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#nigerian gospel artists
gospelhotspot · 3 months
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[DOWNLOAD] Great Is The Lord - Chuks Anunobi
Still basking in the euphoria of his last released prophetic praise anthem – “Shout”, talented singer – Chuks Anunobi returns with yet another refreshing single titled – “Great Is The Lord”. “Great is the Lord” invites listeners into a divine encounter and an unforgettable worship experience – evoking reverence and adoration. “This song was written from God’s Word (Psalms 48), birthed to sound…
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lboogie1906 · 4 days
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Iyeoka Okoawo (born April 28, 1975) is a Nigerian-American poet, recording artist, singer, activist, educator, and TEDGlobal Fellow. Her music includes elements from soul, R&B, rock, hip-hop, and jazz.
A first-generation Nigerian-American, she was a practicing pharmacist before launching her musical career.
She began her musical career by founding the group The Rock by Funk Tribe, a collective of musicians that enabled her to interweave her poetry with jazz, blues, funk, and gospel. She released her first solo full-length album of poem songs, called Black and Blues, through Phanai Records. Then she began to tour and appeared on other artists’ albums, including The Press Project’s Get Right album and Memoirs of the Tempo by Tempo Valley.
She released her second album of poetry and music fusion, Hum The Bass Line, again on Phanai Records. She made a cover of U2's hit song “Desire” for a compilation of U2 covers called In The Name Of Love: Africa Celebrates U2. The album featured Grammy Award-winning/nominated African artists, including Angelique Kidjo, Les Nubians, Sierra Leone’s Refugee All Stars, Vieux Farka Touré, Vusi Mahlasela, and the Soweto Gospel Choir.
She released her new album, Say Yes, containing nine songs and two poems, through the Underground Sun artist development company. The first song, “The Yellow Brick Road Song”, was featured in an episode of How To Make It in America. “The Yellow Brick Road Song” is being used as the theme song for the series “Fairly Legal”.
She was nominated in The 10th Annual Independent Music Awards for her song “This Time Around” in the R&B Song category.
She is touring in support of the new album and her poetry. She has toured in support of artists such as Femi Kuti, Zap Mama, and Soulive, as well as playing at musical festivals, including Bonnaroo. The buzz surrounding her poetry has garnered her national attention through performances at the TBS Trumpet Awards, the Sullivan Honors Awards at the Kennedy Center, and Russell Simmons’ Def Poetry Jam. #africanhistory365 #africanexcellence
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mp3gape · 1 year
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Music Entertainment
What's Entertainment Music
Entertainment music refers to music that is created primarily for the purpose of entertaining people. This type of music is often popular and easily accessible, and it is designed to be enjoyable and engaging for a wide range of listeners. Entertainment music can take many forms, including pop, rock, hip-hop, country, and electronic dance music, among others. It is often characterized by catchy melodies, lyrics that are easy to remember, and upbeat rhythms that encourage listeners to dance or sing along.
Entertainment music is often produced by professional musicians and songwriters who work in the music industry. These artists may perform live concerts, release albums, and create music videos in order to promote their work and reach a wider audience. Overall, entertainment music is a popular form of artistic expression that brings joy and pleasure to many people around the world.
Naija songs refer to music produced in Nigeria, a country with a vibrant and diverse music scene. Nigeria is home to a rich array of musical genres such as Afrobeat, Highlife, Juju, Fuji, and Gospel music, among others. Naija songs are known for their high energy, catchy beats, and lyrics that reflect the cultural, social, and political experiences of Nigerians. Naija songs have gained global recognition in recent years, with Nigerian artists such as Wizkid, Davido, Burna Boy, and Tiwa Savage topping international charts and collaborating with international musicians. The popularity of Naija songs is also attributed to the rise of Afrobeats, a genre that fuses traditional African rhythms with contemporary Western pop music.
Naija songs often have a strong focus on dance, with many songs featuring infectious beats that are sure to get people moving. The lyrics of Naija songs often address issues such as love, heartbreak, politics, and social justice, and are delivered in a variety of languages, including English, Yoruba, Igbo, and Pidgin English. Overall, Naija songs represent a vibrant and exciting aspect of Nigerian culture that continues to evolve and capture the attention of music lovers around the world.
