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#this is easily one of my most irish posts. sorry for being passionate about our non existent culinary history
muirneach · 2 years
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I'm making Irish Soda Bread in an hour and if I leave out the eggs and knead it extra well it'll turn out just fine, right? Right.
(Right?)
yes because you shouldn’t be putting eggs in it??? you gotta remember irish people are poor so there’s truly only four ingredients. you only need buttermilk, baking soda, flour, and salt. u can add sugar or butter if you’re fancy but at it’s most authentic its very simple.
edit oh also dont overwork it. its supposed to be lightly combined and a little rough okay
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tw-anchor · 4 years
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33. Olivia and Lydia vs. The Darach
Anchor
Stiles Stilinski x Original Character
Episode: 3x09; The Girl Who Knew Too Much
Word Count: 7,103
Warning(s): Mature language, canon violence + gore, attempted murder of main character, kidnapping, sacrifices
Author’s Note: Sorry for not updating in a while. My Gram is in hospice and I haven’t been into writing. I hope you enjoy the chapter! Please make sure to reblog, like, and let me know what you think!
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Masterlink in Pinned Post!
Olivia had only been to Peter's apartment downtown once before, and that was to bring over a polite welcome-home casserole that he probably didn't eat. Now, she had business to attend to. She had questions for Peter. Questions about herself and Lydia.
Only a half-hour before she made her way downtown to talk to Peter, she left Lydia in her bedroom after a couple of bad hours. Lydia and Olivia had been going out for ice cream with Allison before they went back to their house for a girls' night, when Lydia drove them to the school. Not only had Lydia been drawn to the area—just like she had the night she found the body at the pool—but Olivia, herself, had felt the same thing as Lydia.
She just didn't know if it was because she and Lydia shared abilities or because she was so connected to Lydia due to their shared DNA or relationship. Her only option for answers was to go to her father.
"All right, tell me again what happened," Peter blinked the sleep out of his eyes; it was around one in the morning when Olivia knocked on his door and woke him from a deep sleep.
"Lydia found another dead body," Olivia repeated herself. "What ever your bite did to her, it led her to the body and I felt it to. Now, I know you bit Lydia for a reason. That's why she was able to bring you back with that ritual. I want to know what she is and how it's affecting me."
Peter sighed heavily and rubbed his forehead, exhausted. "Okay."
"I want the truth," she said firmly before he could begin. "No changing the story this time."
"All right, fine," he agreed. "To start off, you have to know what your mother was. Grace was eighteen when she inherited her abilities. She was a banshee."
"A banshee," Olivia repeated in slight belief; she hadn't known that banshees were a real thing. They weren't even in the Argent bestiary.
"A wailing woman, harbinger of death, same thing. They're not really like the Irish myths. They don't attach themselves to a family line, and their echoes don't cause death, either" he informed her. "Only females can be banshees and their abilities are inherited from their bloodline."
Olivia knew what he was getting at. "So, Mom got her banshee abilities from Nana Lorraine and because Uncle Thomas is a male, he passed it down to Lydia."
Peter nodded. "Exactly. The only reason you're not a banshee is because the werewolf genes you got from me. Anchorams are rare, very rare, but there have been two recorded instances before."
"As results of a banshee and werewolf union," Olivia assumed.
"Yes. You're neither werewolf nor banshee, but instead you have some abilities of both," he crossed his arms over his chest. "Instead of predicting just anyone's death, you're connected to your pack—that's the werewolf part of you. That's why you knew Boyd was going to die."
Okay, that made sense. It also explained the screams that came out of her when her pack members were in deep trouble, like when Erica had her seizure from the kanima venom or when Mrs. Argent was trying to kill Scott. It was the banshee side of her.
"So, that's how I'm connected to Lydia."
"Banshees are drawn to each other. And you're related to Lydia, which gives you two a deeper connection. On your own, you wouldn't have felt the dead body tonight, but because you were with Lydia, you did."
"But I can hear her scream even if I'm far away," Olivia pointed out. "That night when Boyd and Cora were out of control, I could hear her scream from the public pool. I screamed with her."
"It might have been because it was the first time her powers really came through," Peter said thoughtfully. "I mean, other than the time when I got into her head."
Olivia narrowed her eyes at him, wishing he hadn't brought that up. It still infuriated her that he took advantage of Lydia when she was in such a delicate place.
Peter rolled his eyes. "Sorry," he apologized without meaning it. "Everyone is different, though, and since you're, what, the third Anchoram in history, some things we're gonna have to figure out as we go."
Olivia nodded. She realized that. It was just hard to comprehend. She hadn't even gotten to the bottom of her collection of abilities, and already she had a lot. It was a little daunting to know that she had more to learn to learn about her abilities, along with honing them.
"Okay," she said finally. "Can you tell me more about banshees?"
"Sure thing, sweet pea."
"So, I can find dead bodies," Lydia scoffed as Olivia pulled into the school's parking lot. "You know what, I can already tell that this banshee thing is gonna be a pain in the ass."
"You can do more than that, though," Olivia reminded her while parking next to Stiles' Jeep; it was empty, but she knew—thanks to his text message—that he was going to eavesdrop on his dad, who was supposed to be talking to the principal before school started. "You'll experience something like me, like the whispers or the warnings in your head."
"Yeah, and you handle those so well," Lydia grumbled.
"I know I don't, but they also help," Olivia stated firmly. "I know when my pack is in danger and it helps because most of the time, I have a warning and we can stop whatever is supposed to happen. You'll know if someone's dying, Lyds. What if you're able to stop it?"
They got out of the Olivia's new car—courtesy of the insurance company and Peter, who wanted to spoil her instead of being a good parent—and started making their way up to the school. Olivia was supposed to meet Stiles by the main office but she wanted to make sure Lydia was okay before she left her.
"I guess you have a point," Lydia conceded finally. "It's just a little..."
"Scary?" Olivia offered; Lydia nodded. "I know. But I'm gonna be there for you, Lydia, I swear. You don't have to go through any of this alone."
