#oprah apple tv

[anonymoushouseplantfan]

“Also, re: the ‘Parent’s Summit’ is quite an event for 2 people who are estranged from most of their families and keeps leaving their children for work travel 😂”

The whole parent thing is bizarre, I mean we have never really seen the children at all. They are never papped, we never see in situ video taken by the public like we did with Catherine and the nanny. We only see heavily photoshopped pictures, AI created pictures (look at the black eyes) and curated video. How can they use this platform with invisible kids? Kids that are never seen playing happily. Kids with delusional (IMO) parents with drug and mental health issues. It’s hard to imagine that will be successful. Will anything work for them at this stage?

They’re running out of runway, and pivoting back to the “charities and documentaries” platform, which already failed TWICE. No wait, THREE times if you count the Apple TV special with Oprah.

I don’t know what they can do at this point.

[grits-galraisedinthesouth]

The Sussexes🍋 have delivered little since signing w/the steamer in 2020

"Meghan and Harry’s $100 Million Netflix Deal Is a Hollywood Miss | Emily Smith Feb 28, 2024

When Prince Harry and Meghan Markle’s lucrative Spotify deal fell apart in 2023, Bill Simmons, The Ringer’s founder and managing director, was incensed.

“I wish I had been involved in the ‘Meghan and Harry leave Spotify’ negotiation,” Simmons, the head of podcast innovation and monetization at Spotify, which owns The Ringer, said on his self-titled show. “‘The F–king Grifters.’ That’s the podcast we should have launched with them.”

Simmons’ astonishing comments followed the collapse of the Montecito, California-based Duke and Duchess of Sussex’s $20 million deal with Spotify, signed in December of 2020. They delivered just 12 episodes of Markle’s “Archetypes” podcast.

But the Spotify contract paled in comparison to the estimated $100 million Netflix agreed in September 2020 to pay them, a deal which produced a documentary series “Harry & Meghan” two years later — and little else since then.

Aside from the docuseries, the exclusive Netflix deal produced the “Heart of Invictus” in August 2023, which covered Prince Harry’s games for wounded warriors, and “Live to Lead,” about inspiring world leaders and featured interviews with Ruth Bader Ginsburg and Gloria Steinem. That series premiered on Dec. 31, 2022.

Unproduced is an animated series created by Markle titled “Pearl,” which Netflix axed in May 2022 as part of a series of cutbacks. There is little else close to production.

What’s gone wrong? TheWrap spoke to multiple insiders who say the Sussexes have worn out their welcome in Hollywood with an iron-fisted desire for control, combined with a lack of experience. A revolving door of executives have departed the couple’s production company, Archewell, in the past two years while a long list of exhausted agents, producers and other industry veterans have stamped it with a “life’s too short” reputation.

The Sussexes founded Archewell Productions in the name of their four-year-old son, Archie. It includes their nonprofit charitable foundation, plus a for-profit arm focused on media projects.

“Everything with them was fraught and complicated because they wanted complete control,” one Hollywood creative who has worked with them, who declined to be identified, told TheWrap.

Another insider with knowledge of the management of Archewell agreed, saying the couple have proven to be stubborn to the point of alienating others.

“It appears that they just want what they want and won’t take advice,” the insider said.

“Taking on Harry and Meghan was a great coup for Netflix,” public relations and image guru Mark Borkowski told TheWrap. “It probably got a lot of eyeballs and subscriptions, but they [Harry and Markle] never delivered.”

Borkowski added that the clients he works with are closely watching their budgets and costs, but, given the former royals’ lifestyle, “The amount of income this pair has to raise is enormous.”

An insider with knowledge of the Netflix deal with Archewell said it is an “overhead agreement,” meaning not all the money would go to the Sussexes, but it also helps fund their staff, office and development fees.

Archewell and the Sussexes declined to comment for this story.

The former royal couple were initially a hot property. Before signing with Netflix, they also had discussions with Apple, Disney and NBCUniversal, The New York Times first reported. Meghan previously narrated a documentary about elephants for Disney+, and Harry collaborated with Oprah Winfrey on a docuseries about mental health for Apple TV+.

The “Harry & Meghan” docuseries, directed by Liz Garbus, was a legitimate hit, setting a record for the biggest debut for a Netflix documentary with a total 81.6 million hours watched on its first four days of availability, amounting to more than 28 million households watching.

The series was an intimate glimpse inside the Sussexes’ marriage and made headlines for their criticism of the British royal family for failing to support them, including allegations of racism and a narrative that the couple was essentially forced to leave England for the U.S.

But production was apparently difficult. One individual with knowledge of the series said dealing with the former royal couple was a “nightmare” as they were fiercely protective of their story.

“Harry and Meghan made the collaborative process very hard, to the point that there was no collaboration at all,” the insider said.

Other projects have not gotten off the ground.

Netflix and Markle announced “Pearl” with much fanfare in 2021. The animated series — co-executive produced by Markle and David Furnish — was to center on the adventures of a 12-year-old girl who finds inspiration in a variety of influential women throughout history. Netflix canceled it the following year while it was still in the development stage.

