#prakash mehra

[bollywoodirect]

43 Years Of Laawaris (22/05/1981)

Laawaris is directed by Prakash Mehra. It stars Amitabh Bachchan, #AmjadKhan, #ZeenatAman, Ranjeet and Raakhee. Songs by #KalyanjiAnandji, Anjaan & Prakash Mehra.

What are your favourite songs from the film?

#laawaris (1981) #amitabh bachchan #prakash mehra #zeenat aman #ranjeet #raakhee #kalyanji anandji #anjaan

[suchananewsblog]

Amitabh Bachchan was planning to quit films after 11 flops, Jaya Bachchan did Zanjeer for him: Salim Khan - Times of India

Veteran screenwriter Salim Khan recently revealed that Amitabh Bachchan was on the verge of quitting the film industry after he had endured around 11 flops in a row. However, Zanjeer became the turning point of his life and revived his acting career. He also revealed that they had to get Jaya Bachchan, who was the top star then, on board to increase the saleability of the film. Talking to his son…

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#Amitabh Bachchan #Dev Anand #dharmendra #Dilip Kumar #Javed Akhtar #jaya bachchan #prakash mehra #salim #salim khan #zanjeer

[flixadda]

Unbelievable! Some of the celebs who have quit top TV shows to participate in reality shows

Unbelievable! Some of the celebs who have quit top TV shows to participate in reality shows

MUMBAI: Reality TV shows have become a sure-shot way to success. Top shows like Khatron Ke Khiladi, Bigg Boss, and more pull in a lot of attention from the audience. So, for the stars, it is a big thing to be a part of reality shows. Many celebs have left their shows to enter reality TV shows. Just like Aneri Vajani. She quit top show Anupamaa to be a part of Khatron Ke Khiladi 12. She essayed…

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#Aneri Vajani #Bigg Boss 15 #Kumkum Bhagya #Naina Singh #Paras Chabra #Rohan Mehra #Siddhant Gupta #Tejasswi Prakash #Television #TellyChakkar

[srbachchan]

DAY 5754

Jalsa, Mumbai Nov 18/19, 2023 Sat/Sun 1:13 AM

Chhat Puja (Pratihar Sashthi/Surya Sashthi) Sunday, 19 November

Birthday - EF Rubina Mulchandani ; Ef Pravin Ahuja (noida) 'poet sahab' Sunday, 19 November ... birthday greetings to you and the affection f the Ef family .. ❤️

.. that strain again .. and again .. and again ... at this hour of having just finished work .. no work no play .. yes .. began at 7 am and now in completion .. that is and be the essence of day of us that work .. no work no play .. without it , like the sun never came out .. clouded in its translucent obliquity .. 'abrupt and angular but the very' ... aahh forgot those precious words of Hrish Da's brother on set on one of his films .. 'soul of magnanimity and rectitude' .. found it .. yaaaayyyy !

abrupt and angular but the very soul of magnanimity and rectitude ..

.. he had described the character I played in 'NamakHaram' .. Hrishi Da's film with Rajesh Khanna .. an Indian Becket .. that incredulous film with Peter O' Toole and Richard Burton , playing King and his confidant a commoner , almost .. christenned in the Court much to the dislike of the Church Archbishop .. but what an envious casting and performance abilities of these two giants .. and what a story .. ably adapted by Hrishikesh Mukherjee in the local version of a business tycoon, his empire and his dear friend, whom he has trusted to death and who turns the tide when he discovers the inappropriateness of the labour force that works for his friend's factory and the continued conflict that arises between these two inseparable friends ..

.. the description of the character .. but how mutedly significant in the environment of the day, when the surya devta plays truant ..

o .. lost my thought process .. in the wonderment of the days of this shoot at Mohan Studios .. now sold and converted into a multi storied real estate monstrosity , like many others .. never a word or thought of the massive creativity it encountered during its functionality .. Bimal Roy and his genius, Hrish Da, Prakash Mehra and their huge structured films and so many many others .. lost and gone to the concrete .. but in the memories of archives , now finding it difficult to survive ..

but life and work as I said needs to go on .. each day and enthusiastic run for the glory of the audience- the ones that made and make you !!

i retire ..