Lydia sighed and pulled Olivia into a tight hug. "I love you," she rubbed Olivia's back; Olivia awkwardly patted her back, making Lydia laugh. "I know, I know. No PDA."
"It's okay," Olivia assured her as they parted. "I love you too, by the way."
"I know you do," the corners of Lydia's eyes crinkled as she studied her cousin and the awkward face she was making. "You know, the fact that you can only be lovey-dovey with Stiles is really disappointing."
"That's not true," Olivia said adamantly. "I'm lovey-dovey with you, too. I just don't like showing my affection for people out in public."
"It's the Hale in you," Lydia shook her head with a smile. "All right, you're released. Go on and meet Stiles."
"Thanks," hurriedly, Olivia kissed Lydia's cheek and ran away from her, waving teasingly. "Love you!"
She knew that her show of her love would amuse Lydia. It was the only reason why she did that. She had to make an exception for her person.
Outside of the main office, Stiles hid behind a pillar. His eyes were sharp and his ears were perked as he spied on his father, one of his deputies, and the principal. Unfortunately, he couldn't hear much. In fact, the only thing he did hear was Noah excusing himself from the conversation when he locked eyes with Stiles.
"Hey!" Stiles frantically pulled his backpack up over his head as he rushed to get away from his dad; unfortunately, Noah was pretty quick for a man in his forties. "Hey, hey, hey, back it up," he sighed and turned to face his father. "I know what you're thinking. I know you've got all these ideas about patterns and people dying in threes—"
Stiles cut him off. "Dad, they were murdered," he then corrected himself. "Sacrificed, actually."
"I've got half the state, including the FBI coming in on this," Noah told him. "They're not getting away with killing one of our own."
Stiles almost deflated at his father's words. Up until then, he hadn't thought about just who was sacrificed. It was Deputy Tara. She had been Noah's right-hand woman ever since he was elected to be sheriff, and she was a big part of Stiles' life after his mom died. She used to bake him cookies and helped him with his homework when he was having trouble. She was a good woman.
"Dad, they killed Tara," his voice was shakier than he cared to admit. "You know, how many times did she help me with my math homework when I had to wait at the station for you?"
Noah inhaled deeply and Stiles could see the sadness in his eyes. "Just, uh, get to class, okay?" he nodded behind Stiles and greeted Olivia, who Stiles hadn't even noticed had walked over to them. "Hi, Olivia."
"Hi, Sheriff," Olivia waved at him politely.
Noah went back to his conversation with the deputy and the principal, leaving Stiles and Olivia to themselves.
Olivia gave him a sympathetic look. "How are you feeling?"
"Not the greatest, but I'll live," Stiles took her hand and locked their fingers together.
"Well, if you need to talk, I'm here," she promised him, letting go of his hand and ignoring the pout he sent her to wrap her arm around his waist.
"What happened to no public displays of affection?"
"I'll think I'll make an exception for just today."
"Just today?" Stiles stopped walking and when she tilted her head up to look at him, grinned down at her.
"Just today."
"Well, then I better make the most of it," he remarked before ducking his head and slamming his lips to hers in a passionate kiss. She easily returned his affection but when he attempted to slip his tongue into her mouth, she pulled back. "Sorry, too much."
"A little," Olivia laughed. "Come on, we have English and I don't want Ms. Blake to tell on me to Derek."
"Would she really do that?"
"God, I hope not."
-
"Idioms, analogies, metaphors, and similes; all tools the writer uses to tell their story," Ms. Blake stated as she walked around the classroom. She paused in between Olivia and Lydia's desks, glancing down at Lydia's drawing of a tree. "Lydia, I wasn't aware you had so many hidden talents."
"You and ever guy I've ever dated," Lydia smirked up at her, causing Olivia to snicker.
"Oh," Ms. Blake was surprised by her reply. "um, well, that was an idiom, by the way. Idioms are something of a secret to the people who know the language or the culture..."
Olivia did not like the meaningful look that Ms. Blake gave her, Stiles, Scott, and Lydia. They all knew that she knew about werewolves—she was there when Boyd died, after all—but they didn't need her to act like an amateur and blow the big secret by acting nervous.
"They're phrases that only make sense if you know key words," she continued. "Saying 'jump the gun' is meaningful only if you know about the starting gun in a race, or a phrase like 'seeing the whole board.'"
"Like chess," Stiles offered.
"That's right, Stiles," Ms. Blake smiled down at him. "Do you play?"
"Uh, no," Stiles shook his head. "My father does."
Ms. Blake smiled at him again and faced the rest of the class. "Now, when does an idiom become a cliché?"
Olivia raised her hand to answer and Ms. Blake gave her the go-ahead.
"When you say the idiom too much," she reported. "It's like saying, 'it's raining cats and dogs,' Eventually it'll catch and more people will say it. It's an overused idiom."
"Great answer, Olivia," Ms. Blake grinned at her and then went on with her lesson.
Once Ms. Blake was far enough away that they could whisper to each other, Scott leaned over in his seat to speak to Stiles and Olivia. "I think I can get to Ethan. I'm pretty sure I can make him talk."
Olivia scowled at the mention of one-half of the alpha twins while Stiles asked, "What do you want to do that for?"
"The druids are emissaries, right?" Scott pointed out. "What if the Darach was an emissary to the alphas?"
Olivia pressed her lips together in agreement. "You've got a point."
"Thank you," Scott grinned at her and then turned to Stiles to wait for his response. "So?"
"So, I can't believe that we've gotten to the point where a sentence like 'what if the Darach was an emissary to the alphas?' actually makes sense to me," Stiles huffed. "Second of all, we're gonna have a huge problem getting to Ethan."
"What's that?"
"Going through Aiden," Stiles stated matter-of-factly. "Ever since he's been back at school, they're always together. How are we gonna separate them again?"
Eyebrows furrowing, Olivia tried to think of something that would distract Aiden. She didn't like the guy whatsoever, so the only thing she knew about him was that he liked to hook up with Lydia in Coach's office.
Wait.
