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#mildly tempted to make like. a few playlists for specific characters too
tannithvibes · 1 year
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Emerging from my hole to gift upon you all; Lilith/Tannis playlist I just threw together
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Moth Work Intro + False Idol | Writing Update
Hey People of Earth! 
Today I thought I’d do a writing update on a project I’ve mentioned a lot in my vlogs but haven’t mentioned as of yet on here! This is a personal ‘passion project’ that I’ve been picking away at since January and have recently taken on as my transition project from Rewired to my next book.
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So yee! MOTH WORK (or ‘boys on a boat’ for those who keep up with the vlogs lols) has been my current project for the last few weeks since finishing REWIRED. I didn’t really mean to expand it as much as I have as it simply started off as a spinoff story of my boys Lonan and Harrison which I write every few months when I’m having a breakdown and need something to cheer me up. :-)
I’ve mentioned a few of these stories in the past (like Fishbowl and Mandarin), though this story is a bit different, as I’ve expanded it quite a lot more than I intended to! If you aren’t super caught up with Rewired, I’d definitely scroll through a few of my last updates so this one will make more sense! 
What’s it about? 
Moth Work is a FOSTERED spinoff story following Lonan and Harrison (dumb+dumber) at the peak of their relationship. I *was saying* that the plot went loosely as follows: after finding a photograph of a woman in Lonan’s father’s dark room, they set out to find her, HOWEVER, because I never stick to plans, I have yet to follow through with this main plot thread, lol. Vaguely, I’d just say the most important part of this story is their relationship at its most fragile because who is plot I don’t know her. 
Moth Work follows the events after REWIRED, and is a bit of a bridge between it and the next book. This makes it kind of hard to explain because a) it’s in a different POV, and b) context, but hopefully that makes sense! In essence: Lonan + Harrison’s relationship is big sad and Harrison tries to make it less big sad and it gets even more big sad. 
I’ll share a very quick profile of both of the boys so there’s some context for the following excerpts I’ll share!
Harrison
My boy
Generally very outgoing, tho around Lonan this fizzles. Only wants the best for Lonan despite their history. He’s the ‘main’ narrator of the piece (third limited to him though I’m guilty of head hopping lol), so the work has a softer tone than I’m used to. Though Harrison tries to be a Macho Man, around Lonan he’s most himself--mellow, a lil stupidly romantic, and vulnerable. 
Lonan
My problematic son/probably should be cancelled 
The “issue” in the relationship loool. He’s emotionally immature and lacks accountability, but because of his past, lacks the ability to recognize these faults and work on them. Because of this, he’s fundamentally stayed the same for the last few works he’s been in (if not gotten worse). Lonan requires a lot of emotional assistance, though he isn’t self-aware enough to recognize this. This is often the cause of much conflict. 
Conception:
Like I mentioned, I often write short spinoff stories following these boys because it’s a safe happy place for when I’m feeling stressed. This is basically how this piece started, though I’ve continued it for different reasons which I’ll get into. I don’t remember how the first scene was brainstormed, but I do know when I started writing this a few months ago, I wanted it to be a lot longer than my previous stories--a place where I could just dump my writing, even when it wasn’t good. I think I did this to cope with the stress of my writing class honestly, lol, I think I needed a break from ‘serious’ writing AKA a place I could just goof off and have some fun. 
The writing bit: 
Writing this story has been a bit inconsistent. I’ve been drafting it in little pieces since the beginning of the year, and only recently picked it up as more of a ‘full-time’ work. This is subject to change depending on whether or not I get more of book 7 done. I’ve gone from writing 20 words a day to 0 to 1000--there’s really no consistency with the drafting process here. 
I have recently decided that I’ll most likely expand this into either a novella or novel itself because there is literally so much tea left to explore and it’s surpassed 10k words. Drafting Moth Work has been so helpful in easing me back into the world of FOSTERED and piecing together the huge time gap from the end of book 6 to the start of book 7. I’ve been a bit anxious to really dive into book 7 for the fear of the unknown, so inching myself closer to that timeline through this project has been very helpful!