There have been reports Netflix bought the romantic Carley Fortune book “Meet Me at the Lake” for $1 million for the pair to produce into a movie. Other plans included a TV drama feminist retelling of Miss Havisham from Charles Dickens’ “Great Expectations” and a documentary about Prince Harry traveling solo in Africa. But these all seem far from getting off the ground.

Another Archewell insider told TheWrap that “Meet Me at the Lake” was “in active development,” but has not yet been cast. And Harry’s trip to Africa has not been scheduled. Some projects will be announced in the next few months, the insider added.

“They have a couple of unscripted things they’re working on,” Netflix’s chief content officer Bela Bajaria said at the “Next on Netflix” event on Feb. 1 of Markle and Harry, including “a movie in development” and “a [scripted] series.”

Bajaria emphasized that these projects were still in “early development,” which raises the question what exactly has been going on between Archewell and Netflix? COVID struck at the start of their deal, Markle went on maternity leave and then the writers’ and actors’ strikes halted production for much of last year. But with all that, it is it is remarkable how little the couple have actually made work for the streamer.

Reps for Netflix, which has also pulled back on its TV and film expenditure during the work stoppages, declined to comment. Harry and Markle do not have guild relationships so any non-U.S. productions would not have been affected.

Markle recently announced she’s joining forces with Lemonada Media — whose tag line is “Making Life Suck 🍋 Less” — for a new podcast, and it will also rerun her “Archetypes” podcast. The company, founded in 2019 by Jessica Cordova Kramer and Stephanie Wittels Wachs, is small and is not expected to be a big pay day for Markle.

The actress is still earning residuals from “Suits,” which recently found an entirely new audience on Netflix.

Archewell turnover: Meanwhile, there has been a dramatic executive turnover at Archewell — particularly those negotiating TV, film and media deals. Mandana Dayani, a human rights activist and business executive, was the president of Archewell from May 2021 to December 2022 and stepped down just days before Harry and Markle’s docuseries aired, with no reason offered. 

The company also lost its BAFTA-winning head of content Ben Browning in January 2023 after his contract expired. Browning, who worked on “Harry & Meghan” and the “Archetypes” podcast, returned to his former employer, FilmNation Entertainment as president of production.

Bennett Levine, their production manager, also left in January, as did Rebecca Sananes, Markle and Harry’s head of audio who left to work as a freelance writer and podcast producer after the “Archetypes” podcasts were concluded.

The company has also parted ways with their SVP of scripted television, “Fargo” producer Nishika Kumble, who lasted less than two years in the role.

“Meghan and Harry don’t have a quality team around them,” Borkowski said. “They drive this ship, they are in the wheelhouse. Whether you are the Obamas or Meghan and Harry, you have to defer to people who can really get the job done.

“They just need to sort out a proper production company, they need significant hires,” he added. “People who can actually develop scripts, wrangle talent.”

The Archewell insider insisted the couple has hired talented new executives. Tracy Ryerson was brought in as the new head of scripted content. She formerly worked at the production company behind “Peaky Blinders,” Caryn Mandabach Productions, and starred in a reality show titled “The Real L Word.” Former Disney+ executive Chanel Pysnik joined in 2021 as head of unscripted.

The Sussexes made a surprise appearance at the Jamaica premiere of the Bob Marley biopic “One Love” in late January, sparking speculation about a possible deal with the film’s distributor Paramount Pictures, especially given that they reportedly travelled with the company’s boss Brian Robbins — who is a neighbor in Montecito — via a Paramount private jet.

Yet parent company Paramount Global is strongly rumored to be up for sale, so it is unlikely to be a safe landing pad for the couple.

Last August it was announced that WME signed Markle to be repped by Endeavor CEO Ari Emanuel, Brad Slater and Jill Smoller. Archewell is also being repped by the agency, which didn’t comment to TheWrap.

“She is extremely ambitious and knows what she wants,” an industry insider told TheWrap of Markle’s discussions with the talent agency. “But there have been issues with executive turnover inside Archewell.”

In the meantime, The Sussexes need to make money to keep up their California lifestyle and their $14.65 million mansion. The U.K.’s Daily Mail reported that they made around $20 million from their tell-all documentary, while Harry made an estimated $15 million from his memoir “Spare.”

“I think possibly Netflix has dodged a bullet,” Borkowski said. “They know their content, they are data wonks, they know where the interest is. So they’ve got a very good idea or not whether there is a huge amount of excitement around Meghan and Harry.”

The viewing public may not be interested in a romantic movie from the Sussexes, he said. “They create a lot of column inches, but do people want content from them unless it is revealing something extraordinary [about themselves or the British royals]?” he said. “I don’t know how much more they can reveal.”

https://www.thewrap.com/

After Prince Harry and Meghan Markle pulled the plug on their $20 million podcast deal with Spotify this week, Bill Simmons, the streamer’s head of podcast innovation and monetization and CEO of The Ringer, called them “f—ing grifters” on the latest episode of his podcast.

The deal, which was struck in 2020, resulted in only one show, the one-season, Markle-hosted “Archetypes.”

“I wish I had been involved in the ‘Meghan and Harry’ leave Spotify negotiation, the f–ing grifters,” he told guest Joe House on Friday’s episode of “The Bill Simmons Podcast.” “I gotta get drunk one night and tell the story of the Zoom I had with Harry to help him with a podcast idea. It’s one of my best stories. F— the grifters.”