"I have an idea," she spoke up. When the boys looked at her curiously, she nodded toward Lydia, who was still concentrating on her spooky drawing of the tree.
Feeling eyes on her, Lydia looked up at them and sighed, "What now?"
-
Just staring at Ethan's face made Olivia want to slap the shit out of him. Normally, she would think that she'd be somewhat friends with Ethan. But with the situation they were in now, she doubted that she would ever want to be. She didn't see what happened with Boyd, but Isaac had given her some details. She knew that Ethan and Aiden had picked up Boyd's electrocuted body and dropped him onto Derek's claws. She knew that they watched as Derek's claws ripped up his internal organs, and she knew that they walked away without a care that they had left a teenage boy dead behind them.
However, at least she wasn't joining Stiles and Scott in order to talk to Aiden. She didn't know if she could even look at his stupid smug face without attacking him. She didn't even care if he was ten times stronger than her. Ideally, she'd be able to calm his ass down and then Stiles or Allison could get the drop on him. Lord knows that Scott wouldn't.
"Why are you even talking to me?" Ethan asked, his eyes flitting between the three of them. "I helped kill your friend. How do you know I'm not gonna kill another one?"
Olivia gritted her teeth at his words and when he looked at her toward the end of his question, she stiffened. Stiles did, too. In fact, his temper flared at the way the alpha talked about Boyd and how he had the audacity to look at Olivia, like she hadn't been affected by Boyd's death.
"Are you look at her? Are you threatening her?" he snapped at him, standing up straight and stepping closer to Olivia. "You know what I'm gonna do? I'm going to break off an extra-large branch of mountain ash, wrap it in wolfsbane, roll it in mistletoe, and shove it up your fucking ass, you absolute dick—"
"Okay, Stiles," Scott cut him off nervously, while Olivia gently grabbed his arm and reached through their tether to calm him down. She loved that he was willing to stand up to an alpha to protect her, but she didn't want him to get hurt. "Woah, we get it."
Stiles gave Scott an irritated look and wrapped his arm around Olivia's shoulders, exhaling deeply as his anger started to concede.
"Look," Scott looked back at Ethan, who had been staring at Stiles blankly throughout his whole rant. "We're talking to you because I know that you didn't want to kill Boyd. And I think that if something like that happened now, you wouldn't do it again."
Ethan shook his head shortly. "You don't know what we owe them, especially Deucalion," he told the three of them. "We're weren't like Kali and Ennis when we met him. We weren't alphas."
"What were you?" Scott asked.
"Omegas," Olivia frowned at Ethan's answer; he and Aiden really didn't deserve any sympathy but she was going soft and couldn't help but feel a bud of it. Being the type of omega that had a pack—not ones who chose to be by themselves, like Derek had been—was said to be horrible. "In actual wolf packs, omegas are the scapegoat; the last to eat, the one who has to take the abuse from the rest of the pack."
Stiles raised his eyebrows. "So you and your brother were, like, the bitches of the pack?"
Olivia hid the smirk that threatened to spread her lips and nudged Stiles as Ethan gave him an annoyed look. "Something like that."
"What happened?" she spoke up instead, wanting to know how he and Aiden managed to make it into the alpha pack.
"They were killers," Ethan shook his head in disgust, which Olivia found to be ironic. "I mean, people talk about us as monsters. Well, they were the ones who gave us the reputation. And our alpha was the worst of them."
"Why didn't you guys just fight back?" Stiles brought up a good point. "Form Voltron-Wolf, you know, and kick everyone's asses?"
"We couldn't," Ethan stated flatly. "We didn't know how to control it back then."
"Deucalion taught you," Scott realized.
Ethan nodded. "And then, we fought. We took down the whole pack, one-by-one," his voice got a little vicious. "and by the time we got to our alpha, he was begging for his life. We tore him apart, literally."
"What about your emissary?" Ethan shook his head at Scott's question. "They're all dead? Kali and Ennis' too?"
"All of them except for Deucalion's," he confirmed.
"You mean Ms. Morrell?" Olivia gave him a pointed look and then paused as her mind seemed to leave her body and then zap right back into it. "Oh, my God."
Cora...Cora...Cora...
"Livvy, are you okay?" Stiles asked as Ethan grunted in pain.
"What's going on?" Scott asked both of them.
"My brother's hurt," Ethan answered at the same time as Olivia told Stiles, "Something's wrong with Cora."
It didn't take long for Stiles to put the pieces together; Cora and Aiden were obviously fighting somewhere nearby. "Where are they?" he asked as her eyes flashed back in forth between purple and blue. "Babe, you gotta focus."
"I...I," she stammered before she was able to pass through into Cora's tether and find out where she was. "They're in the boys' locker room."
The four of them took off into the empty hallways, trying to get to the boys' locker room before any more damage was done between Cora and Aiden. Luckily they weren't far from Coach's office and they made it to the locker room just in time to see Aiden whip Cora in the head with a fifty-pound weight.
"Stop, stop!" Olivia shouted as Scott and Ethan took a hold of Aiden on each of his arms. She didn't bother visualizing the anchor that she put on him, she was too angry about him hurting her cousin that it came easy to her.
Aiden's wolf features immediately melted away, calming down in his brother's hold.
"You can't do this," Ethan reminded Aiden as Olivia and Stiles knelt down by Lydia beside Cora's injured body.
"She came at me!" Aiden shouted. He would have growled, but Olivia's hold was still over him.
"It doesn't matter! Kali gave Derek until the next full moon. You can't touch him, Cora, or Olivia."
Stiles placed his hand on Olivia's back and glared up at the alpha twins. "Get the fuck out of here."
It looked like Aiden wanted to argue but Ethan wouldn't let him. Without a word, the twins left the locker room. Olivia hardly noticed, she was too focused on her cousin and the huge wound on her head that was pouring blood.
"She's really hurt," she said softly. She looked at Stiles and Scott and asked, "Can you help me get her up?"
Once Cora was up on her feet, Olivia escorted her over to the sinks. She got some paper towel and dampened it in order to wipe the blood off of her face. Cora was not pleased with her cousin's hovering and grunted a few times when Olivia cleaned the wound.
