#the tribunal logo but Now It Spins | Explore Tumblr Posts and Blogs

howaminotinthestrokesyet · 3 years

Text

Behind The Album: Metallica (The Black Album)

Metallica's fifth studio album was released in August 1991. They recorded it at One On One Studios in Los Angeles and Little Mountain Sound Studios in Vancouver with new producer Bob Rock. Once again, the majority of the record was composed by James Hetfield and Lars Ulrich as Hetfield wrote all of the lyrics. Kirk Hammett and Jason Newsted also contributed significantly by providing riffs including “Enter Sandman” and “My Friend of Misery.” Metallica decided to go with Bob Rock based on his production work with Motley Crue for their 1989 record, Dr. Feelgood. During the recording sessions, the band did something differently from previous efforts as they played as a group in the studio, not separately. James Hetfield talked about this change. "What we really wanted was a live feel. In the past, Lars and I constructed the rhythm parts without Kirk and Jason. This time I wanted to try playing as a band unit in the studio. It lightens things up and you get more of a vibe." The record took a much longer time to make when compared with their previous efforts beginning with the first demos in August 1990 and concluding in June 1991.

Producer Rock thought recording would be relatively easy, but due to arguments between him and other band members about the direction and quality of the music it became a bit of a disaster. He was highly critical of James Hetfield’s lyrics begging him to write better ones. The band would record as many takes as possible until the sound was right making for a very perfectionist environment in the studio. Kirk Hammett, Jason Newsted, and Lars Ulrich would end up divorcing their wives during the recording of this album creating even more tension between them. Hammett talked about what effect this had on them in the studio. We were “trying to take those feeling of guilt and failure and channel them into the music, to get something positive out of it.” Rock very briefly promised to never work with the band again because the studio was so stressful, but he quickly took that back to work with the band for the next decade. The documentary A Year and a Half in the Life shows quite accurately with real footage of what the making of this album was really like.

This record saw Metallica change its sound from their typical thrash metal to a slower heavy metal vibe that could almost be seen as hard rock. One of the reasons the band did this emerged in the fact that heavy metal as opposed to thrash metal represented a more commercial sound. That is not to say they completely abandoned any element of thrash metal, but instead there was much less of it. Unlike And Justice For All, Bob Rock raised the sound of the base considerably, so that the instrument could be heard. All the band members had the intention of making this album much simpler as opposed to the previous ones with so many riffs and long tracks. James Hetfield would say this, “We had pretty much done the longer song format to death." Lars Ulrich also talked about this change as well. “We felt inadequate as musicians and as songwriters, That made us go too far, around Master of Puppets and Justice, in the direction of trying to prove ourselves. 'We'll do all this weird-ass shit sideways to prove that we are capable musicians and songwriters'" Hetfield did emphasize in interviews that the intention of getting their songs played more on the radio was never foremost in the band’s mind. Another change with this album came in the fact that Hetfield now wrote lyrics based on personal experiences instead of the backdrop of ideas from film, literature, and music. Chris True of AllMusic talked about specifically some tracks on the album as examples. "Enter Sandman'' is about "nightmares and all that come with them". "The God That Failed" dealt with the death of Hetfield's mother from cancer and her Christian science beliefs, which kept her from seeking medical treatment. "Nothing Else Matters" was a love song Hetfield wrote about missing his girlfriend while on tour.``

The title of the album became an extensive discussion as well for the group. They considered naming it after a song on the album or five because this would be their fifth studio album. Yet, they ultimately chose to go the self- titled route in keeping with the theme of simplicity running throughout the entire album. The album's cover was completely black except for the logo and the Gadsden flag in each corner. The two images we’re very difficult to see, so people began calling it The Black Album. The initial printing of the album had those logos embossed in the same color, but on later printings of the album they were changed to a gray color. The Gadsden flag first created during the American Revolution had a motto attached to it, Don’t Tread On Me, which represented a track on the album as well. During the documentary A Year and a Half in the Life, Lars Ulrich joked that Their album looked just like Spinal Tap’s Smell The Glove in Rob Reiner‘s mockumentary. They even included a scene where the band members meet up with Michael Mckean, who actually asked about the similarities. Ulrich would later say that the actual inspiration for the album cover came from the seventies group, Status Quo.