The Wall Street Journal reported on Thursday that Harry and Meghan would not receive the full $20 million from their payout. The two signed a deal with Netflix in 2020 to produce documentaries and series, and released their first show — a docuseries called “Harry & Meghan” — earlier this year.

Simmons, who founded sports and pop culture website The Ringer, sold it to Spotify in 2020 for $250 million. He’s in charge of several Ringer-branded podcasts at the podcast giant.

https://x.com/rBillSimmonsPod/status/1669665129393160192?s=20

#sussex sucks🍋 #megxit #netflix #spare us #meghan markle #worldwide privacy tour #like a spare #brf #money laundering #Tyler Perry #Bill Simmons #grifters #megflix bust #markled

[theblogtini]

Loved hearing y'all again! Just a quick note on the Netflix deal--it was signed in September 2020; by that point, Meghan's elephant documentary had already been released, and Harry's Apple TV+ series was in the late stages of post-production. Since then, the only non-Netflix work they've done has been televised interviews (the Oprah interview + Harry's interviews promoting Spare)

Yay, thanks for listening! So - rumor has it that they had been talking to Netflix for a while. Just prior to Covid - and before they had actually left the family, I believe - they were about to sign with the (now defunct) Quibi. During the Quibi times, they had already been in discussions w/ Netflix. When Quibi fell through (which honestly, such a shame that Quibi didn't make it b/c there was an Anna Kendrick show on there that I really want to see, lol) they signed with Spotify and then Netflix in quick succession to get the cash injection that they needed.

[laresearchette]

Friday, March 08, 2024 Canadian TV Listings (Times Eastern)

WHERE CAN I FIND THOSE PREMIERES?: THE RELUCTANT TRAVELER WITH EUGENE LEVY (Apple TV+) THE GOOD MOTHER (Paramount+ Canada) FIRST TIME FEMALE DIRECTOR (The Roku Channel) BOARDERS (Tubi)

WHAT IS NOT PREMIERING IN CANADA TONIGHT? GOLD RUSH: WHITE WATER (Premiering on March 12 on Discovery Canada at 9:00pm) THE TRAITORS (UK) (Premiering on March 15 on Crave at 11:00pm)

NEW TO AMAZON PRIME CANADA/CBC GEM/CRAVE TV/DISNEY + STAR/NETFLIX CANADA:

AMAZON PRIME CANADA AMERICAN FICTION ANATOMY OF A FALL DIFFERENT STROKES (EXCLUSIVE CONTENT) FLAWS

CBC GEM CBC MUSIC LIVE AT MASSEY HALL COCO CHANEL: UNBUTTONED GANGNAM PROJET THE GREAT BRITISH BAKING SHOW (Season 14) JUICE THE NEXT STEP (Season 7) 20TH CENTURY WOMEN WORKIN’ MOMS YOUNGER (Seasons 6 and 7, plus a one-hour special)

CRAVE TV BATMAN V SUPERMAN: DAWN OF JUSTICE THE DEPARTED DIARY OF A MAD BLACK WOMAN HOLMES FAMILY RESCUE HOW TO BLOW UP A PIPELINE A LEAGUE OF THEIR OWN PARADISE HIGHWAY PUSH SICK GIRL SISTERHOOD OF THE TRAVELING PANTS WONKA

NETFLIX CANADA BLOWN AWAY (Season 4) (CA) DAMSEL

HOCKEY CENTRAL TRADE DEADLINE (SN) 10:00am

MLB SPRING TRAINING (SN1) 1:00pm: Yankees vs. Jays

TENNIS (TSN2) 2:00pm; Indian Wells - Early Round Coverage Day #3 (TSN2/TSN4) 6:00pm: Indian Wells - Early Round Coverage Day #3

CURLING (TSN3) 2:00pm: Montana's Brier: Page 1/2 Qualifier (TSN/TSN3) 8:00pm: Montana's Brier: Page 3/4 Qualifier

PWHL HOCKEY (SN) 7:00pm: Montreal vs. Toronto

NHL HOCKEY (SNEast/SNOntario) 7:00pm: Sabres vs. Blue Jackets (SN) 10:00pm: Stars vs. Ducks (TSN3) 10:00pm: Jets vs. Kraken

NBA BASKETBALL (SN1) 7:30pm: Timberwolves vs. Cavaliers (SN Now) 8:00pm: Heat vs. Thunder (SN1) 10:30pm: Bucks vs. Lakers

MARKETPLACE (CBC) 8:00pm

MILLION DOLLAR ISLAND (Discovery Canada) 8:00pm: Finals Week begins, and starvation continues taking a toll on the Log camp as the hunger games reach a dramatic climax.

THE REAL HOUSEWIVES OF CHESHIRE (Slice) 8:00pm: Big ‘V’ Energy

BOLLYWED (documentary) 8:00pm: When Kuki invites the public to the second store Grand Opening on live radio, it gives the family less than 48 hours to be ready… for way more guests than they were anticipating.

ABOUT THAT (CBC) 8:30pm

THE FIFTH ESTATE (CBC) 9:00pm: Rotten Promises: A pitch to turn the Maritimes into an apple-growing capital, with influential supporters, was an easy sell to investors and would-be foreign workers; those who bought in say it was a scam.

