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#shes full of life and confidence which is a total contrast to her post beacon where shes paranoid and confused
constantvariations · 9 months
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So either Wilt turned into a giant phillips head screwdriver offscreen, they’re trying to imply that Beacon wasn’t the first time Adam stabbed Blake, or the writers forgot their character’s canonical injuries. Again
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itsclydebitches · 5 years
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RWBY Recaps: Volume 6. Argus Limited
This is a re-posting from Oct. 27th, 2018 in an effort to get all my recaps fully on tumblr. Thanks!
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Volume Six is here, folks! I am so very, stupidly excited for this season. Heartfelt thanks go out to my friend who was all, “lol yeah sure” when I begged to use their FIRST account to watch. There are heroes in this world and they’re one of them.
A quick note about recaps from here on out: they will (my productivity willing) be uploaded sometime on Thursday or Friday proceeding the new episode. This is partly so that I’m not scrambling to post immediately afterwards—stress and bad writing all around—and partly so that, you know, we can actually recap stuff before the next episode airs. So yeah, that’s the goal.
Let’s do it!
We open on a gorgeous, snowy scene with ROOSTER TEETH PRESENTS smack dab in the middle. You know that feeling you get when you hear the Harry Potter theme at the beginning of a new film and the whole theater loses their shit? Same with Doctor Who and Star Wars? Whatever your preferred fandom, the point is I get the same chills when RWBY comes back and it’s excellent.
The animation really is gorgeous though and I sigh happily whenever I see it, thinking back to the days when cookies disappeared directly into Ruby’s mouth. There’s nostalgia, sure, but it doesn’t beat this detail.
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We hear the distant sound of a train and then we’re thrown into exactly what we’ve wanted for literal years now: Team RWBY back together again, fighting not creepy adults but just some good, old fashioned grimm. They’re chimeras and… griffins? Ngl I’m not entirely sure, but they’re big, flying, fire-breathing nasties, so that’s really all we need to know. Luckily everyone falls back into old habits, easily supporting one another and executing perfect attacks (a contrast to the residual tension we’ll see in just a bit). Ruby is so busy posing after a successful kill that she misses the grimm coming at her from behind. Weiss saves her ass with a cheeky, “Thank me later!” At the end of the fight we get a reversal wherein a hit nearly sends Weiss tumbling off the side of the train, though Ruby grabs her at the last second with her own, “Thank me later!” It’s a fun little exchange made better when we think back to the Vytal Tournament. Weiss still “had her back” then too, but was more resistant to Ruby’s proclamation that they’re BFFs. Now the teasing is on both ends.
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Notably, Ruby saves Weiss by taking her into her semblance, creating a cloud of rose petals that are half red, half white. Now combined with the old team-ups and some shots in the new opening, this has led a number of fans (myself included) to wonder if a WhiteRose pairing is in our future. Which also means that the ship wars are in full swing. Needless to say I’m not about that nonsense and I’ll only point out here what I said episodes back: if it’s a queer relationship with one of our main girls, and not a random side character who was previously out to murder a whole family? I’m on board.
Back in the fight though. The rest of team RNJR appears with Nora exclaiming, “Why is it always something?” God that’s a mood. Welcome to adulthood, kid. It’s just one crisis after another—except in your case the crises are objectively more dangerous. Sorry about that. We get to see Jaune’s improved reflexes as he fends off all the fireballs with his shield while Ren and Nora team up to knock some of the monsters out.
Honestly, I love this trope in action stories. Where—as Nora does here—a character just shouts out a friend’s name to get their attention and they immediately know what kind of move they’re about to pull off. It’s made more hilarious to me given that RWBY once had attack names and Jaune at least made the attempt with JNPR...but apparently they're not needed anymore. So unrealistic, yet so very cool when used.
So yeah, things are going pretty smoothly… up until Oscar yells out “Tunnel!” Ruby saves Weiss from falling, they manage to get over or between the cars, and in the sudden darkness we transition to what we only realize later is a flashback. At least, I didn’t realize it until later. Totally thought we’d had a time skip and they were just hopping another train…
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My stupidity aside, before we hit the train station we actually see a familiar hallway filled with angry voices discussing the disaster at Haven—one of which is Adam’s. I really enjoyed this technique, wherein we slowly pan across the room as the voices grow more frantic and the sounds of fighting break out, the camera revealing bodies scattered across the floor. By the time we reach the throne—and Adam on it— we realize that the fight occurred prior to this moment, something that Adam is now remembering. He goes all skyward scream on us as he howls menacingly. Okay, dude. Compared to Cinder and Salem you’re really not all that.