Nigerian music industry continues to produce a plethora of exciting and diverse music. In recent times, there has been a surge of new and talented artists, who have brought fresh sounds and unique styles to the industry. Naija Latest Songs Some of the latest Naija songs have been breaking new ground and setting trends in the music industry. These songs span various genres, from Afrobeat to R&B, and often feature collaborations between local and international artists.
Naija Afrobeat Songs Naija Afrobeats songs are characterized by their infectious beats, catchy melodies, and danceable rhythms. They often feature lyrics that address social and political issues, as well as love and relationships. The songs are usually performed in a variety of languages, including English, Pidgin English, Yoruba, and Igbo.
Naija Highlife Songs Naija Highlife songs are a popular genre of music that originated from Ghana and Nigeria in the early 20th century. Highlife music is characterized by its fusion of African rhythms with Western jazz and swing music. Over the years, Highlife music has evolved and diversified, with different sub-genres emerging in various parts of West Africa.
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luuurien · 2 years
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Jacob Banks - Lies About the War
(Neo-Soul, Contemporary R&B, Singer/Songwriter)
A major label unable to contain his heart and ambitions, Jacob Banks' sophomore album and departure from Interscope establishes him as one of the strongest, most beautiful players in modern R&B and soul. With a singer-songwriter's intimacy and storytelling skills, Lies About the War's fusion of gospel, electronica, and folk into introspective neo-soul jams is nothing short of remarkable.
☆☆☆☆½
Jacob Banks has never been interested in pure commercial growth, and his step away from Interscope cements that. Though his 2018 debut Village came out polished, cleanly-produced, and full of color, it felt like his ambitions were stifled by the fact that his music had to fit as least somewhat within the boundaries of major label R&B - bombastic beats, dramatic vocal performances, huge choruses - even its quietest moments like Unknown (To You) barely had any space to breathe. And so, he left the world of major label music, bookending his time on Interscope with a lovely eight-song EP and starting his own label Nobody Records, exploring areas he couldn't until now ("...I felt like I was occupying a space that could go to someone who actually really wanted to be on the radio..."), the resulting album his best yet and a prime example of what leaning into your artistic inclinations and stripping your music down to emphasize them can do. Lies About the War doesn't always move at a consistent pace, and there's not much in the way of Village's cinematic gravitas, but what it has above anything else is killer songwriting and some of the most emotive and heartbreaking vocal performances this year. Lies About the War is a short, magnificent maturation for Banks as an artist, his willingness to dive into something new and unfamiliar the growth bed for songs that are as heartfelt as they are refreshing. R&B might not be a traditional U.K. sound, but Banks embraces that disconnect by bringing his own spin on the American folk and gospel music that shaped the genre decades back. Compared to the heavy production flourishes and noisy beats all over Village, Lies About the War is much more careful and precise with how it uses those bigger elements in the music. There's still electronic touches here and there - the rushing synth pads creating tons of tension and euphoric release in Just When I Thought, the massive orchestration that skyrockets the second half of Aim for My Head to heaven - but they're brought on in the context of neo-soul balladry, less the focus of the production as they were on his debut and rather dashes of digital grit and motion atop a largely organic landscape. Oftentimes, Lies About the War's beauty lies in the way Banks utilizes live instrumentation and delicate arrangements to give more presence to his voice and lend the album an extra layer of intimacy, By Design [Evel Knievel]'s R&B waltz driven by watery piano chords and glossy gospel organs that swell and contract as he carves out the song's peaks and valleys across its four minutes, and when he embraces plain acoustic balladry on the back half of the record from centerpiece Our Song to finale Here Lies the Man That Never Changed, the joy of listening is those finishing touches unique to each of the songs - the warped synth boiling under Our Song's acoustic guitars, Parachute's rich vocal harmonies in the chorus, the sunny nostalgia of Coolin bolstered by vocal support from Nigerian singer Adekunle Gold and London's Samm Henshaw - Banks might be playing it relatively straight throughout most of Lies About the War, but every song is given such a distinct identity with their own memorable moments, the album never losing its magic even when he's at his most reserved. And with all those musical changes comes a shift in his songwriting, too, less focused on social commentary (despite the album's title, somewhat ironically) as Banks retreats into himself, drawing short but vivid vignettes of intense emotional shifts in his life and the ways in which they've changed him over time. Even when he brings the outside world in on occasion, such as with the opening lines of Just When I Thought, they're never without context, Banks' inquiry of "do you believe in faith or science" preceded by him desperately trying to find any connection in a relationship that seems to have already crumbled at his feet - "I still wanna call it love / But I guess this is what we've become," he sighs in the