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#not to say that I can comprehend every possible neurodivergent experience
essektheylyss · 1 year
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Safety tools for games are very well and good and if you and your group need them you should absolutely use them, but sometimes the way people talk about them feels like they are using those tools as a straight-up substitute for, like, working to develop interpersonal skills and the capacity for talking openly with friends.
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ganymedesclock · 3 years
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These are questions I've had for some while and it's hard to find someone who'll answer with grace. This mostly relates to disabilities (mental or physical) in fiction.
1) What makes a portrayal of a disability that's harming the character in question ableist?
2) Is there a way to write a disabled villain in a way that isn't ableist?
In the circles I've been in, the common conceptions are you can't use a character's disability as a plot point or showcase it being a hindrance in some manner. heaven forbid you make your villain disabled in some capacity, that's a freaking death sentence to a creative's image. I understand historically villains were the only characters given disabilities, but (and this is my personal experience) I've not seen as many disabled villains nowadays, heck, I see more disabled heroes in media nowadays.
Sorry if this comes off as abrasive, I'd really like to be informed for future media consumption and my own creative endeavors.
Okay so the first thing I'm going to say is that while it IS a good idea to talk to disabled people and get their feedback, disabled people are not a monolith and they aren't going to all have the same take on how this goes.
My personal take is biased in favor that I'm a neurodivergent person (ADHD and autism) who has no real experience with physical disabilities, so I won't speak for physically disabled people- heck, I won't even speak for every neurotype. Like I say, people aren't a monolith.
For myself and my own writing of disabled characters, here's a couple of concepts I stick by:
Research is your friend
Think about broad conventions of ableism
Be mindful of cast composition
1. Research is your friend
Yeah this is the thing everybody says, so here's the main bases I try to cover:
What's the story on this character's disability?
Less in terms of 'tragic angst' and more, what kind of condition this is- because a congenital amputee (that is to say, someone who was born without a limb) will have a different relationship to said limb absence than someone who lost their limb years ago to someone who lost their limb yesterday. How did people in their life respond to it, and how did they respond to it? These responses are not "natural" and will not be the same to every person with every worldview. This can also be a great environment to do worldbuilding in! Think about the movie (and the tv series) How To Train Your Dragon. The vikings in that setting don't have access to modern medicine, and they're, well, literally fighting dragons and other vikings. The instance of disability is high, and the medical terminology to talk about said disabilities is fairly lackluster- but in a context where you need every man you possibly can to avoid the winter, the mindset is going to be not necessarily very correct, but egalitarian. You live in a village of twenty people and know a guy who took a nasty blow to the head and hasn't quite been the same ever since? "Traumatic Brain Injury" is probably not going to be on your lips, but you're also probably going to just make whatever peace you need to and figure out how to accommodate Old Byron for his occasional inability to find the right word, stammers and trembles. In this example, there are several relevant pieces of information- what the character's disability is (aphasia), how they got it (brain injury), and the culture and climate around it (every man has to work, and we can't make more men or throw them away very easily, so, how can we make sure this person can work even if we don't know what's wrong with them)
And that dovetails into:
What's the real history, and modern understandings, of this?
This is where "knowing the story" helps a lot. To keep positing our hypothetical viking with a brain injury, I can look into brain injuries, what affects their extent and prognosis, and maybe even beliefs about this from the time period and setting I'm thinking of (because people have had brains, and brain injuries, the entire time!) Sure, if the setting is fantastical, I have wiggle room, but looking at inspirations might give me a guide post.
Having a name for your disorder also lets you look for posts made by specific people who live with the condition talking about their lives. This is super, super important for conditions stereotyped as really scary, like schizophrenia or narcissistic personality disorder. Even if you already know "schizophrenic people are real and normal" it's still a good thing to wake yourself up and connect with others.
