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#our universe expands and will eventually run out of energy like a ripple on that lake
frogatz · 5 months
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you'll see them again !
too many thoughts and things done with Intent to fully explain myself . partially bc this was supposed to be much much longer, but i think i would like to play more in the space of post-game loop.
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sciencespies · 3 years
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Scientists have simulated the primordial quantum structure of our Universe
https://sciencespies.com/physics/scientists-have-simulated-the-primordial-quantum-structure-of-our-universe/
Scientists have simulated the primordial quantum structure of our Universe
Peer long enough into the heavens, and the Universe starts to resemble a city at night. Galaxies take on characteristics of streetlamps cluttering up neighborhoods of dark matter, linked by highways of gas that run along the shores of intergalactic nothingness.
This map of the Universe was preordained, laid out in the tiniest of shivers of quantum physics moments after the Big Bang launched into an expansion of space and time some 13.8 billion years ago.
Yet exactly what those fluctuations were, and how they set in motion the physics that would see atoms pool into the massive cosmic structures we see today is still far from clear.
A new mathematical analysis of the moments after a period called the inflationary epoch reveals that some kind of structure might have existed even within the seething quantum furnace that filled the infant Universe, and it could help us better understand its layout today.
Astrophysicists from the University of Göttingen in Germany and the University of Auckland in New Zealand used a mix of particle movement simulations and a kind of gravity/quantum modelling to predict how structures might form in the condensation of particles after inflation occurred.
The scale of this kind of modelling is a little mind-blowing. We’re talking about masses of up to 20 kilograms squeezed into a space barely 10-20 meters across, at a time when the Universe was just 10-24 seconds old.
“The physical space represented by our simulation would fit into a single proton a million times over,” says astrophysicist Jens Niemeyer from the University of Göttingen.
“It is probably the largest simulation of the smallest area of the Universe that has been carried out so far.”
Most of what we know about this early stage of the Universe’s existence is based on just this kind of mathematical sleuthing. The oldest light we can still see flickering through the Universe is the Cosmic Background Radiation (CMB), and the entire show had already been on the road for around 300,000 years by then.
But within that faint echo of ancient radiation there are some clues on what was going on.
The CMB’s light was emitted as basic particles combined into atoms out of the hot, dense soup of energy, in what’s known as the epoch of recombination.
A map of this background radiation across the sky shows our Universe already had some kind of structure by a few hundred thousand years of age. There were slightly cooler bits and slightly warmer bits which might nudge matter into areas that would eventually see stars ignite, galaxies spiral, and masses pool into the cosmic city we see today.
This poses a question.
The space making up our Universe is expanding, meaning the Universe must once have been a lot smaller. So it stands to reason that everything we see around us now was once crammed into a volume too confined for such warm and cool patches to emerge.
Like a cup of coffee in a furnace, there was no way for any part to cool down before it heated up again.
The inflationary period was proposed as a way to fix this problem. Within trillionths of a second of the Big Bang, our Universe jumped in size by an insane amount, essentially freezing any quantum-scale variations in place.
To say this happened in the blink of an eye would still not do it justice. It would have begun around 1036 seconds after the Big Bang, and ended by 1032 seconds. But it was long enough for space to snap into proportions that prevented small variations in temperature from smoothing out again.
The researchers’ calculations focus in on this brief instant after inflation, demonstrating how elementary particles congealing from the foam of quantum ripples at that time could have generated brief halos of matter dense enough to wrinkle spacetime itself.
“The formation of such structures, as well as their movements and interactions, must have generated a background noise of gravitational waves,” says University of Göttingen astrophysicist Benedikt Eggemeier, the study’s first author.
“With the help of our simulations, we can calculate the strength of this gravitational wave signal, which might be measurable in the future.”
In some cases, the intense masses of such objects could have pulled matter into primordial black holes, objects hypothesized to contribute to the mysterious pull of dark matter.
The fact the behavior of these structures mimics the large-scale clumping of our Universe today doesn’t necessarily mean it’s directly responsible for today’s distribution of stars, gas, and galaxies.
But the complex physics unfolding among those freshly baked particles might still be visible in the sky, among that rolling landscape of twinkling lights and dark voids we call the Universe.
This research was published in Physical Review D.
#Physics
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tesslahanline1991 · 4 years
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Reiki Healing Music With 3 Minute Timer Eye-Opening Useful Ideas
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Reiki Energy Healing Massage
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Reiki Healing What Is It
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learningrendezvous · 5 years
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Water Resources and Management
ONCE WAS WATER
Directed by Christopher Beaver
Las Vegas provides an example to the world of how any city can and must create its own sustainable water solutions.
