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#so many people are so unsure if kris has any affection for them. like even susie and noelle. noelle who is literally a childhood friend
linktoo · 2 years
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oh oh i m hyperventilating. KRIS . KRIS DID THIS. KRIS WHO IS KNOWN FOR PLAYING PIANO BEAUTIFULLY. KRIS WHO REFUSES TO PLAY PIANO IN FRONT OF YOU. KRIS WHO HAS A SOUR EXPRESSION WHEN YOU LOOK AT THE PIANO. im gonna vomit KRIS
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reactingtosomething · 7 years
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Reacting to Baby Driver
The Wright Amount
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The Setup: For this post we’re thrilled to bring you two Guest Reactors, both former film school classmates of ours, and both Edgar Wright aficionados. One is Andrew, one half of the Punder Twins (we hope you’ll meet the other half in the foreseeable future), and the other wanted a codename like Bats and Buddy, so we’re calling him BOB. All caps, because BOB likes that it works as an acronym for “Boring Old Bob.”
SPOILERS -- and fan/re-casting -- after the jump!
MIRI: Ok, so what did we think of Baby Driver?
ANDREW: Oh we're starting this? It was very, Edgar wright-y
KRIS: I don’t know how much this will matter, but for context I thought it might be fun to start with everyone’s favorite (pre-Baby Driver) Edgar Wright movies/moments
MIRI: I went into the movie not really expecting to like it (the trailers just didn’t grab me the way they did SO MANY people) so I was actually really pleasantly surprised by how much I liked it
Ooh, I like that
What are yours?
BOB: "You ain't ever seen Bad Boys 2?" - Hot Fuzz
KRIS: With the caveat that I haven’t rewatched any of them, I think my favorite is Scott Pilgrim
ANDREW: The entirety of Scott pilgrim vs the world 
KRIS: which admittedly has the unfair advantages of Anna Kendrick and Aubrey Plaza
But also “Chicken’s not vegan?”
Just an insanely stacked cast
ANDREW: I was about to say that!
MIRI: I’d have to go Sean of the Dead
*Shaun
BOB: 
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KRIS: Of the Cornettos I do think Hot Fuzz is my favorite
ANDREW: Mine too! I still wish he directed ant man. I mean, I liked ant man. But...
MIRI: Hot Fuzz is excellent, but Shaun of the Dead just surprised me so much in so many delightful ways
KRIS: Oh also I liked that in the big GQ interview Chris Evans did when he got cast for Captain America, he mentioned that his friends thought his Scott Pilgrim character was hilariously spot-on, though maybe they thought this ironically
I’d have to revisit the piece, which I feel like is semi-legendary in entertainment journalism circles
BOB: I really like how he took that film and made it both a reflection of the action genre as a whole while also making it very much so an original film 
KRIS: I’ll try to find and link
MIRI: Yeah, he does great things with loving parodies
KRIS: Shaun of the Dead was definitely revelatory, although I probably saw it a year or two too early to fully appreciate it
BOB: Which when I watched Baby Driver, you could say he does the same to an extent with heist and car chase movies
MIRI: This didn’t feel as much like a sendup to me as it did just an example of the genre
BOB: It has a little Reservoir Dogs / The Killing (Kubricks) feel to it with the nicknames
KRIS: Guillermo del Toro’s very complimentary Twitter thread about the movie made a point of stressing that where Wright has previously been ironic, Baby Driver was newly and lovingly earnest
MIRI: Yeah, I’d agree. And in some places that worked better for me than others
ANDREW: I concur with the famous director.
MIRI: I’m curious--on a scale of 1-10 how much did you guys love this movie?
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BOB: 9.5 
ANDREW: ...8?
BOB: Maybe cause i am sucker for the non verbal acting in the first half and the syncing of music with action 
ANDREW: That's true. The non verbal acting was top notch.
KRIS: I’m probably a 6.5 - 7? I liked but didn’t love it, and the framing for my expectations is that I follow approximately 3 million film critics on Twitter and everyone who saw the movie screen at Austin L O V E D it
MIRI: I’m somewhere around a 6.5 or a 7. It’s totally fun! The performances are great! But it’s also pretty lazy in some ways and has some plot issues. But the action is GREAT
KRIS: The physicality of Baby was definitely great
(Do we know that actor from anything?)
BOB: Fault in our stars
MIRI: Kris, I love you
He’s also in the Divergent films
and he’s the new Han Solo
ANDREW: He is also in baby driver
MIRI: This definitely seems like a step away from the teen heartthrob of it all for him
KRIS: The new Han Solo is Alden Ehrenreich. Same initials, different dude
MIRI: Ohhh oops
BOB: Fact check - han solo is alden something
They look very alike though!
MIRI: Was Elgort in the mix at one point or am I 100% wrong?
BOB: However... he is credited as Ansolo in Bad Santa 2
Yes he was
MIRI: Ok, that makes me feel slightly better
BOB: Damn this guy is only 23!
MIRI: OOOhhh, Alden Ehrenreich is the kid from Beautiful Creatures
I’m never going to get them fully separate in my head now
ANDREW: Bob! Don't look at ages!
It's depressing.
KRIS: (To our guests: we also have frequent and lengthy digressions)
(we very briefly tried to fight it but we know our limits)
MIRI: My favorite person in this movie was definitely Joseph, the foster dad
ANDREW: My favorite was Kevin spacey's kid.
KRIS: I kind of wished we’d gotten more of Jon Bernthal but I did love the Joseph scenes
OH YEAH
He was great
ANDREW: Oh my god, yes! I thought Jon was gonna come back!
I almost forgot he was in the movie.
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BOB: Back to BD, BOB is very interested in getting his hands on seeing how much of the movie was motivated by the actual words on the page. A bevy of characters like the nephew and Jon Bernthals limited scenes. Heck even the small bits like the postal worker were interesting
MIRI: I liked the interactions with the postal worker
The headshake played really nicely
BOB: One plot hole for me was who was the hero that tried to ram them (The Flea/Brian Tee trio) because that guy had some guns on him
KRIS: I did really like how IMMEDIATELY everything went to shit in that moment
The second act really dragged for me but I thought this started and ended really strong
MIRI: That’s the plot hole that bothers you?
KRIS: Say more BOB
ANDREW: Damn you good Samaritan! 
BOB: Seemed like a setup that wasn't fully explained. Was Brian Tee's character in on it? Is that why he got s bullet in the head? Or was it more so over the fact that he fucked up 3 times
MIRI: He seemed like an ex-military hired security guy to me
BOB: Mike myers, dragged getting into car, left his shotgun
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KRIS: I think he was just a Good Samaritan but he had a Marine Corps hat
BOB: I noticed that hat too but unsure if there was a fix there
MIRI: Oh, I thought it was additional hired security since there had been so many robberies lately
BOB: Miri good point!!!
KRIS: Oh, I didn’t think about it after the movie but in the moment I thought the lost shotgun would come back to bite them
ANDREW: Ooooh that's smart. ... I hope that it.
BOB: Yes likewise about the shotgun 
MIRI: Yeah, I definitely thought the shotgun would come back
I did like the clear willingness to take out allies like that
BOB: What plotholes bugged you MS?
MIRI: BUT that makes me buy Doc helping Baby TO THE EXPENSE OF HIS OWN LIFE even less
BOB: Yes that was good. Start of seeing how Bats was real fucked up
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KRIS: Yeah, I did like the setup of Doc’s operation a lot
BOB: Bats killed him
Not Doc
MIRI: I get the weird affection, but that carried it way beyond believability to me.
There’s no planting of that (at least not any that works for me)
ANDREW: I don't know. I bought doc helping baby.
MIRI: Oh, Bats killed him? How do we know that?
BOB: "Moment you catch feelings, moment you catch a bullet."
KRIS: But it would’ve been on Doc’s orders, right?