OWN SPOTLIGHT: OPRAH & ANGELA BASSETT (OWN Canada) 9:00pm: Oprah hosts an intimate conversation with actress Angela Bassett in celebration of her recent honorary Academy Award; Angela shares her journey to success, her commitment to excellence and the dreams she has for her family.

HOW TO BLOW UP A PIPELINE (Crave) 9:00pm: With the climate crisis at a point of no return, a group of environmental activists come up with a daring plan to make their voices heard and disrupt an oil pipeline.

THE SUMMIT AUSTRALIA (Discovery Canada) 9:30pm (FINALE): After 14 days, 200 kilometres of brutal terrain and death defying obstacles along the way, The Summit is finally in sight.

CRIME BEAT (Global) 10:00pm: Surrey Six: The Gang Hit

#cdntv #cancon #canadian tv #canadian tv listings #marketplace #million dollar island #the real housewives of cheshire #bollywed #about that #the fifth estate #the summit australia #nhl hockey #mlb baseball #tennis #curling #pwhl hockey #nba basketball

[danortizdigital]

Creative Review 06

Here's a quick look back at the Creative happenings and hot topics of the week.

#CreativeReview is a one-stop cheat sheet of everything that happened this week in the digital media world - it's a weekly summary for creatives, written by creatives and it’s a free/quick read with no registration and we won't add you to some annoying list that's impossible to unsubscribe to promise.

Trailer Beat

Apple TV+; June 28

Idris Elba, Archie Punjabi

Told in real-time, Hijack is a tense thriller that follows the journey of a hijacked plane as it makes its way to London over a seven-hour flight, and as authorities on the ground scramble for answers.

Sony Pictures, In theaters June 23

Jennifer Lawrence, Andrew Feldman, Matthew Broderick

Maddie (Lawrence) thinks she’s found the answer to her financial troubles when she discovers an intriguing job listing: wealthy helicopter parents looking for someone to "date" their introverted 19-year-old son, Percy, and bring him out of his shell before he leaves for college. But awkward Percy proves to be more of a challenge than she expected, and time is running out. She has one summer to make him a man or lose it all.

Warner Bros. Pictures, In theaters December 25

Taraji P. Henson, Danielle Brooks, Colman Domingo, Corey Hawkins, Halle Bailey, H.E.R., Fantasia Barrino

A remake of the classic film showcasing the extraordinary sisterhood of three women who share one unbreakable bond in “The Color Purple.” This new take on the beloved classic is directed by Blitz Bazawule (“Black Is King,” “The Burial of Kojo”) and produced by Oprah Winfrey, Steven Spielberg, Scott Sanders, and Quincy Jones.

Social Media Tips & Resources

Brandy Johnson breaks down some helpful social media tips this week:

How to Find your target audience and enhance your social media strategy on Instagram

Understanding Instagram's Algorithm for Beginners

Instagram's algorithm is pivotal in determining what content users see on their feeds. It constantly evolves to provide a personalized and engaging experience for individuals.

👉Here's an analysis of Instagram's algorithm and its key components:

✅Engagement: The algorithm prioritizes content that generates high levels of engagement, such as likes, comments, saves, and shares.

✅Relevance: It analyzes post engagement, search history, and user interactions to understand preferences and deliver personalized content.

✅Relationships: The algorithm prioritizes content from accounts that a user frequently engages with, including posts from friends, family, and accounts they interact with regularly.

✅Recency: Instagram aims to provide users with the most recent posts to keep them up to date with the latest content.

✅Usage: The algorithm considers how often a user opens the app, the duration of their sessions, and the types of content they engage with.

✅Following: The algorithm considers the accounts users follow and their content. If a user follows accounts with similar content themes, Instagram is more likely to show them related posts.

✅Explore Page: The Explore page, powered by the algorithm, offers personalized recommendations to users based on their interests and interactions. It showcases content from accounts that users may not follow but align with their preferences.

Here are a few key takeaways:

🔥Focus on creating engaging content that sparks conversations and encourages interactions from your audience.

🔥Nurture relationships with your followers by engaging with their content and responding to comments.

🔥Post consistently to maintain a presence and increase the chances of your content being seen.

🔥Use relevant hashtags to expand your reach and connect with users interested in your niche.

🔥Experiment with different content formats, such as videos, Stories, and carousels, to keep your audience engaged.

🔥Monitor your analytics to gain insights into what types of content perform best and adjust your strategy accordingly.

Creative Showcase

Abu Dhabi: One Summer Isn't Enough

As the Emirate states recover from a COVID-influenced downturn in tourism, it’s intriguing to see how Abu Dhabi’s Department of Culture and Tourism – Abu Dhabi (DCT Abu Dhabi) is positioning the UAE’s capital city.

DCT is achieving this positioning through its “One Summer Isn’t Enough” campaign. The seasonal campaign has launched across 12 markets under the Experience Abu Dhabi destination brand, with a series of vibrant and light-hearted spots that showcase Abu Dhabi as the best place to experience summer highlighting a diverse range of indoor experiences, unmissable events, and unbeatable summer offers, and the emirate’s wide range of indoor attractions will ensure that visitors stay cool and comfortable.