pre-chorus. Other times, his stories are so naked and vulnerable that his velvety baritone voice stabs right into the center of your heart, Aim for My Head's simple lyrical knot of "But don't make me lose you / And find you off the ledge / Oh, don't make me lose you / And find you in someone else" that much more gut-wrenching when he's shifting in and out of that sensitive, quiet falsetto, and the baseline imagery he puts to use throughout Parachute sticks in your mind so well because he has the sorrow and passion behind it to make a metaphor so direct work so well. This kind of storytelling and ability to relay his emotions without having to add unnecessary amounts of detail has only come about because of his intentional move away from the major-label focus of radio hits and huge commercial success, Banks' commitment to storytelling and a genuine connection to his art paying off completely with an album that will only continue to get better with time. Songs as elegant as Won't Turn Back or as plainly lovely as Our Song could have come out decades ago and still be some of the most radiant songs I've heard in a good while - an accomplishment like that is worth more than anything else. Banks knew what he was doing when he stepped away from Interscope, and it's clear from Lies About the War's rounded and fully-realized vision that it was without question the right thing for him to do. Never before has his music been so soul-baring, so thoughtfully written, so emotionally resonant, and the tiny edges he carves into the sides of his songs don't sacrifice any of their beauty and humanity, his narratives placed at the forefront and the music doing everything it can to support that effort. With one of the most gorgeous voices out there and the diligence to see his visions through to the end, Lies About the War a powerful yet gentle reminder of the ways we carry ourselves through the world and what happens when we start to lose the things we hold dearest. Unhurried in his pursuit of healing and holding on tight to the reins of his music, Lies About the War Jacob Banks at his most personable and compassionate, an album that's absolutely impossible to not fall in love with and a monumental turning point for one of the most engrossing artists in contemporary soul. If this is just where his independent career is beginning, there's nowhere for him to go but up.
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revelationmusic · 5 days
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Enny Julius 'Loruko Jesu' Mp3 Download 2024
Vibrant US-based Nigerian Gospel singer, songwriter, and recording artiste, Enny Julius, releases the visual to the single titled, “Loruko Jesu,” produced by Dalorbeats.   This is a Yoruba-titled single [a language spoken in the Western region of Nigeria] that means “In The Name Of Jesus” in English. It comes from the recently released EP project, “Here & Now,” taking the third(3rd) spot on the…
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[Music] Kilo Tunku – Kay Wonder
[Music] Kilo Tunku – Kay WonderMinister Kayode Solomon Eludiwura popularly known as Kay Wonder is a veteran Nigerian gospel singer, songwriter, and recording artist whose love for God knows no bounds.   He is officially releasing his new single titled “ Kilo Tunku” ( Is there anything else) This song is rendered to tender hope to those who have lost it. Reviving their believe in God and knowing…
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wushigod · 21 days
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Gospel Singer Mercy Chinwo Faces Allegations Regarding Her Baby’s Resemblance to Nathaniel Bassey In recent weeks, gospel singer Mercy Chinwo has found herself at the center of a controversy surrounding her newborn baby. Fans have taken to social media platforms to express their opinions, with some claiming that the baby bears a striking resemblance to fellow gospel artist Nathaniel Bassey. These claims have sparked rumors suggesting that Nathaniel Bassey could be the biological father of Mercy Chinwo’s child, rather than her husband. Social Media Outcry The allegations first surfaced on various social media platforms, where fans of both Mercy Chinwo and Nathaniel Bassey began sharing photos of the newborn alongside pictures of Nathaniel Bassey. Many users pointed out similarities in facial features and expressions between the baby and the renowned gospel singer. As the comparisons gained traction online, speculation about the nature of Mercy Chinwo’s relationship with Nathaniel Bassey started to spread rapidly. Some fans questioned whether there could be any truth to the rumors, while others dismissed the claims as baseless gossip aimed at tarnishing the reputation of both artists. Mercy Chinwo’s Response In response to the ongoing controversy, Mercy Chinwo issued a statement through her official social media accounts denying the allegations and reaffirming her commitment to her family. She emphasized that her husband is the father of her child and urged fans to refrain from spreading unfounded rumors that could harm her personal life and career. Fan Reactions Fans have been divided in their reactions to the situation, with some expressing support for Mercy Chinwo and condemning those behind the false claims. Others have continued to fuel the speculation, demanding DNA tests or further proof to confirm the paternity of the baby. Industry Response The Nigerian gospel music industry has also weighed in on the matter, with prominent figures calling for respect for Mercy Chinwo’s privacy and urging fans to focus on supporting artists rather than engaging in sensationalist gossip. Both Mercy Chinwo and Nathaniel Bassey have received messages of solidarity from their colleagues in the music community.