MIRI: But the guy didn’t catch feelings, he was just bad at his job
BOB: He was already riled up. And he is very trigger happy
Perhaps Docs orders but he didn't seem type to get dirty.
He caught a feeling of being dumb then! Lol
MIRI: I don’t buy Doc helping Baby. Baby destroyed his whole operation, put his actual loved ones in jeopardy, and is now leaving him meaning he can’t pull any jobs for/with him ever again. Plus Doc definitely seems like a survivor above all else, which helping Baby totally invalidates
BOB: Would it have made sense if say Doc was like a relative ala how we see him train the nephew?
MIRI: Sure, but he’s not
BOB: I thought it was gonna go in that direction
ANDREW: You’re right, but he essentially raised Baby and worked with him for like a decade. Albeit forcefully. Do you really think after all that doc would just shoot baby in the face?
However logical it seems?
MIRI: For the level of betrayal Baby has just given him, maybe
ANDREW: Doc seems likes family man to me.
MIRI: Or at least let him twist on the rope he’s put up himself
ANDREW: A sick
KRIS: I buy Doc not killing Baby, if not the risks he then takes on Baby’s behalf
MIRI: He definitely seems like a family man, but I don’t think he treats Baby as family enough to justify the turn for me
ANDREW: That fair.
MIRI: Agreed
KRIS: I think meeting his son, and seeing how the kid is totally well adjusted, is part of setting that up
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BOB: Doc shooting up people was a stretch 
MIRI: The kid was his nephew, I think
BOB: I buy the take this money and run angle a lot
Yes nephew
ANDREW: Then baby is the son he never had!
Son of a bitch!
MIRI: But he’s clearly close with him--watches movies with him, etc. He doesn’t spend time with Baby outside of business
BOB: He bought him dinner!
ANDREW: He bought him dinner!
MIRI: i’m with Kris--I don’t think he would have killed Baby necessarily, but he goes way further than I believe
He bought him dinner once, and partially as a chance to threaten Debbie and get Baby back into the game
BOB: He talks to him perhaps more so whenever he picks up him for a job
KRIS: I can sort of see dots to connect from Doc being willing to order terrible things but deliberately distancing himself from them to avoid catching feelings, because he knows or suspects that if he gets too close then he’ll stop being the criminal mastermind he wants to be
MIRI: He’s clearly closer with him than with most employees, I’m not denying that!
I just don’t think they put in enough groundwork to make me believe the turn
KRIS: I don’t think the movie does that work for you
MIRI: The movie expects me to buy emotional connections that it doesn’t show on a couple of fronts
The fact that Deborah is willing to run away with a guy she BARELY knows is ridiculous
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BOB: Stop trying to catch feelings Miri!!! Bats may be listening!
ANDREW: Bro, that train I can get on.
MIRI: Even without the bank robber, just shot someone right in front of her thing
ANDREW: I kind of wanted Debra to say "thanks but no thanks" in act three.
That would have been a funny twist.
MIRI: I would have been into that
BOB: It happens... maybe she felt protected?? But they do have moments where they are similar. The love for the road, the music, the need and want to escape 
Maybe she was tired of the old humdrum reality of things
ANDREW: But baby just shot a man at the diner
BOB: Ala Thelma and Louise
MIRI: Right, they have the building blocks for dating, but not “Run away from everyone you’ve ever known with me forever”
Thelma and Louise were lifelong friends
BOB: I'm comparing the desire versus status of relationship length
MIRI: Baby and Deborah have had like 7 conversations
KRIS: (Oh god for like days I’ve been confusing Lily Collins with Lily James)
ANDREW: Most of them are about names.
MIRI: (Me too! Can I blame you this time??)
KRIS: (Yes, because you were there when I did it out loud)
BOB: Too many Lilys and Han Solo look alikes!!
MIRI: BOB: Right, but the “you jump I jump” of it all makes sense because of the love that’s already there. You don’t risk it all for a virtual stranger Basically, I think some of the relationships are weak. They knew what marks they wanted/needed to hit, but didn’t do the work of getting there well
KRIS: I think they do establish that Debora doesn’t have anything in her life early on, but I agree that across the board the movie wants me to make emotional leaps that it doesn’t work to achieve
HOWEVER
MIRI: When there’s an actual depth of relationship like between Baby and Joseph it WORKS
Buddy and Darling work
KRIS: For the sake of argument, there’s this “all the characters in Baby Driver are archetypes” case I’ve seen floated
MIRI: (we have three spellings of Debora’s name going and Kris is right about it)
KRIS: Which doesn’t work for me, but I want to know how you feel about it
In fairness, I have IMDB open
MIRI: Eh. Feels like an excuse. Especially when there are the examples of genuine emotional connections
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ANDREW: Can we talk about how there are only two female characters in the movie? 1 is a love interest and the other is fodder for Jon Hamm to be the villain?
MIRI: I would say that Debora and Darling fit the Madonna/Whore archetypes to a disturbing level
KRIS: AND EIZA GONZALEZ IS 20 YEARS JON HAMM’S JUNIOR
ANDREW: Genre be damned. That's a little ridiculous.
MIRI: more than a little
BOB: Hmmm interesting point Andrew! But what about the Mom? So 3?
KRIS: She’s not a “character”
MIRI: The mom isn’t a character
ANDREW: Fodder for baby to have tinnitus?
MIRI: she’s an excuse for maintain
*manpain
BOB: Ahh man pain 
MIRI: She has no arc or actions, and her only voice is filtered through Baby
Also, they do an interesting thing of rarely showing her face fully, which I assume is due to his memories being limited/fading
and it’s very cool on that front
BOB: Ditto with Miri
MIRI: but also she’s about 1/4 of the women in the entire film and we barely see or hear her
it’s not great
Can we take a moment to imagine how much more interesting the Buddy/Darling dynamic would have been if their ages and roles were reversed?
Just for fun
ANDREW: No. I was kind of hoping for something more out of Darling. But then she got shot... a lot.
BOB: Maybe if Doc was a female then perhaps the whole giving themself up in Act 3 seems more believable
MIRI: Because I would have been totally there for that
ANDREW: I was just thinking that Miri!
BOB: She got shot the fuck up
This movie put the female characters through the ringer in terms distress and pain
MIRI: The whole benevolent tolerance of Baby thing that Buddy does would have hit so harder from a potential mother figure when it went away
Yeah, it’s very lazy on that front. And--much as we love him!--not super surprising from Wright
He doesn’t seem to hate women by any stretch, he just doesn’t really seem to think of them much
KRIS: I want writer-directors like Edgar Wright and Christopher Nolan to have to take a seminar co-taught by like, Ava Duvernay and Patty Jenkins
MIRI: Is there more than one female character of note in any of the films he’s written and directed (not based on preexisting property)?
BOB: Now you have me catching feelings... questioning my overall thoughts
MIRI: YES
Also, I want to take those seminars too!
Sorry, BOB
BOB: Sign me up
MIRI: But also not sorry because it’s important to be critical of the media we love!
And the dude is clearly smart and awesome and I expect better of him
ANDREW: True that!
MIRI: Female Baby would have been interesting too
BOB: Very true... i guess I was caught up with the beauty of the action and syncs with music. Didn't take a step back to examine the archetypes 
I'm down to an 8 now
KRIS: I do think that Lily James and Eliza Gonzalez both do a lot with a little, but I also want to point out that that’s something actresses in every genre and every budget range have to do all the time
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MIRI: SO true
KRIS: Also here is a tweet for Miri:
https://twitter.com/carolineframke/status/880639492025090048
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MIRI: HAHAHHAHAHA
BOB: Still thinking about your posed question
MIRI: I love Caroline Framke
KRIS: About reversing the age dynamic?
BOB: I loved Lily James in this
KRIS: I’m trying to think of who I’d like to see in that reversal
BOB: Daisy Ridley?
