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#the “new” video format for EP does use game visuals which is another reason i think yahztee isn't the one putting it together
prismatoxic · 8 months
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loving the timeline i got to witness of:
-yahtzee reviews a game on zero punctuation -in the course of the script he finds a reason to bring up ayn rand/atlus shrugged, mostly as a joke -brings up ayn rand again as the closing punchline -final credits message is "bioshock was a good game wasn't it" -one day later the escapist uploads a new extra punctuation about why bioshock's opening is amazing
did you get bioshock on the brain by any chance, mr. croshaw?
idk what his schedule of making ZP/EP looks like, though i do suspect that EP might possibly be visually edited by someone else? i'm like 99% sure yahtz still does ZP by himself except to pass it by matt the editor for notes on where he should maybe swear less, but EP is kind of visually different (despite using yahtzee's art still) so maybe he just reads his script and lets matt do the visuals? idk. the man's busy he puts out 2 videos like every week, i wouldn't blame him
regardless, my point is that idk where in the process he decided to make an EP on bioshock, but the idea of him writing the sea of stars script, thinking about ayn rand a little too hard, and getting on a bioshock kick because of it is pretty damn funny
if he addresses this in the bioshock video i'm going to feel very silly but i was just taking a food + youtube break so i only watched the sea of stars review for now
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thephoenixiaproject · 3 years
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Entry 01 (04/01/2020): Beginnings!
Introduction:
Hi there!! Welcome to what is hopefully the start of something cool! It genuinely feels daunting to be taking the first steps in this project, whatever this may turn out to be. 
And it may turn out to be nothing at all! But a big part of why I’m doing this is to push out my comfort zone and try something new, and even if this doesn’t end up going anywhere, I’ll be happy that I tried, and hey, hopefully I’ll have learned some new skills and made something cool on the way! :D
There’s gonna be a lot of rambling explanation for the rest of this post so I apologise in advance, but I hope I explain who I am, and my plans for this project, as best as I can!
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Who are you, and how did you get in here!?
My name is Ben Moss (he/they), I’m a Bri’ish musician, actor and performer with an unexplainable obsession for dubstep and things that go vroom.
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(Photo credit - Phyllida Joyce Hickish 2020 / @phyllidahickish on Instagram)
I’m currently studying creative music technology at university, with the aim of becoming a film/TV/game/VR composer (and maybe sound designer)! I’m also a massive fan of electronic music, audiovisual performances, virtual reality experiences, all that kind of stuff!
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Why does this project exist?
I’ve had it pretty clear in my mind at this point that I really want to do film/TV/game composition professionally: if I can help bring out a director’s message or intentions for a piece of work with the music that I make, and help create immersion into the world and characters they’ve made, then that’s what I’m here for, and I love doing it!
I so badly want to be part of a team that helps make and tell awesome stories that can educate and inspire as well as entertain, that immerse people in incredible new worlds and help people find themselves, or feel seen, or just make you feel good for a little while! Watching the behind the scenes development of films and TV shows I love just blows my mind and inspires me so much, and I’d love to be part of projects like that one day!
However, when it comes to personal music I make for myself, I’ve always felt slightly lost: I find it really hard to make my own music and see it through to the end because I don’t know why I’m making it or who/what for yet. The non-professional music I’ve made so far has been remakes of work I love, tributes to artists I love, or just playing around with different styles and improv-ing a little bit!
This has led to big problems though: making music is the only way to make better music, but being a massive perfectionist, and also massively afraid of failure and disappointing others, I’ve always stalled myself on progressing on anything that isn’t work, telling myself that I’m wasting time by not working. Combine this with the fact that I’ve always had the view that as long as people are impressed with the work I do, or as long as it fits the criteria or mark scheme, then I’m ok, regardless of whether I feel like what I made was bad or I could’ve done better.
I know I have a LOT to improve on in pretty much every area of music, but I’m not going to make progress on this skill (or ANY of the loads of skills I really want to learn how to do) by mentally blocking myself and convincing myself that making my own projects, either ones with a serious intention (hopefully like this one) or just musically goofing around for fun, aren’t worth it, because if I want to make good music/work for other people that BOTH I AND THEY feel proud of and happy with, I need to develop my skills away from assignments, or I’ll go nowhere.
I’ve only recently learned thanks to a short time of therapy that “because it makes me happy” IS a valid reason to do or make something. So I want to have some fun trying new and scary things to me - 
Trying to create a story of my own.
Possibly learning to create some visuals, either as storyboards, or perhaps going into animation, or 3D modelling and animation?? Maybe virtual reality might come into it? I have no idea!
