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bettsfic · 10 months

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Okay so:

I’ve been attempting a novel and have decided maybe I’ll put it on hold. To work on shorter fiction and learn to hone specific writing skills. What inspired this is one of your responses to an asks: where you recommended for newbie writers to focus on getting good at specific skills at a time.

This was a hard decision to make because I really want to write a novel but I also want to get good at the craft.

Do you think I’m being to extreme by giving up on writing a novel atm?

writing a novel is a long con. nearly every author i know, and probably nearly every author i've read, spent time in their writing career writing short form. but in the world of mass media, short form doesn't get a lot of attention, so success bias teaches us that writers write novels, because that's what's been advertised to us and that's largely what we've read.

if you go to your favorite author's website, if they're not like superfamous anyway, they'll probably have a link that says "publications" and there you'll find all the magazines and journals they've published in.

the only exceptions to this are romance and YA, which don't have a huge short form market. but in SFF and literary fiction, i think it is common and in some ways expected that you've written and published short form before attempting a novel.

i work with a lot of writers who want to write and publish a novel. that's totally possible. but depending on your market, your debut novel isn't just a book-length story you've completed. a debut novel is the best work you're capable of and most representative of your ideals. to reach your best work, you have to try and fail and rewrite and revise and submit and get rejected repeatedly. the fastest and most efficient way to do that is with short stories.

my recommendation is to write a short story, get it as good as you possibly can, send it out to 20 mags, then get 19 or 20 rejections. do that at least 5 more times. you'll see your novel in a completely new light.

the exception to this is if you're working on a novel that has taken a life of its own, and it's coming to you so quickly and so intensely that you can't not write it. if you're driven to write something, write it. but if you've been fiddling with a novel for a while and not making much progress on it or you don't like the progress you've made, set it down, work on shorter stuff, and come back to it later.

#writing advice

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chainofclovers · 4 months

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20 Questions for Fic Writers

Thanks for the tag, @tunemyart!

1. How many works do you have on AO3?

162

2. What's your total AO3 word count?

695,994

3. What fandoms do you write for?

Ted Lasso is the only fandom I'm actively writing in right now. In the past I've also written for Grace and Frankie and The Devil Wears Prada (DWP) as an actual active member of the fandom. I've also dabbled in Doubt, a specific National Theatre production of Twelfth Night, Dead To Me, Killing Eve, 9 to 5 (film), Supergirl, and Carol.

4. What are your top five fics by kudos?

Even now, all five are DWP Miranda/Andy fics. That is wild.

Clean Rooms and Dirty Light

Lightyear

Twenty Questions

Ice Water

Calibrated

5. Do you respond to comments? Why or why not?

I do! I think I've replied to nearly every comment I've received. I really, really appreciate comments no matter how quick or detailed they are and while I don't think writers have an obligation to respond to anything they don't want to, I always love hearing back from writers when I comment on their fic. Receiving a fic comment feels like an incredible opportunity to thank someone for reading and chat about the story. One of my favorite things about fandom is the interactive component; when I publish something in a lit mag, I might hear from a few people about it, but when I publish fic there's a built-in audience/community and I do not take that for granted.

6. What's the fic you wrote with the angstiest ending?

Maybe "Millimeters" (Grace/Frankie), in which Grace ends the story pining for Frankie, who is in a relationship with someone else? But even that story doesn't actually have an angsty ending; by the time I published it, I was already in the process of publishing a multi-chapter fic that was the third and final part of the series and that has a very happy ending.

No matter how much angst I put characters through in fic, I am pretty committed to endings that have some degree of hope and at least the possibility of joy!

7. What's the fic you wrote with the happiest ending?

I could answer with so many fics, but I'll go with "The Adventure" (Ted/Rebecca) because its ending is explicitly about Rebecca appreciating her life, sharing this appreciation with Ted, and feeling happy about her immediate future.

8. Do you get hate on fics?

If I have, I've blocked it out. I often put a note on my fics saying I am open to constructive criticism, and while I occasionally get criticism/questions/requests for additional tagging/etc. (all of which I welcome!), I've never gotten a properly hateful comment.