MIRI: Ooh
BOB: Or in the Buddy / Darling?
MIRI: Wait, Daisy Ridley as female Baby? I’d be into that
KRIS: Buddy/Darling I mean
Ohhhh
BOB: Helen Mirren / Dave Franco 
KRIS: I don’t know that she’s my first choice but I could see it
MIRI: Ooh, interesting! Even more of an age gap, but I’m not it
ANDREW: No... James Franco. 
Spring breeeeeeak
MIRI: Maybe Marisa Tomei and someone?
BOB: Susan Sarandon / Zac Efron
MIRI: (Spring Break fo’evaaaaa)
BOB: Ahh Marisa! Aunt freaking May
KRIS: I almost went with like Kate Beckinsale/anyone but then I thought about all the thinkpieces about movies/TV that keep pairing brown men with white women
MIRI: She’s a similar level of hot and unexpected for a vicious role like this
GINA TORRES
GINA TORRES AND SOME HOT YOUNG DUDE
BOB: Hmmm let's switch it up.... Viola Davis / White dude
KRIS: Or like Jennifer Lopez
Jennifer Lopez would’ve killed in this
BOB: Ahhh J Loooooo
MIRI: Omg yes to both of those
BOB: J lo and Drake
MIRI: Drake’s not young enough, is he?
ANDREW: De age him 
MIRI: Ooh ooh ooh, John Boyega
JLo and John Boyega
BOB: No he seems to big in size
For J Los taste
MIRI: This tangent has gone wildly afield and I like it
KRIS: This is making me think we should make fan-cast pieces a regular thing on Reacting to Something, not that it’s super original but it would be fun
BOB: But i like that it'd be interesting to see her be the one in control and she is super tiny
MIRI: YES LET”S DO THAT
BOB: slap hands!! Yes
MIRI: I think JLo could play that
KRIS: It’s also making me think of a writing exercise Writing Teacher likes to suggest, where you have a stack of locations, a stack of actors, and a stack of genres on index cards, and you draw randomly and have to come up with loglines
BOB: 
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MIRI: Wait why are we not doing that as a party game?
KRIS: Oh she also always includes tequila when she says this
MIRI: I am IN
KRIS: Literally always
BOB: I like tequila
That would be a fun game 
MIRI: I might do gin instead sometimes, but I am IN
KRIS: We’ve never actually done it but she likes it as a brainstorming thing
MIRI: ok, we should maybe talk some more about Baby Driver
Let’s talk about the awesome music some, because it really was great!
KRIS: Yeah
BOB: Actually I have a game like that minus the whole actors/ actresses names
KRIS: You still have to write a Saoirse Ronan movie, BOB
Film school cohort reference, sorry readers
ANDREW: I would like to talk about something I did really like though, and that was the use and portrayal of tinnitus. I know a few people with the condition, one more severe. But whenever there isn't music, there is a faint ringing in the sound.
KRIS: (I like that the all caps just comes off as accusatory)
MIRI: Say more, Andrew
ANDREW: How it’s something he lives with, but it's also his biggest weakness.
Like when Jon Hamm blows out his ducking hearing at the end.
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BOB: Don't remind me Kris :-(
MIRI: Oh I misread that as something you DIDN’T like, whoops
ANDREW: Fucking*
MIRI: OMG that was such a vicious move!
Honestly, I didn’t expect it
And I may have jumped in my seat a little
BOB: It was vicious and a great line/scene
MIRI: Totally
KRIS: Yeah
MIRI: I expected the whole kill your girl thing, but the hearing was a great touch
ANDREW: It's just nice to see people acknowledge that it exists. And having it shown with accuracy.
MIRI: Did anyone else not super buy his whole Quirky Thing?
ANDREW: Which quirky thing? There are like 30z
MIRI: Exactly
KRIS: And whose quirky thing?
MIRI: Baby’s
It felt like a very deliberate persona
ANDREW: It did, yeah.
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KRIS: I mostly bought the mixtape stuff etc. as an extension of his obsession with music between both the tinnitus and his mom
MIRI: I liked him a lot when he wasn’t performing--when he’s dancing around in the apartment, etc--but as just a dude on the street who doesn’t care that he’s walking out in front of people all the damn time it’s a bit much
The mixtapes I buy
ANDREW: I liked that he had 5 pairs of sunglasses.
KRIS: I actually bought his clumsiness on the street because I read it as a cost to having to pump music into his ears all the time
MIRI: And the iPods, now that I’ve read the Edgar Wright explanation that he finds them (and the sunglasses) in cars
BOB: I can understand it as him thinking its a little game the first time he does that
But yeah running into people is just rude!! Expected someone to deck him
ANDREW: Ooooh I like that he finds them in cars.
MIRI: He just felt like he was trying really hard to be weird a lot of the time
(Right? that’s a nice detail!)
ANDREW: I didn't even think of that. But I love it!
MIRI: But then again, he only feels comfortable with a very small number of people, so I guess a persona is not surprising
BOB: Just thought of anther Baby - Chloe Grace Moretz! 
KRIS: I’ll say I didn’t really buy him as turning out to be a badass
MIRI: And the bigness of it all makes a lot of sense with Joseph, since ASL relies pretty heavily on exaggerated gesture to convey tone
KRIS: I’m going to pitch Saoirse Ronan, who is also 23
MIRI: Really? It semi made sense to me as an extension of his driving insanity
KRIS: Not just because I’m giving BOB shit
Hmm
MIRI: omg YES to Saoirse Ronan
KRIS: (BOB have you seen Hanna yet?)
MIRI: Like, he’s super willing to take risks and put it all on the line when driving. He doesn’t have a desire to be violent, but when put in the position to be I believe him capable
BOB: Yeah not a badass. The him running and jumping scene when he escaped and jumps over the car was a little crazy. Only reason I could see it being believable is because he had a pull up bar in hid kitchen and he might work out or like to swing around and shit.
MIRI: (I haven’t seen Hanna yet and I know I need to)
KRIS: (I FORGOT YOU HAVEN’T SEEN IT)
BOB: (no ... stop making BOB feel bad)
MIRI: Him being able to outrun the cops surprised me some
(I KNOW, I KNOW)
ANDREW: I... also haven't seen it.
BOB: (Let's watch Hanna Miri)
MIRI: (Is ist streaming anywhere??)
KRIS: I almost bought the parkour-lite, because it seemed to be an extension of how in tune he is with his physicality
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ANDREW: Sorry Kris.
BOB: (Checking Netflix)
MIRI: Yeah, that makes sense. Except that I’m also supposed to be ok with him being super clumsy and unaware other times
KRIS: I forgive you Andrew
MIRI: Maybe it’s all a matter of focus?
KRIS: (Miri/BOB Guest Reaction!)
BOB: (no sadly)
MIRI: (I’m checking Amazon)
BOB: Yes matter of focus like an adrenaline rush??
ANDREW: Yeah, probably.
KRIS: That and it doesn’t involve him in direct confrontation with another human
BOB: (No to amazon)
KRIS: the same way driving is impersonal
ANDREW: I empathize with that.
MIRI: (rentable, though. We could do a watching party sometime)
KRIS: I own Hanna
MIRI: (Oh, sweet)
KRIS: should’ve led with that
MIRI: Way to abandon the parentheses convention too
KRIS: SORRY
MIRI: 😉 
SOMEONE TALK ABOUT THE MUSIC IN BABY DRIVER
I liked it
ANDREW: Is there a reason half the convo is in parenthesis?
MIRI: Yes, because it was an aside about Hanna, not anyhting about Baby Driver
KRIS: I thought it worked the way Wright wanted it to, and BOB and I talked about how it’s almost like the logical next step of what Guardians of the Galaxy does with its music supervision
MIRI: it theoretically helps keep this tangle all straight when you read it
Does it, readers?