Liquid Death: Recycled Plastic Surgery Center

Ozempic Queen or Buccal Fat Removal? Regardless of how you identify, Liquid Death is clearly playing into the beauty trends of the moment by focusing their latest campaign on plastic recycling, or rather, Plastic Surgery Recycling in a new spot starring Whitney Cummings.

Most recycling facilities send our plastic to landfills or oceans because it’s not actually profitable to recycle. So what should we do with all of this plastic trash? Introducing the Liquid Death Recycled Plastic Surgery Center. A revolutionary new approach to useless plastic garbage.

Learn more at: http://liquiddeath.com/plasticsurgery

McDonald’s “Sí Pica o No Pica”

McDonald’s is asking Gen Z fans “Sí Pica o No Pica” with its newest Spicy Menu campaign helmed by Colombian American director Victoria Rivera and produced by SLMBR PRTY in collaboration with Alma.

Rivera’s approach captured the candid opinions and reactions of a diverse cast of Gen Z friends as they try out the McSpicy sandwiches and Chicken McNuggets® in various environments.

The free-flowing conversations among the friends provide honest and unscripted reactions to the level of spiciness, with ad-libs in Spanglish polling their friends for their opinions on the spice level.

Goody: A different sauce for every artist صلصة غير لكل فنان

In food brand Goody’s latest campaign, pasta is their canvas, in which consumers can express themselves to come out with a masterpiece/painting.

Goody will accompany passionate foodies with a rich range of pasta sauces to help them shine, and add a sprinkle to their Artistic masterpieces, each carrying an artistic story of their own.

Don’t Eat the Homies: Nature is a runway

Birkman Agency took the concept of an ordinary runway and flipped it on its head to promote the athletic brand, Don’t Eat the Homies, by embracing the wild and untamed beauty of the great outdoors. Birkman & team hit the trails armed with a treadmill, models ready to strut their stuff, and a whole lot of 80s spirit.

Heineken Champions Cup Final Arrivals Billboard

Heineken helped a Leinster superfan send a message to Stade Rochelais ahead of the Heineken Champions Cup Final in Dublin.

Heineken believes the bigger the rivalry, the better the rugby. That’s never been truer than this weekend as Leinster Rugby took on reigning champions Stade Rochelais in the final of the Heineken® Champions Cup in the Aviva Stadium, Dublin.

After losing to La Rochelle in the final last year, Leinster will be doing everything in their power to get the win and secure their fifth Heineken Cup. And so will their fans, it seems.

Heineken Ireland made superfan Colin Fennessy’s dream come true by helping him paint his cheeky message to La Rochelle Head Coach Ronan O’Gara (or ROG as he’s known locally) at scale in Ballyboughal Airfield, located right next to Dublin airport.

“Never too late to turn the plane around, ROG!” is big enough to be read from 30,000 ft and will be visible to all planes flying into Dublin on the La Rochelle flight path this weekend.

The message from Colin was picked up as part of Heineken’s Love Rivalry campaign where fans were invited to send cheeky voice messages to the opposing team on match day.

The mammoth message measures 15M X 10M and was created with *eco-friendly paint. The message is designed to be the first thing rugby fans see on their approach to Dublin City.

LeBron James x Taco Bell: Taco Tuesday

The trademark on the phrase “Taco Tuesday” is really burning Taco Bell and LeBron James’ burritos. Now, the two have joined forces to combat the interdict on the use of the moniker in marketing material.

In a new ad, LeBron James laments being bleeped in a candid vertical video where he shouts, “It’s Taco Tuesday!” as he continues to be bleeped throughout the ad—but he’s grateful Taco Bell is doing something about it.

#creative review #social media #creative inspiration #creative agency #Youtube

[jessaerys]

can a girl who loves to say forgor (me) and a girl who hates when people say forgor (taka) ever truly be in love...? new york times best seller six weeks in a row oprah's book club pick apple tv adaptation coming to your screen this summer

[cartermagazine]

Today In History Oprah Winfrey, was born in Kosciusko, Mississippi on this date January 29, 1954. She is a media conglomerate, actress, producer, and global philanthropist, whose syndicated daily talk show was among the most popular of the genre. Oprah became one of the richest and most influential women in the world, who transitioned her hit talk show “The Oprah Winfrey Show” into a media and business empire. She reinvested the profits from her show, plus profits from films like The Color Purple, Beloved and Selma (which her Harpo Productions coproduced) add up to more than $2 billion. In 2011, Oprah launched cable channel OWN. Her 25.5% of the network is worth more than $65 million. The 'Oprah effect' has spread to Weight Watchers where she bought a 10% stake in 2015 and acts as a brand ambassador. In March 2020, she returned to the small screen on Apple TV+ for an interview show about Covid-19 as part of her multiyear pact with the streamer. She is without a question today’s example of a self-made successful African American woman/entrepreneur like Madam C.J. Walker. CARTER™️ Magazine carter-mag.com #cartermagazine #wherehistoryandhiphopmeet #historyandhiphop365 #carter #oprah #oprahwinfrey #blackhistorymonth #blackhistory #history #staywoke https://www.instagram.com/p/Cn__P9hO5xu/?igshid=NGJjMDIxMWI=

#cartermagazine #wherehistoryandhiphopmeet #historyandhiphop365 #carter #oprah #oprahwinfrey #blackhistorymonth #blackhistory #history #staywoke

[the-empress-7]

So, while under contract to Netflix, they: appeared on a series for Apple TV. Did a huge interview for Oprah/CBS. Went on Ellen and James Corden. Blabbed to Gayle King and Hoda on GMA. Are releasing a book and podcast (I mean, we'll see, but still) for other publishers. And now gave the Lili reveal to The Sun. Am I missing anything? Who do we think got fired at Netlfix for signing these two lemons?