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ameyawdebrah · 28 days
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Nathaniel Bassey petitions against four social media users over paternity allegations
Nigerian gospel artist Nathaniel Bassey has formally requested Nigeria’s Inspector-General of Police Kayode Egbetokun to investigate and prosecute four influencers who falsely accused him of fathering Mercy Chinwo’s child. Continue reading Nathaniel Bassey petitions against four social media users over paternity allegations
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Download I'm In Love By Ijeoma Songs
Prolific and anointed Nigerian Gospel music minister, Ijeoma Songs officially debuts a brand new single titled “I’m In Love”, expressing the love of Christ to His children, a soul lifting song with deep lyrical content. Ijeoma most known as ‘Ijeoma Songs’ is a fast rising talented and spirit-filled artist who hails from Obiaruku, Ukwuani Local Government Area, Delta State, Alumona Gloria. A…
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gospelhotspot · 5 months
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[DOWNLOAD] Halleluyah - Preye Odede
Minister Preye Odede brings us a carefully crafted song of Praise titled “Hallelujah”, This song individualizes the unique experience each person has of God’s goodness and faithfulness even in not too pleasant moments. “It’s amazing how God has helped us as a people even in the midst of hash economic conditions and uncertainties across the world. There are several unanswered questions in the…
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joeifah · 2 months
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MP3 Download: "Holy Is Your Name" from Chee
Nigerian gospel singer Chee drops a brand new song “Holy Is Your Name” off her just released album and in it she features renowned gospel artist Dunsin Oyekan. “Holy Is Your Name” is the 6th track off her album GOODNESS AND MERCY. The just released album is a 10-track Album of lovely songs one of which features popular singer Sunmisola Agbebi.
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naijagospel · 3 months
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[NEWS] Yohanna Bako Anticipates the Unveiling of his Debut Album - "Premium Praise Live"
Nigerian-born Gospel Artist, Praise leader, music director, songwriter, and arranger Dr. Yohan well known as Yohanna Bako is gearing up for the release of his debut album ‘Premium Praise Live’. This is coming after the release of Balogun, one of the tracks of the debut album. Featuring collaborations with other Gospel artists and the artistic prowess of the talented team at The Anointed Praise…
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luuurien · 2 years
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Silvia Tarozzi & Deborah Walker - Canti di guerra, di lavoro e d’amore
(Avant-Folk, Italian Folk Music, Psychedelic Folk)
Silvia Tarozzi and Deborah Walker rework songs from their rural Emilia youth, giving new life to long-lived Italian stories of working class women, protest, political violence, and poor-paying hard work. These avant-garde takes on beloved Mondariso songs take you to the roots of Tarozzi and Walker's music, the deepest they've ever dug into Italian folk music and its deep emotive power.
