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#prix pictet
sheltiechicago · 4 months
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Ragnar Axelsson: Kötlujökull glacier, Iceland
For more than 40 years, Axelsson, also known as Rax, has been photographing the people, animals and landscape of the most remote regions of the Arctic, including Iceland, Siberia and Greenland. He documents how the relationships of people with their extreme environments are being profoundly altered by climate change
Photograph: Ragnar Axelsso/Qerndu, Reykjavik
Prix Pictet shortlist 2023: Human
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stampzt · 10 months
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Arles 2023 : Prix Pictet annonce la présélection de son 10e cycle : Human
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tumbling-dyce · 7 months
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Gauri Gill, 'Waterwells', from the series ‘Notes from the Desert’, 1999–ongoing.
- Courtesy Prix Pictet
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semioticas · 7 months
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Arte da Fotografia
Gauri Gill, que há décadas registra imagens de pessoas em situação de pobreza em vilas no deserto do Rajastão, norte na Índia, vence a edição 2023 do Prix Pictet, um dos mais importantes prêmios de fotografia da atualidade.
Veja mais em:
Semióticas – Pessoas do deserto
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projectourworld · 10 months
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Ragnar Axelsson: Kötlujökull glacier, Iceland.
For more than 40 years, Axelsson, also known as Rax, has been photographing the people, animals and landscape of the most remote regions of the Arctic, including Iceland, Siberia and Greenland. He documents how the relationships of people with their extreme environments are being profoundly altered by climate change.
Photograph: Ragnar Axelsso/Qerndu, Reykjavik. Prix Pictet shortlist 2023: Human. Courtesy The Guardian #human
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tommykha · 1 month
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2023 Prix Pictet Rejection Letter disguised as announcement.
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siteymnk · 4 months
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更に続けて、プリピクテ Human/人間@東京���写真美術館。
Prix Pictet(プリピクテ)は、写真と地球の持続可能性に関する世界有数の賞。10回目の今回テーマは「HUMAN /人間」。ショートリストに選ばれた12人の卓越した写真家の作品が展示されている。
たぶん過去3回ぐらい連続で観に来てるはず。選出された作品はどれも力強い写真で、じっくり鑑賞する価値があるものばかり。入場無料、空いてるし良い感じ。
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alyssaolson02 · 5 months
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Book/Photographer research #5
Rena Effendi, a Azerbaijani freelance photographer has dedicated her work to focusing on themes of environment, post-conflict society, the effects of oil industry on people, and social disparity. One of Rena Effendi's early focus in her work was on the impact of the oil industry on people's lives. She documented her journey along a 1,700 km oil pipeline in Azerbaijan, Georgia, and Turkey, collecting stories along the way. This work was published in her first book, "Pipe Dreams: A Chronicle of Lives Along the Pipeline," in 2009. In her second monograph, "Liquid Land," published in 2013, Effendi paired her own images with photographs of butterflies collected by her father, a Soviet entomologist. These images highlight the theme of fragility and environmental decay in Baku, Effendi's hometown. Effendi has received numerous international awards, including the Alexia 2018 Professional Grant, the Prince Claus Fund Award for Culture and Development, and recognition from World Press Photo, SONY World Photography Award, and Getty Images Editorial Grant. She was also short-listed for the Prix Pictet Award in Photography and Sustainability. Effendi is represented by National Geographic Creative agency and ILEX Gallery. Her work has been exhibited in prestigious museums and galleries worldwide, including the Saatchi Gallery, Miami Art Basel, Istanbul Modern, and the 52nd Venice Biennial. She has worked on editorial assignments for renowned publications such as National Geographic, The New Yorker, Newsweek, TIME, The New York Times Magazine, Vogue, Marie Claire, The Sunday Times, GEO, and others.
Rena Effendi is much like other photographers in the sense that she sees poverty or hurt and turns it into a project. Rena Effendi has many projects based around a poorer and more broken lifestyle. Capturing pictures of all ages around the world in difficult situations such as war, injuries, after effects of crime, being dirty, having little hygiene, and even living in homes made by cheap and thin materials. Rena uses her editing skills to help show the story behind the pictures, using pops of color to represent different cultures yet still keeping somewhat of a dull surface to portray her image of a more difficult lifestyle.
Personally I did not love Rena’s work, and that is nothing personal to the photographer. As I research more photographers and look over their projects I see how a lot of people capture similar stories; as mentioned above, they see poverty and broken lives and try to turn it into art. Though I am aware these projects shine light on the less appreciated, I become bored of seeing the same things over and over again. Because of this, one of my favorite projects by Rena Effendi was “Bengali Weddings”. This story is different from her others because it focuses on celebration, happiness, and the joining of two into one through marriage. In these pictures she uses brighter editing techniques to show the large amounts of color at these celebrations. She is able to show not only the wedding itself but also the getting ready process of the family and friends and even the multiple days of celebration that follows the wedding. This form of a project drew my attention because of the feelings behind the pictures, they did not make me sad but instead happy and want to see more than I was given.
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sheltiechicago · 9 months
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Joana Choumali: HERE I STAND, 2022
This new work by Joana Choumali, the first African photographer to win the Prix Pictet, in 2019, is from her ongoing series Albahian. In it, she photographs her surroundings at dawn before layering the images with embroidery. She says: ‘I have come to understand that what I was hoping to find in my journeys abroad, I finally discovered in my own home’
All photographs: courtesy the artist/Prix Pictet/gestalten
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mizelaneus · 1 year
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saddayfordemocracy · 6 years
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Launched in 2008 with the aim of highlighting sustainability and the environment, The Prix Pictet has become one of the Photography’s most coveted awards.
Each ‘cycle’ of the Prix Pictet centres on a specific theme, which in the past has included Water, Earth, Growth, Power, Consumption, Disorder and Space. 
BP Carson Refinery, California, 2007, by Mitch Epstein, 
From the Series American Power, 2006-07
© Prix Pictet Earth
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stampzt · 11 months
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Fotografiska New York : Prix Pictet Fire : David Uzochukwu
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afrotumble · 4 years
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semioticas · 3 months
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Arte da Fotografia
Gauri Gill, que há décadas registra imagens de pessoas em situação de pobreza em vilas no deserto do Rajastão, norte na Índia, venceu a edição 2023 do Prix Pictet, um dos principais prêmios de fotografia da atualidade. Veja mais em: Semióticas – Pessoas do deserto
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projectourworld · 7 months
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Indian photographer Gauri Gill was announced, the winner of the tenth cycle of the Prix Pictet, the global award for photography and sustainability. Gill’s work emphasises her belief in working with and through community, in what she calls ‘active listening’. For more than two decades, she has been engaged closely with marginalised communities in the desert of western Rajasthan, and for the last decade with Indigenous artists in Maharashtra
#raisingconsciousness #community #humanity
Source: FT
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