2. Think about broad conventions of ableism
It CAN seem very daunting or intimidating to stay ahead of every single possible condition that could affect someone's body and mind and the specific stereotypes to avoid- there's a lot under the vast umbrella of human experience and we're learning more all the time! A good hallmark is, ableism has a few broad tendencies, and when you see those tendencies rear their head, in your own thinking or in accounts you read by others, it's good to put your skeptical glasses on and look closer. Here's a few that I tend to watch out for:
Failing the “heartwarming dog” test
This was a piece of sage wisdom that passed my eyeballs, became accepted as sage wisdom, and my brain magnificently failed to recall where I saw it. Basically, if you could replace your disabled character with a lovable pet who might need a procedure to save them, and it wouldn’t change the plot, that’s something to look into.
Disability activists speak often about infantilization, and this is a big thing of what they mean- a lot of casual ableism considers disabled people as basically belonging to, or being a burden onto, the able-bodied and neurotypical. This doesn’t necessarily even need to have an able neurotypical in the picture- a personal experience I had that was extremely hurtful was at a point in high school, I decided to do some research on autism for a school project. As an autistic teenager looking up resources online, I was very upset to realize that every single resource I accessed at the time presumed it was talking to a neurotypical parent about their helpless autistic child. I was looking for resources to myself, yet made to feel like I was the subject in a conversation.
Likewise, many wheelchair users have relayed the experience of, when they, in their chair, are in an environment accompanied by someone else who isn’t using a chair, strangers would speak to the standing person exclusively, avoiding addressing the chair user. 
It’s important to always remind yourself that at no point do disabled people stop being people. Yes, even people who have facial deformities; yes, even people who need help using the bathroom; yes, even people who drool; yes, even people whose conditions impact their ability to communicate, yes, even people with cognitive disabilities. They are people, they deserve dignity, and they are not “a child trapped in a 27-year-old body”- a disabled adult is still an adult. All of the “trying to learn the right rules” in the world won’t save you if you keep an underlying fear of non-normative bodies and minds.
This also has a modest overlap between disability and sexuality in particular. I am an autistic grayromantic ace. Absolutely none of my choices or inclinations about sex are because I’m too naive or innocent or childlike to comprehend the notion- disabled people have as diverse a relationship with sexuality as any other. That underlying fear- as mentioned before- can prevent many people from imagining that, say, a wheelchair user might enjoy sex and have experience with it. Make sure all of your disabled characters have full internal worlds.
Poor sickly little Tiffany and the Red Right Hand
A big part of fictional ableism is that it separates the disabled into two categories. Anybody who’s used TVTropes would recognize the latter term I used here. But to keep it brief:
Poor, sickly little Tiffany is cute. Vulnerable. How her disability affects her life is that it constantly creates a pall of suffering that she lives beneath. After all, having a non-normative mind or body must be an endless cavalcade of suffering and tragedy, right? People who are disabled clearly spend their every waking moment affected by, and upset, that they aren’t normal!
The answer is... No, actually. Cut the sad violin; even people who have chronic pain who are literally experiencing pain a lot more than the rest of us are still fully capable of living complex lives and being happy. If nothing else, it would be literally boring to feel nothing but awful, and people with major depression or other problems still, also, have complicated experiences. And yes, some of it’s not great. You don’t have to present every disability as disingenuously a joy to have. But make a point that they own these things. It is a very different feeling to have a concerned father looking through the window at his angel-faced daughter rocking sadly in her wheelchair while she stares longingly out the window, compared to a character waking up at midnight because they have to go do something and frustratedly hauling their body out of their bed into their chair to get going.
Poor Sickly Little Tiffany (PSLT, if you will) virtually always are young, and they virtually always are bound to the problems listed under ‘failing the heartwarming dog’ test. Yes, disabled kids exist, but the point I’m making here is that in the duality of the most widely accepted disabled characters, PSLT embodies the nadir of the Victim, who is so pure, so saintly, so gracious, that it can only be a cruel quirk of fate that she’s suffering. After all, it’s not as if disabled people have the same dignity that any neurotypical and able-bodied person has, where they can be an asshole and still expect other people to not seriously attack their quality of life- it’s a “service” for the neurotypical and able-bodied to “humor” them.