Amitabh Bachchan

[mainapnifavouritehoon]

I love you aditya kashyap I love you rahul raichand I love you aman mehra I love you om prakash makhija I love you kabir khan I love you aman mathur I love you jai singh rathore I love you veer pratap singh I love you phunsuk wangdu I love you fictional male characters I can never have

#If you know all of these men we are basically besties atp

[rajeevpradhan]

SMITA PATIL IN PRAKASH MEHRA'S MOVIE GHOONGRU

[abigail55]

Exploring the Rich Tapestry of Hindustani Cinema: A Cultural Odyssey

Hindustani cinema, often synonymous with Bollywood, is a vibrant and diverse film industry that has captivated audiences worldwide for decades. With its roots deeply embedded in Indian culture, Hindustani cinema has evolved into a powerful medium of storytelling, blending elements of drama, romance, music, and dance. This article delves into the rich tapestry of Hindustani cinema, tracing its origins, evolution, and enduring impact on global cinema.

Origins and Evolution:

The origins of Hindustani cinema can be traced back to the early 20th century, with the release of India's first silent film, "Raja Harishchandra," directed by Dadasaheb Phalke in 1913. This groundbreaking film marked the beginning of a new era in Indian cinema, paving the way for the growth and development of the industry.

Over the years, Hindustani cinema has undergone significant evolution, transitioning from silent films to talkies and from black-and-white to color. The golden era of Hindustani cinema, spanning the 1950s and 1960s, saw the emergence of legendary filmmakers such as Guru Dutt, Raj Kapoor, and Bimal Roy, who created timeless classics that continue to be revered today.

The 1970s and 1980s witnessed the rise of the "masala" film genre, characterized by its mix of romance, action, comedy, and melodrama. Filmmakers like Manmohan Desai and Prakash Mehra became synonymous with this style of filmmaking, churning out blockbuster hits that entertained audiences across the country.

In the 1990s, Hindustani cinema underwent a transformation with the emergence of a new wave of filmmakers such as Aditya Chopra, Karan Johar, and Sanjay Leela Bhansali, who introduced fresh narratives and innovative storytelling techniques. This period also saw the rise of independent cinema, with filmmakers like Anurag Kashyap and Vishal Bhardwaj pushing the boundaries of conventional storytelling.

Contemporary Landscape:

Today, Hindustani cinema occupies a prominent place on the global stage, with films like "Lagaan," "Slumdog Millionaire," and "Gully Boy" garnering critical acclaim and international recognition. The industry continues to evolve, embracing new technologies and experimenting with diverse genres and narratives.

One of the defining features of Hindustani cinema is its emphasis on music and dance. Songs and dance sequences are integral components of most Indian films, serving as vehicles for emotional expression and storytelling. From classical Kathak performances to high-energy Bollywood numbers, Hindustani cinema offers a kaleidoscope of musical and choreographic styles.

Moreover, Hindustani cinema reflects the cultural diversity of India, with films being produced in various languages and dialects. While Hindi films dominate the industry, regional cinemas such as Marathi, Bengali, Tamil, and Telugu cinema also enjoy widespread popularity, producing a diverse range of films that cater to local audiences.

Themes and Narratives:

Hindustani cinema explores a wide range of themes and narratives, reflecting the socio-political landscape of India. From romantic sagas set against the backdrop of majestic palaces to gritty dramas depicting the struggles of everyday life, Indian films offer a panoramic view of society, its aspirations, and its challenges.

Family dramas, with their emphasis on relationships and traditions, remain a staple of Hindustani cinema. Films like "Kabhi Khushi Kabhie Gham" and "Hum Aapke Hain Koun..!" celebrate the bonds of family and the importance of love and unity.

Historical epics, such as "Jodhaa Akbar" and "Bajirao Mastani," transport audiences to bygone eras, bringing to life the grandeur and romance of India's rich cultural heritage. These films often feature elaborate sets, opulent costumes, and epic battle sequences, capturing the imagination of viewers with their visual splendor.

Socially relevant films tackle pressing issues such as poverty, corruption, and gender inequality, shedding light on the harsh realities faced by millions of Indians. Movies like "Peepli Live" and "Pink" confront uncomfortable truths and challenge societal norms, sparking important conversations about justice and equality.

Furthermore, Hindustani cinema has embraced genre-bending films that defy categorization. Movies like "Andhadhun" and "Stree" blend elements of comedy, thriller, and horror, keeping audiences on the edge of their seats with their unpredictable plots and twist endings.

Global Influence:

Hindustani cinema's influence extends far beyond India's borders, captivating audiences in countries around the world. Indian films have a dedicated fan base in countries such as the United States, the United Kingdom, and the Middle East, where Bollywood stars enjoy celebrity status and films are eagerly awaited and celebrated.

The global success of films like "Dilwale Dulhania Le Jayenge" and "3 Idiots" has helped popularize Hindustani cinema on an international scale, introducing audiences to the magic and charm of Indian storytelling. Moreover, the proliferation of streaming platforms has made Indian films more accessible than ever, allowing viewers from diverse backgrounds to discover the richness and diversity of Indian cinema.