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Now we’re at the train station where Qrow is narrating a letter to Ironwood. Hell yes, please bring back the badass, protective Ironwood who defended the students at Beacon and stood up for Weiss. I’d be very pleased if he joins the RWBY gang by the Volume’s end. Qrow’s optimistic about the trip—they’ve plans to reach Ironwood before the letter does, which says either good things about Remnant’s transportation or bad things about its mail—though of course we as the audience know it’s not going to be nearly that simple. We learn that only two weeks have passed since the battle, but people are still reeling from all the implications. Lionheart tragically lost his life defending the school and oh, some students coincidentally were there and did some stuff. Excellent choice in showing us the mindless crowds while we hear this, the naive masses who, yes, would absolutely believe a story like this.
It’s easy to criticize no one supposedly noticing Salem, magic, the finger Ozpin has in every pie, etc. but ultimately people believe what they’re told—especially when it’s much easier to swallow than the truth.
Enough of the doom and gloom though. Ruby is having the time of her life.
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Qrow: “What’s with the running?”
Ruby: “What’s with the standing?!”
I love this girl so very much and it’s wonderful when we get to see her acting like the kid she is. She uses her semblance with abandon because yeah, if I could turn into rose petals I’d be doing that all the time too. Ruby teases Yang with something from the gift shop and I really hope we get to see what that is. Yes, we end the episode with everyone left stranded in the wilderness, but if Yang’s bike can survive then so can Ruby’s souvenirs.
(Seriously though they presumably lost all their luggage that sucks.)
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Everyone else is in top, feel-good form too. Nora daydreams about hitting the beach, complete with a thought bubble of topless Ren and a beachball. Weiss quips about how she spent all last Volume getting out of Atlas, thanks, but Ruby reassures her that at least she’s back with the team now. When two jokers arrive boasting about how they’ll be the ones keeping the train safe from grimm, Ruby and Yang act exactly as nieces should when your cool uncle is telling them off. AKA, making fun of them behind his back.
God they must have been terrors as toddlers. I mean we already know Yang carted Ruby off into the woods one day so yeah, I’m pretty confident in expressing my surprise that Tai doesn’t have a full head of gray hair.
The two Nice Guys go on to specify that they’ll provide extra protection for a “generous tip,” which—while essentially a throwaway line—reminds us how most of the world functions outside of our close-knit cast. Money, and more specifically Schnee money, quite literally dictates who lives and who dies. Not everything about RWBY is fantasy oriented…
We learn that everyone is just waiting on Blake— “as usual”—and we cut to her with Ilia as the two of them say their goodbyes. Ilia will be helping Ghira lead the Faunus in a “new movement” and is supposedly 100% on the straight and narrow now. Cool? I guess? To be honest I’m fine with her taking a back seat for this Volume. There’s a moment where we get a shot of Ilia and Blake’s feet, the former’s angled forward in a classic kiss pose, and I was super glad to see that they were just sharing a hug. I really don’t want the first LGBTQIA kiss on RWBY to be iffy on consent, considering that Ilia knows Blake isn’t interested. Hug though? That was super sweet.
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Sun and Neptune show up to say their goodbyes too. They’re heading to Vacuo to meet up with the rest of their team because, in Sun’s words, he’s the “worst leader” ever. You kinda are, dude? I loved Sun up until they had him following Blake without her permission and continuing to do so after she asked for space, all in the name of the guy supposedly knowing what the girl really needs. The reminder that Sun abandoned his team to do this just reinforces how much I dislike that plot-line.
Sun gets the kiss—on the cheek—and after leaving Neptune lectures him on “letting [Blake] go.” Except it’s not about you? Blake is off to quite literally save the world and the fact that these guys view that as a threat to any potential relationship is… icky. Ugh. Oh well. They’re presumably gonna be offscreen for a while.
The train finally arrives and everyone piles in. We’re back to bunk beds! And of course Team RWBY is situated exactly as they were in Beacon’s dorms. Weiss gets annoyed with Ruby’s cloak hanging down over the side. Blake has a book in her lap. Ruby challenges Yang to a video game. Cue nostalgia. I fully expect fluffy AU fics where they ride the train all the way to Atlas and treat the trip as one giant, dramatic sleepover. This is non-negotiable.
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Tension seeps back in though when Yang moves to pull her luggage from the rack and Blake immediately hops up to help her. In a super guilty “I know I fucked up and now I’m gonna smother you” way. Really excellent voice acting here. Yang ends up reassuring her. No, things aren’t perfect between them yet… but they’re definitely improving.
While short, for me this scene was perfectly balanced between acknowledging the girls’ complicated relationship without totally undermining the happy mood. Nicely done.
