#someone be good to margo please I'm begging you | Explore Tumblr Posts and Blogs

the-power-of-a-pen · 11 months

Text

A Way Home

Fandom: Spiderverse

Summary: Following the loss of his alternate universe daughter, Miguel is reluctant to risk letting anyone close to him and breaking canon again. However, as most anomalies are returned to their universes, there's the issue of you. You don't have a universe to return to. So, after having you on his team for half a year, he adopts you as his child.

Word Count: 4654

Pairing?: Father-child relationship btwn Miguel and gn! reader.

Trigger Warnings: Some cursing, reader is hinted to having a traumatic past (very briefly and vaguely described), 1 reference to reader as "Spiderman" (meant as a gender-neutral phrase)

A/n: This turned out to be longer than I had planned b/c I realized how much I had to add to make the change of heart even slightly natural, so let me know if y'all want a part two of the reader and Miguel interacting further along the adoption. Not sure how I feel about the structure + characterization in this one. Feedback much appreciated! Please!! I'm on my hands and knees, begging for feedback!!!

------

"Lyla, status on current anomalies," Miguel ordered. He leaned over the yellow panels in front of him, watching the same scene of him and his child playing over and over again. His grip on the console tightened.

She blipped into view. "Currently, there are 918,503,201 anomalies to be returned to their home universes. That's 40% less than yesterday! Spider-Byte does have an update for you regarding-"

"I'll convene with her later. I'm busy."

"Busy brooding over your twelfth cup of coffee. Not enough sugar this time around?" Lyla teased, only to be met with a glare. "Alright, someone woke up on the wrong side of the bed this morning. But seriously, it can't wait. A canon event was disrupted and now there's a spider-person without a universe to return to."

Miguel turned around dangerously fast. "What did you just say?"

"Talk to Margo -- she'll fill you in." Lyla blipped away.

------

"There you are," Margo mumbled to herself as Miguel approached. "This one's in rough shape, got dropped in Earth 616 and put up a fierce fight before Jessica took them to HQ. I tried to send them through the Go Home Machine, but it just dropped them back here."

"And you're sure it's not a hardware issue?"

"It's 2099," Margo drolled and rolled her eyes. "There's no hardware issues anymore, grandpa."

"Then try sending them home again. I don't see why this requires my supervision."

"This machine tears people's atoms apart and throws them back together in other dimensions," she explained. "If I run the same person through the machine too many times, they could die."

Miguel sighed heavily and began pacing around. "Well, what am I supposed to do? Keep them here forever?"

Margo looked at him like he was crazy and slowly nodded. "You can't leave them here to die."

"They're an anomaly anywhere they go, Spider-Byte. Maybe death would be a mercy."

"To you," Peter B. called from behind him.

"Maldito sea, carajo" Miguel cursed under his breath, turning around. "I thought you were taking the week off."

"Well, I was going to, but Mayday was begging me for another one of these cafeteria burgers," he said with his mouth full of food. "They're really good, you should seriously try them sometime."

Miguel's eyes darted to Mayday and quickly darted away. "I have work to return to in my office, so if you'll excuse me-"

Peter stepped in his way. "I'm sorry, Miguel, but I can't let you walk away from this problem. It's gone too far."

"I'm sorry, what?" Miguel questioned, laughing bitterly.

"Ok, I'm not great with words, especially not in front of big, strong, angry men, so MJ had me prewrite this, let me just get it- oh, Mayday has it. Mayday, hold the paper up for daddy, thanks, sweetheart."

Peter cleared his throat and began to over-annunciate his speech. "Everyone in this building joined your society because they believed in your ability to lead, shape, and change the world. We trusted you to use humane practices behind your actions and to keep the safety and rights of humanity at mind before all else. However, given the fact- Ok, this is bullshit - sorry, Mayday, don't tell mommy. Point is, Miguel, that you claim that you're all about saving the multiverse and saving humanity, but then you throw half of your sanity away to hunt down a 15 year old kid who just wants to save his dad. You're so obsessed with the concept of saving humanity that you forgot what it's like to care about individual humans. You forgot how to be a human."

"I never forgot what it felt like to care. To love."

"It's okay to admit that the new kid reminds you of your daughter, you know."