Conclusion:

In conclusion, Hindustani cinema is a vibrant and dynamic industry that continues to captivate audiences with its rich storytelling, colorful characters, and unforgettable music. From its humble beginnings in the early 20th century to its current status as a global phenomenon, Indian cinema has come a long way, embracing innovation while staying true to its cultural roots.

As the industry continues to evolve, one thing remains constant: the enduring appeal of Hindustani cinema and its ability to transport audiences to worlds of fantasy, romance, and adventure. Whether it's a lavish musical extravaganza or a gritty drama exploring the depths of the human condition, Indian films have something for everyone, making them a cherished part of global cinematic heritage.

[lokeshbhandarireview]

Sports Movies That Will Blow Your Mind

1. . Chak de! India (2007):                                                                Director: Shimit Amin                                               Cast: Shah Rukh Khan, Vidya Malvade,  Sagarika Ghatge                                                                       Duration: 2h 33m"Chak De! India starts our list with a powerful narrative about redemption. It also includes patriotism and women's hockey. Shah Rukh Khan portrayed coach Kabir Khan, becoming an iconic figure. This film is now considered a timeless classic.Especially for its title track “Chak De India” which was becoming a sports anthem played at every sporting event of course,  Chak De is incomplete without “Sattar Minute” Speech   by SRK    2. Lagaan (2001):                                                                Director: Ashutosh Gowarike  Cast: Aamir Khan, Gracy Singh, Rachel Shelley, Paul Blackhorn, Raghuveer Yadav, Yashpal Sharma                                                                Duration: 3h 44mSet against the backdrop of British colonial rule, "Lagaan" blends cricket and nationalism in a captivating story. Aamir Khan's Bhuvan leading his team against the British in a high-stakes cricket match remains etched in cinematic history.When it comes to Lagaan. It is not just a Bollywood movie, since the movie is an official entry for the Academy Awards for 2001 Lagaan has become a pride of the nation                                                               Bhaag Milkha Bhaag                                                                   Director: Rakesh Omprakash Mehra                           Cast: Farhan Akhtar, Sonam Kapoor, Divya Dutta, Yograj Singh, Prakash Raj                                                                             Duration: 3h 8mthe biopic of legendary athlete Milkha Singh, "Bhaag Milkha Bhaag, " is a cinematic masterpiece. Farhan Akhtar's dedication to the role and the film's emotional depth make it a compelling watch.We only know the athlete Milkha Singh but Bhaag Milkha Bhaag showcases the struggle of Milkha with precise detailing and a terrific how a small kid who lost his family during partition became a “Flying Sikh” and    physical transformation by Farhan Akhtar makes Bhaag Milkha Bhaag  the one of the best sports movies released in 2 decades

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#sports #bollywood #bollywood movies #entertainment #shah rukh khan #entertaiment #motivation

[andhrawatch]

Versatile Tamil Hero Suriya is readying himself to sign the biggest movie in his career with the Hindi director Rakeysh Om Prakash Mehra. Exciting details about this mammoth project are as follows: Going into the details, the Bollywood maker Rakeysh Om Prakash Mehra who got hugely inspired by the character of Karna in the epic Mahabharata has prepared a story centering the character. This huge mythological drama which was in the script stage needed a hero and the director sought the Superstar Suriya for the lead role. After a couple of talks, Suriya is said to be given his nod to this gigantic project. Titled Karna, this biggest project of his career will be produced by Excel Entertainments with a whopping 600 crores crossing the full budgets of Prabhas’s ‘Adipurush’ and ‘Kalki 2898 AD’ and will be released in all the major Indian languages. The regular shooting of Karna will commence from the month of this year’s December and will be completed by the end of 2024.  As of now, Suriya is busy participating in the regular shooting of his upcoming action thriller ‘Kanguva’. Directed by Shiva, KE Gnanavel Raja is producing this movie with a huge budget. The recently released promo went viral increasing the expectations of this film already.

[bollywoodirect]

Honoring the memory of #PrakashMehra, a remarkable filmmaker in Hindi cinema, on the 14th anniversary of his passing (17/05/2009).

He was among the trailblazers of masala films, alongside #NasirHussain and #ManmohanDesai. His collaborations with the actor #AmitabhBachchan resulted in numerous sensational hits and timeless masterpieces.