9. Do you write smut? If so, what kind?

Absolutely! The sex I write tends to be relatively feelings-y, but that doesn't mean it isn't smutty! I absolutely love writing sex and a significant portion of my stories contain some kind of explicit content. I'm not totally sure what "what kind" means but by this point I've written solo sex, couple sex, and group sex in a variety of queer and hetero contexts. I've written more femslash sex than anything else, but I love writing it all!

10. Do you write crossovers? What's the craziest one you've written?

I have tried but never successfully published any. I was really trying to make a DWP + Grace and Frankie crossover work for a long time but it just isn't the way my brain operates. I did write a story about Grace and Frankie watching Killing Eve with their ex husbands, though! :D

11. Have you ever had a fic stolen?

Not word-for-word/reposted, but I've had significant passages and concepts from fic plagiarized. It annoyed me.

12. Have you ever had a fic translated?

Not yet but some may be in the works?! I've had lots of fic podficced before, and while all the podfics are in the same language, they still feel in some ways like a delightful act of translation.

13. Have you ever co-written a fic before?

Yes! The Ted Lasso Ted/Beard podfic @boglady, @podklb, and @rockinhamburger "Just Missed You," which we created for @pod-together.

I've also collaborated more loosely on a couple fics, like the Ted/Rebecca fic "Rebecca Welton, 2021" (@boglady wrote the first chapter and gave me permission to write chapter two and @diane-lockharts permission to write chapter three) and the Beard/Ted + pre-Beard/Rebecca/Ted fic "Before and After" (@theodore-lasso wrote the first chapter and gave me permission to write a chapter two).

I might be forgetting something older, but those are the ones that come to mind.

14. What's your all-time favorite ship?

Impossible question! When I'm fixated on something it's my most favorite thing forever in a way that sort of limits my ability to think broadly and actually answer the question. So it FEELS like my answer is a tie between Ted/Rebecca and Ted/Rebecca/Keeley/Roy and Beard/Rebecca/Ted and any Ted/soulmate situation and that might actually be accurate because I can't recall my brain deep-diving into character quite like this before. But also, Miranda/Andy?! To have started writing about them in 2008 and to still read them sometimes and to have beta-read stories about within the last few months...that's some wild staying power, man.

15. What's the WIP you want to finish but doubt you ever will?

Oof, I've had a couple barely-started AU ideas for Ted Lasso that I am just 100% sure I'll never have the energy to write. Everything else, never say never! Either I don't want to finish and won't or I want to finish and might!

16. What are your writing strengths?

Detail, I think? I really love thinking about super-specific sensory experiences and exactly how a character would feel and respond, and trying to carve "meaning" from the ordinary little details that stack up to form life.

17. What are your writing weaknesses?

I sometimes struggle with blocking and describing movements. I also struggle a lot with conveying big feeling transitions. For instance, I might be able to write yearning, and I might be able to write that same character in a reciprocal relationship with the person they once yearned for, but that moment when things change can be really hard to write.

18. Thoughts on writing dialogue in another language for a fic?

As long as it's in-character, yeah! I don't think I've really had cause to do this. The closest thing recently might be Rebecca sending a text message in Dutch. I didn't translate it; translating it wasn't required to understand the meaning of the story, so it was more like a bonus for anyone who cared to translate it.

I don't love it when a character who speaks multiple languages peppers their speech with random well-known-to-English-speaking-audiences words in a non-English language when it feels like the writers is just reminding the reader about this fact about the character. But I love it when it's done in a way that resembles how people actually switch between languages as they speak!

19. First fandom you wrote for?

The Devil Wears Prada, back in 2008!

20. Favorite fic you've ever written?

Fic I haven't published yet! Always gotta have aspirations. <3

"Lavender II" (Beard/Rebecca/Ted) is a fic that I worked incredibly hard on and feel proud of because it just ended up being what I wanted and needed it to be, so maybe that's my favorite out of stuff I've actually already written.

tagging in a no-pressure way: anyone who was tagged throughout my answers + @talldecafcappuccino @dollsome-does-tumblr @broadwayfreak5357 @itsagutthing @kittensittin @thesumdancekid @fandomfrolics @waywardted @sapphicscholar @majolination + anyone who sees this and wants to do it (I probably meant to tag you anyway!)