"Stay still," Olivia got some antibiotic cream from her bag and gently smeared it over the wound. "You're such a bad patient."
"Shuddup."
"Are you okay?" Scott asked Cora.
Lydia scoffed. "She doesn't look okay."'
Cora gave Lydia an irritated look and carefully pushed Olivia away from her. "I'll heal," Almost immediately after she took a step away from the sink, her legs weakened and she faltered. She would have fallen if Scott wasn't there to grab her and keep her steady. "I said I'm fine."
"Stop being so stubborn," Olivia sighed and wrapped an arm around her waist. At least Cora would let her help.
"Do you realize how suicidally crazy that was?" Stiles pointed out sternly. "What were you thinking going after them?"
"I did it for Boyd," Cora snapped back at him. "None of you were doing anything."
Olivia sighed. "You know that's not true, Cora."
"We're trying," Scott added.
"And you're failing," Cora addressed all her ire at Scott, Stiles, and Lydia. "You're just a bunch of stupid teenagers running around, thinking that you can stop people from getting killed, but all you do is show up late. All you really do is find the bodies."
"Cora, shut up," Olivia's voice had hardened as she turned and carefully dragged her cousin out of the locker room, not hearing Stiles' comment about the both of them definitely being part of the Hale family. "I know you're grieving and you're angry and hurt, but you can't say things like that to them."
"Why not? It's the truth."
"You shouldn't say it because we're trying our hardest to figure this out," Olivia stated, annoyed. "And I get it, I can feel Boyd's loss, too, but you can't take it out on people who are doing their best to help you and the whole town."
Cora let out a drawn-out sigh and winced when a flash of pain went through her head. "I'm not apologizing," she said stubbornly.
"That's fine. Just give them some slack."
"Hey!" they heard Stiles call from behind them; he was soon at their sides. "Do you need a ride?"
"Um, yeah," Olivia nodded. "I can leave my car here and pick it up later tonight."
"Sounds good."
Halfway to their journey to Derek's loft and after three attempts to make contact with Derek, Allison called them. She informed them that she and Isaac had been searching her dad's desk and found a Celtic knot that was labeled with each group of the sacrifices. She listed the groups of sacrifices that had already happened and then the two that had yet to come.
"Philosophers?" Olivia asked in surprised. What exactly did that mean? There were a lot of occupations or people that could easily fit into that category. It would be someone like Plato, or a teacher, or a scientist, or even a really smart person. But, at the same time, how did Deputy Tara fit in that category?
"And guardians," Allison added; that made more sense in Tara's case since she was a police officer. "which after last night, has to mean something like law enforcement. Stiles, you have to tell your dad. Tell him whatever you need but you have to get him to believe. Tell your dad, warn him."
"Okay, okay, okay," Stiles said quickly, his mind racing a mile a minute. "I know."
Olivia ended the call and looked at her boyfriend, seeing the anxious look on his face. "You're gonna tell him right?"
"I have to," Stiles nodded. "but I'm gonna need both of your guys' help."
Olivia nodded and took his hand from the steering wheel, squeezing it tightly. "Whatever you need."
-
Olivia watched from Stiles' bed as her boyfriend paced back and forth, trying to come up with something to tell his dad. Personally, she had never gone through telling a parent about the supernatural world and because she was pretty sure that Natalie had some sort of knowledge about it—and she was in deep, deep denial that Olivia and Lydia were a part of it—she wouldn't really need to. She couldn't put herself in Stiles' shoes properly and it annoyed the crap out of her because she wanted to be there for him like he was always there for her.
"Okay, okay, okay," Stiles murmured under his breath. "Yes, okay...No, no..."
"Stiles?" Noah cleared his throat.
Stiles quickly faced his dad. "Dad, I'm sorry. I'm just...I'm trying to...I'm just trying to figure out how to start here."
"Hey," Noah said sternly. 'I don't have this kind of time."
Stiles blew out a heavy breath, causing Olivia to speak up encouragingly, "Stiles, just start with the cases."
"Right, right, the cases," Stiles nodded jerkily and looked back at Noah. "Okay, um, for the last year, you've had all these cases that you couldn't figure out, right? I mean, all the murders involving Kate Argent, and then Matt killing all the people who drowned him, and all these murders right now. It's like...it's like you've been playing a losing game."
Noah stared at him, unimpressed. It was clear that he didn't know why Stiles was going through his "failed" cases. "Stiles, the last thing I need right now is a job performance review from my own son."
Stiles rubbed his forehead in frustration. "I know," he looked over at his dresser in order to pull his thoughts together and spotted the chess board he and his dad would play with from time to time. "Okay, see, but that's—that's just it, Dad."
He hurried to his dresser and grabbed the chess board, which folded into a case to keep all of the pieces together, and then set it on his desk. "The reason that you're losing the game is cause you've never been able to see the whole board," he opened the game and tossed out all the pieces. "I need to show you the whole board."
While Stiles carefully labeled each and every chess piece with sticky tabs, Olivia let Cora lean against her. She made sure that she didn't fall asleep, but soon she was swept up into an episode. She could hear Lydia screaming and it took all of her control—and biting down on the inside of her cheek—to make sure she didn't scream too (she didn't realize that it would have helped Stiles convince his dad that the supernatural life was real until afterward).
Noah did not look over at her—and therefore, did not see her purple eyes—because he was too concentrated on watching Stiles label and explain each supernatural creature and the names of his friends that matched up with them. By the time Olivia was pulled away from Lydia's tether and back in control of her mind, Noah was sufficiently caught up.
Well, kind of.
"Scott and Derek are werewolves," he said flatly, looking across the desk at Stiles.
"Yes."
"And Kate Argent was a werewolf?"
"Hunter," Stiles corrected him, pointing to the piece where he labeled Kate with a purple tab. "That's...Purple stands for hunter."
"Allison and her dad are hunters, too," Olivia told him, leaving out the part where they were supposed to be retired. If Mr. Argent and Allison were retired, then normal grandparents would be working overtime.
