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beeffilledshark · 1 year

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An unhinged Gundam fanatic brainrots over the new Witch From Mercury OP/ED

Ok, I’m gonna go off the deep end really quick and talk about the brain worms that have infected me after rewatching the Witch From Mercury s2 premiere three whole times (I will likely watch it another three times by the end of the day so either I’ll be following it up or just redo this eventually)

So, I’m very used to the second OP/ED being slightly worse than their predecessors in most anime so Slash and Red:Birthmark (WHICH IS A FUCKING INSANE NAME FOR THIS SHOW) being bangers absolutely fills me with joy. However, let’s talk about some of the framing and visuals they chose to include.

(WARNING, THIS IS A LONG ASS POST BECAUSE I WATCHED THE FIRST SEASON 8.5 TIMES)

Alright. So the Slash op. Yeah.

So first off, of course we have to talk about Suletta and Miorine’s backdrops when they’re onscreen together. The detritus and ruins Suletta is surrounded by, as she’s EXTREMELY capable of causing massive acts of destruction with Aerial, compared to the green pastures Miorine nurtures in her green house and her former desire to return to Earth: upsetting, beautiful, tragic, all of the above. Also, Miorine was the strongest proponent for making GUND-ARM.inc a medical company since she found out about the original intent of the gund-arm system. Of course she would want to stop war and make everything a sunny, picturesque place.

Next elephant in the room: MIORINE FALLING INTO THE DEPTHS OF AN ABYSS

I feel fairly safe in claiming this is purposefully emulating the abyss at Plant Quetta we see whenever Quiet Zero is brought up (WHICH I WILL GET TO) but with Elnora egging Miorine on to finish Quiet Zero, I have a VERY distinct feeling something is going to happen to her while she’s working on this silly little project.

In addition, each shot of Miorine is intercut with clips of Suletta either starting to run, or actually running forward to a brighter place.

I have a distinct feeling this is indicative of Suletta having to save her from some kind of situation with Quiet Zero. The first clip of her fully sprinting is immediately followed by Miorine’s reflection shattering in a mirror. I can’t cite them specifically, but there were twitter discussions/discussions I had with friends that an aspect of uploading a person into a Mobile Suit (see aERIal theory [LETS BE FUCKING HONEST ITS BASICALLY CANON]) with Swarm drones would break apart their consciousness in a way so that each gund-bit is autonomous (mostly brought about by the fact each Gund-bit looked like Eri when the Elan Who Got Evaporated saw them). This is much more of a crack theory, but feels pertinent given how op1 finishes with a reflection of Eri looking at a Mobile Suit control console.

MOVING on, more aERIal proof I feel like I don’t have to explain this one. Hi girlie. Hope you’re having fun zooming through space and killing people.

Now the Elan clip is very interesting for me, especially with the given color palette. Dividing him into two by a blue wall leads me to think this Elan might not end up being a complete shit person/villain. My hope is that Aerial breaking the Gundam’s curse will bleed into Elan’s Gundam somehow, finally freeing him from Peil’s grasp and letting him live rather than be a disposable lab rat that has to follow orders.

Alternatively, it may be demonstrating a Dissociative Personality Disorder subplot similar to Allelujah from 00 or just the fact there’s at least 6 Elans out there somewhere. I’m not entirely certain what to make of this portion of the op, but it’s definitely brain food to munch on for a little bit. I have a feeling my thoughts will mature on this portion as we see more of the show.

NOW SOMETHING I FOUND INTERESTING about the Mobile Suit sizzle reel is the lack of any new Mobile Suits. We still have the Pharact

the Michaelis

and even the fucking Darilbalde which I’m honestly shocked by.

Most Gundam shows will tease new Mobile Suit designs like all the new villains in IBO as well as the upgraded variants of the Gundams (same with 00). Yeah, the three flagship Mobile Suits of the Benerit Group are upgraded, especially with their new weapons, but I’m just surprised there’s no advertisements of the new Gunpla models like the Demi Barding or Gundam Schwarzette which ABSOLUTELY has to show up in this season since they’re slated for a Q3 release by Bandai.

I absolutely don’t mind seeing these guys again since I do fucking love all of the wfm Mobile Suit designs, it’s just interesting to note.

OK LAST POINT TO MAKE ON THIS OP AND THAT REALLY GETS ME is the clip of Suletta running. For literally 4 frames, it looks like she’s about to trip and fall before it cuts back to her running normally again. I HAVE NO FUCKING IDEA WHAT THEY MEANT BY THIS but I am EXTREMELY concerned it will have something to do with her struggling to move forward. Incorporating my crackpot theory about Miorine being stuck in Quiet Zero like Eri, maybe it’s her trying to rationalize fighting her fiancé in a Mobile Armor.