The editing bit:
I recently did an edit around the line level for this entire piece (it’s about 12k words right now) because a) it really needed it b) I was losing steam/starting to get embarrassed and c) I needed a refresher of what had happened because je suis tres forgetful. This edit made me feel so much better about the project. It initially started off as a work where the writing didn’t actually matter and this mentality was working until I got so embarrassed of the prose I found it difficult to read through old scenes to refresh myself and thus couldn’t productively draft. 
This project isn’t written exactly in my usual style--it’s pretty stripped back and actually reminds me a lot of how my style would’ve been in book 3 had I been a better writer four years ago lol. I think the looser style works for the voice/the story itself but I def wouldn’t categorize this as litfic (what I usually write). Although the prose isn’t very complex, it took me a really long time to get comfortable enough to edit?? But once I got into the rhythm of it a few days ago, I completed the edit fairly quickly, and I’m 100% feeling better about the project overall! Though the prose is still not my top priority I’m not as embarrassed of it currently lols. 
I also divided the project into chapters because it was getting pretty long to just be one mass of text. I currently have 3 chapters. This update will cover chapter 1. 
Playlist:
Yo this is literally the best part of writing this project, lol, I get to listen to so much different music?? I’ve made a comprehensive playlist for this story with a character by character breakdown (if anyone wants to see that/highlights, let me know!). This playlist pulls from every song from my library, so we span genres and artists like crazy. Nothing But Thieves has been the primary artist for this story (specifically their self-titled album). These songs (all NBT oop) are the most relevant if you want to get the general tone lol (anything with a star has explicitly inspired the project):
Excuse Me*
Honey Whiskey*
Tempt You (Evocatio)*
If I Get High (II)
Gods
Lover, Please Stay*
I Was Just A Kid*
Get Better
Hell, Yeah*
Afterlife
Reset Me
Particles
Sorry
Number 13
Excerpts:
I don’t have *many* because prose hasn’t really been a top priority for this project, but I’ll try to include at least one per scene. 
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This is one of the opening paragraphs from chapter one which I’ve titled ‘False Idol’. In short, the chapter follows the boys first attempting to destroy the dark room and then getting distracted and eventually not pulling through after Harrison finds a picture of Ominous Lady. 
The chapter’s chronology is wild so we can break it up as follows:
Scene A
The boys enter the dark room with the intention of burning it down
Harrison reaches for his lighter and drops it which prompts him to find the photograph of Ominous Lady
Him and Lonan mildly argue about Ominous Lady until Lonan takes it too seriously and throws a tantrum :-DD
Scene B
Not really a full scene, just a bridge between scene A and C.
Harrison has been waiting for Lonan to return to their campsite for the entire day and he decides to at the very last moment
“hey so i’m unable to apologize for anything but also! cigarette! let’s share it! lungs!” 
Scene C
The boys exercising their canoeing skills
This leads us to our first “beat”.
Lonan interrupts Harrison’s peaceful evening by having a mild crisis
This takes place right after the events of Lolita, Lolita (chapter 16 of REWIRED). We then jump back to the fictive present.
 This alternates like 5 more times lol then the chapter is done!
The following excerpt describes their entry into the dark room. Don’t know how smart it is to be smoking in a room full of highly flammable material but we out here.
I don’t think she’s particularly special but I also don’t hate her so!! hoping an aesthetic photo will make it read better :’)) I ! don’t ! think ! it does ! but !
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Harrison shoulders the door first, traps it open with the clip of his boot. Dust and streaks of light rake behind him as he pushes through cardboard boxes, mountains of photo paper on the ground. Lonan follows silently, still wearing Harrison’s jacket. Trails of smoke from his cigarette catch in the negatives hanging by the clothespins, chemical peel between the layers of ink. In one hand he tends to his cigarette, and in the next, lugs in the canister of gasoline they found in the cabin’s cellar. As Harrison fumbles for his flashlight, Lonan sets it down by the table so it sloshes like the Pacific. 
This is a bit of when Harrison finds the photograph of Ominous Lady:
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He turns the photograph over, and shines the flashlight on it. It’s scratched and developed wrong, little bits of orange obscuring the woman’s face, but it’s very much a woman. A dark bob and bangs in her eyes, jewelry hanging from her septum. Sunshades enough to reflect the European street behind her. The discreet jet of ink on her skin, blues and greens peeking out from under her sleeve. Izzy, he recognizes. Lonan’s mother. 
Nudging Lonan with an elbow, “I didn’t know your mom has tattoos.” 