"Yeah," Noah gestured to Dr. Deaton's piece. "and my friend, Deaton, the veterinarian, is a kanima?"
"No, no, he's a druid, okay?" Stiles stated. "Well, we think."
Olivia and Cora exchanged a look. They didn't really think that Dr. Deaton was a druid, they were 99.9% positive that he was one. Then again, Olivia could see why Stiles said what he said, Noah could only handle so much.
"So, who's the kanima?"
"Jackson," Olivia responded, thinking of her friend; she missed him.
"No, Jackson's a werewolf."
"Jackson was the kanima first, and then Peter and Derek killed him and he came back to life as a werewolf," Stiles explained. "Now, he's in London."
Noah frowned. "Who's the da-rack?"
Stiles corrected his pronunciation. "It's da-rock."
"We don't know who the darach is," Olivia piped in.
Stiles pointed at her in agreement. "We don't know yet."
Noah blinked at them. "But he was killed by werewolves?"
"Slashed up and left for dead."
"We think."
Stiles pointed at Olivia again. "We think, yeah."
Noah sighed heavily and leaned back in his chair, folding his arms over his chest. "Why was Jackson the kanima?"
"'Cause sometimes, the shape that you take reflects the person that you are."
"And what shape would an increasingly confused and angrier-by-the-second father take?"
"Uh, that would be more of an expression like the one you're currently wearing," Stiles replied nervously.
"Yeah," Noah heaved himself off the chair and started toward the door.
Stiles scrambled out of his, too. "Dad—Dad, would you wait?" he begged his father. "I can prove it, okay? Cora's a werewolf and Livvy's an anchor. You ready?" he asked Olivia and Cora; they nodded and Olivia helped Cora stand. "All right, Dad, just watch this, okay?"
Olivia didn't know if Noah managed to see any sign of their supernatural nature or not. Cora's name popped up in her head and she was dragged down to the floor when Cora collapsed.
-
"I wished you would have answered my calls," Olivia muttered to Derek as they sat side-by-side in the hospital waiting room while Cora was being examined and placed in a room.
"I know, Ollie," Derek replied softly. "I'm sorry."
"I don't understand why she's not healing. She should have healed by now."
"We'll find out why she's not," Derek assured her and squeezed her hand. "I already called Peter. Hopefully he knows something we don't."
"Hopefully," Olivia sighed; her phone started vibrating in her hand. When she was that it was Scott, she excused herself from Derek and walked over to Stiles, where he was talking to Melissa. "Hey."
"Hey, is Stiles with you?"
"Yeah, hold on," she waved to Melissa silently and grabbed Stiles' arm, pulling him into an empty hallway; she put him on speaker. "Okay, you're on speaker."
"All right, it's philosophers as in teachers," Scott told them hurriedly. "Allison and her father just found Mr. Westover."
"That makes sense," Stiles glanced at Olivia. "Tara, she wasn't always a cop. She used to teach middle school."
"Then the last one's gonna be another teacher."
"There's close to a hundred teachers employed at the high school," Olivia pointed out worriedly. "There's even more at the middle and elementary schools."
"And they're all headed home," Stiles added.
"No, no they're not," Scott said after a few seconds of silence. "They're all going to the recital."
"Fuck," Stiles cursed in annoyance. "All right, I'm gonna go talk to my dad."
"I'll borrow Derek's truck and head over there now, Scott," Olivia took the call off speaker as Stiles walked away to find his dad. "I'll only be a couple of minutes."
"Okay, but Liv..."
Her eyebrows furrowed at the worry in Scott's voice. "What's wrong?"
"I talked to Morrell. She told me that the alpha pack wanted me because I'm supposed to be a true alpha."
"A true alpha?" she repeated in disbelief. "Wow, Scott."
She was impressed; true alphas only came around once in a while and the fact that their own Scott was going to be one was special.
"Yeah, but that's not the only thing she told me," Scott sighed; Olivia braced herself for more news. "She told me that the alphas want you, too. She said that anchors are rare and you have powers you haven't even untapped. Deucalion thinks you be a good addition to the pack."
Shit, shit, shit, shit...Olivia cursed herself. Why did I have to be a rare species?
"Well, that is not good," she breathed nervously before collecting herself. "but we can deal with it later. We need to stop the darach before someone else dies."
"Yeah, we do," Scott agreed. "All right, I'll see you in ten."
"Okay, be careful."
"You too, bye."
The recital had already started by the time Olivia arrived at the school. A storm was brewing overhead and the faint music she could hear coming from the auditorium made the environment even more eerie. She ran through the parking, wishing that she hadn't worn heels that day, and rushed into the building.
She got to the lobby but stopped right in her tracks outside the main part of the auditorium, her gaze taking on a purple tint. An indescribable feeling flashed through her body and then she moved, letting whatever the feeling was take her where she needed to go. It was like the time that Derek had been shot with the wolfsbane bullet and she was led on autopilot throughout the school until she found him.
Lydia...Lydia...Lydia...Lydia, Lydia, Lydia...
She found herself in the English hallway, automatically making her way to Ms. Blake's classroom in a daze. She stopped just outside of the classroom when she heard Lydia and Ms. Blake talking.
She didn't take time to listen to what they were saying. She stormed into the classroom but was immediately airborne. Her back hit the wall painfully and she was risen until her feet were a couple feet off the ground. She was stuck and she was useless.
"Glad you joined the party," Ms. Blake—no, fuck that, I am not giving her any respect by calling her anything but her stupid first name! –smirked at her. "I was wondering when you would come for her."
"Let her go," Olivia snapped at her, her eyes darting to Lydia, who was terrified and staring at her with wet eyes. "What do you even want with her?"
"Nothing special," Jennifer shrugged. She flicked her hand toward a chair and Olivia flew to it, slamming against the hard, wooden back. "You, on the other hand..."
Olivia was unable to move as Jennifer used duct tape to secure her hands and legs to the chair. When she was finished, she picked up a small wooden dowel and started wrapping a length of strong cord around it. She was making a garrote.