BOB: I liked how he used the music to drive (pun intended) a lot of the action and dialogue 
MIRI: Hmmm, how so, Kris?
ANDREW: Ooooooooooooooh. I get it.
MIRI: Also, how many steps between this and the jukebox musical format? Because I feel like it’s getting close
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KRIS: But we’ve previously established on this blog that I much prefer instrumental scores to needle drops, and at some point that’s more a taste thing than an artistic criticism
MIRI: Not that I mind that
ANDREW: Like one. Baby needs to actually sing.
BOB: Wright had the music in mind as he wrote it ala James Gunn but it does more than just be backdrop music or something that comes on when play is clicked
MIRI: Kris hates excessive needle drops so much, you guys
BOB: I love needle drops
MIRI: Does the fact that it’s all diagetic make it more palatable, Kris?
KRIS: I guess what I mean -- and BOB please interject here -- is that Guardians uses really well chosen needle drops as a critical part of Peter’s emotional arc
Yes
ANDREW: I agree with that too, actually.
KRIS: And Baby Driver takes that to 11 by syncing it to the physical action
MIRI: I’m with you
BOB: Like the Jamie Foxx scene where he tells him to play something funky --> shootout --> Tequila line
KRIS: That like half-second shot of Buddy cocking Darling’s pistol in time with the music in the warehouse gunfight is super cool
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BOB: The music itself lended to the shootout scene
KRIS: And of course the timing of Buddy’s shots in the shootout with the cops when Darling gets killed
ANDREW: That was pretty sweet!
MIRI: I also liked him making them wait for him to restart the song on the second job
BOB: Whenever a drum banged, a gun shot rang out
ANDREW: That's me. That's what I would do.
MIRI: God, that one was screwed from the beginning, wasn’t it?
KRIS: Yeah, and I read that partly as a way he has to compensate for his hearing being compromised
BOB: Haha yes it was Miri
MIRI: Yeah, the shooting synchronization was obviously awesome
KRIS: Presumably he knows all the streets of Atlanta really well so he figures out his route ahead of time and syncs it to his playlist
Have any of you been to Atlanta?
Or I guess spent serious time there?
MIRI: Yes, but it was about 6 years ago and I didn’t drive
So no
ANDREW: Nope!
KRIS: I’ve seen/heard different opinions on how well it’s used as a location
And I was just curious if any of you knew it well enough to comment
BOB: I've seen the show... that count?
MIRI: Yeah, lots of relief that something shot in Atlanta is actually being presented as Atlanta instead of New York or whatever
But some people feel like they kept it very surface level, right?
KRIS: Right
Almost touristy, I guess is that line of thought
MIRI: I’ll agree that it didn’t have a particularly Atlanta feel in anything other than Baby’s accent (which ALWAYS surprised me every time he opened his mouth)
BOB: Yes much relief!! I liked that. Wish they had used Ludacris now that i think about it in the soundtrack... but perhaps since he is in F&F probably thought otherwise
KRIS: Hahaha
BOB: It felt somewhat like a different city when he walkef around during the coffee runs
Driving on the highways too.
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This move may have been Miri’s favorite thing Baby did all movie
So it didn't have the NYC or LA feel to it
KRIS: Yeah, the first coffee run scene for sure definitely felt distinct in that way
“for sure definitely”
shut up Kris
MIRI: Don’t tell yourself to shut up, Kris
ANDREW: I didn't really realize it was in Atlanta. To me it was nameless city.
But, I don't know anything about Atlanta, so... *shrug*
Can I tell Kris to shut up?
KRIS: I also had that!
The not realizing where it was exactly
And yes
BOB: (Gonna be driving for next 10 mins - so a little radio silence on my part)
It felt like a Southern city though
Thanks to the accents
ANDREW: Good! I'm glad I'm not the only one, Kris. Now shit your pie hole!
KRIS: I need to get better at placing accents
MIRI: I guess the food didn’t feel very regional to me, and I would have expected it to
Better like you didn’t pick up that they were Southern? Or better like you didn’t read it as Atlanta specifically?
ANDREW: The second one, for me personally.
KRIS: Both that I definitely didn’t read Atlanta specifically, and that while I recognized Southern accents I didn’t connect the dots to “oh this is in the South”
MIRI: I don’t think most people not from the South would read it as Atlanta specifically, so I wouldn’t worry about that
KRIS: Partly because I think Southern accents are sometimes used in kind of a tropey way with characters like Debora
MIRI: They so are
ANDREW: Right!!
KRIS: And I guess I’m also just used to hearing Kevin Spacey as Frank Underwood?
MIRI: Yeah, I think I am too
ANDREW: Me three.
MIRI: Ok, any points (or random thoughts) left to address? 
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ANDREW: Man, the last two action films I saw had Kevin Spacey and Robin Wright in them respectively...
MIRI: What Does It Mean??
I thought the dude describing guns as cuts of meat was incredibly Extra and I liked it
ANDREW: That we are in... a house of cards?!?!
KRIS: That we need a movie where Robin Wright punches Kevin Spacey in the throat
I also liked the gun thing
Although it’s hard to beat John Wick 2 for that
BOB: Lol a house of cards?!
Need to see that still
MIRI: “we need a movie where Robin Wright punches Kevin Spacey in the throat” YES YES YES OH MY GOD YES
I just need there to be an Antiope movie
And for most if not all of it to take place on Themyscira
I NEEEEEED it
KRIS: I feel like most people would agree this is a very surface-level movie, and that where opinions diverge is on whether that’s A) deliberate and especially B) a good/cool thing
MIRI: That’s fair
Where does everyone stand on both points?
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KRIS: I have definitely liked style-as-substance things very much before
I mean again, John Wick comes to mind, at least the first one for this point
MIRI: John Wick might be style over substance, but I think it’s consistently so
KRIS: And Tarsem Singh’s wild Greek mythology action movie Immortals
But I don’t know, this lost me for a good long while in the middle
ANDREW: It also very auteur. In the sense of, if you watch this film, you either learn what wright is like as a director, or recognize his directing.
KRIS: For sure
MIRI: That’s the hanging point to me--if you want that as an excuse, you can’t go deeper on some parts. You have to stay on that level and have fun there 
ANDREW: Even if there are better films in his roster.
MIRI: Yeah, you always know you’re watching an Edgar Wright film
ANDREW: For me, it's more surface than anything else. Stylish and fun, but there are much better films of his, and better stylish films in general.
I guess it depends on how much you like Edgar Wright.
KRIS: Yeah, I definitely wouldn’t put this in the upper half of his filmography
MIRI: It’s definitely a fun movie. I enjoyed the whole thing in the theater, with some moments of having to just accept the flaws. 
KRIS: Which I guess is why the reactions out of Austin surprised me in hindsight
Oh I did really like that Baby didn’t get away
MIRI: Basically, if you can resist pulling the threads and you want a car chase movie it’s exactly what you want
KRIS: Although I don’t know that I loved him getting out of prison early
ANDREW: Me too!!!
MIRI: Yeah, I’m surprised it’s been as critically loved as it has (and largely without caveat)
ANDREW: What a twist!!!!
MIRI: Yes, that was an actually unexpected beat and I really liked it!
KRIS: Yeah I was really like “Man, how is he going to end this?” and then he really did the right thing and went with something that felt both surprising and inevitable
MIRI: Props to Mr. Wright!
ANDREW: I was still expecting him to escape Bourne style into the water until he got the cuffs thrown on.
MIRI: That would also have been a turn
ANDREW: Like Debora would smile as Baby swims away and the action music will play.
And credits.
KRIS: And the structural success there again makes the characterization choices frustrating to me
https://twitter.com/tvoti/status/881358030016618497
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MIRI: HAHAHAHAHAHHAHAHAHHA
KRIS: I didn’t actually CARE that much about Baby
MIRI: Well that’s not a great thing, is it?