Final point I would like to bring up with regards to the op are the tomatoes. Originally, I thought it was supposed to be Eri reaching for them (since she was shown in the shot with Elnora previously), but turns out it’s likely a memory Miorine has of her mother given the white hair in the background.

Nothing I can think of to talk about, really, but the fact we actually see a portion of Miorine’s mother is extremely surprising since they’ve gone fairly out of their way to not depict her other than the VERY brief funeral shots.

But to finish the op off, I do love the theme of Suletta moving forward to join Miorine in the light. It’s a great throughline to have for this latter half of the show, especially given the themes and importance they put on Suletta and Elnora’s philosophy.

Ok, interim break for me to explain my Quiet Zero theory.

The first time we see it, Elnora is giving “Aerial’s network architecture pattern” to Delling to help bring Quiet Zero to its “final stage.”

NOW WITH ALL OF THE aERIal THEORIES GOING AROUND, I really cannot help but think Aerial’s network architecture is somehow Eri’s consciousness/being/WHATEVER she did to that poor girl. So by giving him this, Quiet Zero is going to be able to absorb/take in someone’s consciousness to help pilot it. In addition, the express purpose of Quiet Zero, according to Elnora, is the complete annihilation of war (BECAUSE WE KNOW HOW WELL THAT WENT IN THE ANNO DOMINI TIMELINE in 00) so odds are, it’s some kind of fucked up Gundam weapon that would be able to outclass anything that tries to fight it.

So I’m 99% sure the finale is going to be a Gundam Mobile Armor that will absorb Miorine and wreak havoc until Eri and Suletta Newtype their way into stopping it from blowing shit up with their Super Space Empathy. Other than IBO, all Gundam shows eventually explore the Next Stage of Humanity with Newtypes, Innovators, Coordinators, and even fucking X-Rounders or whatever (I’m sorry I haven’t watched Gundam AGE yet). Plus it was already hinted at by the Vanadis Institute since they wanted to, essentially, forcibly evolve humanity with the Gund-Arm format. Also, the Gund-bits are a given for Gundams in Ad Stella and Almost Every portrayal of Mobile Armor in any Gundam show has funnels or little drones that run around like Hashmal or the Neo Zeong. So a Mobile Armor isn’t really that far of a stretch, just Miorine being stuck in it is.

In any case, my fucked up hope is Miorine goes crazyinsane after being uploaded into a Mobile Armor and Aerial does Permet Score 10 or something where she and Suletta Understand Each Other Without Misconceptions.

OK Red:Birthmark. Ed of all time.

Honestly, this might be my favorite Gundam ed (more so than the 8th MS team, even) and honestly could be my favorite Anime ed of all time. Fucking gorgeous to look at with such a pretty color palette, Sunrise really outdid themselves with this one.

Ok, Item 1: THE PURPLE SPACE BACKDROP. You cannot look me in the eye and tell me this does not evoke the same aesthetic that UC timeline Newtype connections do. Suletta willing this into existence makes me feel that even being a clone of Eri or whatever the fuck, she’s still able to sense or use an evolved sense to understand people.

NEXT UP, AND WORST OF FUCKING ALL, IS BLACK GHOST MIO MIO. WHAT THE FUCK WHAT THE FUCK WHAT DID THEY MEAN BY THIS

This is what honestly made me concoct the Quiet Zero-Miorine theory because there is absolutely no way in hell they just Decided to portray Miorine like a fucking ghost trying and failing to connect AND LITERALLY TOUCH Suletta while she’s still influenced by her mother.

We ONLY ever see Quiet Zero portrayed as a gaping black void and I can’t think of anything else that uses black as a motif or thematic element other than the Pharact, at best (arguably more dark blue/navy than black). Either way, something bad is going to happen to Mio and I fear for that girl’s life.

I feel like I don’t even have to fucking talk about THIS shit

Like alright Sunrise. Is she being killed by Aerial??? Is she turning into Aerial??? Why does she have the Gundam lines appearing on her skin??? IS ELNORA GONNA TURN HER INTO A GUNDAM TOO??? /hj on the last point

IN ANY CASE, this was a fucking choice but is also one of the most beautiful sequences I’ve seen. I also saw a youtube video that compared this to Utena’s sword drawing scenes which I thought was really funny. I’m not really convinced this is a purposeful reference, despite the two shows’ similarities in plot because of the writer, but if it turns out Aerial is drawing power from Suletta or that Suletta is actually the reason Aerial doesn’t kill its pilot because she’s a Witch From Mercury Newtype, then I’m gonna break my keyboard. Maybe the Mobile Suit Gundam: Witch From Mercurys were the ones we made along the way.