"What are you doing?" Lydia whimpered, still fighting off unconscious from the hard hit she took from Jennifer when she first walked into the classroom.
"What's necessary," Jennifer stated. "I'm still surprised none of you seem to get that. You call them sacrifices but you're not understanding the word," Olivia rolled her eyes at her dramatic monologue. "It's derived from the Latin 'sacrificium', an offering to a deity, a sacred rite. A necessary evil."
"Oh, shut up," Olivia groaned, hoping to get her attention away from Lydia. "I'm pretty sure that killing fifteen innocent people isn't necessary."
"You know, on the outside, you appear so tough, emotionless," Jennifer stood from her crouched position in front of Lydia and sauntered over to Olivia. "but I know you're afraid right now. I know you're afraid all the time. This shell?" she poked Olivia in the cheek. "Well, it's all an act."
"Who cares if it is?" Olivia hissed right back at her.
"Oh, I don't care. I was just taunting you before I kill you and your precious cousins. The useless ones, I mean," Jennifer grinned maliciously. "I think I'll keep Derek around."
Olivia harshly snapped her jaw together, speaking through her clenched teeth, "Stay away from them."
"I would but I won't," Jennifer giggled. "See, you were my target. Deucalion wants you and you're powerful. If I kill you now, he won't be able to use you against me."
Olivia's heart started to race and her own name was starting to be repeated over and over in her head. Scott had to know that Lydia had disappeared and that she never made it to the auditorium. She had to stall so he could get there. "So, you're doing this to go up against the alpha pack?"
"Correct. Let's just say that you don't know the alphas like I do," Jennifer twisted the garrote in her hands and stepped behind Olivia. "And because they currently don't know my plan, I think Lydia is going to have to go, too. She knows too much. First, she can watch you die."
"No, no, no," Olivia said frantically, locking her scared eyes on Lydia, who stared fearfully back at her.
"Stop!" Lydia whimpered. "Stop, stop!"
Jennifer didn't stop. Before she could fully press the garrote against Olivia's throat, she forcefully tore the duct tape around her right hand and slipped it between her flesh and the cord. She gasped as the cord dug into her fingers. "Lydia!"
As if they had rehearsed, Lydia let out the loudest scream that had ever passed through her lips. Olivia screamed only a second later, unable to fight the urge that came from Lydia's tether. It was kind of weird, warning people of your own death.
Olivia's scream died out first and then a couple seconds later, so did Lydia's. Jennifer dropped the garrote from her hands, letting it hang on Olivia's neck, and walked over to stand in front of Lydia.
"Unbelievable," she gasped, studying Lydia intently. "You're a banshee. A wailing woman, right before my eyes. You're just like me, Lydia. Look like the innocent flower but be the serpent under it."
"She's nothing like you," Olivia spoke up fiercely, her voice hoarse.
Jennifer shrugged, the comment not bothering her. "It's too bad, though, and too late," she walked back over to Olivia, taking her place behind her and picking up the garrote. The garrote pulled tightly around Olivia's neck, making her choke. "One last philosopher."
Olivia couldn't breathe. There was no room for her trachea to move, causing her to suffocate. It was almost as if she could feel her throat being crushed, causing her to panic and squirm around in the chair, kicking her feet to try to fight back.
Olivia...Olivia...OLIVIA, OLIVIA, OLIVIA!!!!
"Stop, stop!" Lydia shouted frantically, choking on her tears as she watched Jennifer pull out a knife from her person and hold it up to Olivia's throat; the second part of the three-fold death.
"Drop it!" a new voice joined Lydia's.
With Jennifer sufficiently distracted, the garrote dropped from Olivia's neck. She took in a deep breath, her throat sore inside and out. Something urged her to look over at who had interrupted Jennifer, but she recognized the voice. Noah had ran into the classroom, gun cocked and aimed right at the darach.
As soon as she laid eyes on her boyfriend's father, Jennifer whipped the knife that was going to be used on her at him. It lodged itself into his shoulder so forcefully that it splayed him flat on his back. Noah wasn't technically in her pack, but he was someone Olivia cared for very much; that meant that she knew he was in danger, but he wasn't going to die. She couldn't explain it, but there was a different between the whispers that warned her of a pack member in danger and then the ones that warned her of the pack member's death. Noah was okay, for now.
Jennifer turned back to Olivia, intending to finish what she started, but a roar filled the room. Scott had arrived, his werewolf features fully on display as he snarled at Jennifer. He lunged at her, but Jennifer easily dodged each of his blows. She was more powerful than him and the way she sent him flying across the room and into a pile of desks proved it.
Olivia didn't know exactly what Jennifer did to him, but it was obvious that she did something else to him. Scott was spitting up blood and hitting desks that didn't weigh much didn't seem like it would do something like that to him.
She whimpered through the pain in her throat, "Scott!"
Her attention was dragged away from Scott as Jennifer slid her desk across the room and right into the door, slamming it closed. Before she could even wonder why Jennifer had done that, she saw Stiles' head pop into view from the small window at the top of the door. He was slamming his whole body against it, but with the weight of the desk, it wouldn't budge. He couldn't get into the room.
With Stiles and Scott taken care of, Jennifer focused on Noah, who had grabbed his gun, got to his knees, and aimed it at her.
"There was a girl," he said tiredly as Jennifer took slow steps toward him. "years ago. We found her in the woods, her face and body slashed apart. That was you, wasn't it?"
Jennifer glared at him. "Maybe I should've started with philosophers with knowledge and strategy."
She closed in on Noah and he pulled the trigger, shooting in her in her right thigh; Jennifer simply shook it off and continued on to him. "Healers," she grabbed him by the knife in his shoulder and held him high in the air, the blade slicing through the fleshy part of his shoulder. "Warriors..." she ripped his badge off of his shirt and crushed it with her fingers. "Guardians...Virgins..."