To make music that I’m happy with!
To develop and work on my existing skillset, and have a go at some new ones.
To accept that I’m going to make stuff that won’t work, and that’s ok and a natural part of the creative process, and not something to be afraid or ashamed of. Hell, this whole project might not work, and that’s also fine!! I just hope that I (and anyone else who might work on this) have some fun and get some valuable experiences from it! :D
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What is this project?
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On October 6th 2014, a scientific study titled ‘AWARE - AWAreness during REsuscitation’ was published online, documenting the mental experiences of people who had suffered cardiac arrest and were successfully resuscitated. The study examined 2060 patients from fifteen hospitals across the United States, United Kingdom and Austria across a four-year timespan, 140 of whom were able to take part in structured interviews.
“46% had memories with 7 major cognitive themes: fear; animals/plants; bright light; violence/persecution; deja-vu; family; recalling events post-CA (cardiac arrest) and 9% had NDEs (near-death experiences), while 2% described awareness with explicit recall of 'seeing' and 'hearing' actual events related to their resuscitation. One had a verifiable period of conscious awareness during which time cerebral function was not expected. CA survivors commonly experience a broad range of cognitive themes, with 2% exhibiting full awareness. 
This supports other recent studies that have indicated consciousness may be present despite clinically undetectable consciousness.” - https://www.resuscitationjournal.com/article/S0300-9572(14)00739-4/fulltext
Since then, more studies have taken place in the same field, panels have been held by some of the world’s leading scientists on the subject, and the field is still being very actively researched. The aim of these studies have been to try and draw conclusions on how resuscitation can be improved, to progress towards a higher success rate of resuscitation with little to no long-term consequences to the brain’s cognitive functions.
This project, however, intends to focus on another set of findings that this and subsequent studies revealed - there is a short period of consciousness after clinical death.
Whether the length is 20-30 seconds, as early studies suggested, or perhaps longer as is now being investigated, this seems to be something that we will all experience one day when we die. Depending on the person, these experiences may massively vary.
What might these final moments of consciousness be like?
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Current Plan (working idea):
The project will show the post-death conscious moments of around 7-8 characters, each with their own experiences. These will be presented in completely different ways format-wise depending on each character’s life, culture, interests and experiences! (Could be presented in virtual reality, a cartoon, a visual novel, a musical EP or album, an audio drama/podcast, whatever best represents each character!)
Some may have known or met each other, some may have had barely any association with the others, but though these different experiences, which may shed light on different life experiences, mentalities, cultures, and experiences of final consciousness, each story or experience is linked in some way, however small, which may tell another story of its own!
The characters who’s consciousness we are viewing/experiencing will all definitely die (i.e. we aren’t being told the story from the perspective of someone who has been resuscitated and is relaying the story to us. This doesn’t inhibit a story being told in the past tense/first person as a narrative device though!!)
This project won’t focus on the concept of an afterlife or resuscitation, this just deals with our very final conscious moments! (This does not rule out religion as something to be shown, for example, if one of the characters is of a certain faith!)
This project will NEVER become a bandwagon for trying to ‘disprove’ or bash religions and faiths of ANY kind. The day that happens is the day this project ends.
The name ‘Phoenixia’ (and its general black-and-white branding/logo/aesthetic) is very much a temporary working title - I’ve had it as a producing alias for a while, but it’s never had meaning attached to it. I have a couple of other ideas for working titles which more strongly link to the themes of the project which I’ll share in a later entry! (Because right now my research notes are a  m e s s)
There’s a LOT of different opinions on how long consciousness actually lasts after clinical death - 20-30 seconds, three minutes, a couple of hours, all these are lengths of time associated with it. Some scientists have stated that as the brain is shutting down our consciousness ‘increases’ - in terms of representation within the project and lengths of time, it may result in a longer perceived experience? For example, 20-30 seconds of consciousness may be represented as 20-30 minutes of audio/video? (”The precise point beyond which the brain is no longer "living", a threshold which remains unidentified, is perhaps less definite than has been historically assumed.” -Persinger, Michael A., et al. "When Is the Brain Dead? Living-Like Electrophysiological Responses and Photon Emissions from Applications of Neurotransmitters in Fixed Post-Mortem Human Brains." PLoS ONE, vol. 11, no. 12, 2016, p. e0167231. Gale OneFile: Health and Medicine.)
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Conclusion:
And that’s it for the first entry!! I hope that wasn’t too much rambling!
The next month or so is going to be SUPER hectic for me due to university deadlines and working on this as much as possible, but I’ll do my best to keep regular updates!