KRIS: I would’ve dug a Bourne style ending
Although I could also see it feeling tonally more like previous Wright films than this one
Because it was such a “Fuck yeah!” moment in Ultimatum
MIRI: I think Debora should have busted out unexpected abilities and gotten them out
KRIS: And I guess this was generally more elegiac
ANDREW: The Baby Ultimatum.
MIRI: hahahahaha
KRIS: A+
ANDREW: Or the Bourne Driver?
KRIS: We need a Punder Twins reaction at some point
I’m out of stuff but I want to wait for BOB to get back to check in one more time
MIRI: Btw, if Baby’s Saoirse Ronan I still want Debora to be a girl (which I know surprises no one)
ANDREW: The Punder Twins will always be there Kris, when you need us.
MIRI: Hmmmm, what should we have them React to?
KRIS: Something they could use as a Nostalgiology tie-in
#crosspromotion
ANDREW: *Shrugs* I'm up to anything.
MIRI: ANASTASIA
Because then there can be gifs of the dress to fully convey the wonder of it and I can talk more about Anastasia
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Which is always a goal
KRIS: I have not seen Anastasia
MIRI: KRIS
KRIS IT’S A GODDAMN DELIGHT
ANDREW: In the dark of the night... Kris will watch it!
Watch it!
You'll get that someday, Kris.
MIRI: ❤️ ❤️ ❤️ 
KRIS: BOB I am starting an arbitrary countdown
I am not sure what the units are
Or how many of them
But it is happening in my head
MIRI: That is the most arbitrary of arbitrary
I like it
KRIS: What was the first song in Baby Driver? Let’s do the runtime of that
MIRI: I don’t know
KRIS: 
youtube
ANDREW: I think "Bellbottoms?"
Oh hey!
KRIS: THIS IS A VERY GENEROUS COUNTDOWN BOB
ANDREW: Let's hope he doesn't... bottoms out?
IM NOT SORRY!
KRIS: Oh now that I’m listening to it this was a REALLY fun opening wasn’t it
MIRI: You’re never sorry
ANDREW: It was!!!
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MIRI: It really was
Although!
KRIS: Offscreen action is almost always a fun choice
MIRI: Him operating the windshield wipers dry BOTHERED ME
KRIS: Like in Mission Impossible 3
ANDREW: They didn't do a good amount of off screen action.
KRIS: I guess it wasn’t really offscreen here
But it sort of feels like it in my hazy memory
MIRI: But it was removed--we were seeing it from a distance
KRIS: BOB has 2 minutes
ANDREW: And the heist gone wrong had off screen action too. Before the Good Samaritan got involved.
KRIS: Oh yeah and that was used pretty well as a dramatic beat rather than a comic one
MIRI: The Heist Gone Wrong is a good title
What genre would we put this in?
ANDREW: Rom com
MIRI: I’ve seen it described as a comedy and it isn’t to me
Andrew
ANDREW: What?
MIRI: If it was a rom com she’d have held him not talking to her in front of his friends against him way harder
KRIS: Oh maybe that was also part of why it didn’t totally work for me, in terms of expectations
BOB the song is over
BOB
ANDREW: I was taking about the Heist Gone Wrong as a rom com!
MIRI: A lack of communication gone horribly awry is fundamental in rom coms
Ohhhhhhh
That makes sense
I meant to ask about Baby Driver
ANDREW: Oh! Action... thriller... musical?
MIRI: Is The Heist Gone Wrong our alternate universe version of this film with Ronan, JLo, etc? Because I’m into that
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It is now
KRIS: Hmm
MIRI: Yeah, I’d put Baby Driver as action drama, not comedy
ANDREW: Yeah, it wasn't really funny.
KRIS: I’m thinking of how the Golden Globes lumps musicals and comedies together
MIRI: I mean there are definitely comedic beats! But they’re not the focus. Plus way too many people die if we’re going classical on our definitions
KRIS: There’s an element of genre snobbery
MIRI: Very much so
ANDREW: A lot of people do die in Shaun of the dead though.
KRIS: I like action musical
MIRI: But it’s not actually a musical
KRIS: Hmm
ANDREW: Its more of a... ballet
But with driving
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MIRI: Yes!
Very apt description!!
ANDREW: And murder
Why thank you!
KRIS: Yeah, that’s good
MIRI: A...Ballet but with Driving and Murder for sub-heading?
KRIS: BOBDAMMIT
Yes
MIRI: hahahahhahahahha Bobdammit
Ok, we may just have to call it, guys
KRIS: I won’t hold anyone else hostage here if anyone needs to bail but I’ll wait it out
MIRI: Ok. I have to get my Orphan Black thoughts in order to post, so I’ll be around
ANDREW: It's up to you two. I'm a guest here.
BOB: Sorry reading 
KRIS: BOB!
MIRI: BOB’s back!
BOB: What's the question?!
KRIS: Just anything else you wanted to bring up
MIRI: We just didn’t want to wrap up without you
BOB: In a different life I am Baby
Very interested in the idea of reclassifying films such as this one with an alternate casting
Got me thinking all types of things now
MIRI: We should definitely make that a thing we do
KRIS: I actually really want to hear more about you-as-Baby, if you have more to say about that
BOB: Overall down to an 8 after the very Wright-ful comment on lack of women
MIRI: Andrew, he’s coming for your pun king crown!!
BOB: Well based on him driving and my life as a Lyft driver i started thinking about what I jam out to
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ANDREW: Welcome to the fold, BOB.
BOB: But I enjoyed the film thoroughly and as mentioned yesterday want to get my hands on the script
To see how the link up and syncing up with action and music
MIRI: I wonder if Wright is a better director than he is a writer
BOB: I believe that despite its flaws with some characters and a few plot holes, as a whole should be considered for something award worthy because of its ingenuity with music and action
ANDREW: A Wright... er.
MIRI: I wouldn’t say it deserves best screenplay or anything, but a sound design nom would be well deserved
Especially factoring in the ringing
(Is that sound design or sound engineering? I always mess them up)
BOB: I think a Golden globe nod
ANDREW: I think design!
I could be wrong.
I'm probably wrong.
MIRI: Whichever I mean, that one!
KRIS: For the Oscars, Sound Editing is for making effects, Sound Mixing is for how you layer them together
So I could maybe see nods for both in this case
MIRI: So design isn’t even an option
That seems right
KRIS: I tend to say “sound design” as a safe/cop-out catchall
Oh I could totally see a Globe nod
BOB: How about its cinematography?
KRIS: in that weird Best Musical or Comedy category
MIRI: Hmmmm. I never really noticed the cinematography the way I did the sound
(don’t tell my dad)
Miri’s dad is a camera operator
KRIS: Same, except in that single shot coffee run
MIRI: Yeah, that was fun
BOB: It was shot really well
KRIS: But I would believe it was a hard movie to shoot, since most of the effects/stunts were practical
MIRI: They ought to get recognition for the stunts/driving
ANDREW: It was shot very stylistically too.
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MIRI: Is there a stunt Oscar or Globe?
ANDREW: How many cars were destroyed in the making of this film?
BOB: Not yet
KRIS: I feel like I’ve heard that stunt people have been pushing for an Oscar?
Which should definitely be a thing
MIRI: Yeah, looks like no go yet
BOB: The Wright amount of cars were destroyed
KRIS: Oh my god
ANDREW: Son of a bitch!!!!
MIRI: Roughly 150, apparently 
ANDREW: Is that really the number?
Holy shit!
MIRI: http://www.cinemablend.com/news/1665810/the-crazy-number-of-cars-edgar-wright-used-for-baby-driver
Not sure they were all wrecked!
Just used
KRIS: I think we may have a new title contender
That’s also going to be hard to beat as an exit line
ANDREW: I will play Angel by Sarah McLaughlin as I think of those cars this evening.