☆☆☆☆
What's most beautiful about Canti di guerra, di lavoro e d'amore is that it places Silvia Tarozzi and Deborah Walker deeper in their musical history than ever before, those little hints of traditional Italian folk and experimental classical getting pushed out into the sun and soaking in every minute of it. Previously working with one another performing strings on recordings from the likes of Eliane Radigue and Philip Corner, the two of them have proved in the past that they have some incredible chemistry together, Canti di guerra... taking those short collaborative bursts and extending them out across 53 minutes and 12 songs. It's by far one of the most boundary-pushing and emotionally resonant albums this year, these decades-old stories brought back to life through the magic of their strings and a handful of vocalists who join in to help ensure that the words aren't lost to time either. Possessing pieces both on the extreme and serene sides of the avant-garde, Canti di guerra...'s Italian roots don't mean that Tarozzi and Walker's usual string experimentation is lost in the mix. Opening track Country cloud has sharp violin lines from Tarozzi that spit and stutter like a sprinkler half-broken, her incredible bowing technique shooting out what seems like a thousand notes a second and making for an introduction to Canti di guerra... that's somehow able to be both enchanting and a bit frightening. Other times, they'll warp Walker's cello to sound like a siren blaring in a pitch-black grass field on the chilling Parziale ("Partial") or go for abstract soundscapes with Meccanica primitive ("Primitive mechanics"), where what sounds like soft scrapes against wood and clamoring percussive instruments spent four minutes getting you invested in something mystic and playful, the album's most experimental piece and simultaneously its most sprightly. The album's best moments, though, are those aforementioned Italian folk songs, often sung by choirs of female rice field workers called Mondisaros, which Tarozzi and Walker perform with such love and passion and tenderness that I can't imagine anyone in the avant-garde scene surpassing this year. La lega ("It binds it"), the album's one and only single, is the quickest and most potent way to get a taste of this sound, Tarozzi's velvety violin and Walker's heavenly viola droning below an innumerable number of voices singing with one another, never totally in sync and imbuing the song with such spirit and history that you're immediately sucked into Canti di guerra...'s world, organic and strange and electrifying. It's not just that Tarozzi and Walker have created music that is so personal and unique with its Italian roots, but how they stitch that into their own forward-thinking artistic process to nurture and cultivate a sound that's so impeccable that even its most unusual moments have you completely won over. These dreamy, formless ambient folk tunes occasionally teeter on circuitousness, running around the same droning chords or melodic motifs for minutes at a time, but Tarozzi and Walker keep Canti di guerra... from becoming sluggish by steeping the album's slower moments in rich textures and sensitive vocal performances that allow the more relaxed pace to feel soothing rather than disengaging. After the wild and dissonant take on Il bersagliere ha cento penne ("The bersagliere has a hundred feathers") in the album's midsection, the following rendition of it with Nigerian gospel singer Ola Obasi Nnanna feels even more cerebral and stunning, Nnanna's spiritual music background perfect for this war song of death and protection that's brought even further by Tarozzi and Walker's marvelous, pensive strings. They mix the more out there string manipulation with a plain, heartfelt violin performance from Tarozzi on early highlight Pietà l‘è morta, blurring the lines between Canti di guerra...'s two musical sides and embracing their ability to bring these songs of work and war into the modern day with a unique instrumental flair. It feels like the two of them have unlocked an old tower full of stories that they can finally tell, giving a voice to music few might know otherwise through the sorrowful drones of Sentite buona gente and La lega's solar flare of chants and strings that embeds a deep connection with these songs to anyone who hears them, the kind of eternal folk songs that could be performed in another lifetime and be just as touching as they are right now. It's definitely an unusual album, and one that takes many listens to fully attune to if you're unfamiliar with Tarozzi and Walker's work or Italian folk music in general, but even on the first listen Canti di guerra... has such a strong gravitational pull that you can't help but come back to it and catch every ray of light you can find. The album's thoughtfully nostalgic nature gives way for an experience close to their hearts without causing them to lose touch with what makes their music so special, combining experimental techniques with the power of these long lived, war-torn folk songs that give listeners a chance to learn just a little bit more about that unique time in Italian musical history, with Tarozzi and Walker as their guide. It's no surprise that the album's title is something as simple and relaxed as "Songs of war, work and love": stories that are so universal and deeply felt rendered so wonderfully here that you can feel just how much heart went into crafting each and every one of them.
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speedyposts · 3 months
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Grammys 2024: Here’s a list of top winners at the music awards
The Grammy Awards, the highest honours in the music industry, were handed out at a ceremony in the United States city of Los Angeles on Sunday.
