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#this is a tony gilroy fanpage now
someinstant · 2 years
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So I had to watch the last two episodes of ANDOR on my phone because first I was taking a bunch of teenagers on a trip to DC, and then I was in a cabin with my family on the edge of a swamp and my sister is only up to episode four and no one else has watched the show. Thus, last night I was able to finally sit down and watch episodes 11 and 12 on a television, and now I have a few Thoughts I would like to share:
Remember how in episode 8 Bix and Brasso are talking about Maarva's decline, and Bix says she fell? Brasso asks how, and Bix says she was trying to see if the drainage grate on Rix Road was open-- because she wanted the Rebellion to be able to go into the hotel and take on the Empire. And she says it with that sad little smile, like, We know all know she's imagining things, she's on her way out, but wouldn't that be nice?
IT'S CASSIAN. CASSIAN USES THE DRAINAGE GATE AND GOES INTO THE HOTEL AND TAKES ON THE EMPIRE TO HELP BIX. HE'S THE FUCKING REBELLION, MAARVA. My whole heart, jesus.
When Cass stops by his adoptive father's funerary stone (and gives that sweet, sad half-smile that Diego Luna can just break me with), his fingers and hand are all bloody, and I couldn't figure out why-- and then I remembered he'd been bare rock climbing with Melshi to escape patrols on Narkina 5 in the previous episode, and I wanted to kiss the continuity supervisors for this show on the mouth, because actions have weight and consequences, and injuries take time to heal, and of COURSE Cassian is marked by Narkina 5. Of course it bit into his body the same way it bit into his soul.
The folks over on the A MORE CIVILIZED AGE podcast are absolutely right: Cassian is a water-type Pokémon. The man is always in association with water: breaking out of a dam-slash-base that holds back a sacred river on Aldhani, hiding his money and weapons in a shower in the hotel and then arrested by the sea when he tries to run away to Niamos, marooned in a prison surrounded by water, caught (like a fish in a net! LIKE MEERO'S 'ARE YOU A FISH' SPEECH WITH BIX!) by fishermen by a lake on Narkina 5, finding out Maarva has died while the waves crash on Niamos, listening to Nemik's manifesto as the rainstorm comes down on Ferrix, wading through the water of the Rix Road drain to get to the hotel to liberate Bix-- the water imagery is just there.
And you know why? DO YOU KNOW WHY? It's because water is fucking impossible to pin down. It flows. It shifts. It can freeze solid, become a vapor, bring life, drown the unwary-- it's necessary to life, and antithetical to it. It takes the shape it's forced into. You want an elemental association for a spy? It's fucking water.
In conclusion, I hate everything, Tony Gilroy et al are monsters, I HAD MY CASSIAN ANDOR OBSESSION UNDER CONTROL YOU BASTARDS WHY DID YOU HAVE TO MAKE THIS SHOW SO GOOD.
The only good news is now I have about eighteen months to write an ABSURD amount of fic to fill the void Wednesdays will now represent.
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someinstant · 1 year
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Okay, so it's not the same, exactly, but my art history brain keeps seeing this:
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And thinking of this:
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Rembrandt's Prodigal Son (ca. 1669). I mean, Cass isn't Brasso's son, but it's very much the return of one who was cast out or lost, and the goddamn chiaroscuro, are you KIDDING me. (Carravaggio would also be a good reference for the lighting in this scene, given his love of drama, and he DID do a prodigal son painting-- everybody did-- but the staging is very different.)
The gold colors of their clothing also makes me think of this:
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Rembrandt's Philosopher in Meditation (1631). Rembrandt loves that dirty gold color, and it's all over Ferrix, and Brasso's vest is almost exactly this shade in several of the tight shots.
ANDOR is fucking art, is what I mean here, folks.
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someinstant · 2 years
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I sincerely cannot remember the last time I watched a dramatic television show that was just so relentlessly, consistently, aggressively GOOD.
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