#fic by me #about me #20 questions for fic writers #tunemyart #hot dork club

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fridayyy-13th · 4 months

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20 questions for fic writers

tysm @three-magpies-in-a-trenchcoat for the tag!!

How many works do you have on Ao3? 4

What's your total Ao3 word count? 13,296

What fandoms do you write for? i used to write for the Hermitcraft fandom, but i've discontinued the one fic i started for it and moved on to The Magnus Archives. i've got a couple story ideas for other fandoms, but idk if they'll go anywhere.

What are your top five fics by kudos? well, i've only got four! but from most- to least-kudosed, there's: - Double Trouble (Hermitcraft, rated G, incomplete multichapter) - Know What Can't Be Shown, Feel What Can't Be Known (TMA, rated T, oneshot) - Time Enough to Spend Some Time Alone (TMA, rated T, oneshot) - Here, Nowhere, Somewhere With You (TMA, rated G, oneshot) and i'm totally not salty my two most kudosed fics are an incomplete work and something i posted at 3am, respectively.

Do you respond to comments? hell yeah! i love answering comments <3

What is the fic you wrote with the angstiest ending? gotta say Time Enough, bc it's more refined than its predecessor, Know What Can't Be Shown (man i really need to stop giving my fics such long titles, i always end up shortening them when referring to them). but for reference, both are pre-Unknowing jmart kiss fics; it's a favored headcanon of mine. Time Enough also spends more time musing on how Jon and Martin are feeling—that is, they feel Bad. Absolutely Terrible. sad and scared, both for the Unknowing and for each other.

What's the fic you wrote with the happiest ending? Here, Nowhere, Somewhere, absolutely. the ending itself is pretty open, but Jon and Martin have reunited post-MAG 200, admitted they still love each other after its events, and found themselves Somewhere Else. it's the most hopeful.

Do you get hate on fics? not yet, thankfully. i'm not a well-known enough author for that lol.

Do you write smut? If so, what kind? i do not! and i doubt i ever will. props to everyone who does, though.

Do you write crossovers? What's the craziest one you've written? i don't really write crossovers, at least none i ever planned to publish, but i do have a couple fusion AUs in the works (that is, taking one story's premise and combining it w/the characters of another). and funnily enough, both are based on songs.

Have you ever had a fic stolen? i sure hope not.

Have you ever had a fic translated? no. though if someone offered to, i'd be honored!

Have you ever co-written a fic before? technically? a friend of mine and i made a couple AUs for a few different MCYT fandoms that never really went anywhere, but i've never co-authored something that's made it to publishing.

What's your all time favorite ship? probably jonmartin. i've read a ridiculous amount of fanfic for them, and i think pretty much all my WIPs feature it if both Jon and Martin are there (sometimes i'll make them queerplatonic, and sometimes they'll be part of a poly ship like jongerrymartin, but jmart tends to be pretty Do Not Separate in my mind lmao).

What's a WIP you want to finish but doubt you ever will? ages ago i was reading this one rom-com webcomic where two people wound up as roommates bc the landlord accidentally rented the single apartment to both of them, which i thought was a really cute premise, but then BAM there was some really awful transphobia in it. when called out in the comments, the author doubled down, so i snatched up the concept and decided "i'm gonna make this t4t out of SPITE." but uh i've found spite doesn't work very well as a fuel source for my work, and i can get the same awkward domesticity/mutual pining out of a safehouse fic, so it'll probably just stay buried in the WIPs folder.

What are your writing strengths? dialogue. or at least, making a character's dialogue sound like their voice. vocabulary, things like stammering or using filler words, cutting oneself off or pausing a bunch, that sort of thing. though sometimes the dialogue itself feels a little clunky. i also think i'm rather good at writing emotional scenes, especially once i'm in the editing stage of things.

What are your writing weaknesses? over-editing. my utter beloathed. i sometimes get really caught up in trying to make everything as clear as possible, when that just makes the work 5,000 words too long and takes way more time to do. i'm trying to be better about it.

