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#paul and mal
elafranco2024 · 2 months
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Candid and lovely pictures of Paul McCartney and Mal Evans, a gentle giant. I believe Mal was so important to the Beatles and very loyal to them. And he especially loved Paul.
I would love to read Mal's book if I ibelieved that it had not in fact been tampered with and retouched. After all, Mal was murdered days before his book was delivered for publication and it was published only decades later when Mal was no longer with us.
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javelinbk · 6 months
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Drop everything, new John & Paul photo from 1974 just dropped!
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John Lennon, Paul McCartney, Linda McCartney, May Pang and Harry Nilsson in LA, 29th March 1974. Photo taken by Mal Evans.
For Mal, the sunny afternoon of March 29 would bring pure magic in contrast with the previous evening’s lackluster proceedings. The McCartney clan showed up [at the Santa Monica beach house] out of the blue, this time with daughters Heather, Mary, and Stella in tow, and Mal was thrilled at the prospect of seeing John and Paul together again—twice in the span of two days, no less. And he was by no means disappointed, observing the two old friends reclining on the patio together and, later, walking along the beach, with May, Linda, and the McCartney brood trailing along behind them. “Nice to see him and John together,” Mal scribbled in his diary later that month.
At one point that afternoon, Evans reached for his camera and snapped a photo of the two old friends lounging at the beach house — flanked by their partners, Linda and May Pang, and Harry Nilsson. May would also take some Polaroids of the meeting at some point this day, but there's a very real possibility that Evans' picture is the last photo ever taken of the 20th Century's greatest songwriting duo. (It will be included in the upcoming collection of Evans' diaries and archives, slated for publication in 2024.)
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reflectismo · 6 months
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Paul McCartney relaxing in the Rocky Mountains (1967). Photograph by Mal Evans.
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bonithica · 1 month
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mal x paul REAL ?!
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ceofjohnlennon · 3 months
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The Beatles randomly spending time with strangers on street, taken by Mal Evans. ㅡ From The Beatles Monthly Book, October/1967.
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rolloroberson · 3 months
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The Beatles from the final photoshoot.
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muzaktomyears · 6 months
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Forewards for Mal's memoir provided by each of the Beatles in 1965
Living the Beatles Legend, Kenneth Womack (2013)
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crepesuzette2023 · 1 month
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Hold up ,,, Mal called Paul his love in his diaries?
Yes. In his autobiography. He also analyzed their relationship in his diaries. For some context, here's a longer passage from Ken Womack's book, Living the Beatles Legend (Chapter 31).
As January 1970 came to close, Mal began drifting into an emotional slide that has been developing over the past several years. "Seem to be losing Paul," he wrote on January 27. "Really got a stick from him today. He let me down," and ominously added "Fixing a hole," "Pepper," and "directorship" to a growing list of disappointments. Apparently, the conversation had turned yet again to the issue of Mal's servile role in Paul's life, with the roadie believing that the association was bounded by friendship and love. "A servant serves," Mal wrote, "but he who serves is not always a servant," he added, echoing John's philosophy from December 1968. "Love is as sharp and piercing as a sword, "Mal reasoned, "but as the sword edge dulls — you sharpen it. So love's keenness needs honing — needs honesty." *
[...]
On February 11, Mal joined John and Yoko for a lip-synched performance of "Instant Karma!" on Top of the Pops, with the roadie, clad in beige suit and a light-green tie, playing the tambourine. By this juncture, Mal's long-standing relationship with Paul was in freefall. A few days earlier, he have been awakened by a 1 p.m. telephone call from the Beatle. It went "something like this," he wrote in his diary:
Mal: yeah? Paul: I've got time at EMI over the weekend. Would like you to pick up some gear from the house. Mal: Great, man. That's lovely. Session at EMI?! Paul: Yes, but I don't want anyone there to make me tea. I have the family – wife and kids there. Mal: [thinking to himself] Goes my poor head, "Why????" **
By the next week, Mal found himself behind the wheel of the Apple van, moving Paul's gear from EMI Studios to Morgan Studios, another Northwest London facility where Paul could work incognito. At one point, Neil cornered Mal about Paul surreptitious recording sessions, demanding to know more. "Where's Paul?" he asked, to which Mal tersely replied, "Not telling you."
