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Sexypink - RITES, RITUALS, MEMORIES AND MORE CROP OVER VISUAL ARTS EXHIBITION OPENS THURSDAY. Barbados Today News. “The first event produced by the National Cultural Foundation (NCF) for Crop Over 2023 starts next week and runs throughout the Season of Emancipation.On Africa Day, Thursday, May 25, 2023, the NCF will host the official opening of the Central Bank of Barbados Crop Over Visual Arts Exhibition entitled We Came on Merchant Ships.The following day, Friday, May 26, the three-part exhibition will then be open for public viewing at the Queen’s Park Gallery until Thursday, June 22.The series of exhibitions seek to visually explore the concept of the necessity of trade for growth and expansion and all the consequences, rewards and challenges that come from migration, free, forced or otherwise.The first exhibition, We Came on Merchant Ships – Movement, examines movement in its many forms. The works of 29 artists will be on show. 

The exhibition captures the reason people move, modalities for movement and the various cultural manifestations of migration - forced and free. Special emphasis will be placed on the transatlantic slave trade.NCF’s Curator Oneka Small admits that although the topic is a tough one to approach, the Foundation was excited to showcase such a serious yet sensitive project using art. “Curating this one has not been an easy task simply because it is a painful period in our history, especially the show, which focuses a lot on the transatlantic slave trade. So we are very excited though to be presenting the information through multimedia presentations such as photography,” she said.She added: “We have digital work. We also have sculptures. 

Some amazing pieces by amazing artists. We want to keep them under wraps so that you come excited on Friday, May 26, to see the show. It is a mixed medium, multimedia, all genre show. We are very happy to be presenting such a show this year.”Small is curating the exhibition alongside colleague NCF’s Visual Arts Officer Rodney Ifill, who commended the artists for stepping up and exploring the topic. “We have 29 wonderful artists. We have so many artists on the island and I am glad that they responded to the theme because the whole idea of introducing themes like this is to get people to think, to research and then you become better for it. At the end of the day, you are now collecting a pool of knowledge that you would have gone away with in terms of your own personal interrogation and presenting your sensibility to the public,” he noted.The second exhibition, We Came on Merchant Ships – Memories and Identity, which runs from Friday, June 30, to Thursday, July 27, the artists seek to interrogate the intangible aspects of trade. 

How do memories express themselves in displaced people? How is identity maintained, retained, or assimilated within the new land of settlement? The third exhibition, We Came of Merchant Ships – Rites, Ritual and Religion running from Friday, August 4 to Thursday, August 31 will see artists visually explore the continuation of rites, rituals and religion from the lands from which the present people of Barbados originated, for example, the Spiritual Baptist, Christianity and the rise of traditional African religions such as the practice of Yoruba, Hindu and other faiths.For more information on details relating to the Exhibition, please contact Oneka Small via email at [email protected] and Rodney Ifill Visual Arts Officer via email at rodney-ifill@ncf. bb (PR)”

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Sexypink - “The first installation of the Central Bank of Barbados Crop Over Visual Arts 2023 three part exhibition - We Came on Merchant Ships will end this Thursday.Produced by the National Cultural Foundation (NCF) the exhibition has been on display at the Queen’s Park Gallery since late May and takes viewers on a trip across the Atlantic to explore the movements of trade and people and delve into the often unspoken histories that have shaped the world today.Curated to portray the dynamic movements of people and the complex reasons behind them, this exhibition promises to transcend the traditional modalities of historical representation.

 It delves into the intricate tapestry of migration, trade, and human resilience that have birthed our vibrant Caribbean culture.Renowned artist, Shane Eastmond, known for his deeply evocative work, anchors the exhibition with his piece Black and White. This stirring masterpiece draws inspiration from a photo taken by Kyle Babb of Eastmond’s childhood friend, and seeks to contrast history’s documentations.“Black and White focuses on the pain that we have experienced in the past as people and the love we have learnt here in the future,” said Eastmond. 

Another key highlight is the abstract work Betrayed, crafted by the multi-talented forensic scientist-turned-visual artist, Sharon Antoinette. 

This piece presents a heartbreaking story of survival, betrayal, and sacrifice. Two canvases, linked by chains, and layered with keys hidden beneath crosses, evoke the haunting memory of merchant ships crossing the Middle Passage.

The artist recalled that creating Betrayed was a deeply emotional process for her.“It was heart-wrenching,” she exclaimed.

The piece serves as a stark reminder of the profound pain endured by those who crossed the Middle Passage, many of whom were betrayed by their own for survival.The second exhibition, We Came on Merchant Ships – Movement, starts next month and promises to be more than an art exhibition, paying tribute to the strength of our ancestors, and sounding a clarion call to remember and learn from history.” (PR)Barbados Today

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