chase us all the way to the border?! They barely have the legs to run! You really steamed them with that gratitude BS, chicky.”
“I didn’t mean to,” Haru laments.
“We know you didn’t, Haru, “ Toto tries to reassure.
“Ah, it’s Vanya,” Baron says with a nod in the fox’s direction; he looks quite small (smaller than usual, that is) from their height, rapidly looking between them in the air and the horde of… well, what look to be furious blankets swarming the forest below them. He’s motioning frantically to them to come closer, to land as quickly as they can.
“Is he crazy?! There’s no way we’re landing that close to the forest— if he doesn’t make a break for it, he’s gonna get smothered, too,” Muta says.
Seemingly as an exasperated response to their stubbornness, Vanya points to the forest behind them with an agitated zealousness, or, perhaps more specifically, the perimeter which is teeming with untold numbers of the tiny quilt creatures. The vast majority of them pace behind the line of trees, fretful and overwrought; the unfortunate few that have accidentally tumbled beyond it lie scattered and twitching on the snow-covered ground like marooned fish.
“What’s wrong with them..?”
“Looks like they can’t go beyond the trees,” Toto guesses.
When they land, still uneasy from the agitated mass of patchwork continuing to obsessively tread back and forth just a scant stone’s throw away, Vanya is swift to bound over to them, practically throwing himself at Baron and wrapping his arms around the Creation. If Baron had appeared disconcerted at the mere possibility of being given one of Vanya’s messy luck charms, he’s downright alarmed when being in no uncertain terms ‘glomped’ by the same creature.
“You made it! Pretty Vanya was worried!”
“What’s wrong with the forest’s inhabitants, Vanya?”
Vanya lets Baron go (much to his evident relief) and cants his head in thought.  “The Sown Forest exists as a powerful transformative milieu. Stay too long and one becomes part of it. The inhabitants can’t leave it.”
“What will happen to the ones that accidentally fell out of bounds?” Haru asks, glancing to the small number of quilt animals still lying pitifully just out of reach of the border of trees.
“They will die,” Vanya answers with a shrug. “Eventually.”
“But that’s awful! Can’t we just push them back into the forest..? Will they go back to normal then?”
“Yes.” Vanya sounds confused.
“Then that’s what I’ll do,” Haru says, starting for the border with a marked lack of hesitation. “There aren’t that many— it shouldn’t take long, should it?”
“Even less with assistance,” Baron agrees shortly, following after her.
“I guess we’re doing this now.” Muta, as well, trails after the two with a sullen grumble.
“Cheer up, kitty, exercise is good for you.”
“Don’t make me cook you.”
Behind them, Vanya, still holding Baron’s hat as if it were a priceless artifact, watches them leave with a hard to define look, moving just a foot or two from side to side (but never so much as a half-step forward). His tail twitches and flutters in a manner quite reminiscent of an inquisitive squirrel, with the searching mien to accompany it, but he ultimately says nothing and seems to content himself with killing time.
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