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Astra 4 - 6 | Demon Slayer 17 - 19 | Cop Craft 4 - 6 | Dr Stone 3 - 6 | Fruits Basket 15 - 19 | Given 3 - 5
Astra 4
How does anyone wash their hands with a spacesuit on?
Those exaggerated faces (reaction to candy plants) weren’t in the manga. Good thing too – they improve on the source.
Hey, man (Ulgar)! “Big girl” is offensive. (I’m probably saying that because I’m not too big myself.)
The *ding ding ding!* was pretty hilarious…LOL.
I remember this was pretty harsh to read for me the first time…because y’know what they say about representation mattering in feminist studies/articles? Yeah, that. (Exactly how I’m represented? That I’ll leave to your imagination…)
Aw, the Gruppie sounds adorable!
I think I’ve said this already, but Kanata uses the word “zetsubou” – despair, not necessarily “hopeless” – to say what he says.
Demon Slayer 17
I was a bit confused as to why Inosuke was majorly angry all the time, but then I realised that he’s not necessarily angry, per se - he is just majorly competitive.
*head on spider legs appears* ARGHHHHHHHHHHH! That reminds me of that head on spider legs from Toy Story…I seem to remember that freaked me out to some degree. I’m actually not afraid of spiders, but show me an image for “trypophobia” (fear of tiny holes) or stick me somewhere high up without secure footing…and I’m gone.
This episode is…great! I’m cursing as I watch, but it’s great! The CGI is adding to the creepiness! Also, I so didn’t expect Zenitsu to have black hair.
I agree with Zenitsu’s master, he is a moron…
…but truth be told, I think I see myself in him. That’s probably why I find him so annoying. Lately, I’ve found there are periods where I resent myself more than anyone else…and that’s the scariest part about living life. But I can’t complain, because I put my name down to help others in the same situation.
Z-Zenitsu! I-I’m sorry I ever doubted you! I’m so sorry…! I promise I’ll stop thinking you’re annoying, because you remind me of meeeeeeeeeee…! *sob, snivel, sob…*
Ukogiiiiiiiiii! Wahhhhhhhhh!
Hmm…you can smell rain. I’ve smelt it before. But thunderclouds…? Not so much.
Demon Slayer 18
“Rookie Mizunoto join the battle!” – The Smash Bros intro is a fun way to introduce people, no?
I thought Shinobu Kocho was Naruto running, but instead she has her jacket on her shoulders…so it only looks like Naruto running.
CG models are back to being awkward again…
“If you can’t slash something with one sword, you just gotta pound it with another sword!” – Basically, the philosophy of the entire shonen genre when dealing with swords.
“I’m gonna die.” – Well, there’s some words I thought I’d never hear from Inosuke…
Oh yeah…I forgot Inosuke’s never met Giyu.
Hmm…I’ve been suspecting Rui is the member of the 12 Kizuki as a demon with lower possibility of being so (but being raised by Ply’s hint during our collab and Tanjiro’s fight), but I’m more certain of the father being the 12 Kizuki based on what the series has shown us already. Hmm…so who is it???
*starts watching Taisho Secret* Wait, where did Giyu come from??? *watches again* Oh, he appears from above…! Interesting…
Hmm…I like salmon onigiri myself. I also like tuna…most flavours, really.
Cop Craft 4
The man (?) with the purplish hair who called Kei over is meant to be a gay stereotype or at least close to one. Aside from his (?) appearance, you can tell by him (?) nding his sentences with “wa”.
Marth’s post for ep. 4 said “And Suddenly, Vampires”, so…I’m thinking about how Cop Craft actually does the horror vibe really well as I watch.
Aw, these cliffhangers suck! I’m starting to thank myself that I ran behind on every show but Demon Slayer.
Cop Craft 5
O-Oh, the CG is getting worse…
Who was the 2nd person dead? The 1st was Chapman…
Astra 5
As I’m laughing at the reactions from the makeover (because I knew this was coming), I’m simultaneously wondering…holding those scissors in the way you’re doing is dangerous, Luca!!!
Oh great…midseason animation slump. This is only the 2nd show to suffer from that this season…and I’ve only caught up on 3 shows so far.
“Mine is bigger!” “No, mine is!” – Ah, anime boys and their ability to make things vaguely Freudian when out of context…*slight sweatdrop*
*slow pan, with a final shot on Aries’s boobs* - Oh, really…? *grumpy*
*…then proceeds to do boob shots of all the girls* Oh, really?!? You wanna go, show?! You were doing so well, up until this episode!!! I didn’t read past volume 2 of the manga, so this beach stuff is all new to me!!! Plus, it sucks because boob shots are everywhere!!!