Thanks very much to Andrew and BOB for Guest Reacting! You will almost certainly hear from them again.
For even more pop culture reactions -- just, uh, mostly from people who aren’t us -- follow us on Twitter!
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Why Sit When You Can Get Fit?
Do you struggle with being fit in college? If so, fear not, you are not alone. College kids all across America are struggling with being healthy too. Over the years, obesity rates in college students have risen significantly. Based on a report that was released by “Trust for America’s Health”, Molly Anderson provides statistics that show us that among some of the states in America, specifically thirty-nine of them could potentially have obesity rates over 50% by the year 2030. With that being said, we as college students need to make some major changes in our everyday lives before the obesity rates rise even more. If we do not take control of this matter, eventually obesity amongst college students will be the norm. Thus, being fit is not a bad thing, like everyone makes it sound like. It is a great thing since there are many benefits to being healthy. Once you adapt to a daily routine, you will find it much easier to maintain your fitness. Being fit consists of consistent exercise and healthy eating choices. College students should focus on being fit in college because working out and eating healthy boosts brain cell development, aids in weight loss and confidence, and reduces stress along with your chances of having medical problems later in life.
Can Exercise Make You Smarter?
Being physically active in college can help you succeed in all of your classes. How you may ask? Well, exercising gives you the ability to retain information easier, providing you with a better strength to remember things. According to the article, “Regular exercise changes the brain to improve memory, thinking skills,” in which the author, Heidi Godman, incorporates information about a study, which was approved by Dr. Scott McGinnis. Dr. Scott McGinnis is a neurologist and a professor in neurology at Harvard Medical School. He explained that when one engages in a program of regular exercise of moderate intensity over six months or a year, it is associated with an increase in the volume of some brain regions. This is mainly due to the prefrontal cortex and medial temporal cortex containing more volume in people who exercise than those who do not. When your body is physically active, your brain releases chemicals, which stimulates your brain cells and an overflow of new blood cells are made in the brain.
Why Does it Matter if I Eat Healthy in College?
Following a healthy diet has many benefits, such as boosting confidence levels and weight loss. Since confidence affects everyone in some type of way, you must conquer it. According to the article, “Why Confidence Is Important For Achieving Better Grades,” the writer, Tina Murtagh, explains that confidence plays a big role in someone's life since it can help you accomplish your personal goals, get the job of your dreams, and even improve your grades. Furthermore, when I achieved my weight loss goal a few years ago, I felt better as a whole. Once you achieve a small goal like that, you feel as if you can rule the world. By talking to girls around my age, I realized that bodyweight is one of the common insecurities most girls have. It is not easy to lose weight and change your eating habits, but it is possible!
Although there are a lot of temptations that get in the way of college students eating healthy, it is still possible, even if you have a meal plan. When you are in the cafeteria, take advantage of the salad bar, vegetables, fresh fruits, and meats. Try to limit yourself from food items with a lot of sugar and carbs because they are low in fiber and digested quickly. However, if you do not have a meal plan, eating healthier should be easier since you can just stick to buying healthy foods. For instance, I do not have a meal plan and when I go to the grocery store, if the item in my cart is unhealthy, I do not buy it. If you don’t have the item, you will not be able to eat it, in which you will be obligated to snack on a healthier item that is on hand. The article, “The 20 Most Weight-Loss-Friendly Foods on The Planet,” written by Kris Gunnars, addresses that there are 20 specific foods that you should consider consuming to promote weight loss. These foods include whole eggs, leafy greens, salmon, cruciferous vegetables (broccoli, cabbage, etc.), lean beef and chicken breast, boiled potatoes, tuna, beans and legumes, soups, cottage cheese, avocados, apple cider vinegar, nuts, whole grains, chili pepper, fruit, grapefruit, chia seeds, coconut oil, and full-fat yogurt.
From my own weight loss experience, I learned that drinking freshly brewed unsweetened green tea in the mornings helps aid in weight loss, which I do every morning. A lot of people do not find green tea appealing without adding any sugar. If you do not like the way unsweetened tea tastes, I recommend adding some lemon and possibly a splash of apple cider vinegar to expand the flavor. These two ingredients also aid in weight loss as well, so it is a win-win situation! Eating healthy is all about your mindset. For instance, instead of telling yourself, “Ew, I do not want to eat grass again,” tell yourself, “I can not wait to eat a salad again! The fresh, cold, crisp lettuce, crunchy croutons, blackened salmon tossed with vibrant vegetables and creamy dressing is so scrumptious!” I use this method all of the time when I am feeling unsure about eating a salad. After I consume a healthy meal, I am always glad that I chose the healthier option. Whenever I decide to cheat, I always have regrets, but you need to find a balance within your diet. Treating yourself occasionally is not a bad thing, after all your hard work you deserve it!
Hit The Gym! Your Body Will Thank You Later!
Exercise reduces stress and helps minimize the chances of having medical problems later down the line. You do not have to go to a gym to be fit. A lot of college students have busy schedules and do not have time to go to the gym. There are quick 10-15 minute workouts that can be done from home without gym equipment. Choosing to take the stairs instead of an elevator to the first period is a good start. When you start working your muscles, you will see that your body is more toned. Seeing your new body will boost your confidence, reduce your stress levels, and make you feel great as well. The article, “Why Exercise is Wise,” Mary L. Gavin, MD agrees that starting to exercise at a younger age will help minimize your chances of getting osteoporosis (a weakening of the bones) when you get older. It is better to start trying to prevent as many arising medical issues now before they transpire. As claimed by the article, “Exercise as a Stress Relief,” the author Robin Madell explains that exercise can potentially lower your overall levels of stress, improve your quality of life, and relieve any tensions that you may be dealing with in your daily life. Physical activity can enhance the quality of your sleep, which can be negatively impacted by stress. About a year ago, my mom found herself awake throughout the night since she was very stressed and worried about all of her problems. She started doing something as simple as walking around the neighborhood as a coping mechanism, recommended by her doctor. Her doctor also informed her that when you are working out, your body produces a chemical called endorphins, which act as an all-natural pain killer to help reduce stress in the body. Once she made walking after work every day a routine, she noticed she was getting a better night's rest since she was not hopelessly awake at three a.m. Overall, your body will benefit in many different ways from going to the gym or even doing small workouts at home.
In general, fitness is beneficial for all college students. Being healthy increases memory by boosting cell development, uplift one's self-esteem, weight loss, relieves stress caused by vigorous loads of work and reduces the chances of developing medical problems later in life. Once you take on the fitness challenge, you will never be able to go back to your old routine. I hope you found this article relatable and helpful in some way. As long as you understand your goals and remember why they were goals in the first place, you will be able to push yourself to the max and go beyond achieving your goals. Remember, nobody became overweight eating one donut and nobody became fit by eating one salad, it is all about consistency! Thank you for taking the time out of your day to read my post, good luck on your fitness journey!
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Raccoon Removal and Control
Since it's a very common problem, I have here an advice article with photos on how to get raccoons out of the attic. Please read this guide - a raccoon in your attic or house is almost certainly a female with a litter of young. The job is often complex, and the worst thing you can do is simply set down a cage trap on the ground. NUISANCE CONCERNS: Raccoons are one of the most commonly dealt with nuisance animals. They have adapted to living with humans. They have learned that garbage cans and dumpsters are excellent sources of food, and that houses are excellent habitat. A mother raccoon will often tear a hole in a roof to access an attic, where they will make quite a mess and a lot of noise. If you have a raccoon in the attic, it's going to make a big mess and leave a lot of droppings. Click here for photos of raccoon poop. They are strong animals, and once inside an attic, they often tear off insulation paper, rip open ducts, tear insulation off pipes, etc. Here are some photos of: raccoon damage inside an attic. They will search hard for food, and are fond of tipping over trash cans, raiding dumpsters, and stealing pet food. They will often break into a screened-in porch to get pet food. It's common for raccoons to poop in a swimming pool. They carry a number of parasites and diseases that can affect people or pets.