(this is a bad way to think. Either human lives matter or they don’t. There is no “wretched half-experience” here- if you wouldn’t bodily grab and yank around a person standing on their own feet, you have no business grabbing another person’s wheelchair)
On the opposite end- and relevant to your question- is the Red Right Hand. The Red Right Hand does not have PSLT’s innocence or “purity”- is the opposite extreme. The Red Right Hand is virtually always visually deformed, and framed as threatening for their visual deformity. To pick on a movie I like a fair amount, think about how in Captain America: The Winter Soldier, the title character is described- “Strong. Fast. Had a metal arm.” That’s a subtle example, but, think about how that metal arm is menacing. Sure, it’s a high tech weapon in a superhero genre- but who has the metal arm? The Winter Soldier, who is, while a tormented figure that ultimately becomes more heroic- scary. Aggressive. Out for blood.
The man who walks at midnight with a Red Right Hand is a signal to us that his character is foul because of the twisting of his body. A good person, we are led to believe, would not be so- or a good person would be ashamed of their deformity and work to hide it. The Red Right Hand is not merely “an evil disabled person”- they are a disabled person whose disability is depicted as symptomatic of their evil, twisted nature, and when you pair this trope with PSLT, it sends a message: “stay in your place, disabled people. Be sad, be consumable, and let us push you around and decide what to do with you. If you get uppity, if you have ideas, if you stand up to us, then the thing that made you a helpless little victim will suddenly make you a horrible monster, and justify us handling you with inhumanity.”
As someone who is a BIG fan of eldritch horror and many forms of unsettling “wrongness” it is extremely important to watch out for the Red Right Hand. Be careful how you talk about Villainous Disability- there is no connection between disability and morality. People will be good, bad, or simply just people entirely separate from their status of ability or disability. It’s just as ableist to depict every disabled person as an innocent good soul as it is to exclusively deal in grim and ghastly monsters.
Don’t justify disabilities and don’t destroy them.
Superpowers are cool. Characters can and IMO should have superpowers, as long as you’re writing a genre when they’re there.
BUT.
It’s important to remember that there is no justification for disabilities, because they don’t need one. Disability is simply a feature characters have. You do not need to go “they’re blind, BUT they can see the future”
This is admittedly shaky, and people can argue either way; the Blind Seer is a very pronounced mythological figure and an interesting philosophical point about what truly matters in the world. There’s a reason it exists as a conceit. But if every blind character is blind in a way that completely negates that disability or makes it meaningless- this sucks. People have been blind since the dawn of time. And people will always accommodate their disabilities in different ways. Even if the technology exists to fix some forms of blindness, there are people who will have “fixable” blindness and refuse to treat it. There will be individuals born blind who have no meaningful desire to modify this. And there are some people whose condition will be inoperable even if it “shouldn’t” be.
You don’t need to make your disabled characters excessively cool, or give them a means by which the audience can totally forget they’re disabled. Again, this is a place where strong worldbuilding is your buddy- a handwave of “x technology fixed all disabilities”, in my opinion, will never come off good. If, instead, however, you throw out a careless detail that the cool girl the main character is chatting up in a cyberpunk bar has an obvious spinal modification, and feature other characters with prosthetics and without- I will like your work a lot, actually. Even if you’re handing out a fictional “cure”- show the seams. Make it have drawbacks and pros and cons. A great example of this is in the series Full Metal Alchemist- the main character has two prosthetic limbs, and not only do these limbs come with problems, some mundane (he has phantom limb pains, and has to deal with outgrowing his prostheses or damaging them in combat) some more fantastical (these artificial limbs are connected to his nerves to function fluidly- which means that they get surgically installed with no anesthesia and hurt like fuck plugging in- and they require master engineering to stay in shape). We explicitly see a scene of the experts responsible for said limbs talking to a man who uses an ordinary prosthetic leg, despite the advantages of an automail limb, because these drawbacks are daunting to him and he is happier with a simple prosthetic leg.