Upon the release of The Black Album, the band subsequently released six singles, which represented a stark contrast to their previous releases. The lead single “Enter Sandman” made it all the way to number 16 on the hot 100 Billboard chart, while other singles did fairly well either in the US or internationally. The music video for “Enter Sandman” went on to win Best Rock Video at the 1992 MTV Video Music Awards. The only single not to do much on the charts was “Sad But True,” but it must be noted that the single had a much later release date of 1993. The record itself represented Metallica’s best selling album ever. The Black Album stayed number one in the United States for four consecutive weeks, while it topped the charts in 10 different countries at the same time. By the year 2012, the record had sold 16 million copies becoming the first one in the Nelson SoundScan era to do so. As of 2019, this record was still charting on the billboard 200 making it an exclusive member of the 550 Week Club. Critics emerged as fairly unanimous in their praise of the Black Album. One of the biggest changes for the band came in the fact that not only heavy metal journalists saw the great qualities of it, but now mainstream magazines like New Musical Express were discussing Metallica. Entertainment Weekly’s David Brown said that the group had invented a new genre called progressive thrash. Alec Foege of Spin noted a newfound versatility for the group and songs like the unforgiven and holier than thou. Mark Cooper of Q Magazine mentioned the fact that the record avoided several heavy metal clichés that had come to dominate the genre. Robert Palmer of Rolling Stone said that the album was filled with many hard rock classics. Greg Kot of the Chicago Tribune in a retrospective piece said that if you are a novice to the music, then this album is the perfect place to start. Kerrang! in a retrospective article as well pointed out that this album catapulted the band from thrash metal underground pioneers to worldwide rock stars. There was bound to be repercussions over such a major change to the group and how they are viewed. Sid Smith of BBC Music took this observation to the next step by noting that many of Metallica‘s diehard fans did not necessarily love this record because they saw it as the band selling out. This view will become even more prevalent in the years to come as they move their sound much closer to hard rock for the rest of the decade. Allmusic’s Steve Huey observed that this record helped to inspire other speed metal bands to simplify their sound. The album also foreshadowed the decline of Metallica’s creative period. The self-titled Metallica went on to win a Grammy in 1992 for Best Rock Album. The record would make several best of lists, but surprisingly their best selling album for the most part never competed with some of their earlier works on these lists.

4 notes · View notes

feedbaylenny · 5 years

Text

If you want to do something well, watch someone else do it. That’s the way to improve in most skills in life.

That’s one reason I read Scott Jones’ blog, FTVLive.com. Say what you want about him or his spelling, but he’s usually right on the money when it comes to facts, and won’t make claims without backing them up. In other words, I trust what he writes.

This morning, he had two blog posts about the latest attempt to create the nation’s largest local television station owner: Nexstar Media Group’s effort to buy Tribune Media. (Last year, after a lot of opposition, Sinclair Broadcast Group was not allowed to make the purchase.)

When you get this big, things get complicated. The company gets up against against Federal Communications Commission ownership limits, as well as Department of Justice antitrust regulations.

Nexstar owns or operates 174 television stations in 100 mostly small to mid-sized TV markets, reaching nearly 38.7 percent of American households. The limit is 39 percent, and that’s with the FCC’s UHF discount, which only takes half the market’s people into account. Tribune owns or operates 42 stations, including the nation’s biggest cities.

The deal is that Nexstar will pay $4.1 billion for Tribune. Sinclair had offered $3.9 billion but according to USA Today, “breached its contract by misleading regulators during the transaction’s approval process.” Nexstar’s last major purchase was in 2017, when it bought 71 stations from Media General for $4.6 billion.

The ownership limits, which I explained in this post from last March, come into play because two large companies will already own stations in the same markets competing against each other, and will together own too many as a whole. That’s why some stations will need to be sold.

Briefly, the four categories of FCC rules are 1. national TV ownership, 2. local TV multiple ownership, 3. the number of independently owned “media voices” – 4. and at least one of the stations is not ranked among the top four stations in the DMA (that’s the “designated market area” or city, and ranking based on audience share), and at least eight independently owned TV stations would remain in the market after the proposed combination. (Keep in mind, these rules seem to get loosened every time a company comes close to hitting the limit.)

In the case of Nexstar and Tribune, there would be a long list involving about 15 cities. (Nexstar would do well by being honest in its effort to buy Tribune, as opposed to what Sinclair did and had been doing for years.)

