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reluctantjoe · 3 months
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A MIDSUMMER NIGHT'S DREAM Royal Shakespeare Company | 2024
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happilyhadesbound · 3 months
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More pictures from A Midsummer Night's Dream at the RSC after yesterday's Press Night!
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willstafford · 2 months
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Donkey Work
A MIDSUMMER NIGHT’S DREAM Royal Shakespeare Theatre,  Stratford upon Avon, Thursday 29th February 2024 Among Shakespeare’s works, this romantic comic fantasy ranks as one of his greatest hits, and done well, it’s easy to see why.  It’s also something that in the wrong hands, can be rather twee.  Eleanor Rhode’s new production dispenses with the forest – even the fairies are reduced to tiny orbs…
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andsjuliet · 4 months
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2024 books read
2024 goal: 150 books
january: 1 - heartstopper vol. 1 → alice oseman (reread) 2 - heartstopper vol. 2 → alice oseman (reread) 3 - heartstopper vol. 3 → alice oseman (reread) 4 - heartstopper vol. 4 → alice oseman (reread) 5 - heartstopper vol. 5 → alice oseman 6 - a fragile enchantment → allison saft 7 - some shall break → ellie marney (audiobook) 8 - only if you're lucky → stacy willingham (arc) 9 - over my dead body: a witchy graphic novel → sweeney boo 10 - notes on an execution → danya kukafka (physical & audiobook) 11 - murder on the orient express → agatha christie (reread) 12 - our wives under the sea → julia armfield (physical & audiobook) 13 - the invocations → krystal sutherland (arc) 14 - red string theory → lauren kung jessen 15 - the breakup tour → emily wibberley & austin siegemund-broka (arc) 16 - the name drop → susan lee 17 - the secret of the old clock → carolyn keene (reread) 18 - bright young women → jessica knoll (audiobook) 19 - last call at the local → sarah grunder ruiz (audiobook) 20 - no one can know → kate alice marshall
february: 21 - worst wingman ever → abby jimenez 22 - drop, cover, and hold on → jasmine guillory 23 - with any luck → ashley poston 24 - the atlas six → olivie blake (reread, audiobook) 25 - that's not my name → megan lally 26 - not here to stay friends → kaitlyn hill 27 - this golden state → marit weisenberg 28 - today tonight tomorrow → rachel lynn solomon (reread, annotation) 29 - past present future → rachel lynn solomon (arc, annotation) 30 - the atlas paradox → olivie blake (reread, audiobook) 31 - the guest list → lucy foley (audiobook) 32 - in the market for murder → t.e. kinsey (audiobook) 33 - the neighbor favor → kristina forest 34 - in the mix → mandy gonzalez 35 - everyone in my family has killed someone → benjamin stevenson 36 - the seven year slip → ashley poston 37 - veronica ruiz breaks the bank → elle cosimano (audiobook) 38 - finlay donovan rolls the dice → elle cosimano (audiobook) 39 - the simmonds house kills → meaghan dwyer (arc)
march: 40 - the mysterious case of the alperton angels → janice hallett 41 - the book of cold cases → simone st. james 42 - what the river knows → isabel ibañez (audiobook) 43 - cut loose! → ali stroker & stacy davidowitz 44 - how i'll kill you → ren destefano 45 - the reappearance of rachel price → holly jackson (arc) 46 - when no one is watching → alyssa cole (audiobook) 47 - outofshapeworthlessloser: a memoir of figure skating, f*cking up, and figuring it out → gracie gold (audiobook) 48 - julius caesar → william shakespeare (rerad, audiobook) 49 - the family plot → megan collins (audiobook) 50 - if we were villains → m.l. rio (reread) 51 - alone with you in the ether → olivie blake (physical & audiobook) 52 - disappearance at devil's rock → paul tremblay (audiobook)
april: 53 - shakespeare: romeo and juliet graphic novel → martin powell & eva cabrera 54 - shakespeare: macbeth graphic novel → martin powell & f. daniel perez 55 - shakespeare: julius caesar graphic novel → carl bown & eduardo garcia 56 - shakespeare: a midsummer night's dream graphic novel → nel yomtov & berenice muniz 57 - twelfth knight → alexene farol follmuth (arc) 58 - kill for me, kill for you → steve cavanagh 59 - murder road → simone st. james 60 - everyone on this train is a suspect → benjamin stevenson 61 - listen for the lie → amy tintera 62 - king cheer → molly horton booth, stephanie kate strohm, jamie green 63 - twelfth night (musical adaptation) → kwame kwei-armah & shaina taub 64 - in juliet's garden → judy elliot mcdonald 65 - fat ham → james ijames 66 - death by shakespeare → philip l. nicholas, jr 67 - a good girl's guide to murder → holly jackson (reread) 68 - good girl, bad blood → holly jackson (reread) 69 - as good as dead → holly jackson (reread) 70 - dark corners → megan goldin (audiobook) 71 - the one that got away with murder → trish lundy (audiobook) 72 - funny story → emily henry 73 - imogen says nothing → aditi brennan kapil 74 - people we meet on vacation → emily henry (audiobook, reread)
may: 75 - episode thirteen → craig dilouie 76 - the girls i've been → tess sharpe (reread) 77 - the girl in question → tess sharpe (arc) 78 - wild about you → kaitlyn hill (arc) 79 - just for the summer → abby jimenez
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footyplusau · 7 years
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Age no barrier for Territory draft prospect
Sledging line, MRP latest, injury updates Monday Footy Feed with Matt Thompson and Nathan Schmook
Jarrod Brander evades Carlton veteran Dennis Armfield during an AFL Academy versus Northern Blues match
EXCITING Northern Territory forward Adam Sambono has been included in the Allies squad ahead of the NAB AFL Under-18 Championships, despite turning 20 last month.