Even in mundane accommodations you didn’t make up- no two wheelchair users use their chair the exact same way, and there’s a huge diversity of chairs. Someone might be legally blind but still navigate confidently on their own; they might use a guide dog, or they might use a cane. They might even change their needs from situation to situation!
Disability accommodations are part of life
This ties in heavily to the previous point, but seriously! Don’t just look up one model of cane and superimpose it with no modifications onto your character- think about what their lifestyle is, and what kind of person they are!
Also medication is not the devil. Yes, medical abuse is real and tragic and the medication is not magic fairy dust that solves all problems either. But also, it’s straight ableism to act like anybody needing pills for any reason is a scary edgy plot twist. 
(and addiction is a disease. Please be careful, and moreover be compassionate, if you’re writing a character who’s an addict)
3. Be mindful of cast composition
This, to me, is a big tip about disability writing and it’s also super easy to implement!
Just make sure your cast has a lot of meaningful disabled characters in it!
Have you done all the work you can to try and dodge the Red Right Hand but you’re still worried your disabled villain is a bad look? They sure won’t look like a commentary on disability if three other people in the cast are disabled and don’t have the same outlook or role! Worried that you’re PSLT-ing your main character’s disabled child? Maybe the disability is hereditary and they got it from the main character!
The more disabled characters you have, the more it will challenge you to think about what their individual relationship is with the world and the less you’ll rely on hackneyed tropes. At least, ideally.
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Ultimately, there’s no perfect silver bullet of diversity writing that will prevent a work from EVER being ableist, but I hope this helped, at least!
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rebelscum-2187 · 4 years
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So after nearly 22 years of life on this planet, I’ve come to the conclusion that I am high functioning autistic. I believe I fell through the cracks of an early diagnosis for the following reasons:
1.) I am Female (I learned how to mask myself very early on)
2.) I have a gifted IQ (above 130) and was classified as such in 4th grade so no one considered that I could be both ASD and intellectually gifted.
I am in the beginning stages of unmasking and am currently seeking an official diagnosis. Right now, I’m trying to write down everything I know about my neurodivergent experience so here’s a list of things I’ve experienced and believe to be relevant. If you can relate or you understand please comment and share! I’m new to this community and it feels so good to finally meet people who understand and can relate. Ok, Here we go.
“So the general population doesn’t memorize scripts to movies or watch the same one every day for a year?”
“People think it’s weird that I prefer to have subtitles on when I watch stuff, even though I don’t have damaged hearing”
“I watch movies with subtitles because I won’t understand what’s said if I don’t read it. I have no hearing issues.”
“I cannot hear/understand someone if I have one ear bud in and one out. Too much sensory input at once.”
“I thought I had a hearing deficit because I literally could not understand people at church or parties or other places with a lot of background noise, and I was so confused when they told me my hearing was normal.”
“I love star wars. Not just love but I could tell you what planet each character is from and what kind of ship they use, what model droid that one is and I will gladly talk about it all day if you let me. Everyone now gets me Star Wars stuff for my birthday and holidays”
“Eye contact is so uncomfortable for me that sometimes it ‘burns’ to maintain it, but then I overcompensate and stare too intensely. Over the years, being female, I’ve forced myself to make eye contact for a certain number of seconds and then look away a certain number of seconds but I’m concentrating so hard on that, that I don’t remember anything that was said to me.”
“Giving me verbal directions is a special kind of hell. I need it written down.”
“I can memorize pictures of things and exactly where every kid sat in my 10th grade US history class as well as my 9th grade geometry class.”
“I never fit in anywhere, in my childhood, most of my adolescence, except the swim team and my new church.”
“Team sports are the worst. I can’t communicate fast enough, I’m bad with hand eye coordination and keeping track of a ball. I excelled in individual sports and fell in love with swimming.”
“I often found it much easier to make friends with older kids because I could have intelligent conversations with them and their good social skills could make up for my lack of social skills.”