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Then Qrow shows up with a drink. A drink with a slice of orange on the side. I have never enjoyed a moment more and I was so surprised I didn't take a screenshot of it. Clearly I was too distracted and am I too lazy to go back for one now? You betcha. The point is everything is fine, dandy, and filled with alcohol.
So of course RT goes and ruins it for me. Something hits the train and in a split second everyone is on high alert. A quick peek out the window reveals grimm and Blake mutters darkly that it’s “just my luck.”
Qrow: “Not yours.”
Are they gonna leave the safety of the train to those bozos from before? Hell no. Especially when one guy is grabbed right when the fight starts. I mean, poor dude, but he also kinda sucked as a Huntsmen. He wouldn’t have even made it past Beacon’s initiation, let alone graduated.
…I guess he’s kind of like early Jaune? Useless, wannabe hero who acts more confident than he actually is? Aw, now I really do feel bad.
He’s grimm food though. Gotta move on with our lives.
The other dude isn’t doing too well either, though RWBY and NJR + Oscar quickly show up, coming full circle to where we began the episode. Oscar insists that he’s got this fight under control which tells me (hopefully) that in the past two weeks they’ve had serious conversations about if and when Ozpin gets to have control. That’s super great, though I do wish we could have seen it. Flashbacks, maybe?
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As the fight begins Ruby announces that the plan amounts to “don’t let anyone else die.” Uh...Ruby? Buddy. Pal. This is why people die. Because they didn’t have plans! Pyrrha—god rest her reckless soul—went off after a freaking Maiden by herself. Jaune got Amber killed because he didn’t obey the plan of watching the door. Lionheart frantically calls Salem with no real plan for what he’s going to offer her in exchange for his life! Plans are important, Ruby. You’re the team strategist. It was a badass line, I grant you, but please do not.
Luckily, no one (else) dies. That would have been pretty brutal for a premier. +1 point for world building where we see that trains like this have built in defenses to fight off grimm. -2 points for how useless it ends up being. As Qrow quickly points out, the turrets are drawing all the grimm to the front of the train where the passengers are. So, not good. Oscar is charged with telling the surviving goon to knock it off already while Qrow faces off against the super fierce chimera grimm. Not gonna lie though, when its tail first started up I thought Qrow was getting attacked by a dove…
This time when we hit the tunnel everyone makes it back safely inside with the exception of Goon #2 who gets his arm injured in the scramble. He’s literally crying on the ground when, in a pretty harsh move, Qrow drags him up and demands to know what the hell all that was. Civility and benefit of the doubt? Not Qrow’s strong points. It allows Ruby to take control of the situation though. How do you make sure that your cast of kids is continually calling the shots?  A) isolate them and B) when you can’t do that have the adults act like children instead. We see that a fair bit in RWBY.  
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Jaune steps in to heal the guy’s arm, which is an unexpected surprise. I honestly thought we'd get a whole Volume’s worth of him figuring out how to access and control his semblance, though I suppose once it manifests you’ve got the basics down. We’ve seen that semblances can be improved upon—Ruby turning other people she carries into petals; Ren dampening the emotions of a whole train—so presumably Jaune will be able to heal more complex and life-threatening things in the future. We also hear in the ensuing conversation that he can amplify someone else’s aura…to be decided what exactly that means, how it connects to healing, and what the limits of the skill is.
During some theorizing about the attack Ozpin brings up that grimm are attracted to the relic they’re carrying and… oh boy. Here we go. Is it tradition that every recap the fandom goes for Ozpin’s throat while I stand here defending him? Might be. Let’s create a (semi) comprehensive list:
This might have been less of a secret and more of a slip. The guy is thousands of years old and the forces they’re dealing with are stupidly complicated. He can’t info dump every detail of a multi-century war in one sitting. So—
He might have thought this was one of those innocuous things that shouldn’t take precedent right now. Not the sort of thing he needs to worry them with. He claims in the promo that he didn't lie to the group and he quite possibly didn't. There's a big difference between lying and not telling someone every single possible thing that might be pertinent. Especially when—
We know that grimm are already attracted to people/negative emotion and they’re sequestered within a whole train full of presumably stressed travelers. There’s no reason to think the artifact would put them in more danger than they already are and therefore isn't at the top of the list of revelations to dole out. Especially with—
Qrow and his bad luck semblance. He literally just implied that the grimm were there because of him. There’s a reason he didn’t want Ruby near him during the fight with Tyrian and now they’re all stuck together in close quarters. The grimm were coming anyway. Even if we didn't have Qrow's semblance and big crowds we can also assume as much because of—
Those turrets. They weren’t there for a fashion statement. The whole train was crazy armored. They’re clearly very used to getting attacked on this route. It's a normal thing.