“…approach him like that…”
People have been pointing this out, but McPa = Camp, Shummoor = Mushroom, Vilavurs = Survival…so Arispade = Paradise.
Ulgar really reminds me of Tooi, even though he came first…
Dr Stone 3
Taiju’s ugly tears make me go “d’aww” now that this scene is animated…it was nice in manga format, but even better when it was moving and with colour.
Now that I think about it, Tsukasa’s “benefit of the new world” talk reminds me of Death Note.
Senku trying to steal Kamakura Buddha bronze looks like Bart Simpson…
Boueibu should’ve taught you that Hakone is home to hot springs.
Dr Stone 4
You don’t fire a smoke signal…
Oh wow, Mecha Senku! Wouldya lookit that! *points at him* He answers questions in the manga, so I didn’t think he’d get adapted!
Are those…CGI trees? Oh great, why does all shonen these days need CGI trees???
Fighting over established interests means a Thucydides trap (a mini version of which seems to be playing out here with Tsukasa)…that’s basically the only thing I remember from my old politics classes.
I just noticed Yuzuriha refers to all the boys with –kun. She wants to stay friends with all of them…I guess even Tsukasa’s on that list, huh?
Hmm…Senku’s eyes are a reddish colour, but otherwise he’s normally representd with blue to Taiju’s red…
I just realised Senku has a red pen and a black pen in one of his breast pockets.
Aww…it’s nice to have rivals who aren’t 100% evil for once. Sure, pure evil rivals are easy to write but hard to justify. Good guys with one morally wrong aspect to them are harder to write, but easier to get behind. (Plus, at least they’re not Sasuke-style angsty.)
Dr Stone 5
So…I went searching…and I was wondering why I wanted to claim Tsukasa as husbando (but man, he’s a bit more stereotypical for a gal to fall in love with – all girls like bad guys, amirite???), but as it turns out, Senku and his buds from our era (Tsukasa included) are 18 and so are ripe for the husbando/waifu picking (not to mention they’re technically over 3700 years old, which more than makes them legal for things like drinking alcohol, as Senku himself pointed out a few eps back).
D’aww…this was in the manga, but now I find Tsukasa inserting himself into Senku’s flashback cute.
Notably, Gen Asagiri appears on the front of the book this student is asking the question from. Who’s Gen Asagiri, you ask, my dear anime-only random nonexistent entity I type these notes for? You’ll find out…soon.
Hmm…Yuzuriha is more observant than we give her credit for. Also, Senku pulled a Gen Asagiri right there…LOL.
LOL…those ‘shrooms seem massively symbolic. They were also in the manga, IIRC.
Why does Yuzuriha wear a neck scarf, anyway?
Hey, they even managed to get the game-like text box right! Awesome! (It reminds me of Little Alchemy, to be honest.)
“Himo” translates to rope…or a cord. Just FYI.
Astra 6
Eyyy…this show is calling me out.
Eyyyyy…Toi vibes from Ulgar!!!
Eyyyyy…wut? I can’t believe Anime Feminist was on the money here??? (Context: The reviewer for Astra said Luca was “one ambiguously-gendered character”.)
Hey…I once read a book with a 50% similarity to this plot. (There was a gay character – not intersex - and all the characters are adopted.)
I think Xenodude said this, but…in space, nobody can hear you scream.
I’m laughing so hard…why are Kanata’s abs the thing that hurt the most? (It’s because he’s got the harness in that region…forget I asked. It’s still funny though.)
“MILD THING” – Yep, Ulgar’s gonna be mild after what happened this episode…
Ohhhhh, I didn’t understand the “hairpiece” thing until it was revealed it was a toupee through context.
Ooh, 50% chance of lying here. Who to trust, who to trust? Charce or Aries? (I trust Aries, by the way.)
Dr Stone 6
The alien explanation etc. was in the manga, but…why do all the attackers look like Senku???
Senku does his best Thinker impression.
Eyyy! Fighter vs. fighter. I love this scene, even if only because Tsukasa (and his muscles) have the upper hand in both the visual angle and the power balance, although [BLEEP <- no spoilers!] has the surprise factor.
I remember learning once blonde hair is recessive…so does that mean most of the community is blonde? (I know the answer to that, but you, my non-existent anime-discussing entity, don’t.)
I’m tempted to hear Senku scream, “This. Is. SCIENCE!!!”
Fruits Basket 15
For some reason, videos run much faster on my phone than my laptop…
Hmm…this is the first time I’m properly listening to the 2nd ED…It’s kinda like how you’d expect an ED to be: quieter than an ED, but still serving up cuteness.