Las Vegas is perhaps the most famous resort city in the world. It is also the thirstiest city in the driest state in the US, so it has had to be proactive in developing solutions that conserve and redistribute water, their most precious resource. Currently the city is faced with only 2.6 inches of rain per annum, a seventeen-year drought, a constantly expanding population and competition for shared resources. As a result, the city has been forced to create its own sustainable water solutions and in the process has turned itself into an example for other desert regions.
Everything to do with their water supply and disposal is watched, measured and checked. Water is recycled and returned to the source. Every drop is monitored acoustically to detect possible leaks within 6500 miles of pipes. 40% of the water is recycled for indoor use and returned to Lake Mead, 40% of what goes out comes back, but the remaining 60% is for outdoor use and either evaporates or goes back into the ground.
The film follows the story of Patricia Mulroy, the controversial founder of the Southern Nevada Water Authority. Her strength and leadership "helped launch a quiet revolution that will shape Colorado River politics far into the future, and perhaps provide a path to safety in the face of intensifying water scarcity."
The story of Las Vegas's approach to water sustainability is full of surprises, and we hear it from many different perspectives. After all, the strip is just a small part of the valley, but it is the engine that provides the cash to enable the experimentation that has created these models for survival.
DVD / 2019 / (Grades 7-12, College, Adults) / 55 minutes
AWAKE, A DREAM FROM STANDING ROCK
Directed by Josh Fox, James Spione, Myron Dewey
Record of the massive peaceful resistance led by the Standing Rock Sioux Tribe to the Dakota Access Pipeline through their land and underneath the Missouri River.
The Dakota Access Pipeline is a controversial project that brings fracked crude oil from the Bakken Shale in North Dakota through South Dakota, Iowa and eventually to Illinois. The Standing Rock Tribe and people all over the world oppose the project because the pipeline runs under the Missouri river, a source of drinking water for over 18 million people, and pipeline leaks are commonplace. Since 2010 over 3,300 oil spills and leaks have been reported.
Moving from summer 2016, when demonstrations over the Dakota Access Pipeline's demolishing of sacred Native burial grounds began, to the current and disheartening pipeline status, AWAKE, A Dream from Standing Rock is a powerful visual poem in three parts that uncovers complex hidden truths with simplicity. The film is a collaboration between indigenous filmmakers: Director Myron Dewey and Executive Producer Doug Good Feather; and environmental Oscar-nominated filmmakers Josh Fox and James Spione.
The Water Protectors at Standing Rock captured world attention through their peaceful resistance. The film documents the story of Native-led defiance that has forever changed the fight for clean water, our environment and the future of our planet. It asks: "Are you ready to join the fight?"
DVD / 2017 / (Grades 10-12, College, Adult) / 89 minutes
TRIPLE DIVIDE (REDACTED)
Directed by Joshua Pribanic, Melissa Troutman
Exposes the mishandling and cover-up of drinking water contamination related to unconventional natural gas extraction - aka fracking - in Pennsylvania.
This award-winning "bombshell" documentary covers the impact of fracking in one of the country's most pristine watersheds. With exclusive interviews from oil and gas industry leaders, independent experts and impacted residents, TRIPLE DIVIDE [REDACTED] covers five years (2011 - 2016) of cradle-to-grave investigations that reveal how regulators and industry keep water contamination covered up.
The documentary's title pays homage to one of only four Triple Continental Divides in North America, a place that provides drinking water to millions of Americans, signaling to the audience that everything, and everyone, is downstream from shale gas extraction.
Award-winning actor Mark Ruffalo co-narrates this film.
DVD / 2017 / (Grades 7-12, College, Adults) / 53 minutes
BLUESPACE
Directed by Ian Cheney
Contrasts sci-fi ideas about terraforming Mars with the state of NYC's waterways, and questions the viability of colonizing Mars before making our own planet sustainable.
Could humans live on Mars? Would we want to? Emmy-nominated filmmaker, Ian Cheney, provides insight into our currently unsustainable relationship with our home planet by examining the sci-fi speculation of "terraforming," or making another planet Earth-like, by altering its atmosphere. He calls on a multifaceted brain trust to process this big idea including a desert camp of Mars hopefuls, a bevy of sci-fi writers, Hurricane Sandy survivors, the Gowanus Dredgers Canoe Club, and a who's who of astrobiologists and earth scientists. BLUESPACE makes a strong case for taking better care of our water-rich planet so that future generations won't have to resort to interplanetary colonization.
At times whimsical and funny, serious and poignant and always stimulating, this is a unique exploration of current thinking about the origins and evolution of life and its relationship to water.
DVD / 2016 / (Grades 10-12, College, Adults) / 73 minutes
AFTER THE SPILL
Directed by Jon Boweraster
The oil and gas industry has historically dominated Louisiana politics and is largely responsible for the state's rapidly disappearing coastline.