Here is a list of winners:
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Dabiri-Erewa warns Nigerians against irregular migration, Especially to Canada
The Nigerians in Diaspora Commission (NiDCOM), Abike Dabiri-Erewa, has urged Nigerians travelling abroad to go legitimately and with proper documentation
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ALBUM OF THE YEAR Midnights, Taylor Swift
RECORD OF THE YEAR Flowers, Miley Cyrus
SONG OF THE YEAR What Was I Made For?, Billie Eilish (from the motion picture Barbie); Billie Eilish O’Connell and Finneas O’Connell, songwriters
BEST NEW ARTIST Victoria Monet
BEST POP VOCAL ALBUM Midnights, Taylor Swift
BEST POP SOLO PERFORMANCE Flowers, Miley Cyrus
BEST MUSICA URBANA ALBUM Manana Sera Bonito, Karol G
BEST COUNTRY ALBUM Bell Bottom Country, Lainey Wilson
BEST R&B SONG Snooze, by SZA; Kenny B Edmonds, Blair Ferguson, Khris Riddick-Tynes, Solana Rowe and Leon Thomas, songwriters
THE DR DRE GLOBAL IMPACT AWARD Jay-Z
BEST POP DUO/GROUP PERFORMANCE Ghost in the Machine, SZA featuring Phoebe Bridgers
BEST ALTERNATIVE MUSIC ALBUM The Record, Boygenius
SONGWRITER OF THE YEAR, NON-CLASSICAL Theron Thomas
PRODUCER OF THE YEAR, NON-CLASSICAL Jack Antonoff
BEST R&B ALBUM Jaguar II, Victoria Monet
BEST PROGRESSIVE R&B ALBUM SOS, SZA
BEST AUDIO BOOK, NARRATION AND STORYTELLING RECORDING The Light We Carry: Overcoming In Uncertain Times, Michelle Obama
BEST REGGAE ALBUM Colors of Royal, Julian Marley and Antaeus
BEST LATIN ROCK OR ALTERNATIVE ALBUM (tie) Vida Cotidiana, Juanes and De Todas Las Flores, Natalia Lafourcade
BEST LATIN POP ALBUM X Mi (Vol 1), Gaby Moreno
BEST RAP ALBUM Michael, Killer Mike
BEST RAP SONG Scientists & Engineers, Killer Mike ft Andre 3000, Future and Eryn Allen Kane
BEST COUNTRY SOLO PERFORMANCE White Horse, Chris Stapleton
BEST COUNTRY SONG White Horse, Chris Stapleton
BEST FOLK ALBUM Joni Mitchell at Newport (Live), Joni Mitchell
BEST POP DANCE RECORDING Padam Padam, Kylie Minogue
BEST ROCK ALBUM This Is Why, Paramore
BEST ROCK PERFORMANCE Not Strong Enough, Boygenius
BEST ROCK SONG Not Strong Enough, Boygenius
BEST AMERICANA ALBUM Weathervanes, Jason Isbell and the 400 Unit
BEST METAL PERFORMANCE 72 Seasons, Metallica
BEST JAZZ INSTRUMENTAL ALBUM The Winds of Change, Billy Childs
BEST JAZZ VOCAL ALBUM How Love Begins, Nicole Zuraitis
BEST COMEDY ALBUM What’s in a Name?, Dave Chappelle
BEST COMPILATION SOUNDTRACK FOR VISUAL MEDIA Barbie The Album, various artists
BEST SONG WRITTEN FOR VISUAL MEDIA What Was I Made For?, Billie Eilish
BEST SCORE SOUNDTRACK FOR VISUAL MEDIA Oppenheimer, Ludwig Goransson
BEST MUSIC VIDEO I’m Only Sleeping, The Beatles
BEST MUSIC FILM Moonage Daydream
BEST MUSICAL THEATER ALBUM Some Like It Hot
BEST GOSPEL ALBUM All Things New: Live in Orlando, Tye Tribbett
BEST CONTEMPORARY CHRISTIAN MUSIC ALBUM Church Clothes 4, Lecrae
BEST AFRICAN MUSIC PERFORMANCE Water, Tyla
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Dabiri-Erewa warns Nigerians against irregular migration, Especially to Canada
The Nigerians in Diaspora Commission (NiDCOM), Abike Dabiri-Erewa, has urged Nigerians travelling abroad to go legitimately and with proper documentation
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revelationmusic · 1 month
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Sarah Nweke 'My Shepherd' Mp3 Download & Lyrics 2023
Sarah Nweke ‘My Shepherd’ Mp3 Download & Lyrics 2023 Runtime: 3.5 mins Release Date: 2023 (Nigeria) Artist Name: Sarah Nweke Music Title: My Shepherd Producer(s): Amb. Wole Oni Genre: (Gospel Music) Tags: Social: Instagram   Prolific Sarah Ogbeyealu Nnenna Nweke popularly known as Sarah Nweke is a Nigerian/American indie gospel singer, songwriter and sensational worship leader. She teams up with…
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[Music + Video] The Good News – Yemi Laja
[Music + Video] The Good News – Yemi LajaSensational female Nigerian Gospel music singer, songwriter, recording artiste, and life coach, Yemi Laja, drops the music video to the single titled, “The Good News.” Sharing the inspiration behind the song, the Founder of Mastercraft says; “I received this song during the COVID-19 pandemic when the world was on lockdown.” “I had just been diagnosed with…
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