For a moment, Miguel and Peter B. just stood across from each other in silence, unable to break eye contact. Miguel's expression was intense, but otherwise unreadable. Then: "Go home, Parker. More and more of you prove that you're untrustworthy when it comes to prioritizing the greater good. I'm not afraid to get rid of you, too."

Peter's arms gripped on tighter to Mayday. He seemed to want to say something, but found it in him to walk away. Once he went through his portal back home, Miguel called for Lyla.

"Hold the chatter, Lyla," he said before she could open her mouth, pinching the bridge of his nose. "Silence any notifications except for the urgent ones. And I mean urgent."

"Well, since you asked so nicely," she remarked sarcastically, but complied.

------

Everything in Miguel's office repeated like a broken record. The video of his daughter. Peter's comment that he "forgot what it's like to care about humans, forgot how to be human." Gwen's "we're supposed to be the good guys." The feeling of his own child glitching out of existence in his palms, the very reason he got into this work. The ticking of the clock. The ticking of that motherfucking clock.

He zipped a web to the clock and smashed it into the ground, falling to a knee amidst the broken glass.

"I understand that you're having a very emo moment right now, Mr. O'Hara," Pavitr began, "But Jessica told me to drop this off." He placed the file on the floor and nudged it over with his foot as far as he could without getting too close. "I'm heading home now, have a great day!"

"Wait."

"Oh, I was afraid you would say that."

"Tell Jessica to report to my office."

"She said to tell you that she's not available until noon tomorrow."

"Of course," he chuckled angrily. "One person's off for the week, another needs 3 weeks of recovery. Now one of my only trustworthy members can't report for duty until tomorrow. But who's checking in on me, huh? That's right - no one. I took on this leadership role because I know firsthand what it feels like to have the only joy in your life, your only reason for living, taken away from you because of your own reckless mistakes. And despite all of that, I made it my life's mission to make sure it doesn't happen to anyone else. But now I'm the villain?! "'We're supposed to be the good guys!'" "'You can't leave them to die!'" "'They remind you of your daughter.'" But does anyone else here know the pain of losing a child you weren't even destined to have?"

Pavitr blinked heavily. "With all due respect, sir, I'm 17."

Miguel barely seemed to hear him. He sank to the floor, running his hands through his hair and not bothering to clear the glass shards around him. "Maybe they're all right. Maybe I'm the one hurting everyone else. Maybe I'll make the same mistake I did before, and take another innocent life because I want to feel fulfilled, just for a moment."

"Should I get someone?"

Miguel sighed. "Just go."

------

“Morning, sunshine,” Jessica called, taking a seat in Miguel’s office. “You had a chance to go through the file?”

Miguel hummed in agreement. “Need a second opinion.”

Jessica flipped through her copy of your file. “Teenager, been Spiderman for 2 years, originally from Earth 45, but got dropped in Ben’s world. A slippery one for sure; took nearly two hours to get them on the ground. Tried talking to them, but they wouldn't speak. I know my stance on this, but what’s yours?”

Miguel paced around the room. “We can’t keep them here. They’re an anomaly regardless of where they go. Margo said that it would be too inhumane to send them through the Go Home Machine again, so… I think we should let them go quietly.”

“Are you serious?”

“When am I not serious?” He took a seat across from Jessica. “I’ve been hearing it from everyone else. I need to hear it from someone who was there from the beginning. Someone who I trust. Am I falling off the edge? Have I gone too far?”

She raised her eyebrows. “You’re just now questioning that? Look, as your friend, I’ll say this: you’re taking too much weight onto your shoulders. You need to stop being Spiderman for a moment and start being Miguel.” She shifted in her seat. “But, as your teammate, I want you to know that I’ll be by your side no matter what you choose.”

Miguel nodded, but he was totally spaced out. All he could think about was his daughter. How he wanted to take this one in so bad, just to feel like a father again, feel like a man again. How he feared the consequences of love.

Jessica snapped in front of his face. “Earth to Miguel.”

He shook his head. “What?”

“Look, I can’t say that I don’t agree with your initial idea. But I look at them, and at Gwen, and at my future kid, and-” She put her hand on her stomach “-I just can’t imagine leaving them in the dust like that. I was wrong about Gwen, yes, but these kids are suffering. And I don’t know if we can keep making these hard decisions that put these people right back where they were trying to escape from and still call ourselves heroes.”