LOL

[popentertainment-interviews]

Quinn Lemley

Through Rita Hayworth - The Heat is On, Singer/Performer Transforms Into the Legendary Star

by Brad Balfour

On Nov 20, 2023, the singer/style queen Quinn Lemley will present her last NYC performance of The Heat Is On! – Rita Hayworth at Don’t Tell Mama (343 W 46th St.), the long-established cabaret center in midtown Manhattan, before going on the road. Hayworth, known as “The Love Goddess,” is iconic for her indelible performance in Gilda, the film noir classic – performing the sexiest striptease on celluloid, “Put The Blame On Mame.” The hottest sex symbol of the 1940s, Hayworth’s pin-up on the Atomic Bomb gave her the international title of “The Atomic Star.” Courted by the world’s most powerful men – Orson Welles, Prince Aly Khan, and Howard Hughes among others – Hayworth was a legend until she had early onset Alzheimer’s Disease which led to her death.

Fire-haired performer Lemley brings the star to life in her sold-out shows. Having headlined various performing arts centers and casinos across North America, she received The Bistro Award and two MAC award nominations. Lemley’s jazz quintet performs internationally and she’s the iconic face of the Half Note in Athens, Greece. The New York Times defines her performances as "Dazzling... with one show-stopping number after another!" 

Besides this show, Lemley has directed and co-produced Rebel Rebel, The Many Lives of David Bowie, Pink Floyd’s Dark Side of the Wall and The Ultimate Queen Celebration. She’s had a presence on national TV through appearances on Good Morning America, Oprah and as a finalist on Shark Tank. Lemley also has five CDs available, and her music is on Spotify and Apple Music. She’s hosting the locally produced TV show, Secrets of the Stage on MNN.org with a monthly virtual concert on Zoom -- “Up Close & Personal.” A graduate of NYU Tisch School of the Arts, she's a Distinguished Toastmaster at Toastmasters International and a member of National Speakers Association as well as SAG, AFTRA, AEA, DTM, NSA NY, APAP, and IEBA.

This critically acclaimed concert about Hayworth's life — the star who built Columbia Pictures — is a humorous, heartfelt and heartbreaking look at The Golden Age of Hollywood, the MeToo movement and the price of fame — especially in light of Hayworth's tumultuous relationship with the head of Columbia, the infamous Harry Cohn. The show reflects the price of fame, celebrating a remarkable life with humor, wit and impeccable storytelling. It’s all woven together with tunes from The Great American Songbook and the Golden Age of Hollywood. 

Written and directed by Carter Inskeep (“Always Patsy Cline”), Lemley’s performance is either backed by a quartet or by an 11-piece big band. The show includes hits from such legendary composers and lyricists as Irving Berlin, Harold Arlen and Jerome Kern. It includes “Bewitched,” “Zip,” and “The Lady is A Tramp” from such iconic films as “Gilda,” “Pal Joey,” “Cover Girl” and more. 

The following Q&A was conducted online in advance of the upcoming show.

When did you know you wanted to be a performer?

I came out of the womb entertaining. I’ve always known that I wanted to perform. Singing and acting have always been my passion. Even as a young girl from Indiana I was always producing puppet shows, carnivals and musicals for our neighborhood. Luckily, my parents were incredibly supportive and made sure I took lessons and classes. I’m so grateful today! 

Talk about the first time you performed. Can you describe the moment?

My first show was when I was in fifth grade. I played a Far-Out Foxy Lady from A Foreign Land in Whitecloud and the Seven Dwarfs. I guess I was bound to be a glamour gal from the get-go!

Have you focused on cabaret because of the intimacy of the experience?

I love cabaret. I love its intimacy. It’s taught me to connect to each and every person in the room. It provides an opportunity to try things out and to take a chance, to take risks. 

Although it’s been a big part of my life, I haven’t focused on cabaret. My late husband -– producer, manager and best friend, Paul Horton -- expanded my shows by putting them with 9- to 12-piece big bands. That opened up the scope of our shows. For the past 15 years, I’ve been headlining casinos and performing arts centers like The Kravis Center, Naples Philharmonic, Thousand Oaks Civic Center and BB Kings in NYC. After Covid, Paul suggested I go back to the club where I started my career -- Don’t Tell Mama in NYC -- before going back on the road in theaters. We won the Bistro Award, a MAC Nomination, rave reviews and have enjoyed a 17-month residency. I’m grateful Paul booked these dates leading up to going back to theaters starting in North Carolina at the Tryon Center Nov. 4, The Pheasantry in London on Feb 16 & 17th, and a one-week run at The Cape May Playhouse in July. We have our last NYC date on Monday, Nov. 20 at Don’t Tell Mama. It’s given me a chance to heal and put myself into the performance on another level. 

