"Red Skies" - Experience the surrealism of shooting film on the non-emulsion glossy side, which first exposes the red-sensitive layer. This can be easily achieved by flipping the film over, splicing it onto a "donor" canister, winding it back inside (in a darkroom), cutting a new leader, loading into the camera and shooting two stops over to penetrate through the non-emulsion side. There are many articles on this; Google "DIY redscale". . 🎞️: DIY redscale w/ Fuji 200 (rated ISO 50) 📷: Nikon FG w/ Nikkor 45mm f/2.8 P ⚗️: @englewoodcamera 📅: June 7, 2019 (at The Very Large Array) https://www.instagram.com/p/BzB5QvNHIF7/?igshid=1nwqt70ibr191
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Trying to capture our son’s band performance with this combo: Nikon F2 Photomic, GN Auto Nikkor 1:2.8 f=45mm (only lens not stolen in last years burglary), yellow filter and SB-15 on Tri-X 400 @400 #nikonf2 (hier: Hamburg, Germany) https://www.instagram.com/p/BtQ4E1Tg_Uh/?utm_source=ig_tumblr_share&igshid=bghun969xu5n
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%^ Nikon Nikkor 45mm F/2.8 P Lens With Box #27393 https://ift.tt/3fRr281
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Ueno Park
Nikon FM2/T with 45mm 2.8 Nikkor-P lens
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