Ten years ago Hurricane Katrina devastated the coast of Louisiana. Five years later the Deepwater Horizon exploded and spilled more than 200 million gallons of oil into the Gulf of Mexico, the worst ecologic disaster in North American history. Amazingly those aren't the worst things facing Louisiana's coastline today. It is that the state is fast disappearing through coastal erosion caused largely by oil and gas industry activity.
A follow-up to our 2010 film SoLa: Louisiana Water Stories, this film introduces us to some of the spill's most aggrieved victims as well as those who are desperately trying to save its coastline. Writer and historian John Barry who launched a suit against 97 oil and gas companies attempting to get them to pay their fair share for reparations caused by their explorations. Consultant and native son James Carville who manages to find some hope in new technologies that may save the coast. And Lt. Gen. Russell Honore, the man who saved New Orleans post-Katrina, whose new passion is for a Green Army he has recruited.
Fishermen, scientists, politicians, environmentalists, and oil-rig workers document how the coast of Louisiana has changed. What really happened to all that oil? What about the dispersant used to push it beneath the surface? How has the spill impacted local economies as well as human health and the health of both marine life and the Gulf itself? How much resilience is left in the people and coastline?
DVD / 2015 / (Grades 7-12, Colleges, Adults) / 62 minutes
DIVIDE IN CONCORD
Directed by Kris Kaczor
A fiery octogenarian activist spearheads a grassroots campaign to ban the sale of single-serve plastic bottled water in Concord, MA.
Jean Hill, a fiery octogenarian, is deeply concerned about the Great Pacific Garbage Patch, the world's largest landfill. Since 2010, she has spearheaded a grassroots campaign to ban the sale of single-serve plastic bottled water in her hometown of Concord, Massachusetts. She spends her golden years attending city council meetings and cold calling residents. So far, her attempts to pass a municipal bylaw have failed.
As she prepares for one last town meeting, Jean faces the strongest opposition yet, from local merchants and the International Bottled Water Association. But her fiercest challenge comes from Adriana Cohen, mother, model and celebrity publicist-turned-pundit, who insists the bill is an attack on freedom.
When Adriana thrusts Jean's crusade into the national spotlight, it's silver-haired senior versus silver-tongued pro. In the same town that incited the American Revolution and inspired Thoreau's environmental movement, can one senior citizen make history? A tense nail-biter of a vote will decide.
DVD / 2014 / (Grades 5-12, College, Adult) / 142 minutes
GROUNDSWELL RISING: PROTECTING OUR CHILDREN'S AIR AND WATER
Directed by Renard Cohen
Documents the opposition from both sides of the political spectrum to the ubiquitous practice of fracking for natural gas, and the health and environmental reasons behind it.
GROUNDSWELL RISING gives voice to ordinary folks engaged in a David and Goliath struggle against Big Oil and Gas. We meet parents, scientists, doctors, farmers and individuals across the political spectrum decrying the energy extraction process known as fracking that puts profits over people. This provocative documentary tracks a grassroots movement exposing dangers to clean air, water, and civil rights.
GROUNDSWELL RISING shows how fracking has contaminated drinking water and jeopardized health and quality of life. Homeowners near wells suffer from respiratory ailments and property devaluation. Reina Ripple, of Southwest Pennsylvania Environmental Health Project, chronicles mounting ailments related to fracking. A former industry employee shows skin lesions and edema obtained while working with fracking waste.
Grassroots efforts have achieved bans, moratoriums, and referendums on fracking. Stanford University Professor Mark Jacobson paves the way forward globally with his Solutions Project for 100% renewable energy. Transcending the genre of environmental film, GROUNDSWELL's passionate stories inspire and empower.
DVD / 2014 / (Grades 7-12, College, Adult) / 70 minutes
CHASING WATER
Directed by Pete McBride
Breathtaking photography tells the story of the Colorado River, which flowed to the sea for 6 million years and now dries up 90 miles short of the Sea of Cortez.
After spending a decade working abroad as a photojournalist, Colorado native Pete McBride, decided to focus on something closer to his home and his heart: the Colorado River which cuts through his backyard. Taking nearly three years, McBride followed the river source to sea on a personal journey to see exactly where the river goes and what becomes of the irrigation water that flows across his family's cattle ranch in central Colorado after it returns to the creek.
Recruiting his father, John, as his personal pilot McBride chose an aerial vantage to capture a unique and fresh view of the Colorado River Basin. He also partnered with Jon Waterman, an author who stayed stream level to paddle the entire length of the river.
This short film takes the viewer on a 1,500 mile adventure downstream, from mountains and cities and through canyons and across shrinking reservoirs. For 6 million years the Colorado River flowed to the sea. Today it runs dry some 90 miles shy of its historic terminus at the Sea of Cortez.
This visual journey is both revealing and alarming as it highlights the state of the river and the Southwest's drying future.
Featuring the photography of Pete McBride and music by Explosions In The Sky, This Will Destroy You, Jesse Cook, and Ludovico Einaudi.