How do you choose the songs you do?

First, it’s the lyrics. What am I trying to say? How do I want to say it? Where does it fit into the show? Secondly, it’s about melody and structure. How does the melody make me and the audience feel? How do I want it arranged to tell the story? Finally, does it fit me as an artist? I love all kinds of music. But like clothing, not everything fits with my voice and personality or belongs in the arc of the story that I’m telling. I have to try the songs out and see how they feel and sound in my voice. 

How did you develop this show?

Rita Hayworth – The Heat Is On! has had three stages of development. The first stage was when I got out of NYU. I was starring in a show off Broadway. A reviewer saw me and said, “You look like Rita Hayworth. You should meet Carter Inskeep and do the story of her life.” That was pre-internet, so we read every biography, watched her films on tape and went to the library. We also read every article we could find on microfiche. The question we kept asking was, “Who is Rita Hayworth – the public persona?  But more importantly, who is Margarita Cansino? The girl who has hopes and dreams and just wants to be loved?” Just like me, like all of us. We had tremendous success, got rave reviews, were on Oprah, Geraldo, Good Morning America. I was in my mid 20s then. In my 30s, I met Paul Horton. He changed my life. He had us rewrite the show, using the songs from the Great American Songbook during the Golden Age of Hollywood to help tell the story instead of limiting it to songs from Rita’s films. He had it orchestrated for both a big band and a quartet. Now we can play intimate theaters as well as large ones like The Kravis Center, Naples Philharmonic and BB King’s. We toured throughout North America. During Covid, Carter rewrote the book to make the story about resilience, accepting our choices with topics like the “Me Too” movement, women’s empowerment and the price of fame. He had us return to Don't Tell Mama’s in NYC where we started the show after COVID, before going back on tour in theaters. Our residency was so successful that we got extended from four to 17 months, had rave reviews, won the Bistro Award and got a MAC Nomination. 

Besides this one performance left in NYC on Monday, Nov. 20, I’m going to London in February at The Pheasantry. I am so grateful that Paul put this in motion. It's been a lifesaver since he unexpectedly passed in March. It was his vision to do this residency. The story is so rich, deep, funny and moving. I’ve been able to tap into Rita’s story on a deeper level than I ever could have when I was younger. I’ve been able to put myself into the role in a way I never dreamed was possible. And the audiences are responding. 

Do you try to make your shows thematic, or sometimes just a simple revue?

All of my shows are thematic. The Heat is On – Rita Hayworth is about Rita and The Golden Age of Hollywood. Burlesque to Broadway is about the women who went from Burlesque to Broadway and Beyond. As a director and producer, I've done these shows: The Ultimate Queen Celebration, Rebel Rebel: The Many Lives of David Bowie and Pink Floyd’s Dark Side of the Wall. My TV Talk show on MNN, Secrets of the Stage is where I pull back the curtains and explore the creative process. My speaking keynote is about resilience through the lens of my relationship with my shows Rita and Burlesque to Broadway.

You did have a burlesque moment. Did it feel liberating, powerful or what?

I did a show called Burlesque To Broadway. It was so liberating. I was onstage with four beautiful and talented women who celebrated their talent, beauty and humor. It was powerful to claim and own my femininity and fun to tease. As the great poet Mel Brooks said, “When You Got It, Flaunt It.” Every woman should step into her power and “Be”! 

Besides the songs you're already playing, what are your benchmark tunes?

My heroine is Julia Child. I got to have lunch with her at her house in Cambridge with her husband Paul. Her spirit was incredible. She was a woman who took massive action and didn’t let anyone or anything stop her. Other icons of mine are Cher, Ann-Margret, Lady GaGa and Diana Ross. I’m putting a list of songs from '70s and '80s rock, so my benchmark songs are "The Show Must Go On," "You Take My Breath Away" and "Rock and Roll Suicide." I perform Queen and Bowie plus others to celebrate my late husband, Paul’s genius and talent. Plus, “Don’t Fret World” from his Rock Opera which was his anthem.

Who would you like to perform with or what show would like to be in?

My dream is to work with the French artist, arranger and producer Benjamin Biolay. And, of course, I’d love to work with David Foster.

What goals do you have for this show and for yourself?

We are going back on the road in theaters. I’m on a plane now headed to Tryon Arts Center in North Carolina. Going to London. I’m hoping to find producers and promoters who will help us tour and produce a run on the West End of London. I’d like to do a national tour. We’d also like to do a NetFlix special filming of the show for broadcast. Paul was my agent as well as producer, so I need to find an agent that can help me internationally. I am also looking to get my TV show, Secrets of the Stage, picked up by a major network with sponsorship. As a director and producer, I’m working on our tour of The Ultimate Queen Celebration with Yvan Pedneault and MiG Ayessa, both endorsed by Queen. It’s the best Queen tribute band on the market. We will be at The Egg in Albany, May 11th, and are routing around that. The audiences are on their feet. It's a Queen party. Starting next month, I’m working on a new show with ’70s and ‘80s rock that’s a tribute to Paul and our incredible 20-year journey together through music. I’m grateful to have so many talented colleagues with me on my journey. 