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RACCOON BIOLOGY: (Procyon lotor) Raccoons are easy to recognize with their distinctive black mask and ringed tail. Adults range from 10 lbs on up, with some reaching over 40lbs. They can live up to 12 years in the wild, though average life spans average closer to 5-6 years. Raccoons mate in the winter, around December, and the females give birth to an average of 3-5 young. A mother raccoon is very protective of its litter of 3-5 young, usually born in the spring time. Like many mammals, they are primarily nocturnal, though some people spot them during the day, often when in search of food. They are omnivores, and will eat almost anything they can get those crafty hands on. RACCOON BEHAVIOR: They are very common animals, particularly in urban areas. They are well adapted for survival in cities. They are excellent climbers, and they have very nimble hands. They are also strong, and they often explore, tearing new areas open in search of food and shelter. They like to den in trees, but they love to den in attics. HOW DO I GET RID OF RACCOONS? The only real means of getting rid of raccoons is through trapping and removal of the animals, and exclusion repairs to keep them out in the future. If you've got raccoons in your attic, it's important that the wildlife operator search for a litter of baby raccoons, and remove them by hand before trapping and removing the female raccoon. If it's just raccoons outside causing trouble, they can be trapped and removed, but beware, they'll often dig and grab anything within a few inches of the cage trap. There are also some lethal raccoon traps, but they're not often used or even legal in all states. Here is some information about how to trap a raccoon and some more information including raccoon trapping tips. I also have some additional information and photos about how to get rid of raccoons in the attic and house, yard, tree, roof, which is often a very difficult and complex wildlife control procedure.
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CAN'T I JUST USE A REPELLENT? There is no registered or effective raccoon repellent available. Here is a raccoon repellent analysis that I wrote. You can find some products on the market, such as mothball-based or urine-based repellents, but they are bogus. Go ahead and try them. And those high-pitch noisemakers, also called ultrasonic sound emitters, do not work. There is no quick and easy fix when it comes to raccoon removal and control. It's best to have a professional trap and remove the animals properly. Click here for a nationwide list of 100's of professional raccoon trappers serving all 50 states. Phoenix Raccoon Control - Los Angeles Raccoon Control - San Diego Raccoon Control - San Jose Raccoon Control - Denver Raccoon Control - Orlando Raccoon Control - Miami Raccoon Control - Jacksonville Raccoon Control - Atlanta Raccoon Control - Chicago Raccoon Control - Baltimore Raccoon Control - Boston Raccoon Control - Minneapolis Raccoon Control - Charlotte Raccoon Control - Portland Raccoon Control - Philadelphia Raccoon Control - Houston Raccoon Control - Seattle Raccoon Control HOW TO KEEP RACCOONS AWAY FROM PROPERTY? It's hard to keep raccoons from accessing your property. It would take a special fence to prevent them from climbing it - they are amazing climbers. And there are no machines or devices that can keep them away - products such as flashing lights, sound machines, and water sprinklers have demonstrated no effectiveness. I've already discussed the ineffectiveness of repellents such as sprays or powders. The truth here is that raccoons on your property or in your yard are not really a problem. The problem is that they are interacting with some part of your property that you don't want, right? Like, they're getting into your garbage, or eating your birdseed, or living under your shed or porch, or tearing up your new sod, or pooping in your pool, or eating your crops, or killing your decorative goldfish, or threating your cat, and so on. That's the key - something about your property is attracting the raccoons! The best way to keep them away is by eliminating the attractive source, or by making it inaccessible. If they are getting into your house, seal shut the entry holes! If they are eating your pet's food, bring the pet food indoors. Read more tips for how to keep raccoons away here. Raccoon Email From Reader: Morning sir, I have & have had a raccoon in the ceiling for about three years now. I don't own the house thank GOD, I rent here. I've discussed this issue with the owner of the property on numerous occasions. I've seen the raccoon just as I've seen the squirrels & possums that roam the area (not sure which is up there). They have disturbed the chimney brick of the next house as well. I can hear them moving it. Honestly, I'm afraid. I can move but I'd prefer NOT too @ the moment if I can help it (time & job constraints). Finally, the landlord wants to send out two carpenters today or this weekend to open the ceiling & place a trap (soft & unsure I decline). They intend to re-seal the ceiling with piece of plywood screwed in. I don't know about this method. They've had NO success with this same trap that they laid on the roof (so they say). What do u think? I'm positive that they know nothing about what they are doing. This is my health @ stake. Any advice or help on the subject will so be appreciated. I've called & left a message with the gentleman u had listed for Philadelphia are. Please help! :( ~ Herb ~ My Response: DO NOT HAVE THE CARPENTERS DO IT. They are no more qualified to do dentistry. Seriously. There's a lot of complex issues with raccoons in the ceiling, and the carpenter, who has no experience in dealing with them, will likely make things worse. They probably won't trap anything, but the raccoon may break into the house if it has no other way out, and if it is improperly removed, what about the baby raccoons that are likely up there? You need a wildlife pro, and Kris in Philadelphia is very good. Try to hire him. Other raccoon articles I've written: raccoon bait - Advice on what bait to use to catch a raccoon. raccoon in chimney - If you've got one in your chimney or fireplace. raccoon pest control - Traditional pest control methods are ineffective. raccoon in the house - If the animal is anywhere inside your house. how to kill a raccoon - Alternatives to poisoning or killing raccoons. http://www.wildlife-removal.com/raccoon.htm
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readingfordummies · 7 years
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Witches of East End - Chapter Nine
Love The One You’re With
Bran was back from his trip abroad and would arrive in North Hampton by ten o'clock that evening. Freya asked Kristy Hannagan, a bartender Sal had hired over the summer to pick up the slack, to cover her shift; otherwise she would have to work until last call as usual. Kristy's family had worked the shore for generations, her father and brothers on the lobster trawlers, while her boyfriend fished for tuna they sold at auction to Japanese food vendors. She was a flint-eyed dame, with a sharp tongue and an easy smile, and had fast become one of Freya's closest friends in town.
"You don't mind, do you, Kris?" Freya asked.
Kristy shook her head and gave her a wide smile. "Not at all. If I had a guy like that I'd take off for the night, too. Go on, now." Kristy was twice divorced and had four kids under the age of five. She compared her work at the bar to arguing with a bunch of toddlers. "I'll man the ship."
"I owe you one," Freya promised, playfully bumping Kristy's hip on the way to the ladies' room so she could freshen up. Bran was going to walk into the bar at any minute. Freya splashed water on her face, to try to rub the guilt out of it. She was dreading seeing him but couldn't put it off any longer. This was the first time they would see each other since celebrating their engagement. (And, boy, did she ever celebrate, she thought, thinking of Killian and kicking herself again.)
He was waiting for her when she returned to the bar, sitting at his usual barstool, a newspaper spread in front of him, looking fresh and manly in his dark suit and red tie. "There you are," he said, pulling her close and squeezing her waist. "Remind me never to leave you ever again," he said as he lowered his head under her chin.
She laughed and squeezed back. "I'm sorry you had to wait, but Sal's not feeling well and I had to wait until Kristy's babysitter arrived." She was glad to find that upon seeing Bran, she felt exactly the same way: that same warm, solid love that had drawn her to him in the first place. It was still there. He was the one she'd been waiting for, all these long years. She nuzzled his head and pressed her body closer to his, liking the immediate jump in his heartbeat that resulted. It had been a very long time since she'd felt this way.
"Is it serious? Poor Sal," Bran asked, concerned, tapping his gold ring with the family crest.
"He'll be all right," she said. "He's stubborn and won't take his allergy medicine."