Under AFL rules a player can be picked at under-18 level “in exceptional and compelling circumstances” if he doesn’t meet regular criteria, with the League believing Sambono’s talent and background should see him get an opportunity for the Allies despite being two years older than the draft pool.
He hails from Daly River, 200km from Darwin, and has not played in the AFL’s under-aged championships before, but is in brilliant form and kicked five goals for NT Thunder last weekend.
Clubs were notified of Sambono’s inclusion on Monday, with the full Allies squad released ahead of next month’s national carnival. Sambono is too old to be eligible as a part of any club’s Next Generation Academy zone.
Almost half of the Allies will come from the Sydney and Greater Western Sydney academies, in a nod to the growing strength of football in New South Wales.
The Giants have supplied 12 players to the squad of 48 that will be used throughout the five-round championships, while the Swans, who won the under-18 academy series, have had nine players selected.
Highly-touted pair Jarrod Brander and Charlie Spargo are among the Giants’ representatives in the Allies list, although GWS does not have first access to them through their academy after the AFL realigned the club’s zone earlier this year.
Jarrod Osborne, who won the Swans’ most valuable player in the recent academy series, is among his team’s selections for the Allies. Bottom-ager and father-son prospect Nick Blakey has also been chosen despite not being eligible for the draft until next year.
Gold Coast’s academy had 10 players picked for the Allies, while the Brisbane Lions have had four prospects included in the group. Key forward/ruckman Connor Ballenden, who hit form late in the academy series for the Lions and is a potential top-five draft selection, will play for the Allies.
Six Tasmanians, including highly touted 2018 draft hopefuls Tarryn Thomas and Chayce Jones, are in the Allies squad.
Thomas is a member of North Melbourne’s Next Generation Academy and the club will have first call on him at next year’s draft. Tony Olango, who is one of eight Northern Territory prospects in the Allies’ squad, is eligible to join Hawthorn under the NGA rules having been overlooked at last year’s draft.
Adrian Fletcher, having coached Queensland in recent division two national carnivals, will be senior coach of the Allies with Tadhg Kennelly his assistant.
The AFL’s Luke Ball, who played 223 games for St Kilda and Collingwood, will be Allies team manager. The squad will be trimmed after its trial game in two weeks.
The Allies’ first game of the championships will come in round one against Vic Country at Blacktown International Sportspark on Sunday, June 11. The carnival will wrap up at Simonds Stadium on Wednesday, July 5.
2017 NAB AFL UNDER-18 ALLIES SQUAD
NSW-ACT (GWS Academy): Nicholas Shipley, Brendan Myers, Jack Powell, Nathan Richards, Jarrod Brander, Alex Paech, Daniel Johnston, Laine Fitzgerald, Doultan Langlands, Jy Lane, Tom Highmore, Charlie Spargo NSW-ACT (Sydney academy): Luke Skrivanic, Nick Blakey, James Bell, Michael Carroll, Harrison Carr, Luke Robertson, Jarrod Osborne, Jake Brown, Jack Hardman Queensland (Gold Coast academy): Brodie Foster, Brayden Crossley, Harry Simmington, Jacob Dawson, Bailey Scott, Sam Davidson, Damien Burke, Timakoi Bowie, Caleb Graham, Kwaby Boakye Queensland (Brisbane Lions academy): Connor Ballenden, Jack Payne, Jack Clayton, Ben Sloan Tasmania: Chayce Jones, Tarryn Thomas, Hugh Dixon, Thomas Mundy, Jake Hinds, Nicholas Hutchinson Northern Territory: Rodney Baird, Zac Bailey, Matthew Green, Jeremiah Scrutton, Tony Olango, Adam Sambono, Dominic Grant
The post Age no barrier for Territory draft prospect appeared first on Footy Plus.