All of which is to say that the relic is one of MANY reasons why they might have gotten a buttload of grimm on their tail. Ozpin mentions this as one possibility in a very “Here’s something else to consider” way and everyone (characters and fandom alike) jump on him like he’s solely responsible for this predicament. Besides, what would they have done differently? Not carry the relic? That’s not an option. Be more on guard? They’re already constantly on guard. None of their actions would have changed had they known.
Really though, it’s the keeping of secrets that people are mad about, not necessarily what the secret is. So if we ignore the possibility above that Ozpin legit didn’t think this was worth mentioning/even forgot about it, we have a) he withheld the information because it might have made them wary about traveling with others, but they need to get to Atlas as fast as possible and the train is the best way to do that. So yeah, that’s a possible change, though I agree with Ozpin’s theoretical logic here. It was worth the risk.
b) he didn’t tell them because—again—worry is a negative emotion and that might have just doubled their problem. Awful as it is, knowing you're carrying a thing that might attract more grimm is one of the best ways to make sure that you do, in fact, attract them. Knowing what the relic does is dangerous. 
c) he doesn’t trust them with all the information about these super powerful relics that are going to decide the fate of their world. Which honestly? Kind of fair. Yeah, I know he promised them no more secrets, but this is a centuries old, god-like entity making a promise to a child. It’s not even really a matter of trust anymore. We’ve got a core group of nine here and everyone has someone else they’re close to. Ruby isn’t going to keep secrets from Tai. Blake will probably fill Sun in when she sees him again. Weiss is close to her sister. Etc. In short, as soon as this many people know a secret it isn't a secret anymore. Ozpin is no doubt aware that anything he tells to their now massive group is fair game and he has to carefully consider what he wants to risk going public/landing in Salem's hands. A general doesn't tell every lieutenant the details of every plan. That's a good way to lose the war. Fate of the world vs. a promise made to Yang? C’mon. There are priorities here.
d) finally, we’ve seen evidence—particularly after the iconic food fight—that Ozpin desperately wants his students to be kids as long as they can. He might keep information to himself simply because he doesn’t want to burden them. And given all the reasons listed above for why they'd be dealing with grimm anyway, what's the harm in giving them what little peace he can? It's not perfect reasoning and if this is the case the others have a right to be annoyed, but it's understandable. It certainly doesn't make Ozpin the monster I see countless posts painting him as.
Plus, Yang? I’m not sure you have the right to get indignant about keeping secrets right now. Granted, there’s some ambiguity surrounding whether she’s mentioned Raven as the Spring Maiden, but regardless we haven’t seen any evidence that she’s told the group the details of what happened down in the vault. That’s a pretty big thing to be keeping to yourself.
A lot bigger than, “Oh yeah this relic attracts the thing we’re attracting anyway. My bad.”
Why the relic attracts grimm is another question. Because it’s connected to the original brothers? Just because Salem wants it and she seems to be the grimms’ creator? We’ll have to see.
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Ruby interrupts everyone’s fury to point out that they have bigger issues at the moment and Ozpin’s expression kind of kills me? He looks so shocked to have anyone standing up for him, even if it’s a defense of practicality instead of his actions. I wonder if this Volume is going to have the team starting to lose a little faith in Ruby. Given the clear divide here (angry Ren, Nora, Weiss, Yang, and Blake on one side; Ruby, Oscar, Ozpin on the other) this might be a major theme moving forward. It would make a lot of sense too given Ruby's past relationship with Ozpin. To Yang he's just her headmaster; to Ruby he's the headmaster that let her into her dream school early. To Blake he's someone who wanted information from her before she was ready to give it; to Ruby he's the adult who gave her advice at the dance and was emotionally open with her about committing more mistakes "than any man, woman, or child." No matter how far she's come, they'll always be a part of Weiss that sees Ozpin as the teacher who didn't give her the leadership position she thought she deserved; to Ruby he's the man that has put a staggering amount of trust in her: by letting her into his school, giving her a team, sending her to Mountain Glenn, etc.
Now, it might be time for Ruby to put her trust in Ozpin.
Fight temporarily averted, they decide to separate the teams… which felt a little forced to me. I mean I get it. As said, giant group. It’s hard to write and keep track of that many, so let’s knock three offstage for a while. Jaune, Ren, and Nora will see the people to safety while Ruby and the rest of the gang eventually catch up. We get a glimpse of Maria—the old lady with awesome glasses—clearly plotting something and then everyone heads back to the roof to finish the fight with the grimm.