"Ha!" Bran nodded. Even if Bran had only recently arrived in town, Freya took it as a good sign that Sal had given him his seal of approval when they announced their engagement. Not only because Bran was the only one who professed to like Sal's homemade moonshine, although it never hurt. "He's a quiet one, your boy," Sal had once told her. "One of those people that take a while to get to know. I like that. Not like all these meatheads who talk your head off and say nothing."
"How was the meeting? Is all the money gone yet?" she teased. His goal, he had told Freya, was to give away his inheritance to those who needed it more.
"Almost." He laughed. "Working on it."
"I guess we're not Elizabeth and Mr. Darcy - carriages and Pemberley will not be a part of my future." She sighed dramatically, as his hand around her waist inched a little below her jeans, rubbing the skin underneath, marking his territory, letting the world know she was his. Not so shy anymore, was he.
"I hope it's not too disappointing," Bran said with a grin, as he already knew the answer. "What's this?" he asked, picking up one of the new laminated cocktail menus.
"Oh, it's nothing," she said, shrugging, even though she was proud of it. After her success with the Baumans, she had been encouraged to expand her reach. Her new cocktail menu at the North Inn bar was an immediate hit, and it was not difficult to see why. Love Potions, it announced in big pink letters, seventeen dollars ea. Sal's only comment about the new menu was that if she was going to use top-notch liquor and fresh ingredients, she should charge for them.
Infatuation: A blend of hibiscus rosewater and English gin. Turn heads for the evening and inspire a burning affection.
Irresistible: Vodka, pureed cherries, powdered cattail, and lime juice. Not for the shy. Prepare to lose your inhibitions.
Unrequited: St. Germain liqueur, honeyed lavender, and Prosecco. Stop longing and start loving. Guaranteed to fulfill your heart's desire.
Forever: Two glasses of the best French champagne, with crushed daisy petals. For those hoping to rekindle their passion for each other.
"It's just something I put together for Sal," she said, hoping he wouldn't ask her too many questions.
"Good stuff," he said, sliding it away. "Everything you touch turns into gold." Only Bran could say things like that without it sounding corny. "By the way, I hope that party didn't scare you away too much." His forehead wrinkled. "Did you have fun?"
"It was beautiful," Freya said. "I don't scare easy, so don't worry." She felt a slight shiver of anxiety and wished he hadn't brought it up, as an image of Killian, the two of them locked in a tight embrace, suddenly came to mind. She turned away from Bran for a moment, her hair hiding her suddenly red face.
"So what did you think of that no-good brother of mine?" he asked, his smile fading slightly.
"He's all right," Freya said, hoping to change the subject. Luckily Bran didn't seem to notice anything wrong. They left the bar and walked to his car, holding hands, both of them quietly happy to be together.
They took the bridge over to Gardiners Island, and Freya was amazed again at how well Fair Haven and its surrounding grounds looked. She knew Bran had overseen the design changes and had kept much of the island's natural growth intact, without disturbing the wildlife or the flora. He parked the car in the garage and turned to her as he cut the engine. "Listen, I know everything's happened so fast. . . . If you need to change anything, if you change your mind . . . I'll understand. I can wait for you. I just want you to be happy." Then he looked at her with those kind brown eyes of his and she fell in love with him even more. Close up, he was starting to have fine lines around his eyes, but it only made him look more admirable. "I want you to be sure of me."
"Sweetheart." She sighed. "I'm not sure of anything but you." She pulled him in for a kiss, and she understood then why she had agreed to marry him after knowing him for less than a month. Of all the guys she had ever met in her immortal life, he was the only one who made her feel this safe. She who spread love only felt loved herself with his strong arms around her.
Fair haven was dark and hidden, but Bran chose not to turn on any of the overhead lights. "Shhh . . ." he said. "Let's not wake Madame Grobadan."
"Let's not!" Freya agreed. Madame might have been the boys' stepmother, but she had basically raised them and remained a difficult presence in Bran's life. Freya was half-afraid of her, and had let her run the engagement party and make all the decisions, quietly accepted without protesting to her strict demands. Madame loved the boys like her own, and with her intimidating posture and dismissive attitude, she was in some ways even more frightening than a real mother-in-law.
If possible, the house looked more impressive than it had at the party, with its massive open spaces empty of people. The grand piano gleamed in the moonlight, and Bran opened the French doors so they could hear the sound of the ocean. The house was so large, the main hall could hold an army, and the residential wing might as well have been in a whole other zip code. Freya walked over to the bar cart and made Bran a martini, extra dry. The bottled olives looked a little tiny, but with a tap of her finger they turned juicy and plump. She fed him the olives one by one and he downed the drink in one gulp.
Bran set the glass aside then sat in one of the chairs by the fireplace and loosened his tie, which was his way of telling her he wanted her to sit on his lap. He had been so unsure and hesitant in the beginning, as if not quite daring to believe that she would indulge him. His masculine gentleness was so appealing, and she quickly straddled him, so that her long, thick, curly hair brushed his face. He pulled her down to him hungrily, and soon his hands were slipping her dress above her head and she was unbuckling his belt and helping him kick off his pants.
"But what about . . . ?" she asked. "Should we move to your room?"
"They're miles away and asleep. . . . We'll be quiet," he whispered.
In the moonlight her body looked as perfect as a statue; when she sank herself on him her breath caught at the rush of feeling, of being broken and taken, as they moved gently together, so that with each thrust she felt as if she were opened again. He groaned, his face tense with desire as he picked her up, the two of them still joined; then they were on the floor and he was turning her over, so that she was kneeling with her back in front of him, her head in her hands, thrilling at the way he held her by the waist, the way he pushed himself into her, his hands strong as he moved her every which way, now on her back, now on her stomach, now on top, mastering his strength and keeping her gasping. He was always in control, and she had never met anyone who made her feel quite as . . .
Well no, that wasn't quite true, now, was it . . . ?
There was someone else who . . .
She pushed the image from her head . . . but there it was. . . .
Killian, with his strong hands under her skirt, as she unzipped his jeans. . . .
It didn't belong there . . . especially not now. . . . Why was she even thinking of him? She didn't want this. She didn't want to think of him at all, and certainly not at this particular moment, but she couldn't help but remember . . . how she'd been on her knees, how she'd taken him in her mouth, had tasted him, and Killian had pushed himself against her and she thought she might explode from desire. . . .
No . . . stop . . . please. . . . She had to stop thinking about it . . . had to stop dreaming about it . . . had to stop thinking about him. . . .
Then she was straddling Bran again, his hands on her breasts, and her hands on his, massaging and pinching. They clenched fists and she ground her hips on his lap, keeping the frantic, rhythmic pace . . . and she willed Killian's image away . . . trying to focus instead on Bran's handsome face, on his body and his lust. . . .
But against her will, the other face came back to her mind. . . .
She couldn't help it, the wrongness of it, of what she had done the other night at her own engagement party - the two of them against the small bathroom wall, her legs around Killian's waist as he pushed himself deeper into her - combined with what she was doing now . . . and she moaned and lost herself in the wicked sensation of being with one man while thinking of another. . . . She bit her lip and lost control as her body shook with spasms. . . .
At the same time, below her, Bran let out a magnificent roar (so much for being quiet!) and slammed his body against her again and again and again until he shuddered and was still and they collapsed into each other, her body feeling the ache of longing as he pulled out from her so slowly.
Bran kissed her on the cheek in a sweet gesture of gratitude, as if unable to believe the extent of his luck. Freya smiled to feel his lips on her skin, her whole body trembling, and when she opened her eyes, she saw a figure move in the shadow of the hallway.
They were not alone, after all.
Someone had been watching them - someone with the dark hair and glittering, aquamarine eyes of the man who had enchanted her only in her mind.
But when she looked again, Killian was gone.
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