Who: Quinn Lemley

What: "Rita Hayworth - The Heat is On!"

When: November 20th, 2023

Where: Don’t Tell Mama – 343 W 46th St. – New York, NY – (212)-757-0788

[email protected]

For more info go to: www.QuinnLemley.com

Copyright ©2023 PopEntertainment.com. All rights reserved. Posted: November 15, 2023.

Photos ©2023. Courtesy of Quinn Lemley. All rights reserved.

#Quinn Lemley #2023 #Theater Interview #Rita Hayworth - The Heat is On #Brad Balfour #Youtube

[ladykinrannoch]

A campaign is raging on twitter to defend this woman. A video clip from Oprah's Apple tv show on mental health was relayed for hours by Meghan's pro business accounts. This attracts hatred against the RF. looks like a planned attack.

Well if she and her squad keep it up, I hope they start arresting them.

[chers-cheekbones]

Cher (with Oprah) at the premier of Sidney (an upcoming Apple TV film about Sidney Poitier) last night in Los Angeles ❤️❤️❤️

#Cher #cher sarkisian #cherilyn sarkisian #goddess of pop #sidney #Oprah

[jerseydeanne]

#apple #oprah winfrey

[theblogtini]

One of the things that has struck me the most about Low's book (and even Bowers) is that Harry and Meghan seem to have decided to leave the royal family before Meghan was even a part of the family. When you take a close look at the timeline, they were making moves well before she even gave being royal a fair shot. The Netflix, Apple TV, and Oprah deals were happening before they were even married.

And in order to do all of that - including launch their website - they used Charles's money (which Low pointed out).

The money that they supposedly didn't want or need... is what funded their escape from the family before Meghan was even a PART of the family.

Nevermind the fact that they were trading off the royal family from the jump. They actually used Charles's money to do it, and that just somehow makes it worse IMO, since their whooole argument was that they wanted to be "financially independent."

Like, y'all were using Charles's money to do whatever you wanted anyway...

[harrelltut]

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MU:13

#quantumharrelltech #harrelltut #MU:13 Occult Tech Illuminati #ZAPANTERA NEGRA

[scienceinnovation]

The Oprah Conversation — Will Smith On His Marriage to Jada | Apple TV+

#youtube

[esoutherngolf]

Golf Nation Now Available on VIZIO

Golf Nation Now Available on VIZIO WatchFree+ and On Demand NBTV Channels’ video entertainment network Golf Nation is set to officially debut its Free Ad-Supported Television (FAST) golf-lifestyle channel on VIZIO (NYSE: VZIO) Smart TVs. Millions of VIZIO Smart TV users will be the first to stream Golf Nation programming at no cost on WatchFree+ channel 612 and on demand. Golf Nation content was initially previewed in December 2022 on GolfNation.com as a groundbreaking video-on-demand provider of entertaining, commercial-free, golf-lifestyle shows. In the inaugural season of original shows, the following episodes are produced by NBTV Studios and range from five to 30 minutes: - Ambush with David Feherty – Hidden camera hijinks with golf’s most comedic figure - Three Courses – Travel to play, eat and drink with influencers Gabi Powel, Hannah Leiner - Golf Unseen – Adventures to exotic golf locations with cultural experiences, hosted by Carolina Romero and Mike Mason (nine-time X Games medalist) - Tee Shots – Drink, chat, swing, repeat hosted by famous mixologist Bill Binder - Versus – Rotating golf celebrities and influencers compete head-to-head “We are excited to premiere Golf Nation’s line-up of curated content on VIZIO Smart TVs,” says Greg Barnard, Director of Content Acquisition at VIZIO. “And thanks to a major brand sponsor of the channel, Golf Nation will be featured on the VIZIO Home Screen at launch, helping VIZIO users discover live and on demand content at the beginning of their TV viewing experience.” “Thanks in large part to VIZIO, Golf Nation will boast one of the largest golf-oriented audiences in the U.S.,” says Nick Buzzell, Chairman and CEO of Golf Nation. “The significant distribution lift excites our brand partners who authentically sell products featured in our shows.” Golf Nation started with a built-in audience, as more than 60% of Spirits Network viewers indicated a passion for golf. An investor community darling, Golf Nation’s thesis attracted backers Mark Bezos (HighPost Capital), David Nichols (former President of K-Swiss), John Esposito (Chairman of Whistle Pig and former CEO of Bacardi North America), Mindy Grossman, Partner at Consello and former CEO of WW International (Weight Watchers in partnership with Oprah Winfrey and CEO of HSNI, parent company to Home Shopping Network). Company leadership is equally strong, with former President of the PGA of America Suzy Whaley as President, sports media veteran Noah Coslov as GM, Kim Weinstein as President of NBTV Studios (producer of Golf Nation original shows), and golf marketing PR and visionary Rich Katz as an advisory board member. All shows are watched and live perpetually on golfnation.com, its Android app, and Spirits Network, parent company NBTV’s first entertainment vertical.  In upcoming months, they will be available on Golf Nation iOS app, Apple TV and additional streaming services. Read the full article