Thoughts on writing dialogue in another language in fic? i think it's neat! but if you're monolingual you should read up on writing bilingual/multilingual characters beforehand, don't just wing it.

First fandom you wrote for? probably Pokémon? i'm not entirely sure.

Favorite fic you've written? Time Enough, hands-down. (though uh, hypothetically, if i wanted to make some small edits to it, would it be weird to do so? especially seven months after posting? there's a handful of lines i wish i'd phrased a bit differently.)

tags (no pressure!!): @radical-dadical-rafael @dramaticdads @winterswrandomness @ollieofthebeholder @ladydragonkiller @incandescentis @cornmazehater @jewishjon

#tag game #friday's fics #beloved mutuals #magpie tag #re: the edits for Time Enough—i noted them all down a couple months ago #some of them are probably too minor and i won't end up changing them #but others bug me every time i re-read the thing #but also yknow it's been seven whole months and i'm like ''ehhh that's a long time maybe i should just leave it''#so i figured i'd ask you guys & get some second opinions

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ms-demeanor · 4 years

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Just because capitalism is bad doesn't make rioting a good or effective means of change.

As much as I hate cops I feel like it pretty much proves my point to START with the article in the cop magazine about how the Rodney King riots changed policing in LA:

Shortly after the riot, Chief Willie Williams was sworn in as the first outside police chief in 45 years. The voters created a new system where the chief could serve only a five-year term, renewable once at the city's option. On two occasions so far, the city has sent the chief packing after five years.

(Police Mag April 2012)

Here’s Anaheim City Councilman Stephen Fassell talking about changes after riots in Anaheim due to police shooting people:

We now have a representative government that we did not have before. We now have a city government that listens more. We’re only six or seven months into this, so we still have to learn our way around. Overall, the city is taking a renewed interest in that neighborhood (Anna Drive) and others. Neighborhoods, in general, have higher visibility in the eyes of the city government from one end to another.

(OC Register, July 2017)

Here’s some historians talking to Vox about rioting:

The 1960s unrest, for example, led to the Kerner Commission, which reviewed the cause of the uprisings and pushed reforms in local police departments. The changes to police ended up taking various forms: more active hiring of minority police officers, civilian review boards of cases in which police use force, and residency requirements that force officers to live in the communities they police."

This is one of the greatest ironies. People would say that this kind of level of upheaval in the streets and this kind of chaos in the streets is counterproductive," Thompson said. "The fact of the matter is that it was after every major city in the urban north exploded in the 1960s that we get the first massive probe into what was going on — known as the Kerner Commission."

(Vox, September 2016)

This is from an abstract of a study done on the 1992 LA riots

Contrary to some expectations from the academic literature and the popular press, we find that the riot caused a marked liberal shift in policy support at the polls. Investigating the sources of this shift, we find that it was likely the result of increased mobilization of both African American and white voters. Remarkably, this mobilization endures over a decade later.

(American Political Science Review, 2019)

There’s a whole-ass article about this in Jacobin this week

Even the case of the 1960s is more complicated than the liberal story about scared white Nixon voters suggests. For one thing, there is substantial evidence that the riots led to higher government expenditures in the deprived cities where they erupted. James W. Button’s pathbreaking 1978 book Black Violence documented the ways the riots forced policymakers to pay attention to the effects of their policies on the urban poor, a group they had been happy to neglect previously. At a time when many social scientists viewed even protest movements as a kind of mass psychosis, Button showed that riots were a rational response to being ignored. Later research showed that riots could increase welfare expenditures, even in areas where white racism was strongest. In other words, even if riots pushed white public opinion in a conservative direction, they also brought important benefits to the areas where they occurred.

(Jacobin, June 2020)

And here is the full 17-page PDF of an article published by the American Political Science Association in their journal, I’m linking to the whole thing but I’m only going to reproduce the conclusion here:

We focus on violent protest as a political tool for a low-status group in the United States. While other scholarship has examined other forms of political action and asked if it is efficacious for racial minorities and other low-status groups, the scholarly literature has largely failed to ask whether rioting is a useful tool for building policy support, even though, from the perspective of the rioters, this question is paramount. Here we show that violent political protest can spur political participation among people who share an identity with the rioters.