Blake has a quick vision of Adam; the last time she separated a train car. Excellent touch there. Ruby tells Ren to use his semblance through the scroll, but we also get a glimpse of their signals getting weaker. Another nice touch considering how important we know the scrolls are throughout the RWBY universe: how the team keeps in contact during the Volume Four short, the damage that the fall of the CCT tower has caused, etc.
We get a final, epic showdown with a massive grimm where everyone’s teamwork proves to be some top tier stuff. Blake and Yang capture it using Blake’s ribbon. Weiss freezes off its wings. Then—in a fantastic split screen—Ruby and Qrow both use their scythes to cut the creature in two. I’m here for the power family moves.
Only problem is that a final fireball from the grimm hits the train, derailing their section. Weiss keeps them all from dying an awful death, but now they’re kind of stranded.
I mean, they already were stranded before, but I guess the hope was the back of the train would have carried them farther down the tracks before losing momentum?
In the final scene we have an unexpected voice happily proclaiming that they’re still alive but boy, that was a close one! Maria hobbles out, having clearly planned to be with this group when they went their own way.
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My personal theory? She knows (and to some extent recognizes) Ozpin. I can’t believe he wasn’t involved in a conflict like the Great War. Hell, he was probably at the center of it and Maria looks very old by RWBY standards. We have no concept of how long people in this world can live so I don’t think it’s a stretch to put her in her 90s or well over 100—old enough to have fought in the War and potentially recognize one of the central figures, even in a new reincarnation depending on her instincts, knowledge, and semblance. Her name lends a bit of credence to her age, if nothing else. As far as I know “Maria” doesn’t mean/isn’t evocative of a color… though I’m far from an expert. Could totally be wrong about that.
Regardless, we’ll see. More info arrives next week!
Other Details of Note
The grimm are at a distance when we first spot them and they actually look a lot like crows. The same motif we’ve seen with Raven and Qrow’s entrances but, you know, bad.
I really liked Qrow’s line to Ironwood about how they’re bringing “more than bad news.” It’s appropriately vague—can’t go admitting that Oz is back with the group—and at the same time quite up-lifting.
I personally take Ozpin’s “I hope they’re not from Beacon” as more of a joke than a true worry. If you’re telling me that this old as balls control freak doesn’t remember every student that’s ever passed through those doors… I don’t believe you.
When Blake is saying goodbye to Ilia and Sun we have lots of animation for her ears, helping to express her emotions. It says a lot about her character development that she hasn’t re-adopted the bow in such a crowded, human packed space.
Neptune is pursuing the “wrong tree” okay lol that was good.
When Neptune and Sun discuss re-uniting the team we briefly hear the soundtrack from their Vytal Festival match. Excellent.
Interestingly, Oscar gives Ozpin control immediately during the conversation about the relic, almost like he already knew what was going to be revealed and understood that it was important… I wonder how much they’re sharing thoughts now, two weeks later.
Here, have a beach Ren and happy birb. Yes, I went back for the screenshots...
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itsclydebitches · 5 years
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RWBY Recaps: Vol. 5 "True Colors"
This is a re-posting from October 4th, 2018 in an effort to get all my recaps fully on tumblr. Thanks!
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Guess who’s back, back again
Clyde is back, tell a friend
How long will my focus and work ethic last? Who knows, but with Volume 6 on the horizon and a fantastic new poster out, I’m feeling like it’s time to dive back into RWBY Recaps. Never too late to guiltily dust off an old project, right?
Right.
We’re back in Volume 5. Yes, I did a bit of Volume 1—extreme illusions of grandeur and productivity there—but we should really round out 5 before 6 comes knocking on the 27th. I’ve got almost a month. Let’s see how well I do, starting with “True Colors.”
We open on an image of Qrow and Ozpin together, notably Ozpin given the prim posture and ever-present coffee mug. Qrow makes the comment that things “aren’t looking good” and really? No shit, bird boy. We’ve gone from “Oh no, Ruby is having trouble becoming a leader!” to “Oh no… Weiss is trying to overcome a racist upbringing…?” and are now firmly in the territory of “OH NO a bunch of our faves are dead and Ozpin is forced to possess a child??” Things haven’t looked good for a while.