Perry Sook, Nexstar’s president and CEO, started the company in 1996 with one station in Scranton, Pa. He has been buying ever since.

“We have no aspirations to be a national anything,” Sook said, according to Variety. “Our company goes from Burlington, Vermont to Honolulu and each of those communities have different needs and different tastes. We do three things that are vitally important: We produce local news content. We deliver entertainment and information. And we help local businesses sell stuff. Those are our reasons to exist.”

That’s contrary to Sinclair, which was reportedly interested in creating a national news network and using must-runs on its stations to spread its ownership’s conservative beliefs.

COMING UP: Why Nexstar would spin off WPIX and WSFL, why it wouldn’t want stations in New York and Miami, and what the options are in those important cities.

Anyway, this morning, Scott wrote,

“Sources tell FTVLive that Nexstar is not planning on keeping WPIX in New York City after it purchases the station as part of the Tribune deal.”

So if Nexstar pretty-much owns so many stations in small to mid-sized TV markets, and claims to be solely interested in local broadcasting (while probably taking advantage of some scale), why leave out a station in the #1 TV market in the country, which itself broadcasts to about a whopping six percent of American households?

According to Scott,

“The spinning off of WPIX will help bring Nexstar under the ownership cap and it will likely put a lot of money back into the Nexstar back account.”

I’d rather see competition remain in New York. I can’t imagine Nexstar losing the power of selling ads on stations in every one of the biggest, influential, most lucrative cities (New York, Los Angeles, Chicago, Philadelphia, San Francisco, Washington, etc.). And it could probably make money selling off many of its smaller market stations, have fewer people doing the same jobs on payroll, pay less for benefits like health insurance, have less regulatory paperwork to do, etc. But it could possibly achieve what Scott suggested in just one move.

Instead of Nexstar, I dread a New York competitor coming in and gutting WPIX’s news department, which has grown over the years from 30 minutes at 7:30pm and an hour at 10, to include morning and early evening news.

Among competitors, WCBS already owns WLNY (Long Island). WNBC already owns WNJU (Telenundo). WNYW (Fox) bought WWOR and got rid of its news department. That pretty much leaves WABC, which is said to be in the buying mood since owner Disney hasn’t bought stations in years, is not up against ownership limits, and has been said to be interested in Cox’s stations (especially its ABC affiliates in Atlanta, Orlando and Charlotte). A duopoly in New York would be good for WABC, but not the public, which owns the airwaves. But considering the other major stations already own second stations in the Big Apple, could WABC be refused?

Of course, Disney/ABC is already buying most of 21st Century Fox’s assets, including its TV and movie studios, and cable channels except news and business, for $71 billion. The New York Post reports the closing is expected in February or March, and Sinclair may end up buying Fox’s regional sports networks which Disney can’t keep (it already owns ESPN) and nobody else seems to want them.

The so-called New Fox would consist only of its TV stations, and its news and business cable channels. (Comcast/NBC wanted Fox’s entertainment assets but Disney/ABC offered more. Comcast is ending up with Fox’s share of European telecommunications and pay-TV giant Sky.)

Scott also wrote,

“Along with spinning off WPIX in New York, Nexstar plans on selling off WSFL, the Tribune station in Miami.”

We’ve been through this before. Fox has a great Miami affiliate, WSVN, which is owned by Ed Ansin’s Sunbeam Television Corporation. In the 1980s, he wouldn’t sell to then-affiliate partner NBC, so the peacock bought WTVJ in early 1987 and took away WSVN’s #1 primetime programming on Jan. 1, 1989. WSVN became a Fox affiliate on the few days the new network broadcast back then and put its future into local news, more sensational back then, which has worked out well.

Then, just a few years ago, the same thing happened with Sunbeam’s WHDH in Boston. Ansin refused to sell to NBC so the peacock invented a station pretty much from scratch to put its programming. Since Boston already had a Fox affiliate (Miami’s went to CBS in 1989), WHDH is now completely independent, without a network, and worth much less.

So Fox has been selling off assets but is interested in buying TV stations (with a deal to buy several from Sinclair after its merger with Tribune that fell through) and rights to live programming, especially sports and especially the National Football League. In the past, Fox wanted stations in cities with NFC teams because it broadcasts NFC team away games on Sunday afternoons. Then, it bought the rights to Thursday Night Football, which includes the whole league, so now it’s interested in stations in cities with AFC teams, like the Miami Dolphins.