Lonan takes the photograph cautiously, holding it by the corners like it’ll burn him. His brow trembles, but it takes him only seconds to say, “That’s not my mom.” He takes the flashlight from Harrison and examines it closer, fingers nimble and tracing the edges. In the grey light of the dark room, he looks nullified. Just a monochromatic hum of chromosomes and skin. 
that’s not my MOM
After the boys find the photograph, Lonan gets triggered at Harrison’s suggestion to find the woman (he presumes her to be someone involved with his father) and promptly has a tantrum and exits. This leads us into the next scene where the boys! actually! get! on! boat! In this scene Lonan tries to say sorry for his tantrum by offering Harrison a cigarette (lol) and because Harrison is hopelessly romantic and also hopelessly dumb, says yeeeees sir! They go for a canoe ride on the water. Thought it was going to be sweet, ended up being a shitstorm but!
This paragraph is kind of toast but:
The canoe isn’t hard to get into the water. After a few nudges from the dock into the slow dip of tide, it stabilizes easily. Harrison is convinced it will capsize but Lonan knows it won’t. They take one ore each, and ignore the life jackets at the back of the shed.
The moon is large and mesmerizing. As Harrison and Lonan take turns pushing the canoe into the water, mast first, then its entire belly, it colours them silver. Lonan’s protected the cigarette in the pocket of his shirt. Harrison stares at its faint outline stretched under the fabric. Lonan steps into the canoe first, rocking with the current, and extends a hand for Harrison. He pulls him in and they row until the cabin is the size of a fingernail, the wave steady and dense. Each cut of the paddle feels like plunging a scalpel into flesh and Harrison watches Lonan do it easily. In the distance, the cabin doesn’t look so menacing. Reeve has left the lamp on by the loft, and it glimmers back like an eyeball, effervescent and tiny. Nothing but a reflective penny in the distance.
Here’s some Harrison being lame:
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The water laps at the base of the canoe, and Ris reaches over and touches it like it’s holy. He makes the sign of the cross and it feels perverse, cold water dripping from forehead to chin.
For a while it’s quiet. Just the distant hum of crickets, the slash of the paddle, and the off-chance flash of something in the distance; an animal, a flashlight. Ris tries not to think about Lonan’s dad, like a dead man slithering through the water, following their boat. He picks at a saltine, sucks it between his tongue meditatively. Against the sky, Lonan is backlit and lovely and flecks of his hair peek up from around the jacket’s collar. Harrison wonders if as a child, everyone said he looked just like his father. 
On top of lacking accountability, Lonan is also a professional canoeist so he takes over while Harrison eats saltines and reminisces about an encounter they had weeks prior. This leads into the solid chunk of backstory that I weirdly jump in an out of for the entire chapter. :)
Backstory consists of drunk Lonan having a crisis while Harrison tries to have a peaceful evening of taping up his drawings to his bedroom ceiling. The following excerpt describes the moment right after Lonan enters the room.
Harrison’s lips secured around his cigarette, his hand mid-air with packing tape and line drawings of the moon. A tinny country song dribbled through the radio. The minute-meal he’d heat up in the microwave lying forgotten and cold on his desk. Harrison set the pile of drawings down and turned off the music.
“Emily left?” Lonan asked. He kept his face upward, stared clumsily at the ceiling. Harrison watched his eyes trace the new drawings, following the uncalculated pattern. 
This paragraph is made up of 5 similes and this is the only reason I’m sharing it :)))):
Lonan has stopped paddling. The canoe sits in the middle of the lake, lifeless, like a bone in the water. He’s turned so Harrison can see him in profile, and Ris can’t tell if it’s relieving or worrying to see his face. Lonan’s jaw is taut, like there are words he wants to say there but can’t. Filling up the hollow bone. He blinks slowly, like he’s trying to re-centre himself, his chest quivering with breaths meant to steady him. The water laps at the base of the canoe, whirling. Dark hair tangles down his cheeks like the fingers of a poltergeist. 
I think that’s a pretty good way to end this post lol! How many similes have you put in one paragraph? What’s your record lol this is probably mine!
Hope y’all enjoy the intro to MOTH WORK. I have two other chapters already written which I’ll update on in a separate post! For now I hope you like this more laid back project, let me know what you think!
---Rachel
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