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#roi romay
arutai · 1 year
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Lily Fofana by Roi Romay
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polishmodels · 7 months
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Anatol Modzelewski - Adolfo Dominguez 'Exhala' Fall/Winter 2023 Lookbook
Photographer: Roi Romay
source: models.com
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schmweed · 10 months
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awentworth · 11 months
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HE’S FREEEEEE!!!
Roman is FREE FROM THE CAGE!!! By force and in the most painful way possible - emotionally and physically (what the hell Kendall?!?!) - but he’s FREEEEEEEE!!!
And he’s also so goddamn painfully aware of his deep, deep, DEEP feelings for Gerri. 
I know the ending was a perfect tragedy but like... HE’S FREEEEE!!
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attonitos-gloria · 1 year
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hello. apparently I am a roman girlie now. wow
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modelsof-color · 1 year
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Lily Fofana by Roi Romay for Schön Magazine, June 2021
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cosmicanger · 1 year
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Lily Fofana for “IN BLOOM” by Schön! Magazine, photographed by Roi Romay
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Movie Review | Demonoid (Zacarias, 1981)
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The fact is, people going into an R-rated ‘80s horror movie can expect two things with reasonable certainty: blood and gore, and T&A. Okay, that was four things. Violence and sex. That’s two things. Unless you’re keeping a running count, in which it’s six. But those are things that the opening scene of Demonoid delivers. We see a bunch of people in yellow hooded robes fighting each other. (The costumes look like if the KKK had a mishap on laundry day.) Turns out one of them is a lady, so the other two tear her robe open to reveal her breasts, and then lop off her hand and put it in a fancy hand-shaped box. (It’s not clear why they tore her robe open if they were just gonna lop off her hand, but whatever, I’m not complaining.) Now, I hope you got your fill of violence and sex with that one scene, because those are two things the movie never delivers on again. Okay, there’s a bit of blood here and there, but nowhere in the quantities the opening scene might have primed you for. As you can guess from the description, that opening scene is metal as fuck. The flashes of (presumably) the titular demonoid, seen in silhouette against a foggy background that the movie throws in during choice moments? Pretty metal too. The rest of the movie? About as metal as, I dunno, Air Supply? Seals and Crofts? Not very, is what I’m saying.
Now, after that opening scene, we flash forward to present day, when a husband and wife explorer team find that hand-shaped box in a mine and foolishly unleash its reign of terror into the world. The husband is played by Roy Jenson, who looks like he could play Jess Franco in a TV biopic, likely one without any nudity, so we’d get lots of scenes of him adjusting his zoom lens and maybe a few where he hugs the Lina Romay lookalike they hired. The wife is played by Samantha Eggar, who most will recognize as the stand-in for David Cronenberg’s crazy ex-wife in The Brood. Here she is not so crazy, but is certainly a welcome presence as she brings a certain level of class and poise to a movie about a killer hand. She’s also a welcome presence because she has nice marble-shaped eyes which come in handy during her many reaction shots, and sports terrific hats in a couple of scenes. Jenson doesn’t stick around too long in the movie (although not before he runs into Haji of Faster Pussycat! Kill! Kill! fame), so Eggar enlists the help of a priest played by Stuart Whitman, who brings an off-brand Father Karras energy to the role. (I know of Whitman because of his role in Guyana: Cult of the Damned, a movie I haven’t seen but is cited as the premier dictatorsploitation movie in Bill Landis’ Sleazoid Express. The only movie in the genre I’ve seen is Amin: The Rise and Fall, which is very boring but has a convincing Idi Amin in Joseph Olita. The most memorable scene has him boasting of his romantic prowess. "Let me tell you, I'm the world's greatest lover. They all want Amin! Right, baby?") It’s mentioned that the hand is trying to make it’s way to Eggar, but the decisions it makes don’t line up too clearly with that objective.
As I mentioned earlier, this is a movie about a killer hand, or rather, a series of killer hands as the spirit of the hand jumps from one host to the next. What this means is that we get a lot of hand-centric scenes of horror, like characters tearing off their hands with a car door or demanding emergency surgery at gunpoint to have their hand sliced off. (I assume the latter scene takes place at a clinic that specializes in hand surgery.) A lot of this is directed with the lowest energy imaginable, giving such scenes an amusing deadpan quality. There is however a car chase that the movie commits wholeheartedly to, blaring dramatic chase music (the wah wah pedal gets plenty of use), and the climax, set in a church with the lights turned down and a bit of a breeze coming in, is not without atmosphere. And it must be said that the hand effects look nicer than one might expect.
Listen, this is eighty minutes long and available in a nice transfer on Tubi. If you can get on its low wattage wavelength, you won’t miss those eighty minutes.
Thanks to  @thedrillerkiller​ for the recommendation!