"God, leave him alone!" Olivia shouted to the best of her ability as Jennifer placed a wet kiss against Noah's mouth. Jennifer's face warped into a horrifying figure and screeched while she grabbed Noah and flew toward the windows. "No!"
Jennifer had disappeared with Noah. Scott had woken up from whatever daze Jennifer had put him in and the force that was shoving the desk against the door had disappeared. While Scott had rushed toward Lydia—on Olivia's insistence; the redhead was unconscious from the blow Jennifer had landed on her—Stiles rushed into the classroom and to the windows.
"Dad?" there was no answer to Stiles' call and it hit them all like a punch to the gut. "Dad?!"
(Gif is not mine)
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rusticrevivals · 7 years
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I love the verb “to rise”.  It harbours such an Easter, springlike connotation.  Unless it’s used in the context of Richard trying to get a rise out of me, (which he likes to do multiple times in a day) this is also a beautiful NOUN, especially when used in conjunction with words like “Sunrise” or “Moonrise”.  Aren’t those lovely and romantic words?
When I stepped into the mysterious gloaming Monday night, after yet another dance rehearsal at the little New Denmark rec centre with ‘the tiara club’ (see last week’s post), the moon was just poking out over the tree line. As I drove the three miles home, the so-called “Pink Moon” (named after pink flowers called wild ground phlox, which bloom in early spring, the ‘pink moon’ is the first full moon of springtime in the Northern Hemisphere) rose very quickly in the sky, and I couldn’t take my eyes off it the whole way home. Good thing our road is so quiet there wasn’t another car on it!
We are down to less than 40 percent of the snow we’ve had all winter, now, thanks to a few good rainfalls and one day of actual double digits -with sun!  We now hear some songbirds, not just crows.  And, this morning, as I sat eating my homemade pancakes with our own fresh maple syrup from weeks of Richard’s toil’n’boil, I had to open the top of the Dutch door that Richard made last fall (see posting from Sept. 16th entitled The Dutch Door Diva, if you missed the construction of this beloved kitchen feature)  and listen to the ‘rise’ and swell of jubilant bird song in the air.
my breakfast this morning, with top of door open to hear birds
As I bake bread, nearly every 2nd day, the word “Rise” is especially important to me. I’ve discovered that, as I’d once thought in my 20s when I used to regularly bake bread, the amount of rise is NOT as important, especially if you like to eat toast and sandwiches as we do.  You don’t have to ‘cater’ to the yeast as much as you might think, although it SHOULD be warm water it dissolves in, and a sprinkling of sugar will help excite it further! But if the bread rises TOO much over the loaf pans, you’ll not be able to cut it as easily, nor to fit it into the toaster!  Thus, I try for a good ‘first’ rise, and just a quick one after the initial punch-down.  (Of course this also depends on the amount of white/vs.wholewheat flour I’m using. This past week I ran out of white, and as Richard and I hate JUST plain whole wheat, I zested the bread up with some cardamon, parsley, thyme and oregano. I didn’t put it in a loaf pan, either, just made it in a circle on the baking sheet and let it rise a bit there. Try it, it was fabulous!)  As the sale at the rec centre last Saturday morning was my (Rustic Revivals’) first one in this province, I made a lot of Easter-oriented and spring items. And one of the ones of which I’m most proud is the following cushion which I stitched by hand from a flour sack. I  then stencilled a double meaning on to the thick linen, so that it could be for general use, or as a special Easter gift.  It didn’t sell at the sale, so I can enjoy it further, I guess.
For readers in Ontario, there is a wonderful group around the Toronto area called “R.I.S.E.” which a few theatre-grad friends of mine have volunteered with in the past:  “Reaching Intelligent Souls Everywhere (RISE) is a community led by youth, comprised of artists, activists, free-thinkers and revolutionaries. Together, they help to create a safe and welcoming platform for self-expression and healing through the performance arts.” This is, of course, ‘right up my alley’ – but since I’m now living out here in ‘boonesville’, where my heart is, I am trying to do what I can.  As discussed last week when revealing the small amount of young people’s performance art (ie: “The Tiara Club”) that I’m working with here in this small rural community, the sense of being close to nature and the “rustique” of our agricultural history is important here, and that’s one of the things I love about being in the mountains.  Local photographer Tiffany Christensen blends my two passions frequently in her work.  Nature and Rustic. Love it!
As presented in last week’s blog …”Purty Pals and Gingham Gals”, Tiffany will ‘rise’ to any occasion and is being especially helpful as we move forward to the Founder’s Day celebrations this year here in this peaceful valley.  And her last name, while being both indicative of the many Danish names in the community AND the true meaning of Easter is a happy circumstance at the time of this writing.  “Risen” is even there in her name!
The above is the 3rd tobacco slat cross I’ve made from the weathered sticks I was offered from my Ontario cousins, Pete and Linda Baxter, when they were moving from their own farm.  I am so pleased Richard agreed to let me bring so much of this wood with us out here, and two of these crosses have now fittingly, I think, gone to Reverend Diane of Carlisle, ON and Pastor Ralph, of New Denmark, N.B.
Of course when you mention “Easter” and “Rise” in the same sentence, it isn’t always a positive thing. Christ died for our sins, true, and then rose to live forever in us, for us.  But sometimes, sadly, it is just about death. Period.  As we do not have television here, we enjoy a wonderful BBC feed through various online sources, which we then project to Richard’s large screen.   One of my favourite British serials is Lark RISE to Candleford.  If you haven’t seen it, but are a fan of period costume drama, find a way to view the whole series.  (available at many libraries, and also, in part, online – or you could buy the box set!) However, I have recently become enamored with the u.k. version (original one!) of “Who Do You Think You Are”?  I do NOT consider this a ‘reality show’, so please don’t suggest it is! I find it a stimulating way to learn history.  Watching it  led to the revealing of several of our favourite Irish performers’ ancestors such as Brendan O’Carroll (the hilarious Mrs. Brown of ‘Mrs. Brown’s Boys) being involved in the Easter Risings of 1916, and I was thus motivated to read and study more about that particular unrest.  Yeats’ poem “Easter: 1916” ends so solemnly, despite the green of  the Emerald Isle and the new spring:  “Now and in time to be, Wherever green is worn, Are changed, changed utterly:  A terrible beauty is born”.