In other instances, Mal ordered a Mellotron for Paul, while keeping him fully stocked with plectrums and other gear. In late February, Paul asked Mal to move everything back to EMI, where he was set to record "Maybe I'm Amazed" in Studio 2. For Mal, everything came to a head at 7 Cavendish Ave., when "my long love, Paul, to whom I have devoted so many years of loyalty, turned around to me and said, I don't need you anymore, Mal." *** *, ** : Evans, "Diaries." [1963—1974.] 10 vols. Malcolm Frederick Evans Archives. Entries from Jan 27 & Feb 5, 1970.
***: Evans, Mal, 'Living the Beatles Legend: Or 200 Miles to Go.' Unpublished MS, 1976. Malcolm Frederick Evans Archives.
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harrisonarchive · 9 months
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Photos by Linda McCartney.
August 8, 1969
Tommy Nutter on dressing John, Paul, and Ringo for the cover...
“Tommy Nutter dressed three out of the four Beatles for the Abbey Road album cover. True to his non-conformist roots, George Harrison opted to dress in denim.” - The Selvedge Yard, April 4, 2012
“Well, I dressed them. George Harrison is wearing denim — he was always a tricky bugger.” - Tommy Nutter to Timothy Everest, quoted in Yorkshire Post, October 31, 2015
For George and Mal, it was then on to Regent’s Park Zoo...
“[After the photo session] George and Mal [Evans] went to visit the Regent’s Park Zoo. They spent several hours wandering around the cages and animal houses and afterwards walked around Regent’s Park. The extraordinary thing was that during the whole morning absolutely no one recognized George Harrison. Perhaps there are so many similar haircuts in London these days that no one spares a second glance for anyone with long locks.” - The Beatles Book, September 1969
* * *
“I didn’t know at the time that it [Abbey Road] was the last Beatle record that we would make, but it felt as if we were reaching the end of the line.” - George Harrison, The Beatles Anthology
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lovely-lindalouise · 2 months
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javelinbk · 2 months
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The Beatles in India, 1968: A collection of photographs. From the Pattie Boyd collection at Christie’s
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rodeoromeo · 11 months
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happy 88th in the great beyond Mal <3
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m1ssunderstanding · 4 months
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Get Back Rewatch 55 Years On: Day Two
Paul and Ringo cabaret duo au NOW!
Their collective bitter humor about the fan mag. I think George probably appreciates Paul getting into this sort of shit with him. Even if it is only on a surface-level. A reminder that the Beatles fame journey (something that's been hellish at times for George, enough to give him PTSD and other issues for the rest of his life) has not left Paul unscathed. That Paul actually does have feelings, however buried they may be.
Could even be that the appreciation comes out in the form of "I think your beard suits you. Man." Does the tacked-on 'man' mean a sort of "no homo" type qualifier? Or is it just an added endearment. I know we don't think of George as particularly inhibited, but it was the sixties. And of course Paul loves the compliment and has no idea what to do with it.
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Can you all please thank Mal as he hands you your tea next time? Not that hard, guys.
Ringo's voice is so sexy. And I love how supportive Paul and George are of this very stupid song. If either of them had written it, they'd tear it to shreds, but it's Ringo, so we laugh along and enthuse about the sentiments behind the lyrics.
The communal bitching about EMI's treatment of them. As they should.
Oh goodness, it's the "Paul has an embarrassing crush" moment from that iconic post of @jeremy-hillary-boob He totally does and you should say it. "I never used to know what it meant". It's giving "girl pretends not to know how to hold her golf club so the hot guy will touch her".