In any case, Aerial’s influence on Suletta and it directly leading into her losing Elnora’s headband and her hair falling feels like there will be a direct consequence of letting Suletta interact with Aerial so personally and directly. My hope is that Aerial will be the reason Elnora’s brainwashing finally fails and Suletta will be able to make her own decisions for herself and choose to do what she wants to do. The headband was established as Elnora’s sway over Suletta WAY early on (like episode 3 or whatever where we see Suletta getting dressed and putting it on while talking to her) so I feel like this climactic moment may be tied to. the Miorine. quiet zero theory.

Ok, now this just turns into me fawning over how utterly stunning this ed is. I really cannot express how much this animation appeals to me, combined with the colors and her dress GOD it just feels so perfect. She’s like a witch controlling the gund-bits but instead of using them to fight, she creates art and beauty, something Suletta has been striving for since the formation of the GUND-ARM company with Miorine. Critically, she believes Gundam and Mobile Suits can be made to help people, not just to commit acts of violence like the Earth Witches think.

Like, I can’t really add any theories here. It’s just amazing.

Also, FUCK OFF WITH THE DRAKENGARD 3 REFERENCE. IT MIGHT BE A BIT OF A LEAP BUT IT’S AWFULLY FUCKING STRIKING AND I CAN’T DEAL WITH IT.

Regardless, more fodder for the Miorine Mobile Armor theory with this shot. It has to be intentional with this coloring, Please let me know if anyone has an idea what else her being in black could possibly mean, I am genuinely interested to hear people’s thoughts.

The rest of the ed is just these bitches being gay as hell. I’m including screenshots because they’re my little guys and I like seeing them happy.

Also they’re fucking pendants with each others’ hair color FUCK YOU IM GONNA CALL YOU BOTH SLURS

Also, slightly frightening pose for Miorine to adopt while they’re spinning. I feel like it’s either her putting her trust and faith in Suletta that she won’t let go or it’s representative of her being put in a meat grinder.

Alright, final note: Aerial looking like the 0 Gundam in Setsuna’s memories from 00. Alright. Just store these two lesbians in your heart and keep them there I guess. Fuck you. ALSO dazzling, I can’t talk about how much I love the visuals of this ed.

And the fucking hand tremble ARE THEY BOTH SCARED WHY THEY’RE IN EACH OTHER’S GRASP IM SO TERRIFIED

TLDR OF THIS DUMB ASS POST; IM VERY NEURODIVERGENT AND VERY HAPPY

The new op and ed of this show is wholeheartedly magnificent. It packs so many visuals that are ripe for theories/analysis and this is just my insane take with what Gundam I have watched (basically wfm, ibo, 00, and a splattering of UC timeline stuff). I’m absolutely sure people with different Gundam experiences will find either marginally different, to COMPLETELY different ideas/meanings from these clips, but this is just something I wanted to type up instead of doing work askjdasfkasf. This doesn’t even touch on any of the lyrics and how that ties into the show, but I’m absolutely certain it will kill me when the translations find their way onto my dash.

Also I need to spread Mobile Armor Miorine to any one else who’s insane enough to think it might happen as well <3

if you made it this far, thank you for listening to my fucking batshit rant we’re almost 2.25k words in Jesus.

#mobile suit gundam #witch from mercury #witch from mercury spoilers #wfm #wfm spoilers #gundam #miorine #suletta

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xeford2020 · 4 years

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Growing The Henry Ford’s Quilt Collection: The Modern Quilt Movement

A display of quilts made by members of the Lincoln, Nebraska Modern Quilt Guild at American Quilt Study Group’s October 2019 Seminar. Photo by Jeanine Head Miller. The 400 quilts in The Henry Ford’s collection, dating from the 1700s to the 2000s, represent quilting traditions of nearly 300 years--all reflecting the resourcefulness and creativity of their makers. Quilts were among the objects of everyday life that Henry Ford collected as he gathered objects for his museum. Since Ford’s time, The Henry Ford’s curators have continued to add to the collection, gathering quilts that represent diverse quilting traditions. Quilts serve a practical purpose as warm bedcovers. Yet they are also inherently about design--from a simple traditional pattern to a unique motif crafted through the expert manipulation of pattern and color. While many quiltmakers have no formal training in design, they instinctively create attractive quilts that display their innate talents. Quiltmaking has continued to evolve, reflecting new aesthetics and influences. An exciting, robust trend of the past 20 years has been the Modern Quilt Movement—a style of quiltmaking we are eager to add to our collection.

A display of quilts made by members of the Lincoln, Nebraska Modern Quilt Guild at American Quilt Study Group’s October 2019 Seminar. Photo by Jeanine Head Miller. A wonderful opportunity arose. While giving a paper at the American Quilt Study Group’s October 2019 Seminar, I met Kristin Barrus, who was presenting a poster session on “Why Women Under 45 Quilt.” (Silent Generation and Baby Boomers created the quilt revival of the post-Bicentennial era. They were followed by GenX and Millennial quilters, many of whom have shaped and embraced the Modern quilt aesthetic.)