DVD / 2011 / (Grades 7-12, College, Adult) / 18 minutes
SEMPER FI: ALWAYS FAITHFUL
Directed by Rachel Libert, Tony Hardmon
Master Sgt. Jerry Ensminger reveals the Marine Corps' cover-up at Camp Lejeune of one of the largest water contamination incidents in US history.
Marine Corps Master Sgt. Jerry Ensminger was a devoted Marine for nearly twenty-five years. As a drill instructor he lived and breathed the "Corps" and was responsible for indoctrinating thousands of new recruits with its motto Semper Fidelis or "Always Faithful."
When Jerry's nine-year old daughter Janey died of a rare type of leukemia, his world collapsed. As a grief-stricken father, he struggled for years to make sense of what happened. His search for answers led to the shocking discovery of a Marine Corps cover-up of one of the largest water contamination incidents in U.S. history.
Semper Fi: Always Faithful follows Jerry's mission to expose the Marine Corps and force them to live up to their motto to the thousands of soldiers and their families exposed to toxic chemicals. His fight reveals a grave injustice at North Carolina's Camp Lejeune and a looming environmental crisis at military sites across the country.
DVD / 2011 / (Grades 10-12, College, Adult) / 76 minutes
SOLA: LOUISIANA WATER STORIES
Investigates how the exploitation of Southern Louisiana's abundant natural resources compromised the resiliency of its ecology and culture, multiplying the devastating impact of the BP oil spill and Hurricane Katrina.
Everywhere you look in Southern Louisiana there's water: rivers, bayous, swamps, the Mississippi River, the Gulf of Mexico. And everyone in Cajun Country has a water story, or two or three or more. Its waterways support the biggest economies in Louisiana - a $70 billion a year oil and gas industry, a $2.4 billion a year fishing business, tourism and recreational sports.
They are also home to some insidious polluters: the same oil and gas industry, 200 petrochemical plants along a 100-mile-long stretch of the Mississippi known "Cancer Alley," the world's largest Dead Zone in the Gulf of Mexico and erosion that is costing the coastline twenty five square miles of wetlands a year. At the same time, SoLa is home to one of America's most vital and unique cultures; if everyone who lives there has a water story they can also most likely play the fiddle, waltz, cook an etoufee and hunt and fish.
DVD / 2010 / (Grades 7-12, College, Adult) / 62 minutes
WATER ON THE TABLE
An intimate portrait of international water activist Maude Barlow and the debate over whether water is a commercial good or a human right.
WATER ON THE TABLE features Maude Barlow, who is considered an "international water-warrior" for her crusade to have water declared a human right. "Water must be declared a public trust and a human right that belongs to the people, the ecosystem and the future, and preserved for all time and practice in law. Clean water must be delivered as a public service, not a profitable commodity."
The film intimately captures the public face of Maude Barlow as well as the unscripted woman behind the scenes. The camera shadows her life on the road in Canada -- including an eye-opening visit to Alberta's tar sands -- and the United States over the course of a year as she serves as the UN Senior Advisor on Water to Fr. Miguel d'Escoto Brockmann, President of the 63rd Session of the United Nations.
More than a portrait of an activist, WATER ON THE TABLE presents several dramatic opposing arguments. Barlow's critics are policy and economic experts who argue water is no different than any other resource, and that the best way to protect freshwater is to privatize it. It is proposed that Canada bulk-export its water to the United States in the face of an imminent water crisis.
DVD / 2010 / (Grades 10-12, College, Adult) / 79 minutes
TAPPED
Directed by Stephanie Soechtig
An unflinching examination of the big business of bottled water.
Is access to clean drinking water a basic human right, or a commodity that should be bought and sold like any other article of commerce? From the producers of Who Killed the Electric Car? And I.O.U.S.A., this timely documentary is a behind-the-scenes look into the unregulated and unseen world of the bottled water industry -- an industry that aims to privatize and sell back the one resource that ought never to become a commodity: our water.
From the plastic production to the ocean in which so many of these bottles end up, this inspiring documentary trails the path of the bottled water industry and the communities which were the unwitting chips on the table. A powerful portrait of the lives affected by the bottled water industry, this revelatory film features those caught at the intersection of big business and the public's right to water.
DVD / 2009 / (Grades 9-12, College, Adult) / 75 minutes
WATERLIFE
Directed by Kevin McMahon
An epic cinematic poem that reveals the extraordinary beauty and complex toxicity of the Great Lakes, the largest remaining supply of fresh water (20%) on Earth.
The film tells the epic story of the Great Lakes by following the cascade of its water from northern Lake Superior to the Atlantic Ocean, through the lives of some of the 35 million people who rely on the lake for survival.