Although it often seems extreme from the American perspective, political violence is not isolated to particular regions or eras and is still common in many parts of the world. Moreover, the implicit threat of violence underlies the relationship between governments and citizens in many places. As the use of violence continues to be an active feature of our political system, our findings and approach may help future scholars better understand this important topic.

(American Political Science Review, June 2019)

And also just because riots may or may not be politically expedient doesn’t prevent them.

I want to talk for a second about the concept of a state monopoly on violence.

The deal is that in most states (here meaning countries or governments, not US States) the State (or government) is the only entity that is allowed to be violent. You’re not allowed to break down your neighbor’s door, your partner isn’t allowed to hit you, you’re not allowed to smash your boss’s windshield. The state and its agents are the only things allowed to be violent and their violence is supposed to be used to curtail societal violence. The cops outnumber your partner and have the legal power to lock them in a cage if your partner hits you, this is in theory supposed to prevent your partner from hitting you. Fear of state violence is supposed to act as a deterrent to crime and interpersonal violence.

BUT there are supposed to be rules. The state is the only one allowed to be violent but they’re not allowed to be wantonly, willfully violent. The state doesn’t get to hit you with no evidence of a crime, the cops aren’t supposed to smash in your windshield, sheriffs aren’t supposed to break down your door if you haven’t committed a crime that warrants a violent response from the state.

The state isn’t holding up its end of the bargain.

The state has lost its right to a monopoly on violence.

Yes, the violence is unfortunate. Yes, the violence is not ideal. No, I’m not applauding when people set fire to local businesses.

I am maybe applauding a little when they set fire to a massive corporation that has utilized the violence of the state against citizens while working hard to protect itself against workers (Target) and I’m applauding the destruction of symbols of inequality and institutionalized racism (Rodeo Drive in LA and the Market House in NC and all the statues of racists on this list) and I’ma be real here, I kind of always think police stations should be torn down brick by brick or forcibly converted into libraries or low income housing.

So while the violence is not ideal I don’t think that it’s illegitimate. The state has lost its right to a monopoly on violence and a violent response is certainly one way to make that point.

But here’s the other thing:

All these riots started with peaceful protests against state violence. There are thousands of photos and videos of peaceful protestors peacefully protesting and having speeches and asking for change.

And there are hundreds of videos and photos of cops launching tear gas and rubber bullets at these peaceful protestors. There is a staggering amount of evidence that in city after city police escalated tensions and introduced violence to peaceful protests.

(and please let’s remember: all of this started in response to an act of police violence. These riots didn’t fall out of a clear blue sky, they are a direct reaction to four police officers killing a man by kneeling on his neck for eight minutes while he begged for his mother and his life. That is, in my opinion, something completely worth burning down a police station over even if that act never accomplishes anything further than burning down that police station)

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oxenfurt-archives · 3 years

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When the Time Comes - witcheress Ważka aka Dragonfly

The Witcher Lore (143/∞)

Gra Wyobraźni

Gra Wyobraźni, A Game of Imagination, is a pen-and-paper role-playing game published by MAG in 2001. There's no English translation of the system other than the ones created by fans, and even those are more focused on the mechanics of the game than the bits and pieces of lore. And there's surprising a lot of lore. Most of it obviously no longer applies to the versions of canon presented in the CDPR's games and Netflix show, but are still pretty interesting.

Gdy nadejdzie czas

On wiki the title is was translated to When the Time Comes. The story was published in polish rpg magazine Gwiezdny Pirat (issue 8 from 2004) written by Joanna and Maciej Szaleniec, writers involved in never published expansion about the Falka's Rebellion. Gdy nadejdzie czas was supposed to be one of the adventures leading up to that expansion, but unfortunately the publishing house MAG ceased to exist before it could be finished.