“But, I had a few friends that were considerably younger who I could still play imaginatively with dolls when I was 13 and one particular friend was 9. I had a lot of trouble getting a long with her sister who was the same age as me.”
“It physically pains me to hear someone mispronounce a word, spell something wrong, or make a grammatical mistake. I corrected my cousin A LOT when we were kids, she frequently got mad and I couldn’t understand why. My grandma would tell me to stop because correcting people is rude.”
“One of my special interests as a kid was dolphins. I was 5-6 years old and I remember being so excited when my mom let me check out like 10 books from the library and I read them quickly and multiple times.”
“I corrected a teacher one time about dolphins. She said dolphins weren’t whales and I knew FOR A FACT that ‘dolphins were a type of small whale’ because I read it in one of my books. She laughed at me and so did the rest of the class and I felt stupid even though I was right. This led to me suppressing my knowledge and real self and ultimately more masking.”
“As per that last one, my memory is impeccable.”
“I had another special interest in dogs when I got a bit older. My mom bought me a book with every kind of breed of dog, where they came from, their temperament, their size, everything. I can still, to this day, tell you the breed of dog just by looking at it.”
“I always wanted a best friend but never had one. I had groups of friends but never someone who would call me their best friend. When I got a boyfriend in high school, I was so excited because he called me his best friend and he was mine and I finally had that feeling reciprocated. He also had a gifted IQ and dyslexia, ADHD and a few other things so we understood each other quite well.”
“I can’t tell if someone is flirting with me because I can’t read between the lines. I also don’t know how to flirt because if I like a guy too much I get soooo nervous and I stumble over my words and it’s a disaster.”
“When I liked this guy (last year, 2019) I would freeze up so bad when I talked to him that I rehearsed every conversation I wanted to have with him so I wouldn’t mess it up. I would write topics in the notes section of my phone before hanging out with him so I’d remember what to ask him. It made for very awkward and forced conversations and probably drove him away.”
“Sarcasm and jokes almost always go over my head. The boyfriend I had in high school was very funny and outgoing but used a lot of sarcasm and it always caused disagreements because I took him seriously when he was being sarcastic.”
“I talk slowly and very monotone.”
“I have no difficulty reading in my head and can read/comprehend it well, but reading aloud is difficult and I often stumble over words and mess up.”
“I need directions repeated multiple times before I understand.”
“I went to the beach to hang out with some church friends yesterday. They all play spike ball and are so confused as to why I sit there and don’t play. I’ve tried playing spike ball but it involves way too much hand eye coordination and I’m so bad at it that it’s embarrassing. So I don’t play.”
“That same night, a group of them said ‘let’s play uno!’ And I was so happy to play something familiar that didn’t involve a lot of coordination. Then they said ‘we’re playing SPICY uno, right?’ And immediately my heart sank because I knew they were playing a different way that I wasn’t familiar with. Again, receiving verbal directions was hell and I didn’t understand it. I was so bad at it and wasn’t getting it, and in the middle of the game I had the urge to cry. I wanted to cry because I couldn’t even get this right. I suppressed the urge, of course, so they wouldn’t think I was even more weird than the already suspected. Another group of people that I wouldn’t fit in with.”
“Making friends has always been so difficult. Once I make a good friend I hang on to them for as long as possible even if they’re not very nice because I’m scared I’ll have to make a new one if I lose them. And we all know how hard making new friends is for me.”
“I’m a perfectionist. Especially with my art projects. When I took a painting class I realized I do it the wrong way. You’re supposed to paint layer by layer over the entire canvas and focus on small details at the very end. I work on one small area at a time and do small details too soon. I often spend way too much time on small details before I realize that the larger shape of the object isn’t proportionate and then it’s too late.”
“I won’t even attempt tasks if I know I can’t do them perfectly.”
“I have perfect pitch. I don’t know if that has anything to do with autism or that I just started music lessons when I was young. I can tune instruments perfectly without a tuner or reference note and I never understood why my orchestra teacher had me play the A key on the piano over and over again while she walked around and tuned everyone’s instruments when I could do it without any reference. I can hear it in my head.”