Mehra commenced his journey in the late 1950s as a production controller. In 1968, he helmed Haseena Maan Jayegi, featuring Shashi Kapoor in a captivating double role. Then, in 1973, he ventured into production and direction with Zanjeer. This exceptional collaboration with Amitabh Bachchan marked the beginning of a long-lasting and fruitful partnership, spanning seven more films. Among them, six emerged as blockbuster sensations: Hera Pheri, Khoon Pasina, Muqaddar Ka Sikandar, Lawaaris, Namak Halaal, and Sharaabi.

Their final joint project, Jaadugar, unfortunately faced a setback, concluding their streak of triumphs. Zanjeer holds the distinction of launching Bachchan's career as a leading actor, while Jaadugar was released during a transitional phase in Bachchan's illustrious journey.

Prakash Mehra also stood as one of the early Bombay directors who aspired to explore Hollywood. In the late eighties, he embarked on a collaborative endeavor with Frank Yandolino to bring The God Connection to life. This ambitious project aimed to include acclaimed Hollywood actors like Charles Bronson, among others. Despite substantial initial funding, the project ultimately remained unrealized.

Today, we remember Prakash Mehra's invaluable contributions to the world of cinema, his pioneering spirit, and the indelible mark he left on the industry.

In this photo (L to R): Producer Prakash Mehra, Amitabh Bachchan, Rekha, Vinod Khanna, and Director Rakesh Kumar during the shoot of the movie Khoon Pasina (1977).

#bollywood #bollywoodirect #prakash mehra #amitabh bachchan #zanjeer #rekha #vinod khanna

[suryamouli-blog1]

My Second Cinema Experience

As I perambulate around in the memoirs of my childhood, the memory of my second cultural outing fills me with delirious joy, in a time when the world was simpler, the pace relaxed and the neon was brighter. It was an epiphanic moment that transpired six months following my maiden fiasco, where my technical know-how in the world of visual storytelling was put to the test. But this time around, I was accompanied by a wealthy entourage of distinguished erudite persons, including maternal and avuncular figures, at the Swapan puri-the edifice of dreams of Bansberia-a picturesque township in the district of Hooghly.

Picture of Bansberia Municipality. Pic Courtesy: Facebook

Our destination was none other than the silver screen to partake in one of the then cinematic masterpieces, 'Lawaris' (The Orphan Guy), a blockbuster that had hit the silver screens in the year 1981. The cinematic masterpiece was crafted under the deft aegis of maven director, Mr. Prakash Mehra, and boasted arresting performances by thespian stalwarts, including Amitabh Bachchan, Zeenat Aman, Amzad Khan and Rakhee Gulzar.

Film Poster. Pic Courtesy: Google

As we ventured down the marbled passages, I could feel a tingle of excitement course through my veins. The posters plastered on the walls beckoned, promising scenes of action and adventure, romance, and comedy. The sound of the crowd hummed in the air, vibrant and alive with anticipation.

We found our seats, and I settled in, eager to experience what the legendary Lawaris had to offer. As the lights went down, the excitement in the theatre was palpable. The audience sat still, their breaths held, as the story of Lawaris unfolded in all its glory.

As the credits rolled, I was bewitched by the peppy, foot-tapping melodies comprising the earsplitting auditory hooks, such as 'Mere Aangne Mein Tumhara Kya Kaam Hai' and 'Apni To Jaisi Taisi', phrasing an aesthetic and boisterous marquee, arpeggiated by the musical prowess of the lyrical duo of India, Kalyanji Anandji . The musical score simulated spectral rhymes and induced jerky spasms in my fledgling self, prompting me to flounce and gyrate euphorically along with the beats of the hypnotic soundtrack, despite it having a seat reserved in my name.

Despite my tender years, the nonpareil performance of the formidable lead, Amitabh Bachchan, left an indelible impression on my young mind. Every move he made, every expression that graced his face, was etched in my memory, imprinting an image of a confident, self-assured being, untouchable in his prowess.

As the plot thickened, the exhilarating climax of the frenzy-thickened tale where the protagonist, Heera, administered a beating of biblical proportions to a horde of fearsome protagonists, evoked a debonair composure in the protagonist, a countenance bereft of any vulnerability, in stark contrast to the protagonist of my prior cinematic encounter.

All in all, my second cinematic indulgence had become a real eye-opener, striking a chord with my nascent self and fanning the flames of my imagination. The balletic amalgam of colourful choreography, resplendent melodies and thespian theatrics had effaced the ennui from my existence and left me yearning for more cinematic marvels- a feeling that persisted throughout my life into adulthood. It is a testament to the power of cinema to transport us to other worlds, other times, and make us feel alive; a legacy that lives on, year after year, drawing in audiences young and old, and leaving them with unforgettable memories.