Kristin Barrus’s poster, presented at the American Quilt Study Group Seminar in 2019. Photo by Jeanine Head Miller. Kristin, a graduate student studying Material Culture and Textile History at the University of Nebraska-Lincoln, is not only knowledgeable about the Modern Quilt Movement, she’s a modern quiltmaker herself. We were delighted to have Kristin join us this Spring for a remote practicum experience at The Henry Ford, conducting research on the Modern Quilt Movement to help us more fully understand its vibrant landscape. Her research will inform strategic additions to our collections: examples of modern quilts, printed materials reflecting the movement, and books on the topic. Part of Kristin’s research involves a survey of modern quilters. Here’s Kristin to tell you more about the Modern Quilt Movement, and her research survey. Jeanine Head Miller is Curator of Domestic Life at The Henry Ford.

Kristin Barrus. Photo by Alisha Tunks. Hi, I’m glad to have this opportunity to tell you about my quilt research project! I started quiltmaking around 2003 in my twenties and got swept up with this new aesthetic called Modern quilting. I co-founded the Utah County Modern Quilt Group, which ran monthly for seven years in Lehi, Utah. While I taught at meetings, quilt shows and retreats, I realized I was more interested in watching the quiltmakers make connections with each other than with what came out of the other side of my sewing machine. (Although I do still love to make quilts!) The topic of my thesis for the University of Nebraska-Lincoln is the first study of QuiltCon, an annual convention for Modern quiltmakers.

Modern Trends, Kristin Barrus, 2017. A sampler quilt turned Modern by joining several popular quilt blocks together in a new layout. Photo by Kristin Barrus. There is much to celebrate and investigate in 21st century quiltmaking. The Modern Quilt Movement is a sub-category within quiltmaking, bracketed at years 2000–2020 for the purposes of my research. Modern is a very broad and sometimes contested term, not just a new aesthetic. It’s also a new kind of experience in the contemporary quilt world. People come to Modern quilting not only to make quilts, as traditional quiltmaking guilds do, but to be a part of the energetic vibe that happens at Modern meetings, both online and in person. Often people who do not consider themselves Modern quiltmakers join because they love the inclusive comradery, mini quilt swaps and inspiration of the Modern Quilt Movement. Thus this popular phenomenon is identified not only by what Modern quilts look like, but also the type of person and the community involved. The main design philosophy of Modern is exploration through bending or breaking unspoken—and sometimes spoken—traditional quilt rules. It relies on the use of technology such as blogs, Instagram and digital publications to connect across distances, initially building a vibrant community online. Because of the variety and dispersed nature of these makers, Modern quilting is complicated. The look of Modern quilts can include brighter color palettes in solids or prints, or quiet neutrals to create quilts with a strong graphic feel. Or it could just be a new twist on a traditional pattern. Other common aspects include, but are not limited to, large use of negative space, asymmetrical design and straight-line, rather than curvilinear, quilting.

Group Improv, Kristin Barrus & Sew Night Friends, 2018. An example of collaborative quilt design by seven women, using popular colors and fabrics. Photo by Kristin Barrus. For my practicum at The Henry Ford, I will present a paper on “The Landscape of the Modern Quilt Movement, 2000-2020” next Spring. I will also recommend specific quilts from the movement to consider acquiring for The Henry Ford’s collection, as well as books on the topic. In the meantime, I will be conducting recorded interviews with key individuals from the movement to be included in The Henry Ford’s archives, as well as future research. My project also includes a survey for Modern quilters. I am hoping to hear from anyone who has participated in Modern quiltmaking in any way, via an anonymous survey. I hope to capture what Modern means to the people who play a part in it: What do they feel Modern is? What are the trends and people that have influenced them? This data will help academia study what the Modern Quilt Movement is, as well as its impact on the lives of many people all over the world. The survey is anonymous, contains 15 questions and takes about 5–8 minutes to complete.

Tula Pink Millefiori, Kristin Barrus, 2017. A hand applique medallion quilt using motifs from popular fabric designer Tula Pink. Photo by Kristin Barrus. Let Your Modern Voice Be Heard

If you have participated in Modern quiltmaking in any way, please consider taking the survey, or sending it to someone you know who makes Modern quilts. The lines between Modern and Modern-traditional quiltmaking are blurred and intersect often. As you answer each question, please reflect on what Modern means to you specifically, regardless of how anyone else defines Modern quiltmaking. You can access the survey here, or using the QR code below.

Kristin Barrus is a graduate practicum student at The Henry Ford.

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