Providing earth with 20% of its surface fresh water and its third largest industrial economy, the Great Lakes are a unique and precious resource under assault by toxins, sewage, invasive species, evaporating water and profound apathy. They are also one of the planet's great preserves of extraordinary wilderness beauty and a bounty of unique species.
WATERLIFE blends these realities with a dreamlike fluidity as it pours through the lives of some amazing characters. We meet an Anishinabe medicine woman who walked 16,000 miles around the lakes to sympathize with them; the last of the great Michigan fishing families; a man whose lakefront home now borders a field thanks to sewer overflows; the people of a village where mysterious toxins ensure that most new babies are girls; and the residents of Love Canal, a notorious Niagara Falls neighborhood abandoned in the 1970s and now dubiously refurbished.
Along the way, WATERLIFE show viewers the Great Lakes as they might appear to a seagull, a fish or a water molecule...and from a myriad of other amazing perspectives. Filmed over a full year with a battery of specialty cameras and techniques, WATERLIFE provides an unprecedented view of an incredible ecosystem rarely seen by the city dwellers who form most of its population. From the ornate fountains of Chicago to the sewers of Windsor, viewers are carried through marsh and pipe, across pounding waves and through thunder clouds on a journey which, as the film says, has no "ending or beginning, that shapes every body it passes through and unites them all across space and time."
WATERLIFE's director, Kevin McMahon, is one of Canada's most innovative documentary filmmakers. Gord Downie, leader of The Tragically Hip and a Lake Ontario Waterkeeper, narrates the film. Topping off this epic cinematic poem is a fabulous soundtrack featuring Sam Roberts, The Allman Brothers, Dropkick Murphys, Sufjan Stevens, Sigur R?, Robbie Robertson, Daniel Lanois, Phillip Glass, Brian Eno and a new song by The Tragically Hip. Plus check out the award-winning interactive website.
DVD (Closed Captioned) / 2009 / (Grades 7-12, College, Adult) / 109 minutes
RETURN OF THE CUYAHOGA, THE
Directed by Lawrence R. Hott and Diane Garey
The story of the death and rebirth of one of America's most emblematic waterways.
For centuries, the Cuyahoga River has been on the frontier. When the United States was a new nation, the river literally marked the western frontier. But "civilization" came to the river; by 1870 the river was on the industrial frontier. On the river's banks sprouted a multitude of factories, a booming display of what was called progress. The river, as it flowed through Cleveland, became a foul-smelling channel of sludge, with an oily surface that ignited with such regularity that river fires were treated as commonplace events by the local press.
But then, in 1969, the river burned again, just as a third kind of frontier swept across the nation: an environmental frontier. And the Cuyahoga River became a landmark on this frontier too -- a poster child for those trying to undo the destruction wrought by progress in America.
The Return of the Cuyahoga is a one-hour documentary about the death and rebirth of one of America's most emblematic waterways. In its history we see the end of the American frontier, the growth of industry, the scourge of pollution and the advent of a political movement that sought to end pollution.
The Cuyahoga's story is a particularly apt example for future environmental efforts, because the once burning river can't just be cleaned up and "set aside" as a pristine wilderness park - it runs right through Cleveland, and like most American rivers, the Cuyahoga has to serve widely varying needs - aesthetic and economic, practical and natural, human and animal. The challenge: how to maintain industrial uses of the river near Lake Erie, encourage recreation and entertainment, and yet preserve the nature in and around the river. It's the same challenge that much of our riparian nation is facing today.
DVD (Color, Closed Captioned) / 2008 / (Grades 9-12, College, Adult) / 57 minutes
WATER FIRST: REACHING THE MILLENIUM DEVELOPMENT GOALS
Directed by Amy Hart
An inspiring story from Malawi shows that clean water is essential for the achievement of the UN's Millennium Development Goals.
Through the inspiring story of Charles Banda, a humble Malawian fireman turned waterman, we see how water is a solution to many of the problems in his impoverished, sub- Saharan country. From hunger and poverty to women's equality and population control, HIV/AIDS to environmental sustainability, Banda makes it clear that the best way to assist and empower people in developing nations, and to achieve the Millennium Development Goals (MDGs), is by putting water first.
Water First draws a clear correlation between clean water and all of the other Millennium Development Goals. The goals are a set of 8 targets set by the UN in the year 2000 and endorsed by 187 nations. Sadly, at the halfway mark, we are less than halfway there. Charles Banda believes that if more people knew about the MDGs we would have a much better chance of achieving them. And, if clean water was the top priority, achieving the goals would be much more feasible. "30% of the goals would automatically be achieved if everyone had clean water," says John Oldfield of Water Advocates.
DVD (Color, Closed Captioned) / 2008 / (Grades 10-12, College, Adult) / 46 minutes
WATER FRONT, THE
Directed by Liz Miller
The story of Highland Park, Michigan, and the larger issues of water privatization and human rights.