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reluctantjoe · 4 months
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THE CAST OF MIDSUMMMER NIGHT'S DREAM ph. Mitesh Soni | 19.01.2024
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reluctantjoe · 3 months
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A MIDSUMMER NIGHT'S DREAM Royal Shakespeare Company | 2024
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reluctantjoe · 3 months
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Interview – A Midsummer Night’s Dream director Eleanor Rhode talks technology and Wonka star Mathew Baynton
Aiming to take the chill off this winter is the RSC’s new production of A Midsummer Night’s Dream. Ahead of the opening this week, director Eleanor Rhode spoke to Gill Oliver about her take on the Dream and what it’s like working with Wonka star Mathew Baynton.
TECHNOLOGY combined with centuries-old stage illusions are making one of the Bard’s most captivating comedies even more magical.
The RSC’s production of A Midsummer Night’s Dream, which opened on Tuesday for an eight-week run, features Ghosts and Wonka star Mathew Baynton as Bottom.
Fresh from his roles as a murderous doctor in the Agatha Christie TV series Murder Is Easy, and an evil chocolatier in hit movie Wonka, Baynton has long been a hero to parents and kids everywhere thanks to his leading role in five series of hugely successful kids’ comedy TV sketch show Horrible Histories and later, its spin-off ‘Bill’, a panto-style take on Shakespeare’s early life.
Also in the cast are Nicholas Armfield as Demetrius, Sirine Saba as Titania and Rosie Sheehy as Puck.
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The equally prestigious creative team line-up includes composer Will Gregory (one half of electronic music duo Goldfrapp), set designer Lucy Osborne and illusion direction and designer John Bulleid, feted for his work on Harry Potter and the Cursed Child and the RSC’s The Magician’s Elephant.
Weaving all these star-studded strands together is director Eleanor Rhode, who describes Baynton as “an absolute genius” and the whole cast as “amazing”.
Ms Rhode made her directorial debut for the RSC in 2019 with a radical re-telling of King John – a production that was cut short due to Covid.
Now back to take on Midsummer’s Night Dream she’s happy to be back in Stratford.
“The company is wonderful, and everyone is working together brilliantly so it’s very exciting to be back up here - it’s a lovely place to work," she said.
She brings a fresh and confident vision to Shakespeare’s popular tale of four young lovers who, faced with the prospect of unhappy marriage flee the court of Athens and stumble into an enchanted forest.
Nearby, a group of amateur actors rehearse a play to celebrate an upcoming royal wedding and when the mortals cross paths with a warring fairy King and Queen, chaos erupts as the real and fairy worlds collide.
Ms Rhode explained: “The thing that’s always interested me more than a literal forest is leaning into the dream of a Midsummer’s Night Dream, so this is very much a dream space.
“The most exciting thing is finding that crossover between contemporary technology and stage illusions and stage tricks that are hundreds of years old, so expect to see a lot of those things combined.”
By the RSC’s standards the production is a short run but there are upsides to this.
“It means some of the people who would love to come and work up here but can’t commit to a year away from the other projects they’re doing, can come, have a really lovely time and be up here for 10-weeks - we wouldn’t necessarily be able to get them for longer, so that’s enormously gratifying,” she pointed out.
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After this run, Ms Rhode, who has a decade's experience of directing, will spend time in developmental workshops before overseeing her second audio play for release on Audible.
She enjoys working in other mediums such as audio, and is excited by the potential that comes with the “pollination of ideas between lots of different disciplines”.
But unlike the RSC, the theatre industry overall tends to be extremely traditional and not geared-up for sweeping change.
She explained: “In terms of creating experiences which are live but also digital at the same time and which have a really broad reach in terms of the audiences, you’re engaging with people who aren’t traditional theatre goers and really broadening the scope of what live story telling can be.
“There’s a whole heap of possibilities and the lovely thing is that a lot of the technology is already there - the technology isn’t the thing - it’s actually the ability to craft brilliant storytelling entwined with the technology that’s sometimes quite scary.”
As for this production of Midsummer Night’s Dream, no one should worry about technology or stage illusions over-shadowing or interfering with the intimacy of live performance.
“You shouldn’t notice the technology and it shouldn’t feel like a standalone thing, in the same way that stage illusions shouldn’t – everything is entwined with the story,” she said.
“My hope is that it’s something the audience don’t really think about, they just enjoy it.”
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She added: “This production is already looking beautiful but it should also be very surprising and, hopefully, keep the audience on their toes with all the amazing magic that’s going on in the show.
“Regardless of that, strip away all the technological and magical surprises and the play is the thing.
“It’s a brilliant show with brilliant actors in it - that’s the key thing."
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