Miguel held his face in his hands. “I don’t know what’s up and down anymore, right or wrong. I was all of these kids once: Miles, Gwen, Hobie. I know what it’s like to love your family so much that you throw everything else to the wayside. But that cost me my child, and thousands of other lives. I couldn’t live with myself if I didn’t do anything to stop it. I just want to stop the suffering. I just want it to stop.”

Jessica gave him a moment. “Let’s meet the kid. Give them a trial before we make any decisions we can’t take back.”

“Alright,” he agreed, “But if you’re wrong about this-”

“Then lunch is on me. Come on, mafioso.”

------

“Here they are,” Margo announced. “Just so you know, they’re fully aware of their situation, but not very talkative.”

“Let me talk to them,” Miguel insisted. “I want to hear what they have to say.”

As Miguel and Jessica approached, you refused to meet their eyes. Instead, you drew your hood closer to your face.

Miguel took a knee by you, talking through the red barrier. “Hey, kid. My name is Miguel. Miguel O’Hara. I’m Spiderman.”

You gasped dramatically. “No way! Really? I never would have guessed!”

He took in a breath. “So you do speak. Look, we’re trying to relocate you, but we need to have your account of what happened. Why doesn’t your home exist anymore?”

You shrugged and counted off the events on your fingers. “Dalmatian-looking dude crashed through a window at my internship. He went straight for the collider room, and most of my mentors were at lunch, so I went after him. I tried to shut off the collider at the same time he stepped through it, he pushed me into a hole, that lady behind you caught me after an uncomfortably long chase, and here we are.”

“You worked at Alchemax,” Miguel mumbled, though mostly to himself.

“Yeah,” you replied, leaning back. “What’s that got to do with anything?”

“Did you get bitten by the radioactive spider before or after working there?”

“Did I fucking what?”

“That’s how you got your powers, right?” He asked.

“My powers? Oh, I see what’s happening here,” you laughed. “You’re all off your rockers! Let me guess, this is some alternate dimension Alchemax where everyone’s trying to biologically get the abilities that I developed through technology. Ooh ooh, or, this is an elite spider society trying to save the multiverse from itself!”

“That was really just a guess?” questioned Jessica.

“I read a lot of sci-fi,” you explained.

“Nevermind all of that,” Miguel groaned. “What’s your story, kid? What’s your motive? Because if we don’t have that information, we can’t help get you out of there.”

Your expression became grave for a moment as you considered your options and chuckled bitterly. “My story? My story is that I’m a poor kid from the slums who worked their ass off to get into a good school so that I could do better for my family. My story is that my family never loved me, my friends never cared, and I was forced to choose between what I love to do and what the world needed from me. I didn’t have the power to stop my parents from hurting me or stop people from hurting each other. So, I manufactured that power and took it into my own hands. My story is that the moment I was released from that hellhole of a world, I was locked up in a three foot wide cage and forced to talk about my feelings. I heard what you guys were talking about in that back room. All I ask is that you do it quickly. I don’t like waiting.”

“Miguel, we can take a quick debrief if you need one,” Jessica offered, putting a hand on his shoulder.

Miguel didn’t budge. He looked into your eyes and felt your pain like it was his own. He opened his mouth, then closed it again. Finally: “Let them go, Margo.”

“What?”

“You heard me,” he asserted. “Let them go.”

Margo released you and offered her hand to help you step down from the pedestal, which you reluctantly accepted. “Didn’t know you were one for sob stories, Mr. O’Hara,” you mocked, though your comment fell through as soon as your legs trembled from lack of use.

“I’m not,” he responded, walking up to you. “But I know an innovator when I see one. You’re hurt, yes, but you have the capacity to do so much good. I’m offering you a place on my team.”

You approached cautiously, your arms crossed. “And if I say no?”

“I’d ask you to reconsider.” He held out his hand for a shake. You accepted, and he smiled. “Welcome to HQ.”

Margo whooped in the background and gave your shoulder a squeeze.

------

“Ok, first mission briefing,” Miguel started, walking backwards.

“On the move?” you asked.

“That’s the only way to do it.” He shot a web to a nearby building and dropped from an HQ terrace.