Ozpin is ever the optimist though. He points out that yeah, things are bad, but they could also be worse. “Humanity is a resilient force” he says, which oddly enough, sounds a lot like the kind of thing someone not a part of Humanity would say. Jury’s still out on whether Oz was the lowly farmer unfairly cursed by the gods, or a god himself justly punished for some sort of hubris… or something else entirely. It just strikes me as significant that he often distances himself from others in not just actions but speech as well. Could be a glimpse into his true nature, aka someone literally not human. Could also just be the result of spending thousands of years reincarnating while everyone else around you suffers and dies. That’ll make anyone feel subhuman…
Qrow challenges Oz’s happy-go-lucky attitude, reminding us that a huge number of pro huntsmen have been murdered and Salem couldn’t have achieved that on her own. She’s had help—and plenty of it. But Ozpin stands firm that it “doesn’t take a great number of people to cause harm” and there are “far more people in this world willing to prevent it.”
Enter our protagonist.
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Subtle!
Ruby is adorable, as always, hesitantly approaching the two of them and awkwardly accepting the invitation to chat. It’s a striking difference in how she acts when it’s just her and Qrow, which is expected. Ozpin remains a much more distant authority figure and now he’s inhabiting the body of a boy her own age. I’d be a little unsure about how to act around him too.
Ruby finally asks what we’ve been worried about since the beginning of this Volume: if Cinder defeated Oz then does that mean Salem now has the Beacon relic? Luckily, no. Oz says he made finding the Beacon relic “a bit more challenging than at the other schools.” So Ruby asks the second question that’s been on our minds…
Ozpin: “No, my cane is not a relic.”
Ruby: “I have no more questions :)”
Okay now wait. I'm calling bullshit lol. That cane is 100% a relic. I mean could I be wrong? Absolutely. But it’s way more fun to be confident so I’m calling Ozpin out on this. For a number of reasons:
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1. He’s absolutely the kind of guy to do what no one else expects. “The cane is so obvious!” Yeah, which means everyone will be looking for the relic elsewhere, hidden away like the Haven relic. Who the hell would have it out in the open? Ozpin. He would. Expect the unexpected.
2. He’s alsothe kind of guy who might lie to someone about it. Ozpin has been playing this game a long time and he’s not above a few smiles and carefully placed words if he thinks it’ll keep things on track. The Haven relic is the one currently in danger—no reason to announce the Beacon relic’s location and shift the team’s focus just because a former student asks him for the truth. It’s too dangerous and Ozpin is very adept at, as he says, playing things close to the chest. And I don’t blame him. That’s how you keep humanity alive.
3. The scene doesn’t show us Qrow at all who is a lot less adept at lying, to say nothing of the fact that—if he knows about the relic—he wouldn’t feel good lying specifically to Ruby.
4. Ozpin’s previous comment about how this relic is a “bit more challenging” seems significant. That is, why ONLY make the Beacon relic so difficult to find? All the relics are important so why not give them all the same precautions? Well, the answer is simple if your precaution is something you can only do for one of them: keep the relic with you.
5. Qrow, arguably Ozpin’s closest friend (husband-friend), was entrusted with getting the cane back to him and it’s used as the introduction between Oscar and Qrow. Seems like a pretty damn important object.
6. We’ve seen this cane fend off crazy powerful attacks and it never takes any damage. Granted, all the weapons in RWBY are pretty hearty, but Ozpin’s cane seems particularly indestructible. Almost like there’s something similar to magic surrounding it.
7. We’ve still got those gears. That cane transforms into something…
8. The fact that Ozpin immediately homes in on Ruby’s question, quickly counters it, and then tells her to leave (go gather the others). He’s in charge of the conversation here.
9. The fact that the scene suddenly turns light-hearted and humorous. We’re meant to shrug this moment off and not think too hard about it. Well, too late now.
Granted, Oz has a good explanation here. He states firmly that the cane is indeed precious, though only to him, and that it still “has a few tricks up its sleeve.” Nothing he says counters what we already know, yet it doesn’t reveal any of his cane’s secrets either. We’re still in the dark. So until we’re not I remain suspicious about his claim that it’s totally definitely absolutely not a relic.
(The headmaster doth protest too much.)  
(Edit Feb. 2019: I was so wrong, folks!!) 
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But we’re moving on. Qrow gets a call from Lionheart asking them to meet up with him to discuss potentially going on the offensive against the bandits. Ruby is ecstatic and runs off. Ozpin? Not so much. He and Qrow both comment on how strange it is that Lionheart has suddenly changed his tune and the addition of some creepy music all but beats us over the head with, “It’s a trap!!” This time when Qrow says that things aren’t looking good Ozpin’s only response is, “I know.” So much for the pep talk.
We cut to Lionheart himself, having just finished up that call, and as we pull back who should we find but Raven. She makes blunt what we already know, “I never expected that you would be the one with the guts to betray Oz” while we get a nice crane shot so that we can see Raven circling him, standing while he’s seated—a predator stalking prey.