The adventure takes place in the 1160s in Gemmera, before the kingdom was conquered by Nilfgaard. The party should be composed of the Prince, heir to the throne, son of late prince Wodaryk and Dairida, who after 16 years returns to the homeland his mentor and other friends. The Prince had to fly from Gemmera when he was 12 - Wodaryk was killed by his own brother, Ponderyk. Ponderyk wanted to make it look like Dairida and her son were responsible for Wodaryk's death, so he could easily take the throne for himself. But the Prince managed to escape and only Dairida was imprisoned. The new prince of Gemmera locked her in a tower, Wieża Wiatrów [Tower of the Winds], from where she never escaped, lost her mind within the wall of her cell and eventually died. When the Prince and his party visit the tower they can't find anything that could have belonged to Dairida, no one other than her was held there, but it's just an abandoned place. Only the ones with really keen eyes can notice the traces of writing on walls, floors, and even the ceiling. All that can actually be read is a nursery rhyme:

Aa-a, kotki dwa, zaśnij już, córeczko ma, nie płacz, nie kwil, będziesz śpiewać, gdy nadejdzie czas.

My rough translation: Aha, two kittens / sleep my daughter now / don't cry, don't whine / you will sing one day / when the time comes.

[Also it seems to be to some extent based on the most popular polish lullaby Ach śpij kochanie that was first performed in the movie in 1938. So that's a fun fact.]

In this seemingly crazy rhyme, the Prince finds a clue that will help him fight Ponderyk - in her prison Dairida gave birth to Wodaryk's daughter and trusted Destiny to keep her safe.

As the Prince learns from common gemmerians, there was a legend about Wodaryk fighting a monster, just a few nights before he was killed. The seven-headed dragon lost most of its head to Wodaryk, but had the prince pinned to the ground, reading another attack, and then the vedymin from Stygga appeared. He proposed Wodaryk a deal, Vedymin will help with killing the dragon, and the prince will give him "what he already has at home, but doesn't expect". Wodaryk agreed and Vedymir cut off the seventh head of the monster. This story leads the Prince to believe that Dairida believed that her daughter will be safe in Stygga castle among the witchers of the school of the cat.

The party travels to Stygga, a grim, full of cruel mutants castle. The is plenty of gossips about the cat witchers and their experiments, who they change even the youngest ones, even the unborn ones. Cat witchers are fast and capable warriors and mages, with shattered minds - unable to coexist with the rest of society. But they greet the Prince and his companions and point out the child that was found years ago on a beach underneath the Tower of the Winds.

Ważka is a 15 years old witcheress - she's the monster slayer, not a princess. Uncannily agile. The only thing that makes her look anything like Dairida is her strong and healthy golden hair, braided in a single thick braid. She doesn't care about her legacy, but she agrees to go with the Prince back to the Tower of the Winds and try to find some other clue their mother could have left behind.

[Ważka is a name of insect, dragonfly, but it can be also a feminine form of somewhat old-timey ważki, meaning important, crucial]

Before the party reaches the Tower of the Winds they are however met with forces of Ponderyk and the prince himself. Most of the people of Gemmera heard of the return of the Prince and they start to doubt the legitimacy of Ponderyk's claim to the throne. That's why Ponderyk is forced to meet with his nephew and speak with him. Ponderyk tries to persuade the Prince to join him, as the fight between the two of them would inevitably lead the country to ruin. Ponderyk's speech is so successful that the Prince is ready to agree to do whatever uncle wishes of him. But Ważka doesn't feel the same - she's immune to Ponderyk's magical words and without even climbing down from her horse, she simply kicks uncle right in the jaw. The party regains their senses and realizes that they were under the charm - Ponderyk wasn't really speaking, his mouth is empty. Years ago he gave his tongue away for the magical powers of persuasion. The party fights Ponderyk's forces.

After the battle, the Prince notices that Ważka's clothing was ripped revealing her naked back and a weird old tattoo on her skin. The shape is deformed but still resembles Gemmera's coat of arms. All her life Ważka believed that the mark is just an ugly deformation after the Changes she did undergo during her training. Instead, it's a clue Dairida left their children - she tattooed on newborn's skin a map of one of the provinces of the country, with a single dot marking a spot there.