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thclonelyisland · 2 years
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you think coming out as gay is hard? try telling people you are a roman royist… see how much acceptance you get from the "tolerant left"
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hanilecter · 3 years
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this but with the romangerri s3 promo photo
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andrew-dodds · 2 years
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Chapters: 16/? Fandom: Succession (TV 2018) Rating: Mature Warnings: Creator Chose Not To Use Archive Warnings, Graphic Depictions Of Violence Relationships: Greg Hirsch/Tom Wambsgans, Greg Hirsch & Tom Wambsgans Characters: Tom Wambsgans, Greg Hirsch, Roman "Romulus" Roy, Kendall Roy, Andrew Dodds, Siobhan "Shiv" Roy, Willa Ferreyra, Tabitha (Succession), Logan Roy, Original Male Character(s), Original Female Character(s) Additional Tags: Mutual Pining, Recreational Drug Use, It's been a while since I've written, Character Study, Canon Related, Minor Character Death, Therapy, Face Slapping, greg likes getting slapped, Tom like making greg happy, Stream of Consciousness, Implied/Referenced Suicide, offscreen suicide kinda?, Roman knows, Willa knows, slight choking kink Summary:
The bachelor party episode really got my creative juices flowing and I couldn't help but type up a little something that came to me in the middle of the night. It's been a while since I've picked up writing fics and I immediately fell in love with TomGreg , so apologies if it's a but rusty and dusty! I'm thinking on maybe continuing this if folks enjoy it! So without further ado, please enjoy.
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distantvoices · 3 years
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Lily Fofana By Roi Romai For Schön Magazine July 2021
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polishmodels · 7 months
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Anatol Modzelewski - Adolfo Dominguez 'Exhala' Fall/Winter 2023 Lookbook
Photographer: Roi Romay
source: models.com
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Schön Magazine photographed by Roi Romai
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modelsof-color · 3 years
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Lily Fofana by Roi Romay for Schön Magazine, June 2021
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showsargentinos · 7 years
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BERNABELA, EL MUSICAL - #BERNABELA #DIANAAMARILLA #MUSICALES #Showsargentnos
Publicado en http://showsargentinos.com/bernabela-el-musical/
BERNABELA, EL MUSICAL
Bernabela, el musical
Libro y Dirección de Sebastián Waizer, Letras de Pedro Velázquez, Música de Pedro Velázquez y Marcelo Penco, Coreografías de Juan José Marco y Dirección Musical de Marcelo Penco. Estreno Domingo 27 de agosto 8 únicas funciones “Bernabela, el musical” cuenta la historia de una joven adolescente que al cumplir 18 años se le presenta la posibilidad de cumplir su sueño más anhelado. Así emprende un camino de aciertos y desaciertos que la pondrán frente a frente con las decisiones de vida más difíciles que una persona puede afrontar: seguir fiel a sus raíces o transformarse para convertir su deseo en realidad. Bernabela deberá atravesar un sin fin de situaciones donde lo conocido se volverá obsoleto y el talento, el esfuerzo y su instinto se volverán aliados para marcar la diferencia. Domingos 19 horas Teatro Lude - Montevideo 842 - Entrada General: $400 Reservas: 4811-6086 Entradas a la venta por Platea Net o en boletería del teatro Acerca de la obra “Bernabela, el musical” cuenta cómo una joven adolescente emprende su viaje hacia la gran ciudad para convertirse en la estrella que siempre sintió ser. A partir de allí, una sucesión de hechos la desafían y la ponen frente a la realidad, no sólo del mundo del espectáculo sino también de la vida misma. Guiada por viejas y nuevas amistades, Bernabela tendrá que tomar diferentes decisiones que involucran su pasado, su presente y su futuro. Seguir fiel a sus raíces o convertirse en lo que siempre soñó. Un camino de sacrificios hacia los sueños que sólo ella podrá saber si vale la pena cumplir. Con la chispa del humor que lo caracteriza y el toque justo de melancolía que conlleva cada gran historia de vida, Sebastián Waizer logra plasmar con claridad el sacrificio del desarraigo, el desafío de la incertidumbre y cómo podemos seguir nuestra búsqueda cuando el deseo es genuino. Música Pedro Velázquez y Marcelo Penco transforman con acordes y melodías cada situación en un momento especial. Sonidos que emocionan, música que endulza y acompaña con energía cada minuto transcurrido. Coreografías: Juan José Marco recrea de manera brillante emociones y sentimientos a través de un cuerpo de baile que interpreta a la perfección la transformación que atraviesa Bernabela. Ficha técnica Actores: Diana Amarilla como Bernabela Marisa Provenzano Isabel Eduardo Marcos Roberto Florencia Cione Tissieres Luz Aimara Bianquet Rosa Darío Cuadriello Gerónimo Julieta Granja Ana Joaquin Batista Yaber Santiago Brian Casafú Martín Gisela Samudio Evangelina Silvia Ledesma Amanda Alu Sandez Patricia Ensamble: Agustina Camiolo Lucas Coliluan Belén Cortinez Camila Diaz Carolina Espósito Emmanuel Fernandez Jimena Lopez Natalia Martinez Tomi Moyano Ailu Ottaviano Eugenia Rodríguez Mirás Camila Saligari Paula Sesto Damián Strong Agostina Traboulsi Libro y Dirección: Sebastián Waizer Letras: Pedro Velázquez Música: Pedro Velázquez y Marcelo Penco Coreografías: Juan José Marco Dirección Musical: Marcelo Penco Escenografía: Huby Stempel Diseño de Imagen y Vestuario: Verónica Arditi Realizacion de vestuario: Cecilia Cotognini Diseño Gráfico: Roy Cifre Fotografía: Fiorella Romay Fotografía Video e Imagen: Joly Gaite Comunicación: Falcone Prensa Prensa: Correydile Stage Manager: Ludmila Peres Diaz Producción Ejecutiva: Sol Caballero Producción General: Sebastián Waizer Fan Page: https://www.facebook.com/bernabela2017 Instagram: www.instagram.com/bernabela_elmusical Duración del espectáculo: 90 minutos
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