I have a theory that some of their covers ~matter~ and "What do you want to make those eyes at me for?" Is the first one for me.
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Okay this look right here that John is giving Paul? Not to, like, out myself as never having experienced pure love except from my own child or anything, but the only other place I've ever seen that look is on my one-year-old's face when I come get him from his nap. So ... "A lovely little baby, John was"
"If this boy dies, you're gonna cop it." Peak older brother behavior. He's joking, but he's also deadly serious.
In love with John trying to sing out of his range. He's trying so hard, you guys.
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"Everybody had a hard year. 'well, I'm not sure, actually. Put [good year]." Same, John. Isn't it always that way? Hard. And good. He's such a genius lyricist. He just captures the human condition with such specificity.
Lol at Paul correcting John on the key of his own song (yeah, yeah, gimme some truth is secretly a colab but it's still a John song)
When they put a piano in front of Paul and John's instantly like "uh-oh, red-alert my beautiful boyfriend might not get captured perfectly from every angle" vs a year and a half later when he's bitching about Paul having too much screen-time in Let it Be. Well, you were part of the problem, babe.
I love George's way of teaching his songs. Whereas Paul was shouting key changes and counts between phrases, and John doesn't even bother to give any of that information, George is just softly singing "E, to F sharp minor. E to A." Beautiful. John and Paul, take notes.
Wonder if I'll get through a day without calling Paul a whore. Probably not.
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John being instantly self-effacing after suggesting that genius little let's enhancement. "My mind can blow those clouds away" is actually much more original and thought-provoking, but John just makes fun of himself. Like. Just own it. You're John fucking Lennon!
The George/Paul convo (George talking, Paul hardly flinching) is so painful actually. Because from the outside, Paul's avoidance looks so condescending and unfeeling, but avoidance feels much more like 'Shit fuck shit dodge the fight, go around, don't react, don't engage, don't start something' and i really feel for both of them.
Let John do Help for gosh sakes!
"Not bad though. Good try, that. Johnny."
The part where Paul is looking just so exhausted, and he's actually letting it show, and then he sees the camera on him and hurries and tries to do a cheeky little Beatles head-shake and smile. But then he's really just too tired (and high) and he looks away and rubs his eyes. It was like watching an old circus bear. Those poor things.
And of course John's head snapping up like a little gopher when Paul says his name
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ceofjohnlennon · 5 months
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John Lennon and Paul McCartney on the "Help!" set. ㅡ From the book "Living the Beatles Legend" by Kenneth Womack.
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rolloroberson · 4 months
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The Beatles during the Get Back/Let It Be sessions circa, January 13, 1969 at Twickenham Film Studios in London. George was not present on this day. Photos by Ethan A. Russell © Apple Corps Ltd. (http://www.thebeatles.com/)
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muzaktomyears · 6 months
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Mal himself was acutely aware of the special relationship he shared with Paul, the Beatle with whom he was, to his mind, undoubtedly the closest, but he also understood Paul's psyche best, and recognized that his friend "seemed to have the attitude of a North of England mill owner." In one especially painful instance, Mal recalled Paul "turning to me and saying, 'you are my servant. You do as you are told.'" Mal felt shaken to the core. "'I've never been anybody's servant,'" he replied, "always feeling in my heart that I worked with the Beatles and never for them." In his anger and hurt, Mal sought out John's advice. "They also lead who serve," Lennon told the roadie, paraphrasing the famous line from John Milton's Sonnet 26 (1673), "They also serve who only stand and wait." (...) Flush with John's guidance, Mal took to his diary, transforming the Beatle's words of wisdom into a poem: Don't take my weakness Give me your strength Don't give me your weakness Take my strength To rule is to serve To lead is to follow I'll serve and follow you And take you to love. For Mal, John's good counsel made all the difference, calming him after what he felt to be a personal affront.
Living the Beatles Legend, Kenneth Womack (2023)
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