What if you lived by the largest body of fresh water in the world but could no longer afford to use it?
With a shrinking population, the post-industrial city of Highland Park, Michigan is on the verge of financial collapse. The state of Michigan has appointed an Emergency Financial Manager who sees the water plant as key to economic recovery. She has raised water rates and has implemented severe measures to collect on bills. As a result, Highland Park residents have received water bills as high as $10,000, they have had their water turned off, their homes foreclosed, and are struggling to keep water, a basic human right, from becoming privatized.
The Water Front is the story of an American city in crisis but it is not just about water. The story touches on the very essence of our democratic system and is an unnerving indication of what is in store for residents around the world facing their own water struggles. The film raises questions such as: Who determines the future of shared public resources? What are alternatives to water privatization? How will we maintain our public water systems and who can we hold accountable?
DVD (Color, Closed Captioned) / 2007 / (Grades 9-12, College, Adult) / 53 minutes
SWIM FOR THE RIVER
Directed by Tom Weidlinger
The story of the Hudson, and the battle to save it, are told as Chris Swain swims the entire length of the river.
Christopher Swain braved whitewater, sewage, snapping turtles, hydroelectric dams, homeland security patrols, factory outfalls, and PCB contamination to become the first person to swim the entire length of the Hudson River from the Adirondack Mountains to New York City.
Swain's experience links together stories of the river, which begins in wilderness and ends in one of the nation's densest population centers. We meet heroes who are fighting to protect the Hudson against a range of threats from industry, inept regulatory agencies, and public indifference. We also see how ordinary citizens can and do make a difference through choices they make effecting the environment, and by joining together around a common cause.
DVD (Color, With 58 Pages Teacher's Guide) / 2006 / (Grades 6-12, College, Adult) / 56 minutes
RISING WATERS: GLOBAL WARMING AND THE FATE OF THE PACIFIC ISLANDS
Shows that global warming is already hurting the Pacific Islands.
" We are like the warning system for the whole world to see." Penehuro Lefale, Samoa
For 7 million people living on thousands of islands scattered across the Pacific ocean, global warming is not something that looms in the distant future: it's a threat whose first effects may have already begun.
Through personal stories of Pacific Islanders, RISING WATERS: Global Warming and the Fate of the Pacific Islands puts a human face on the international climate change debate.
The majority of scientists around the world now agree that global warming is real, and key studies show that the tropical Pacific islands will be hit first and hardest by its effects. The water temperature in the tropical Pacific has risen dramatically over the last two decades, bleaching coral and stressing marine ecosystems. Sea level rise threatens to inundate islands, and extreme weather events -- such as more frequent and intense El Ninos, severe droughts, and mega hurricanes -- could wipe out ecosystems and the way of life that has existed for thousands of years.
"Way before most of these islands go under, they're going to lose their fresh water supply." Anginette Heffernan, Fiji
In the program, islanders show the viewers the physical and cultural impacts caused by global warming. Unusual high tides have swept the low-lying atolls of Micronesia, destroying crops and polluting fresh water supplies. Ancestral graveyards are being destroyed by the impacts of rogue waves and erosion never witnessed before the last decade. An increase in the frequency and intensity of hurricanes is making it difficult for island communities and ecosystems to recover.
"It's very difficult for someone living in the United States to grasp the fact that if the sea level rises just a few feet, a whole nation will disappear." Ben Graham, Republic of the Marshall Islands
But the islanders' stories have not convinced everyone in the rest of the world. Some scientists refute the studies, and business leaders and economists warn that forcing industries to drastically reduce greenhouse gas emissions will cause a global economic collapse.
While the policy makers and scientists argue about when and how much to reduce greenhouse gas emissions over the next twenty years, many Pacific Islanders are wondering if they will have a future. One thing is known: the longer emission reductions are delayed, the harder it will be to curb the effects of global warming, and prevent sea level rise from devastating the Pacific Islands.
What, then, should the islanders do? Whom should they believe? Where would they go if forced to leave their homes? RISING WATERS explores what it means to live under a cloud of scientific uncertainty, examining both human experience and expert scientific evidence. The problems facing the islanders serve as an urgent warning to the rest of the world.
Locations include Kiribati, the Samoas, Hawai'I, the atolls of Micronesia including the Marshall Islands, as well as laboratories and research centers in the continental United States. RISING WATERS weaves the portraits of the islanders with historical film and video materials, interviews with top scientists, and voiceover. 3D animation is used to illustrate key scientific concepts.
DVD (Color, Closed Captioned) / 2000 / (Grades 7-12, College, Adult) / 57 minutes
WIND RIVER
The battle over water rights on the Wind River Indian Reservation in Wyoming.
WIND RIVER is a modern-day story of cowboys and Indians. White ranchers on the Wind River Indian Reservation in central Wyoming are fighting to protect their long-held water rights for irrigated agriculture. The Shoshone and Northern Arapaho tribes are fighting to save the de-watered Wind River and a part of their own heritage.