You followed suit. “Where exactly are we going?” you shouted over the wind.

“Earth 616. There’s a rogue Vulture stealing tech from Osborn. We’d let it happen, but the man's the only thing between a country of people and an all-out war.”

“Got it.”

“We go in, capture Vulture, and bring him back to HQ. Shouldn’t be too difficult.”

You stepped through your portal and immediately got whiplash from the pure speed of a nearby aircraft.

Vulture swooped down from above and tore the tail off of the police helicopter. It crashed into a skyscraper and gained speed as it headed for the street below.

Miguel spoke to you through the comms. “Trial number one, newbie. I’ll pursue Vulture; you stop that helicopter from hurting civilians.”

“On it.” You dived off of your skyscraper to gain speed and pulled yourself forward with your webs. In one smooth movement, you grabbed the two co-pilots and placed them on the closest rooftop.

The helicopter was quickly approaching the ground, where children were playing in an enclosed playground.

“Shit,” you murmured, propelling yourself under the machine to create a landing pad for it at a safe distance from the kids. At the rate you could fire, you wouldn’t be able to stop it on time.

In the distance, you saw Miguel struggling to keep Vulture away from a construction site, and reached out to him over the comms. “Have him ram into that crane.”

“What?”

“Just trust me.”

Miguel redirected the Vulture, dodging last second when he attacked so that the crane would fall down.

The crane caught the chopper where it was, and you used it as a crutch to help you redirect the chaos to the empty street. You swung around the crane five times, wrapping an immense amount of webbage around it and attaching along the side of a business building. When the helicopter threatened to fall due to the weight of it, you shot three web bombs at it to keep it in place.

When you reached the ground, you were out of breath and half-heartedly waving to the clapping children and their parents. Miguel placed his hand on your shoulder as you observed the incapacitated Vulture.

“Not bad, kid,” Miguel chuckled. “Not bad.”

------

A good six months had passed, and you had risen in the ranks of the Spider Society. You were still without a place to stay, and had been bouncing from place to place in between missions. The first month, it was Pavitr and his aunt’s place. Then, Hobie’s, then HQ, and finally, Gwen’s. Most of your free time was spent discussing tech with Margo or trailing behind Miguel.

A building-wide alert had gone off, sending every spider-being into high alert as they searched for the threat.

“What’s the sitch?” you asked Miguel as the two of you bounded down the hall. “A futuristic Rhino that’s suspected to work for The Spot just invaded HQ. He’s trying to destroy our tech and pick us off.”

Just as Miguel had finished his explanation, Rhino crashed through a door four floors below. You both zipped towards him, barely avoiding running into Peter B. as he took a picture of himself, Mayday, and Rhino. Miguel attacked Rhino head-on, performing a spin-kick to the face before webbing his arms together and latching onto his back. Rhino broke his constraints effortlessly, and threw Miguel out of a nearby window. You helped Noir get to his feet and went after Rhino.

By the time you got there, Rhino had Miguel pinned to the cracked concrete. His web shooters were broken, and he was using all of his remaining strength to stop Rhino from snapping his neck. When he saw you approaching, he tried to silently signal for you to go, but you didn’t listen.

“Hey, Alexei!” you shouted. “I never really took you for the dominant type! It doesn’t suit you.”

You swung a piece of concrete at his back and zipped to deliver a punch to the face. Rhino was quick to return the favor, and charged you through a nearby wall.

Miguel attempted to stand up as backup arrived. He climbed onto Rhino’s back and sunk his teeth into his neck, effectively, though temporarily, paralyzing him. A team of 15 spiderbeings worked to get Rhino back to HQ while you and Jessica helped Miguel to his feet.

“What the hell were you thinking, kid? You could have died,” Miguel snapped.

“You were the one near death,” you argued. “If I didn’t come when I did, you could’ve died. Was I just supposed to let that happen?!”

“Yes!”

“No!” You dropped his arm from around your shoulder and Peter B. went to pick up the slack. “Why is it so hard for you to understand that people care about you? You gave me a chance when no one else would. I lost my world, my home, and my friends. I couldn’t lose you, too.”

“That’s not for you to decide. I can’t trust you like an adult if you refuse to act like one,” he grunted, before wavering in his stance. Jessica helped right him.