“When my parents got me a keyboard at age 7-8, they were impressed because I could sit down, without listening to any song and find the notes of a song I liked by ear. I still do that today but my piano is very out of tune and it bothers me.”
“Autistic boys tend to isolate and not care about concealing their stims or weird behavior but girls don’t. I am a ‘loner’ and always have been but I want so badly to belong and have friends and socialize, but I’ve always been so bad at it that I strike out every time. I often drink at social gatherings because it helps me loosen up and talk more freely. I guess it helps me lose the mask for a while.”
“I HATE people touching me. I’ve always hated it and still hate it to this day unless it’s someone I’m super comfortable with. I’ve been told I have the ‘dead fish hand shake’ and I’m an awkward hugger. My friend picked me up from behind and carried me for a few seconds because we were all goofing off and having fun but afterwards I was so mad at him I got really quiet and didn’t talk for a while. I told him later on the ride home that if he did that again I would slap him. “
“Everyone thinks it’s weird that I don’t like touching people, and some of my friends who also don’t like touching people were abused and I always thought, ‘there had to be a reason, maybe I was abused as a kid and repressed it.’ It’s been so long and I’ve finally realized that maybe it’s just because I have Aspergers or ASD. “
“When I make sarcastic remarks or jokes I often have to clarify because I say them in such a monotone way that people think I’m serious.”
“I’ve always joked that I’m just really clumsy and uncoordinated, and chalked it up to being tall and lanky. That’s why swimming was the perfect sport for me. Little to no risk of injury and not much hand eye coordination needed to be good at it. Just hours of practice, technique and endurance.”
“I also injure myself quite a lot because I’m ‘a klutz.’”
“Stims: I scratch my head and then smell my fingers and I will do this for hours if I am able (I know that one is weird so I only do it at home) popping my knuckles a ridiculous amount of times when I feel uncomfortable and don’t know what to do with my hands. I twirl my hair constantly (that one is pretty socially acceptable so I do it in class nonstop). I tap my foot or bounce my leg, I make weird facial expressions and forget to hide those. People notice but they often think it’s funny because I’ll make a face if someone says something dumb and make an expression that people seem to relate to. I scrunch my nose if I’m uncomfortable or just whenever.”
Special interests: Star Wars, Disney (I know every word to every Disney song and I watch animated Disney movies over and over again, like literally every night) dolphins, the ocean, dogs, theology/the Bible.
“With my art work, and other things, I will get so focused on a painting that I will work non stop for 8-9 hours (all day basically) and not eat because I’m so focused that I forget to eat.”
“I think I slur my words a lot and sometimes my friends will laugh and be like ‘did you just say ____.?!?!’And I’ll clarify and they will continue laughing and say ‘oh it sounded like you said this.’ I hate when that happens.”
“Loud noises really bother me. I jump if I hear an unexpected loud noise and I hate people yelling, even if it’s not directed at me, it makes me want to cry. “
“I loved the color blue so much as a kid (I still do) but my entire wardrobe was basically different shades of blue t-shirts. I also only ever wore baggy t-shirts and baggy cargo shorts (I kinda dressed like a boy) because it was comfortable and I didn’t like getting comments if I looked “cute today”. I hated the attention. I also never ever wore my hair down to school. It always had to be up in a tight pony tail. I still don’t like my hair being in my face to this day and wear it up almost every day.”
“The other day, I was hanging out with a friend and she was trying to tell a story but I kept getting distracted and interrupting her. She said, ‘Emily, you kind of interrupt people a lot.’ At first I was hurt, but then I realized it’s not entirely my fault and it’s an autistic thing.”
“I mask so much that I have rehearsed responses to social interactions and will often get so nervous or start speaking from the script before I realize I’ve said the wrong response. Of course I’ll think about it all day after that and think of ‘well great, so and so thinks I’m weird now.’”
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