[noisyearthquakeninja]

"MUQADAR KA SIKANDER" - MOVIE REVIEW | PRAKASH MEHRA MOVIE |

#youtube

[srbachchan]

DAY 5387

Jalsa, Mumbai                Nov 12,  2022                 Sat 11:59 PM

Uffff .. made it in time for the day of the 12th without the slash of the 13th .. though it was pretty close .. just a minute away and the DAY would have been morose ..

But morose is the day .. for another colleague has left us and me in particular ..

Rakesh Sharma , first AD to Prakash Mehra on ‘ZANJEER’ .. then independent director for other PM ( prakash mehra, as we often joked with him, as the PM of the country ) films .. and singularly - Hera Pheri, Khoon Pasina, Mr Natwarlal, Yaarana , et al .. and such great camaraderie on sets and else where, socially, during events and Holi ..

One by one they all leave .. 

But some like Rakesh leave an imprint that is hard to remove or forget .. his sense of screen play and direction, writing and execution on the spur of the moment and the fun times on location during Nattu and Yaarana .. his complete faith in his worth .. and the ease with which he would grant us the liberty of skipping shootings on the odd day, just to be able to spend time relaxing fooling around and being in the company of uncontrollable laughter and gaiety .. 

A most affable and kind hearted human , ready to step up to any kind of inconvenience that artists that worked with him, faced .. !

No I shall hesitate to go to his funeral .. for I shall not be able to bear the sight of an inert Rakesh  !

You made many of us prominent with your innovative ideas for story and film, Rakesh, and you shall ever be remembered .. ! 🙏🙏🙏

Sad news percolates on some other near and dear too .. but life challenges each hour and you get up bruised and damaged to brush off the injuries and walk .. then canter .. and finally run .. !!

I have no heart to design any other with pictures, so shall leave that for another day ..

Love

Amitabh Bachchan 

💛🪔 .. November 13 .. birthday of Ef Dr. Chitra Prasad from Canada 🇨🇦 .. Ef since the days of BigAdda .. and an admirer of Babuji .. she has written a book titled “Poetry and Emotions on Celluloid: Role of Hindi Film Lyricists” .. which is somehow related to my work of reserving the heritage of Indian Cinema .. or so I was told .. and one shall thank her for this with admiration and all good wishes .. .. and it is happy birthday to Ef Saru Rairikar from Satara for the 13th as well .. ❤️❤️❤️ November 13 is also "World Kindness Day" .. and in quoting from the words of the Ef .. one must say that it's indeed wonderful that your birthdays have such a special meaning .. the 13th has always been associated with being unlucky .. which is untrue .. but now you can tell everyone that your birthdays are a reminder for people to be kind !! .. in a world where we can choose to be anything , choose to be kind .. !! .. and .. yes .. be kind to yourself .. that's important too .. ❤️❤️❤️

Love .. and the kindness of 🤗 to all the Ef .. ✨

[harpianews]

When Kader Khan had a fallout with Amitabh Bachchan: 'Aap unhe sir ji bolna, Amit nahi bolna'

When Kader Khan had a fallout with Amitabh Bachchan: ‘Aap unhe sir ji bolna, Amit nahi bolna’

Kader Khan is best remembered for playing comic roles in several of David Dhawan’s films in the 1990s, but the late actor was a popular dialogue writer in the 1970s, writing for some of the most popular films of the time. Director Manmohan Desai and Prakash Mehra often worked together Kader Khan for their many Amitabh Bachchan starrers – Amar Akbar Anthony, Muqaddar Ka Sikander, Namak Halal,…

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[rajeevpradhan]

ACTRESS SMITA PATIL IN PRAKASH MEHRA'S MOVIE GHOOGNRU

[squarwell-breakingnews]

Amitabh Bachchan's 80th Birthday: How his dosti with Prakash Mehra went downhill- Exclusive - Times of India

Amitabh Bachchan’s 80th Birthday: How his dosti with Prakash Mehra went downhill- Exclusive – Times of India

Amitabh Bachchan and filmmaker Prakash Mehra churned out several hits together- ‘Zanjeer’, ‘Hera Pheri’, Khoon Pasina’, ‘Laawaris’, ‘Muqaddar Ka Sikandar’, ‘Sharabi’; ‘Jaadugar’ being their only flop. Today on Amitabh Bachchan’s 80th birthday, let’s take a look at his relations with Mehra- as told to us, in Mehra’s son Puneet’s words. “My father would describe it as destiny; he would say that…

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