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Though of course it’s not actually courage driving their actions here. It’s cowardice. At least Lionheart is willing to admit it. He says straight out that he’s terrified of Salem and doesn’t think anyone can beat her, so why not join the winning side? Raven, meanwhile, is still firmly in denial. “I’m not scared,” she says. “I’m smart.” Please, girl. You’ve spent your whole life running and you don’t know how to stop now. “Man up,” Raven continues (god that’s a terrible phrase). “You did what you needed to do to survive. There’s no shame in that,” which is where we see the divide between their morals and everyone else surrounding Team RWBY. They’re scared, but they fight despite their fear because they know it’s necessary to help both others and themselves. Raven is only out for herself and her selfish actions hurt family (Qrow), children (Yang), friends (her tribe), and allies (Ozpin) in the process.
“Who are you trying to convince?” Lionheart asks her. It's great seeing a villain who knows exactly where the line is even as they can’t help but cross it. RIP the complex ones.
We move back to Menagerie where Ilia and the others are still leading the attack on Blake’s family. Kali if BAMF here, snatching up a tray as both defense and weapon when her gun runs out of ammo. We get to see her clocking Yuma before we catch up with Blake and Ilia—and I enjoy the contrast in colors between these two scenes, from full blown battle (cold) to friends-turned-enemies (warm):
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Ilia spouts the same arguments as Raven: she doesn’t have a choice about her actions. Violence is the only way to survive. Despite the rhetoric Blake is willing to let her go, but Ilia has other plans. The fight, while not spectacular, does showcase the clear parallels between them—both in their arguments and the use of long/short range weaponry. When asked why she doesn’t leave Blake responds that she runs away too much. Beyond the obvious theme from our title—everyone showing their “True Colors”—the focus of this episode is quite obviously who’s willing to fight for others and who’s only out for themselves; who’s able to distinguish between when a literal fight is necessary and when another avenue can be taken. We see time and time again that Team RWBY is leagues ahead of others in terms of that kind of maturity.
From a world building perspective I appreciate Ilia’s use of her camouflaging skills. It’s rare that we see the Faunus actually using their animal abilities (beyond Sun swinging around on his tail) and that’s definitely a useful one in battle… though it's undermined somewhat by having a weapon that lights up with electricity. Gotta think that one through…
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And then Blake sETS THE HOUSE ON FIRE? Damn, girl! This isn’t even a real battle—at least not between the two of them. Ilia says two seconds later that Blake isn’t taking this seriously, neither of them truly wants to kill the other, so is burning down your house really the best option here? I always knew Blake was secretly the most dramatic of the bunch.
(That’s a lie. I'm sorry. The most dramatic is clearly Weiss, but she’d be proud of Blake’s ridiculously over-the-top strategy here, I’m sure.)
Blake manages to pin Ilia and keeps trying to talk her down. It works. Sort of. Ilia starts to cry as she admits that she doesn’t know what else to do, but at that moment Ghira comes crashing through the wall with another fight at his heels. (This family is rich enough that they don't care about the property damage.) And then we get this,
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This is a sharp reminder that though Blake and Ilia might be fighting more with words than fists, the same can’t be said for her parents. They are, notably, in very real danger. The fight picks back up with Ilia clearly torn now between her loyalties. She defends herself though when Sun joins the fray, pausing only when Blake begs the two of them to stop. However, their fighting has already cracked the pillar holding up the second story and Ilia gets caught underneath. Surprisingly, she’s saved by Ghira (which tells us more about his character than all his bickering with Sun ever could) and there’s a nifty bit of teamwork used to get him out—Sun’s copies hold up the balcony; Blake uses her weapon to pull her dad to safety. The brother (Fennec) who tries to attack him from behind is justifiably crushed under the rubble.
Kali is safe and joins the gang. The fight is basically over, but Corsac attacks out of pure grief and rage, allowing Ilia to stun him from behind. Now I’ve got a lot of feelings about Ilia, most of which boil down to just plain not liking her. I already explained in depth my issues with her being the (so far) sole queer character on the show and this is now compounded with her supposed “redemption.” There are problems inherent in making the (again, only) queer character an antagonist, but there are more problems in making them an antagonist and then refusing to stand by that. Rooster Teeth had her as a complex villain and then the moment she was revealed to have feelings for Blake it’s, “Never mind! She’s good now!” in the span of half an episode.
And how does this redemption occur? Ilia attacks Blake and goes after Blake’s parents. She continues to attack them after being given numerous chances to walk away. She turns on her allies… only after the fight is won. If Ilia were a different kind of character her stunning Corsac could have easily been seen as a survival strategy rather than a true change of heart. They’re now outnumbered four to two, so—like Lionheart—why not quickly join the winning side? I honestly wish Ilia was out to double cross Blake if only because that would be consistent with her loyalties up until now. It would make sense.