You took a step back and pressed your lips together. “You know, I joined this team because I wanted to save people. I have the ability to save them. And… if you can’t acknowledge that ability, then… maybe you need to reevaluate your interests.” With that, you took off.

Jessica and Peter sat Miguel down to rest.

“How bad did I fuck up?” Miguel inquired.

“Give them a few minutes to sit on it,” Peter suggested. “Kids are like that. They need time to cool off. Just make sure you talk to them later.”

------

You sat on the slanted glass roof of HQ to listen to music and blow off some steam. Heavy footprints sounded from behind you. You sighed. “If you’re here to argue, can you at least wait until the end of this song?”

“I’m not going to argue with you. I wanted to talk. And… apologize.”

That piqued your interest, but you tried to sound nonchalant as you gestured to the space next to you. “Go ahead, then. Sit.” You turned the music off.

He obliged. “I’m sorry for saying that I couldn’t trust you and that you needed to act like an adult. It wasn’t fair. I do trust you, and there’s no reason for you to act like an adult when you’re still a kid. I’ll be more conscious of my words in the future.”

You nodded. “Thanks.”

You sat in silence for a while, and you began to get up.

“Wait,” he asked. “Please.”

“What did you really come here to say?”

“Just sit, and I’ll tell you.” He waited for you to return to your spot and took a deep breath. “When I was first messing with the multiverse after working at Alchemax, I wasn’t as careful as I am now. I found a world where I was dead, but had a daughter, so I replaced myself and began raising her. I loved her more than anything. But, I was an anomaly, and had disrupted canon events. I felt her glitch right out of my hands. Thousands of innocent people died that day because of me. So, I made a vow to myself: never again. I wouldn’t let this happen to anyone else, and I wouldn’t let anyone get close to me.”

He paused, gulped, and forced himself to make eye contact with you. “Then I met you. And I tried to hate you, I really did. But you’re funny, and you’re smart and passionate, and you have a damn good heart. And everything in me just wants to protect you. I’m so mad at myself for hurting you and-”

You cut him off with a bear hug, to which he slowly responded once he understood what was happening. You shed a few tears into the crook of his neck and mumbled, “I’m sorry, too.”

He laughed, partially in disbelief. “For what?”

“I called you a dick behind your back for the first three months because I thought you had a stick up your ass.” You backed away snickering and wiped your eyes. “But you’re more my family than my parents ever were.”

Now or never, Miguel.

“About that,” he began. “I know you’ve been staying at Gwen’s place - and you’re completely free to stay there if you want - I just thought it might be nice for you to have a permanent place to stay, a school to go to, a familiar face, you know?”

“Not really,” you expressed. “What do you mean?”

“I- it’s better if I just show you.” Miguel took a folder out of his bag and handed it to you. He looked the other way as you processed what he gave you.

“Are these adoption papers?”

“Um… yeah,” he relented, still refusing to look your way.

“And this isn’t a joke?”

“Of course not. But, it’s also up to you. I don’t want to pressure you into anything you don’t want to do-”

“Yes,” you cut him off and wrapped him in an even tighter hug. “Absolutely yes.”

------

Miguel helped you carry your few boxes of belongings that you had left at Gwen’s into his modern duplex.

“Jesus, dude,” you commented. “You didn’t tell me you were rich.”

He laughed. “This is what being a scientist earns you.”

“Damn.” You took the space in. The windows in the living room were from floor to ceiling, the couch a cool grey with ornate yellow and green pillows. Everything was open concept, and both the Mexican and Irish flag hung on either side of the TV. Aside from the occasional painting, the apartment was largely monochromatic.

“The kitchen is under that loft area, which I usually use as office space, but you’re free to use it, too. Bathrooms on first and second floors,” he explained while walking up the stairs. He stopped in front of the third door to the right. “This is your room.”

You gently pushed open the door. Miguel had prepared for your arrival intensely. A twin bed sat in the back left corner of the room, a desk in the back right. There was a wide panel of windows with shades and a nightstand with knick knacks. A mirror, bookshelf, decorative rug, and bean bag filled the empty space. A poster with a Spiderman symbol hung over your desk, and a smile fought its way onto your face.

