Tumgik
#puce mary
womenofnoise · 7 months
Text
Tumblr media
Puce Mary
682 notes · View notes
aleprouswitch · 1 year
Text
Pharmakon and Puce Mary’s work have always had strong feminist overtones, and it’s weird to me that the fashy noise bro set never picked up on that until both of them started beating listeners over the head with progressive feminism. 
When Devour came out, I saw people saying “I can’t believe Pharmakon is a feminist now. Let’s hope Puce Mary doesn’t follow suit”…and it’s like…did y’all dumbasses not even listen to The Drought? “To Possess is to be in Control” is a really painful, grim reinterpretation of Kate Bush’s “Running up that Hill” - wanting to be in a man’s body, in a man’s position of power, wanting to know what it feels like to never worry.
Both albums are ruminations on what it means to be a woman in a world that shows very little but hostility towards women. These themes existed in their music long before either album came out, but considering that our current political climate is so fucked (both in the US and globally), the messages got more blunt, more straight to the point, more cutthroat.
This is generally why I think women in noise have the most complex messages to convey in their music - patriarchal oppression is complex and calls for artistic interpretations with complex executions. Lingua Ignota wails about domestic violence, Ritual Chair screams about rape and sexual exploitation, Moor Mother spits poetry about what it means to be “black, female, and gay in America”. Uboa’s work is mostly about being a trans woman and battling mental illness. Even with older artists - Cosey Fanni Tutti, Mayuko Hino, Master/Slave Relationship, Suckdog - themes of patriarchy and oppression surface repeatedly.
Ignoring feminist messages in the noise women make is either a blatant dismissal of their intent or even a dismissal of their talent, or it just shows that the men listening have a habit of not paying attention to lyrics. It’s probably a mixture of both. “Pretty blond girl with big boobs make MS-20 go brrrrrrrr” is probably what their brains get stuck on, and it’s only when the voices of female noise artists get loud enough to where they can’t be ignored that these men start to feel uncomfortable. 
Discomfort is the goal, though. Noise is all about discomfort. Nobody goes to a noise show to feel warm and safe. They go there to have their ears blown out and their perceptions challenged. Discomfort is okay when it’s a white dude in a ski mask screaming about serial killers or dictators. It’s not-so-okay when a former sorority girl is clinking knives together and recounting how she was raped by an ex-boyfriend at a frat party. It’s not okay when a queer black woman screams “fuck you” at them, especially when some are singled out in the crowd.
It’s not okay when the pain and ugliness men inflict on the world is narrowed down into a very thin, wiry channel of consciousness and used as a lightning rod by women to strike back at them.
447 notes · View notes
musicofdoom · 10 months
Text
Tumblr media
Puce Mary: Sonic Intensity and Emotional Catharsis
Puce Mary, the moniker of Danish experimental artist Frederikke Hoffmeier, has emerged as a powerful force in the world of industrial and electronic music. With her uncompromising soundscapes and intense live performances, Puce Mary has captured the attention of listeners and critics alike. This article delves into the captivating sonic world of Puce Mary and explores her ability to create raw, visceral experiences that push the boundaries of music.
Puce Mary's music defies easy categorization, drawing inspiration from various genres such as industrial, noise, and experimental electronic music. Her compositions are characterized by layers of harsh, abrasive textures, pulsating rhythms, and distorted vocals. The sonic intensity of her work immerses listeners in a disorienting and cathartic experience, blurring the lines between beauty and chaos.
Beneath the sonic assault lies a profound emotional depth in Puce Mary's music. Her lyrics and vocal performances convey a sense of vulnerability and introspection, exploring themes of desire, pain, and personal struggle. Puce Mary fearlessly confronts the darkness within, inviting listeners to explore their own emotional landscapes. The result is a cathartic journey that resonates on a deeply personal level.
Captivating and Unpredictable: Puce Mary's live performances are known for their intensity and immersive nature. With a commanding stage presence, Hoffmeier creates an atmosphere that captivates audiences from start to finish. Her performances often incorporate elements of performance art, visual projections, and sensory experiences that enhance the sonic assault. Puce Mary's ability to create an unpredictable and transformative live experience solidifies her status as an artist who pushes the boundaries of performance.
Throughout her career, Puce Mary has demonstrated a willingness to evolve and experiment with new sonic territories. Her albums, such as "The Drought" and "The Spiral," showcase her growth as an artist, exploring different sonic palettes while retaining her signature intensity. Puce Mary has also collaborated with artists from various disciplines, including visual artists and dancers, further expanding her creative boundaries and pushing the limits of her artistry.
Puce Mary's uncompromising approach to music has garnered critical acclaim and a dedicated following. Her work has influenced a new generation of artists, who draw inspiration from her sonic aesthetics and fearless exploration of emotion. Puce Mary's ability to create immersive and challenging soundscapes has solidified her position as a unique and powerful
Puce Mary's music is an immersive and cathartic experience that defies convention and pushes the boundaries of sound. Through her intense compositions and emotionally charged performances, she creates a space for listeners to confront their own vulnerabilities and explore the depths of human emotion. Puce Mary's unwavering commitment to artistic exploration and her ability to create powerful sonic landscapes mark her as an artist who continues to shape and redefine the experimental music landscape.
65 notes · View notes
sonicbrutalism · 1 year
Text
Tumblr media
Puce Mary by Jane Chardiet.
139 notes · View notes
zef-zef · 2 years
Photo
Tumblr media
Puce Mary (Frederikke Hoffmeier)
at Sacred Bones at a Northside showcase 2013
source & credit: Jane Pain
422 notes · View notes
radiophd · 1 month
Text
puce mary -- faith dealers
16 notes · View notes
Text
Tumblr media
Puce Mary
77 notes · View notes
toffeethief · 4 months
Text
Puce Mary - The Feast Before The Drought
14 notes · View notes
eroticthriller · 10 months
Text
53 notes · View notes
womenofnoise · 1 year
Text
Tumblr media
Puce Mary
534 notes · View notes
aleprouswitch · 1 year
Text
Tumblr media Tumblr media
Puce Mary performing at Paradiso, Amsterdam, 2019. Photos by Lukas Steigerwald.
250 notes · View notes
mycatstupid7 · 1 month
Text
Tumblr media
Puce Mary - Rubber Therapy
Source : Grave Unit
7 notes · View notes
javiar · 1 month
Text
Tumblr media
Loyalty JH1.FS3
Puce Mary and Jesse Sanes
9 notes · View notes
zef-zef · 1 year
Video
youtube
Tumblr media
Puce Mary - Obedient Grounds from: Puce Mary - The Viewer (Ascetic House, 2014)
This cassette was released in the January Program of Ascetic House and was only available for purchase on the 26th of January 2014
78 notes · View notes
memorycare · 3 months
Text
Tumblr media Tumblr media Tumblr media
puce mary
10 notes · View notes
defjux · 11 months
Photo
Tumblr media
clockwise from L to R: Justin Broadrick, Lawrence English, Puce Mary, and Moor Mother
37 notes · View notes