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In the grand scheme of things though these are minor points. What strikes me as far more significant is 1. that Ilia and her allies could have killed Kali and Ghira. I admit that she wasn’t fighting Blake full out, but the purpose of this attack was to assassinate her parents and the fight did lead to at least one death. That’s not just something you bounce back from. Maybe I’m an asshole, but I couldn’t wave that away as a “bad decision” like Blake does. They could have died. And 2. the most important of all, we’ve yet to see any true change in her thinking or ideology! Ilia joins the gang because she lost and she's left standing around awkwardly with Blake—the girl she’s in love with. Would Ilia have second-guessed her actions if they'd succeeded in their mission? I doubt it. In the aftermath of failure she's contrite, but Ilia was pretty damn adamant about killing humans---and the Belladonnas---just a few minutes ago. If her redemption is based on circumstance and her one-sided crush… that’s not a redemption I can get behind.
But it’s what we’re rushed into. Blake gives a rousing speech about how no, they can’t just use humans as a scapegoat for this attack. They can’t allow figureheads like Adam to speak for them. She says that they’re all “looking for simple answers to a very complex problem” and that despite it not being what they want to hear, she doesn’t know how to just “make hate go away.” That’s a huge development from the girl who went to Mountain Glenn and said passionately that she was going to change the world, but without any concrete ideas as to how to do that. Now Blake can admit her own ignorance and knows at the very least what not to do. They’re not going to change the world through violence like this—they won’t change it for the better, anyway.  
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I’m with her through all that, up until Blake agrees to take Ilia to Haven. The guard yells out, “You’re just going to forgive her? After all she’s done?” and Blake says only, “Yes.” You know what that is? It’s a simple answer to a very complex problem. It’s painted as admirable on her part—Ghira says she’s learned the lesson of how powerful forgiveness can be—but I think this is RWBY’s fairy-tale simplicity shining through and it doesn’t fit with the heavy material we've been tackling the last few volumes. There’s a big difference between forgiving someone and making sure that they face consequences for their actions. There’s a difference between forgiving them and thinking practically about whether you can or should trust them with your safety and the safety of others. Hell, forgiveness usually takes more than five minutes and often times doesn’t happen at all! Ilia has done none of the work to justify Blake’s forgiveness and though having forgiveness handed to you might read as a beautiful ideal, it doesn’t work well in the gritty, complicated, racially loaded storyline that Rooster Teeth keeps trying to pull off. It feels cheap in the face of all that Blake suffered through this volume, especially when they turn Ilia’s actions into a literal joke. She stabbed Sun? No big deal! He pinched her and now they’re even! How much of a joke would this be if Ghira had suddenly collapsed from his own wound? Or Kali hadn't casually rejoining them entirely unharmed? Maybe I’m more bitter than I thought, but Ilia’s redemption feels like an unintended smack in the face.
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The townspeople buy into the happy picture though and we get a chorus of them agreeing to join Blake in the fight to defend Haven. Plans are made to arm, train, and transport the people of Menagerie in two weeks time. Getting civilians into fighting shape that quickly might be a challenge, but at least Blake knows a ship captain who owes her a favor.
And that’s where we end this episode—forging a path for the future. Stay tuned for the next episode “The More the Merrier” as we count down to the Volume 6 premiere!
Other Details of Note
In that opening shot we have what looks like a pretty generic print on the wall—who doesn’t like sunsets?—except that it also shows a crescent moon without the broken pieces. Artist’s interpretation? Time before the moon’s demise? Animator’s forgetting about it while drawing the random painting that viewers are only going to see for about two seconds? You decide!
I really appreciate that Ozpin praises Ruby for being the first to realize the potential implications of the Beacon relic. She’s praised for her skill with Crescent Rose and for being one of the youngest to attend Beacon, but it’s rare that people comment on Ruby’s intellect. She’s smart as hell with one of the more strategic minds of the group—that’s partly why she makes such a good leader. It’s good to see someone, particularly her headmaster, acknowledging that.
After Qrow gets the call from Lionheart he immediately reaches for his flask… despite still having a steaming drink beside him. Apparently working with this guy was tough even before they knew he was loyal to Salem.  
Edit Feb. 2019: Lionheart says that “I’ve done things Ozpin will never forgive” and that’s one hell of a loaded line after hearing Ozpin’s thoughts on Lionheart in Volume 6.
“Sorry, Dad” Blake says right before she burns down their library. Somehow I don't think 'sorry' cuts it in this situation...
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