This is a classic example of the changing face of the West, as environmentalists and Indian activists use the courts in an attempt to curtail some of the traditional, but harmful, practices of white ranchers and farmers.
DVD (Color) / 2000 / (Grades 10-12, College, Adult) / 33 minutes
LOOK AGAIN: JOURNEY OF THE BLOB
An illustration of the water cycle in a cautionary tale about pollution.
This classic, wordless film from the "Look Again" series tells a story that appeals to all ages, and is used widely in environmental education courses around the country.
A boy makes a decision about how to dispose of a green glob he has concocted. What will happen if he dumps it into a stream? Where does water come from and where does it go? This film illustrates the water cycle and raises many questions about environmental responsibility and the consequences of our decisions.
DVD (Color) / 1989 / (Grades P-6, Adult) / 10 minutes
http://www.learningemall.com/News/Water_1907.html
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rupertacton · 7 years
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WOODS
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Utility poles. Telephone wires. A corridor through bracken and trees. Day slowly becoming night. Sun held in the gap between the poles, the wires and the treetops. Sky in graded colours. An America from the films somewhere on the border between Kent and Sussex. Rushing. This place isn't a place at this specific moment. It's an idea I can move through. We can move through. There are still rules but they are less real here. Almost anything goes. Within reason. There is no reason. Most of the lads are now dads. Dads gone wild. A manageable wilderness. Short drive to supermarket for restocking. Copy of the Mail on every table. Bad coffee. A sugary bun. Civilisation. Flushable. Escaping Lewisham took an eternity. Creeping out through the deep blue borough. Lee Green. Initial supply pick up. Already surreal. Shop arranged to confuse. Shaving the edge of Greenwich. M25 calling. A familiar landscape. Hidden industry just off the junctions. Repurposed farms. Airstrips. Somewhere to fix the boat. Strip out the museum. Insurance money flooding into fields of wheat. Running off in summer rain. Out to sea. Offshore. Shell companies. Home counties. Away days. Executive motor full of tents. Last minute car hire. Tinted windows. Don't ding the car. That's a bag right there. The rest of our party are already at the pre-arranged location. I'm not raving. I'm drowning. This isn't the late 80's. Early 90's. Summer of love. Summer of Grenfell. Acid attacks. Moped gangs. Elections. Afrotrap. Cold lager. Sudden downpours. Clifftop walks. The week before walking from Dover to Deal. Mobile phone in France. Body in England. The white cliffs. Trite observations begging to be made. Brexcetera. Raptors circle. No bluebirds. Rumours of cliff mines supplying the whole of South and East London with dodgy hooter. Trafficked labour from Medway towns undercutting the commuters from Calais. Farage buzzes us menacingly in a Spitfire as we eat Waitrose sourced lunch looking over The Channel. Time to move on. The walk ends in the pub. As ever. Boy racers. Drift culture. House prices along the Kent coast. Arriving back into Stratford International. We had almost been to the Continent. Continental lager tops. Apt. We unload the car. Parked up just off the road. The lane. The sort of place where my imagination immediately goes to Range Rovers and bullet riddled windows. Real life Essex gangland cliches superimposed onto Sussex. MR James. A view from the hill. There is darkness everywhere. I have to put the binoculars down or I will see too much. Easier to write about occult meanings. Fascist undercurrents. Gothic ripples. A love of order. Harder to write about unbridled joy. Love. Embracing life. Arriving at camp. Fire already lit. Putting up tents. Not going to lie. Looks like there will be no shortage of drugs. Festival without the irritation of having to go to see music. There have been a few last minute dropouts. Solid group though. The missing will be missed. They will want us to have a good time. So we will. We do. I receive a text from my best friend deep into the night/morning. There is a new life. Fucking buzzing. Years are now death and life. More life. Hidden within banter weaved amongst the words are real conversations about actual things. We only really know each other as a group because of rap music. It's true. As good a reason as any. Possibly better than only really knowing each other because we work for the same hedge fund went to the same schools and share an interest in rugby and sniff. THE WOODS. THE WOODS. THE WOODS. Wallop wraps. Bags of brown crystals. Mellow little beans. Stinking bags of delicious pengy piff.  Etizolam tincture. Takes the edge off. Ready for some rudimentary sleep. Keys open doors. Degrees open doors. Apparently. University. Soon. WTF. Not sure if ready. I can only write like this. Do not footnote. Steal ideas but do not credit. The only honest way. Human Geography. Relevant. Too fucking relevant. 