“There’s a closet, too,” Miguel said proudly.

You opened the closet to find it fully stocked with casual, formal, and tactical clothing. “You did all of this for me?”

He smiled warmly. “Welcome home.”

------

It was the following year on Father’s Day, and you were waiting for Miguel to come home when you heard keys turning at the door.

“Hey,” you called from the kitchen island. “I made dinner for us. And we can watch that crappy comedy show that you like.”

He hung up his jacket and gave you a hug. “Thanks, sweetheart. How was it with your friends?”

“Pretty good. But it took an hour to get Miles out of that Famous Footwear. I swear that boy has enough sneakers to cover the Mediterranean. How was work?”

Miguel grabbed a plate and took a seat next to you. “Well, we finally figured out the malfunction in the control room. Hobie had been messing around with it for his own projects. Shocker, right? But other than that it was just a bunch of boring meetings.”

“Oh, I just remembered something.” You rushed upstairs to get a gift bag from your room and returned, out of breath. “I made this for you. It’s not much, but my job doesn’t start until July and I wanted to give you something, so…”

He removed the tissue paper to find a carefully knitted shawl with his suit designs on it. He remained speechless for a moment.

“What do you think?”

“I love it.”

“Really? Cuz I could get you something else if you’d prefer-”

“I love it,” he repeated, giving you a bear hug. “I’ll wear it all the time when the weather takes a turn.”

“I thought it might be useful for winter patrols,” you admitted.

“It will be. I know you don’t like getting too sappy, so let’s watch some TV, yeah?”

Halfway through an episode of the comedy show, you got up to use the bathroom. Miguel paused the show and admired your work on his shawl. When you came back, he was still staring at it as if he were examining each individual stitch.

“I’m back,” you said when he didn’t acknowledge you.

He hummed in response. “There’s something I’ve been meaning to tell you.”

You furrowed your brows, worried now. “Is something wrong?”

“No, not all, it’s just…” He ran his fingers through his hair. “I wanted to let you know that I would understand if you want to look into seeing if there’s any way to find your real parents. I love you and I want you here, don’t get me wrong, but if this is something you feel strongly about, I wanted to make sure you knew that my feelings wouldn’t be hurt.”

You stared at him for a while before bursting into laughter.

“What’s so funny?”

You grabbed his hands and looked him in his eyes. “I found my real dad the moment you brought me here. I’m home.”

He squeezed your hands and repeated your words as if convincing himself of the truth. “You’re home.”

------

568 notes · View notes

rndyounghowze · 5 years

Text

Triple Threat Workshop Goes Down Home with Bright Star at the Landis Theatre in Vineland, NJ

By Ricky and Dana Young-Howze

Very rarely do I see a show that's as crisp as a summer apple and as cool as clear spring water but I got it last night with Bright Star at the Landis Theatre. This musical with music, book and story by banjo legend Steve Martin and Edie Brickell was directed by John T. Stephan and Caitlin Geisser and really is a must see.

Follow a country ballad based on heartbreak and woe as you hear the story of April Lindley, a magazine editor in the 40's who is serious and makes writers shake in their boots. But then one day a new writer comes across her desk and she just can't place why he intrigues her. What follows is her journey through the past to weave a story of love, loss, betrayal, and reunion. Bring your tissues because if you haven't had a good cry in a while you're about due for an appointment with this tear jerker.

So when the lights come up you see a bare stage with actors surrounding the stage adorned with a desolate set and props. You can even see the bare walls of the stage in the back. The desolate staging is just as desolate as the play. I don't know how to say it better but it looks like a dramatic grenade went off in the beginning and everyone on there is just human shrapnel.

Now they say too many cooks spoil the soup but direction by Caitlin Geisser and John T. Stephen seem to have a synergy going with this one. They also say that a director that casts themself in a play has just been cast by an idiot director but I actually enjoyed Geisser's performance. Stephan's choreography is always on pointe but I feel like the ambitious staging got in the way of the choreography with scenes getting too crowded to make the picture "print" in my head. Dana was begging for just one moment of emptiness on stage and I agree that a the loss of about six ensemble members in emotionally gripping scenes would not have been horrible.