Then, this week of course was yet another 100th anniversary – that of Vimy Ridge, which also took place originally over Easter weekend.  Mom/Joy was especially interested in this as her great-uncle died there, and I was pleased that CBC did a live stream which she could also enjoy from her laptop computer.  So, Easter is about rising, but also about the fallen.   However,  just as the Canadians were important ‘rising’ to the top of Vimy Ridge a century ago, so are our Canadians poignant in their passion for standing up for what is right in all things crucial to the survival of man-kind:
(Rise up, Rise up) Oh rise and show your power, (Rise up, Rise up) We're dancing into the sun (Rise up, Rise up) It's time for celebration (Rise up, Rise up) Spirits' time has come... ...Talkin 'bout the right time to be workin' for peace, Wantin' all the tension in the world to ease. - by Canadian band, Parachute Club
 I love those lyrics, and while I’ve hardly been considered a pop-music fan, the late 1970s and early 1980s WERE about the only time when I listened to such music. Those words have always stayed with me (as well as the ‘catchy’ tune to which they were sung).  And now that Trumpty Dumbty is tumbling from his wall, I believe we must indeed work harder than ever for peace.  And, as spring is here, we must ‘dance into the sun’, as it’s ‘time for celebration’.  I tried hard, at my Rustic Revivals’ booth last week, to make a ‘new’ and ‘springlike’ impression:
I put more colour (light pastels) into my pieces than ever before, and tried to think of inspirational/springlike words for salvaged pieces of wood (‘dream’ is painted on an old dove-tailed drawer-piece, and the rusty flower on the ‘bloom’ sign is an old car part I found along the side of the road and banged into that shape).
As for the Easter wreath (bottom left of the ‘booth’ pic above), as well as having a barnboard cross on it, I also added some pastel colour with some recycled craft pieces (ie: bird’s nest with ‘eggs’, sign with ‘hope’ and some baby chicks, etc) .  Furthermore, I also did several pieces in actual COLOUR (totally new to the Rustic Revivals’ precedent!)
The only colour I could say I’ve really put on to any project before now was my salvage art LOVE sign, which I’ve always thought was fun:
And I’m especially proud of the ‘new’ spindle and finial ornaments (candle holders glued together from pieces given me by former choir mate, Ron, so thus ‘salvaged’, though he bought them new for his own projects and never used them).  They again make me think of ‘rise’, as I’ve had to glue both the ornaments and the candleholders into twos and threes to make them higher, before painting them with the two colours necessary for ‘crackling’ and distressing. (You need an acrylic undercoat, usually darker, then the ‘crackle’ mix, which you CAN make yourself, before adding the final coat.) These add that pastel colour to the spring line, pastels of course replicating the colours of spring flowers and birds’ eggs in nests.
Did any Rustic Revivals’ followers ever think they’d see so much colour mixed in to my shabby chic and primitive concepts?  (The rusty hearts were cut from old rusty paint can lids found on this very farm!)  But it IS spring!
And speaking of birds, bird song, and bird houses/nests, I did several of them as well, and the primitive ‘willow’ tree did sell, though not the others, I was sorry to say. Especially since Richard put so much effort into the design and building of these two wonderful houses, also made from my Baxter cousins’ barnboard.
And, we couldn’t really have an Easter show without SOME semblance of bunnies, chicks and lambs, so here they are:
While all of the above are made entirely from salvage items, scraps or from nature itself, I AM proud that they are newly-made or upcycled for this year’s ‘spring’, despite having many other spring items (even MADE from rusty springs from a sleigh’s old seat, for instance!) and including fishing and canoeing-themed items, gardening items, etc.  All ‘springy’.  But, when examining again the true meaning of Easter, I was happy to put a little folk-art New Denmark scene with the two landmark churches on top of the next hill-top.  Both churches have crosses on top of them in real life, and both have them painted on as well. This was done on a small cutting board of Mom/Joy’s that she wanted to dispose of.  This is only half the board:
This scene depicts the ploughing, planting and cheerful green-growth that happens around the farms in the early spring.  As you  may have read in my post “Blue Belldon Basement Grow Op.” several weeks ago, things were planted down there that are now beginning to ‘rise’ as well!
And also, chosen to add cheeriness to my kitchen window, and almost perpetually NOT blooming, even my red geranium has decided to ‘rise’ to the occasion of SPRING!
Thus, as my father used to joyously quote (in an Ogden Nash burst of silliness, though it is NOT written by that poet) :
"Spring is Sprung, The grass is RIZ - I wonder where The birdies is? " or, of a less silly subject matter, is George Herbert's "Easter".
Easter –
Rise heart: thy Lord is risen. Sing his praise Without delayes, Who takes thee by the hand, that thou likewise With him mayst rise: That, as his death calcined thee to dust, His life may make thee gold, and much more just.
Awake, my lute, and struggle for thy part With all thy art. The crosse taught all wood to resound his name, Who bore the same. His stretched sinews taught all strings, what key Is best to celebrate this most high day.
Consort both heart and lute, and twist a song Pleasant and long: Or since all music is but three parts vied And multiplied; O let thy blessed Spirit bear a part, And make up our defects with his sweet art.
I got me flowers to straw thy way; I got me boughs off many a tree: But thou wast up by break of day, And brought’st thy sweets along with thee.
The sunne arising in the East, Though he give light, & th’East perfume; If they should offer to contest With thy arising, they presume.
Can there be any day but this, Though many sunnes to shine endeavour? We count three hundred, but we misse: There is but one, and that one ever.
R I S E : the Risings of Yeast, and Yeats and Yeshua I love the verb "to rise".  It harbours such an Easter, springlike connotation.  Unless it's used in the context of Richard trying to get a rise out of me, (which he likes to do multiple times in a day) this is also a beautiful NOUN, especially when used in conjunction with words like "Sunrise" or "Moonrise".  
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