35. Open day fills me with fear. I have a human that I love to help me negotiate my own landscape of worry. I still worry. Can't quite get my head around the concept of attempting to apply scores to knowledge. It's how it works and I will have to just get on with that. Green. We cook food on an open fire. We eat well. Even out here we exercise privilege. To say I think about this when I'm out there doing it is probably false. Just exist. The second day and night are the ones. Magic. Everything set up. Nothing to worry about. A quick dip into the real world then back deep into the deep green. I started this with a description of a place and idea and non-place. This is where we are now. Little group broken off. Light playing tricks on everything. Gentle rushing. We move off the land we know. Along a footpath. Up a hill. This is ours. It's not. But really. It. Is. Ours. The entire Weald in the palm of our brains. At least in mine. Someone lies down on a small grassy slope beside the path and casually chops out a few lines. There is every chance that people will walk past but this is splendid isolation. Nobody walks past. Intruders do intrude sometimes. Dog walkers. Cyclists. They see us. I wonder if we are discussed over dinner. Or forgotten. Better to forget. Until next year. Unless this is the last time. This is discussed. There will be other times but possibly somewhere else. I am somewhere else already. I am somewhere else right now. I am back in London. Not adjusting to the pace. Currently in edgetime. Edgespace. I watch the trees in the wind from the window. Looking into the park across the road. I spend two days finishing off the weed bag. Small and pure. Walking through the park. Along the canals. The other river. Should people (me) even attempt to write about stuff like this? Overestimate the importance. Destroy the magic. Just a weekend camping. THE WOODS. The woods though. Time outside time. Book idea. Political party expands franchise to include small children. Stands on policy of nationalisation of Alton Towers. Thorpe Park. And so on. Landslide. Grip of power tightened through appealing to demographics. Eventual fascism. As always. This time created by my hypothetical fictional and your fictional actual children. Throw the idea into the fire. NATIONALISE THE THEME PARKS. Try not to talk about politics. Talk a bit about politics. Try not to talk about football. Talk a lot about football. LADS LADS LADS. It's emotional. I cannot write about nature in the way someone who really knows about nature can. I am not sure what that tree is. What that birdcall was. I experience nature as a mystery. An occult series of symbols to project fears and belief onto. Should the land be worshipped? There is too much blood and soil in paganism. I need more than science because I will never understand it all. I need more than religion because I will never understand it all. I do not need to understand any of it. I REFUSE TO UNDERSTAND. Each step along the path creates new worlds. New words. I wake up. Second time awakening here. Last breakfast at camp. Melancholy of taking down a camp. There is bound to be a word for this. Ask Macfarlane. Melancholy of the end of small scale anarcho-communist living experiment fueled by decent quality food and drink and other. Luxury. You all deserve this. Or your version of it. Personally I don't see why this can't be all the time but I guess it can't be for some reason or another. Work. Money. I would willingly tear down everything to replace it with this. Or a version of this. For everybody. UTOPIA IS BACK BABY AND THIS TIME IT'S NEAR CROWBOROUGH. I am William Morris. I am not William Morris. News from over there. Let's go over there. As a child the best days for me were the unsupervised days. Allowed to run wild. Playing out on estates in Bermondsey. Playing out in fields and woods near Higham. Smashing the fuck out of a caravan. Getting onto the construction site. I was not a fearless child. I am not a fearless adult. But I fear less because of those times when we were allowed to make mistakes. I still need space for my mistakes. Give me a life sized space for my mistakes. I don't climb trees. Under tree cover the light rain barely makes it to the forest floor. Benevolent nature. I assume we are all here for similar but different reasons. To see each other. To get away. To have a very good time. To think or not think as needed. To remember people who we have lost. When I got the news I was leaving the basement exhibition space I was working in. The cliché. Too young. We hadn't spoken for quite a long time. There is guilt about that. Defining moments of teenage life from parties and drugs to art and music. We sat in Spoons. Talking about the past. There was a photo album. We worked out some songs. GG Allin. I was trying to get some jungle in there. The funeral and the piss up were surreal. Wesley Willis soundtracking the last moments in the crem in Mortlake. Even in death there was that chaotic life grabbing death hungry energy. So much sadness yet I had a fucking great time. Honestly. Devastated at the same time. A complex legacy. I will treasure those years. The piss and the milk in the bottle. The time I had to punch you multiple times in the face then smash a lamp to stop you being a prick. The multiple times you backed me up in stupid situations. The multiple situations we found ourselves in. The arguments about politics religion philosophy that eventually made our friendship difficult to maintain over distance. There is a tree in the woods planted for someone else who is not here anymore. It is visited every time. I think about death. All the deaths. The lives. All the lives. The new ones. The old ones. The ones I've lived. The ones they live. I am grateful to have lived and to be living still. I am grateful to have people to share it with it. Utility poles. Telephone wires. A corridor through bracken and trees. Day slowly becoming night.
WOODS. DEDICATED TO ALL PEOPLE AND THINGS THAT MAKE LIFE WORTH LIVING.
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