We're only being tougher on them because we love them and they always give a polished and professional performance. They are always so close to perfect it kills me. All in all they crafted a show together that really...what's the word...soothed me. I've seen too many shows with big orchestras, huge special effects, and the works. This was like a glass of cool water.

Okay a few notes from this show that only a Southern boy from TN can give. Please imagine me saying this in my former southern accent. Thank you for not including a live orchestra. I'm a banjo snob and would have been critiquing clawhammer technique more than the show. The cast made a valiant attempt at a southern accent and while it did "drop" me into the setting of the show I would have forgiven them for dropping it sometimes in order to sing clearly. Also I've been all over North Carolina and never met a snazzier group of people or cleaner set. It needs more dirt and soot to make it authentic. Y'all wuz purtier den the purtiest peach that ever wuz grown.

Okay there were so many good actors in this show I had to add an extra to each of my categories!

April Lindley (played by Alice Murphy) had the hardest job. She had to carry the plot in two different time periods and be effectively two different people in each time period while still letting the audience know they were the same person.

It was hard to find anything to say about Jimmy Ray Dobbs (played by Andrew Jarema) because I've seen him many times before and he always delivers a solid performance. I was desperately trying not to say something like "he's good but that's Andrew for you" but we'll there I said it. A great performance from a great actor and he does look a little bit like Rich Curcio's son so now I'll never be able to get that out of my head.

Billy Cane (played by Dakota Mullins) seemed a bit stiff at first and I didn't know if it was opening night energy or a character choice. By the time he had gotten to the Southern Journal he had loosened up a bit and I could really get into his performance.

I have one thing to say about Margo Crawford (played by Alexa St. Clair) and that is more stage time please! She was so funny and clean in her performance. I couldn't ask for more from a Broadway Starlet!

Like I said I had three supporting standouts. There were just so many to choose from.

Darryl Ames (played by Dylan Glick) made me guffaw so much! I never saw a character more happy to be the bearer of bad news and Glick delivers it in style.

Dana had to actually point out that the dry speaking buttoned up assistant to the mayor was actually one of our favorites Jason Smith. I honestly couldn't recognize him and his acting was so good I still swear it wasn't him. Kudos Jason for blending in so well...if it was really you.

Shannon Sheridan who played Momma Murphy was really a favorite of Dana's. She had such a quick and smooth delivery and I could tell that she had some serious acting chops.

And of course here are my background shoutouts.

Whenever I'm watching a play in Cumberland County I kinda just look around and see what John Rattacasa is doing. He's kind of like a lucky charm in actor form. And then there's nothing like catching him belting in the moment. He really brings the noise!

A big shout-out to my favorite twins Amanda Ellis and Julianna Giordano! Glad to see them cutting a rug in style!

I have to give a nod to music direction by Shannon Sheridan for getting our cast to deliver one rip snorter of a time. Makes me wish I had my banjo or a set of spoons handy to scrub one off with them like we were on Grandpa's back porch.

Also costume design by Sheridan was right out of a Norman Rockwell painting. I could have wished for a little dirt or fatiguing on stuff that was supposed to be dirty but that's just me being picky.

I swear that set design by Martin Geisser recreated the skeletal clapboard ruins you see all over the trainline from DC to Winston-Salem. I was a little worried when I saw the main rolling set piece wobble as it was moved. It may not look good sometimes but extra bracing for the safety of the actors can never be skimped on. Otherwise this was one of the greater sets I've seen.

There was a lot of intricate sound in this show so sound design by Stephen Seserko was really appreciated. The best sound design is the one you notice without noticing and I think he hovered really closely to that mark. Good job!

Well I'm kinda tired of saying that John Rattacasa is the best wig and makeup man in New Jersey. I'm tired of saying it but it doesn't look like he's going to stop anytime soon. So I still have to. If there's a set of Rattacasa locks on those heads they're the best in South Jersey.

All in all this little show was a delight to my old southern ears. And what I love about a Cumberland County show is that they keep everything just as down home as this play. When I get here there's always someone to hug me and Dana's neck and if they held an ice cream social out back after every show I wouldn't be surprised. When Dana and I are in Cumberland we feel like we're amongst family but that family is giving you a killer professional show that rivals Philly or the rest of Jersey. That's just the Cumberland way. This show runs twice more. Get on out there and meet your new family!

0 notes