Fruits Basket 16
This episode’s visually very dark…
Middle School!Tohru reminds me of Hitori Bocchi.
Smol Uo looks like Kyo.
Fruits Basket 17
(nothing this time, sorry!)
Fruits Basket 18
Oh! I remember the matching scene in the manga (where Kisa bites Tohru for the first time).
I also remember the manga Hatsuharu is reading is called “Mogeta and the Ant” (Ari).
Now you see why Tohru is Kyoko’s daughter…
“…what her hair and eye colour were.”
Fruits Basket 19
The ep is called “I’m So Sorry!”…I think I know who’s going to star in this episode, alright…
For some reason, when I see Ritsu and Mitchan apologising to each other, I think of me and Astral…(LOL…?)
…Or maybe it reminds me of Zenitsu…?
Eyyyyyyyy, A-ya is A-ya…
This overly-apologetic character of Ritsu…this is why Martin was my favourite character back in the original Ro.Te.O days…*sighs while basking in nostalgia*
Demon Slayer 19
This episode’s been hyped since last week. Let’s get on with it!
Ooh, no pattern on this title card…
Wow (sarcastic), talk about infighting…but amazingly, I found Inosuke’s art shift to be funny for once in my life! (Amazing!...and yes, the exclamation of “Amazing!” is sincere)
Using terror is…well, Machiavellian. Hard power. You get my drift, right?
So basically, Rui breaks down the nuclear family for us.
Wait a flippin’ second…Hinokami (god of fire)? Charcoal selling? Water Breathing??? One of these is not like the others, for sure.
I get the feeling the father’s dance was recorded as video then converted to animation by ufotable staff…that’s what they did for YoI, no?
“The cold won’t bother you, either.” - Well, due to his fire theming, the cold never bothered Tanjiro anyway…*echoes of “Let It Go” suddenly play in the background*
Go for it, Nezuko! Be the Bakugo of the Demon Slayer world!
According to the credits, Tanjiro’s dad’s name is Tanjuro…that’s confusing, to say the least…
(Sorry Astral, the background noise while I was watching meant I did’t watch it with sound on…Also, is it wrong that I think the dad is hot??? Another thing: why do Tanjuro and Tanjiro have matching scars on their temples…?)
One of Tanjiro’s bros looks like Zenitsu??? Wuh???
Ooh, insert song “Kamado Tanjiro’s Song” by Go Shiina ft Nami Nakagawa. I’ll have to listen to it when I can. (Ever since SGRS, I’ve loved Go Shiina’s work…guess I didn’t expect it here, though.) Update: Misattributed the work. Go Shiina does videogame work, Sheens Ringo did SGRS stuf.
Given 3
I never knew that asking someone into a band was like asking someone out…(probably because I’ve never been in a band).
Given’s a frickin’ riot – that’s one reason I stuck with it.
I forgot Mafuyu was underage…!
Cop Craft 6
That car chase was basically Need for Speed…with worse graphics…
“Prayboy”…hmm…
I followed Kei’s advice to Google Jeffrey Dahmer…and I regret it.
The text says “Someone from the Semanian gang of thieves made contact.”
I didn’t make sense of “I hate being McCloud” until I rewound a bit and found that’s a disguise or alter ego of Tony’s.
“Shift the transmission into ‘Reverse’. The car will begin to roll backward sharply…” - The driving instructions are real, at least.
Given 4
Ehhhhh…still shots…
Kaji sure looks tough for a violinist…but a music major? Never thought he’d be one…(I saw some spoilers saying Kaji was a violinist before I watched the episode, hence my lack of surprise in that department.)
Not everyone’s in a band, y’know…
$120…? Nasty…
$70…
Ah, a layby? I don’t actually know what other countries call it, but where I am they’re called laybys, not layaways. (At the charity store I volunteer at, they call ‘em “holds”, though…which makes things even more confusing.)
Watching th first ep at the anime club made me realise that one had a piano version of Marutsuke, while this one is standard Marutsuke.
Given 5
Ooh, I see English-translated lyrics! Nice one, subbers! By the way, the title of the OP “Kizuato” sounds like it should translate to “Traces of Scars/Wounds” in English, but it’s in katakana, so I can’t confirm that…
It seems joining a band is a metaphor for love in this show…(see ep. 3 notes for more on that)
Holy moly! I’m still fairly new to BL/yaoi in general, so two-timing the boyfriend is not a trope ‘ve seen before, let alone dealt with in my head…
Ooh, more translated lyrics! That (ED singer) does sound like Mafuyu, come to think of it…
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