I’ve shown you how networks have dumped highly-rated, loyal, long-time affiliate stations and went all-out to own stations in cities around the country, even if it meant starting a news department from nothing, which is exactly what WSFL has when it comes to news.

Why would Nexstar sell Tribune’s only Florida station when it doesn’t have much to show for itself in the Sunshine State? Good question! Nexstar only owns WFLA in Tampa, WKRG in Mobile/Pensacola and WMBB in Panama City. Maybe it knows it could get a great deal from Fox (perhaps part of a multi-station deal where Nexstar and Tribune have too many stations competing), or it knows global warming will have Florida under water sooner rather than later.

One thing I disagree on with Scott about Fox possibly buying WSFL is that WSVN would probably not exchange affiliations with that current CW affiliate and become the new one. That’s because CBS is a part owner of The CW and that affiliation would likely go to its second Miami station, WBFS, which would probably mean WSVN ends up with WBFS’ MyNetworkTV affiliation.

On the other hand, Philadelphia MyNetworkTV affiliate WPHL (owned by Tribune) airs off-network syndicated reruns from 8 to 10pm (a great idea!) and its MyNetworkTV obligations (pretty much syndicated dramas) air overnight. It also got rid of the “My” on its logo.

I checked because WBFS-Miami and WWOR-New York air the same shows from 8 to 10 (and Fox owns both WWOR and MyNetworkTV, so the shows will definitely run in pattern).

Anson’s WHDH – which has been independent for two years – airs Family Feud for an hour at 8 and local news from 9 to 11:35pm. So there are alternatives.

What’s going to happen? Are the reports from Scott true? If so, are they subject to change?

Again, we’ll have to sit back on our couches, and wait and see.

Disappointing news and news coverage

Last night, a woman was shot to death two blocks from my parents (and where I lived from the end of kindergarten, to leaving WSVN and moving to Connecticut, minus my three college years). It happened at about 5pm. I found out when my sister-in-law sent me a TV station’s screen-grab.

Turns out, the victim was a well-known real estate agent, who’d had her face and her dog on many bus benches while I was growing up. It happened outside her daughter’s house (same high school, two years older) and the gunman was her estranged son-in-law, who later killed himself.

In the early evening, between 7:30 and 8:30pm, I couldn’t find anything on WSVN’s website, and nonsense with very few facts from the network-owned stations.

WTVJ was a block off and WFOR had no location.

WPLG had the best coverage, with the right block and video with a reporter at the scene during its newscast which ended at 6:30, but supposedly the latest was on a different reporter’s personal, private Facebook page. We never met, but I went to school with his brother years ago, so he was from the area and had contacts. I found out about his Facebook coverage when I got a call from one of our dozens of mutual friends (28, to be exact), and asked him about it – on Facebook.

Me: “Why did you put Highland Lakes shooting privately on your personal page, but not on your professional page for any interested parties?”

Him: “The station posts on my public”

Me: “I’m sorry. That sucks.”

Him: “Ok sorry”

Me: “I meant for you. I’m sure not everything they’ve posted has been perfect, or the way you would have.”

He doesn’t know what I do and have done for a living, and you see he didn’t realize I felt sorry for him apparently not being able to publish on social media pages with his name and picture, and depending on others to do it right! His public Facebook page hasn’t been used in almost a month, and his work Twitter account was only used sporadically, not daily like someone with contacts who goes out in the field, working to uncover facts.

We know people on-air are not decision-makers but they should be trusted to publish on pages with their names and pictures, along with certain folks in the newsroom. Those people on-air with their names and pictures online will probably be the best at making sure what’s reported there is accurate and presented properly.

Who else would care as much?

If you appreciate what you read here, subscribe with either your email address or WordPress account, and get a notice whenever I publish. Don’t rely on social media with its hacking issues and censoring like this, this, this and this. (I explained the reason for the fourth “this” in my last post.) I just became certified as an IT Support Specialist and am also available for writing/web contract work. LinkedIn: https://www.linkedin.com/in/lennycohen

Reports: Nexstar says no to WPIX-NY, WSFL-Miami If you want to do something well, watch someone else do it. That’s the way to improve in most skills in life.

#Ed Ansin #New Fox #Scott Jones #Sky News #UHF Discount

0 notes