It's deep in the mountains where people rarely wander, where the party finds a cave occupied by the same monster years ago fought Wodaryk. The monster was placed there by Ponderyk, to guar whatever is deeper in the cave. After the party kills the monster they go inside and discover the old abandoned shrine dedicated to Coram Agh Tera, The Cult of the Lionheaded Spider. Years ago the cultist convinced young and ambitious Ponderyk to join them. They promised him power and the throne, and Podaryk cut off his own tongue and offered it to the Spider, who gave him the power of manipulation. As long as the tongue is within the temple, Ponderyk can use his dark powers. Cultists planned to use the prince and blackmail him, but Ponderyk was smarter - he killed all of them but Strażniczka Bramy [Keeper of the Gate]. The old woman was imprisoned in her temple where for years she performed rituals preventing the Spider God from leaving the mountains.

Sixteen years ago, just a few days before Ponderyk killed Wodaryk, the priestess used her powers to give Wodaryk a dream - revealing to him the location of her cave as well as warn against the brother. Wodaryk went to investigate this, fought the monster, was saved by the witcher, and wounded returned to his castle where he was killed by Ponderyk. Now knowing everything the Prince can destroy Ponderyk's tongue, leaving him mute, decide what to do with the traitor, and take back his throne.

The story seemingly has seemingly a happy ending, but as it turns out while Ponderyk was a greedy dictator, his dark powers made him also a remarkable diplomat. It was he who negotiated Gemmera's independence from Nilfgaardian Empire... And soon after his dethronement, Nilfgaard once again begins to pose a threat to Gemmera.

#the witcher #witcher lore #school of the cat #dragonfly witcher #ważka witcher #wiedźmin gra wyobraźni #the witcher trpg

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delovelie · 4 years

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may i suggest, just trying to write something down once a day, it doesnt have to be a story or a book, it doesn't have to be long, it can be something simple like how you are feeling, or something you saw today that made you smile. After a while you can look back over what you have written and if nothing else you can say two things, 1) that you have accomplished writing once a day and 2) some of the things you have written down can encourage other thoughts and some of will make you smile, hugs

Hey. I see you. And thank you.

Sorry, this got long and rambly so it’s under a cut

I do truly love writing and find it therapeutic sometimes as a way to just... sort my thought and emotions out. I’ve been picking up journaling again since last year when by best friend got me a cute little line-a-day journal. I’m not always consistent about it, but I’ve found it helps me have more memories, and I get to flip through them and remember things better and more vividly. Sometimes things sort themselves into narratives over the days and that’s cool to see, sometimes they don’t. I definitely want to be more consistent about it, and about making time to write weekly.

I have so many notebooks and loose-leaf papers where I’ve done little writing exercises and scenes not really connected to anything. Sometimes I look back on those and find they’re really lovely in their raw form. Sometimes I even think ‘hey, I can make something more out of this.’ I guess my problem is I find it easy to start but impossible to finish anything, and at some point I will look at it and hate it, and whatever spark it had initially is smothered under my trying-too-hard-ishness. It just sounds forced, overwrought, shallow; and the more I do with it the worse it seems to get. And this is all before my phobia of submitting something to an actual lit mag with an actual editor kicks in. But I want some of these bits of my writing to live somewhere other than a folder or a notebook, get actual readers who will find them lovely too and get joy from them. Logically, I know that isn’t going to happen if I never show things to anyone or send them out. No one is going to come knocking on my door--I have to put myself out there. But the thought of that absolutely petrifies me. I simply don’t know how overcome that, so I’m... stuck. (Meanwhile mediocre white men who have no such inhibitions will continue to get their mediocre, faux-deep stories published)

...Anyway, I really didn’t mean to start this to complain or pity party myself. I just can’t help getting discouraged and down sometimes by the huge gap between where I want to be and where I am now. I genuinely do love writing for its own sake, and I have noticed how great it’s been to do more of it last year (in terms of recording my life and such). And I guess it’s true that if it my writing only ever brings joy to one person, and even if that person is me, it’s not a total waste. So yeah, that’s not nothing.

Thanks again for taking the time to send this

#anonymous #replies

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