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#the tumblr post editor has caused me so many newly discovered stages of grief i stg
allaganexarch · 1 month
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Oh no these asks are GREAT I want to ask like ten of them ummmmmmmm having Restraint: 3 (vibe check) 4 ( 👀 ) 17 (especially curious abt your editing process?? I am so greedy for your tradecraft secrets) aaaaand 19 (I recently researched….. doormats. that made me feel very sane about my choices please tell me about yours)
GOOD EVENING i have finally returned to what is truly important, my tumblr ask box.
3. how you feel about your current WIP
JNSDKJFSDKNJ NOT THE VIBE CHECK but you know, I had a smol breakthrough like two? nights ago that i have yet to actually follow up on LOL. I had this transition section where i was like i need to impart some Vibes and some Character Arc but i'm literally boring myself rn, and I think I have figured out in a vague sense how to make the transition do a lot more work for me, so that's good!
In general I'm extremely excited about some Major Points of the thing, just currently have to do an inordinate amount of sowing seeds for those major points in a way that's like subtle enough that I'm not hitting the reader over the head but also exists enough that the careful reader will pick up on it you feel?
4. a story idea you haven’t written yet
Side note before I even start answering...sometimes I think about how many of my """"""story ideas""""""""""" are just glorified weather metaphors. I am genuinely not sure what happened in my brain to make me like this. What has the weather EVER done to me.
Uhm so anyway since I'm thinking about Stormchaser, definitely a story idea and not just a weather metaphor in a trench coat, why don't I tell you a little bit about my characters because I'm very normal about them.
The first person [main character we are tentatively naming Emily] meets in the city is Nolan, who owns a small bar and restaurant that she won in a messy divorce. She puts on an act of tough-and-wry-and-world-weary, but she's very soft-hearted and has a bit of a savior complex, a bit of that 'i don't want what happened to me to happen to anyone else' vibe.
She has taken in Asher and Aislynn, siblings from a prominent and wealthy family who have had a [very mysterious] falling out with their parents and are thus in need of a place to stay. Asher is guarded and protective, while Aislynn is very open and warm. People often perceive her as naive, but Aislynn actively chooses to see the best in others.
Aislynn has magic, which is the source of many of her problems. (This is like kind of a reveal but the foreshadowing is painfully obvious LOL) Back when I was thinking about Stormchaser as a multi-path story, one major decision point was going to be, in a moment where the player character is hurt (not gravely, but still not in great shape), choosing whether to allow Aislynn to use magic to heal her. It would have a huge impact on the MC's relationships with most of the other major characters, since most of them have very strong opinions either about magic or about Aislynn herself. Aislynn is also the reason I ended up wanting to write the story--I had an overarching idea for the plot, but I got soooo attached to her so quickly!
17. talk about your writing and editing process
as we all know my writing process is just getting possessed by some sort of weather-related entity and then not sleeping until well after the sun has risen, so I think that's pretty clear and doesn't raise any sort of questions or concerns.
if no weather entity possession, my strategy has become "just force yourself to write the painful and clunky sentences at the speed of molasses and then look at it again tomorrow" -- because most of the time the next day I can fix what was clunky really easily bc I made space in my brain by getting the ideas down, and sometimes, extra special treat, I reread what I wrote and it's literally not even bad I was just in a mood LOL.
I feel like a very large percentage of my editing is just being extremely insane about word choice. Sometimes I go back and forth on word choice/word order/very very minor sentence structure things literally long after the thing is published and I am trying to tell myself to let it go. But tbh I don't really have a process for this, it's just what jumps out at me when I reread it as being awkward or not quite what I was going for. I'm probably like this because I used to be such an insufferable snob (used to be!!!!) and needlessly chose so many ten dollar words that I think I have a better-than-average sense of when simpler language is better vs. when you need a more complex word to describe the thing. So it sort of depends on the character whether I do a lot of deleting or adding of extra fluff and filler words LOL.
I'm alllll about limited POV and creating a headspace/thought pattern for characters, so I do a lot of thinking about what the specific character knows, how the specific character would express something, or whether she even has the language for what she's experiencing. I really love finding ways of conveying an emotion that the reader will recognize but the character doesn't!!
On a more macro scale I think I do a lot of, like, "this section is boring me. why?" In a story you really don't want anything that's doing nothing, and you definitely don't want a whole section that's not doing much. Sometimes because I try to make my dialogue as natural as possible the conversation starts to kind of wander LOL, and so I have to be like okay hold up what are we talking about what needs to be established here. And then usually jump back a bit and figure out how to lead the conversation in a more pointed direction.
And a lot of the time idk how much transitional stuff to include, so I'll be off on some rambling journey like uhmmmm do I need this??? when do we get to the fun part???? Which, like, not to say the fun part will be easier to write or anything, but a lot of time that feeling of boredom is bc what I'm doing either isn't necessary and can be accomplished in a way that's more fun for me personally OR it's fine it just needs to be pulling a lot more weight in what it's telling the reader. I find I sometimes get caught up in, like, a story beat that would "make sense here" as opposed to a story beat I personally like.
Like, as an example, I've been thinking (for soooo long yes i know) about how to continue the chance you take, and I remember I put in my notes that like a sparring scene would make sense, where you know it's all a metaphor and there's some quippy dialogue or w/e. And ik a lot of people like that kind of scene! And idk, sometimes I do too! But like........I don't want to do that lol! And in fact I think it doesn't actually fit with the vibe of the story, which is so much less about the violence surrounding it and so much more about the quiet moments in between. But I'm literally just thinking this now as I'm typing this. Like I didn't have a good reason for why I didn't want to progress the story that way until literally right now.
Which I guess leads me to another very important editing tool: pacing my kitchen like a crazy person explaining the problem I'm having to myself so I can try to talk through why it's bothering me LOL! as you can see it's extremely efficient and time-sensitive. six to ten business days turnaround for sure.
19. the most interesting topic you’ve researched for a fic
chickens :)
I'm genuinely drawing a blank LOL, I've definitely looked into a few things I can vividly remember (boats/ships and how crews and shifts work for TCYT, horse riding/cart pulling for scorched earth, how animal testing works for uhmmm that one moicy fic, oh and I remember i looked a lot into bird symbolism for the prisoner LOL) but I think mostly what I do is intensely study the source material, and I haven't run into that many situations where I felt like I needed to make sure I knew about something in the actual world and not the fictional one LOL! Wow I'm boring! I want to know about doormats!!!!!
fic writer asks!
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