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actreesp · 2 years
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biographyeducation · 2 years
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Meena Durairaj (👸 Meena) Biography, Age, Height, Husband, Vidyasagar, Daughter, Wiki & More
Meena Durairaj is a famous South Indian actress, Dubbing Artist, and Singer. She started her film journey from Tollywood as a child artist. People recognize her as Meena. She has done more than 150 movies.
Meena has done many television shows, movies, and advertisements. She won many awards for her beautiful acting. Meena has worked with many film industries such as Bollywood, Tollywood, Kollywood, Mollywood, and Sandalwood.
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Meena started her acting career at the age of 6 years older. Meena debuted in the Kollywood industry with the “Nenjangal” movie as a child artist.
Meena started her acting career at the age of 7 years older. Meena debuted in the Tollywood industry with the “Siripuram Monagadu” movie.
Meena has worked with many stars such as Rajinikanth, Mammootty, Chiranjeevi, Nagarjuna, Venkatesh, Vijay, Prabhu Deva, Kichcha Sudeep, Raviteja, and many others.
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ecoamerica · 1 month
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Watch the 2024 American Climate Leadership Awards for High School Students now: https://youtu.be/5C-bb9PoRLc
The recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by student climate leaders! Join Aishah-Nyeta Brown & Jerome Foster II and be inspired by student climate leaders as we recognize the High School Student finalists. Watch now to find out which student received the $25,000 grand prize and top recognition!
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rudrjobdesk · 2 years
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साउथ एक्ट्रेस मीना पर टूटा दुखों का पहाड़, पति का हुआ निधन, कोरोना से बिगड़ी थी तबीयत
साउथ एक्ट्रेस मीना पर टूटा दुखों का पहाड़, पति का हुआ निधन, कोरोना से बिगड़ी थी तबीयत
Image Source : INDIA TV Meena’s husband Vidyasagar passed away  आज साउथ फिल्म इंडस्ट्री से एक बेहद दुखद घटना सामने आई है। दरअसल, साउथ की मशहूर अभिनेत्री मीना के पति विद्यासागर का आज निधन हो गया। मीडिया रिपोर्ट्स की मानें तो उनका अस्पताल में इलाज चल रहा था। मीना के पति विद्या सागर लंबे समय से फेफड़े की बीमारी से जूझ रहे थे, वहीं कोरोना की चपेट में आने की वजह से उनकी हालत और नाजुक हो गई और महज 48…
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cmiatamil · 2 years
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நடிகை மீனாவின் கணவர் காலமானார் 😭 RIP வித்யாசாகர்    விரிவாக படியுங்கள் 👉 https://www.miatamil.com/Actress-Meena-s-husband-passes-away-RIP-Vidyasagar-Mourning-1985075423.html #Actress | #Meena | #Husband | #Passed https://www.instagram.com/p/CfXHyj5BXFG/?igshid=NGJjMDIxMWI=
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aboutanancientenquiry · 6 months
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Meena Kumari in “Chalte chalte yunhi koi” (“Pakeezah”, 1972)
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Meena Kumari (1933-1972), one of the greatest Indian actresses of the last century, in an iconic scene and song from the classic Indian movie Pakeezah (The Pure One-1972, written, directed, and produced by Kamal Amrohi). 
Meena Kumari plays in this movie Sahibjaan, a tawaif. The tawaifs were courtesans who catered to the nobility of the Indian Subcontinent in the Mughal and post-Mughal eras and were trained in music, danse, theater, and Urdu literature. An orphan, Sahibjaan lives since her childhood in a kotha (brothel), but she wants to escape from her fate.
According to the website of the University of Iowa ( https://indiancinema.sites.uiowa.edu/pakeezah ):
““I’ve seen your feet; they’re very lovely. Don’t set them down on the earth—they’ll get soiled.” This metaphorical warning-note, penned by a romantic stranger and left between the toes of a sleeping woman in a railway compartment, forms a much-underscored motif in this classic courtesan film—the final collaboration between the great actress and dancer Meena Kumari and her former husband, actor and director Kamal Amrohi. Like MOTHER INDIA, this film coexists with its own legend involving the offscreen lives of the director and star, who planned it together in the late 1950s but whose marriage broke up around the time that filming began in 1964. Kumari (who was also a talented Urdu poet under the pen name Naaz) then purportedly became an alcoholic, but eventually came back to complete the film shortly before her premature death in 1972; aficionados may try their luck at identifying—from Kumari’s pained and sometimes mask-like face—which scenes were shot when. The central theme of the film is the struggle for respectability of a tawai’if, an Indo-Islamic courtesan trained in poetry, music, and dance—a glamorous “public woman” whose career was to be an elegant companion (and potential lover) to affluent men, but for whom a “respectable” marriage and home was out of the question. Her beautiful feet—apart from being an erotic fetish—represent her mastery of the art of North Indian classical dance or Kathak, which tawai’if’s preserved and nurtured for several centuries. The “earth” that such feet must perforce touch, however, is ruled by patriarchal society with its crippling double-standards, which decreed that respectable women (who lived in parda or seclusion) could seldom be interesting to men, and that interesting women were seldom respectable. All courtesan fiction struggles with this divide, which forms a principal theme of one of the earliest and most famous Urdu novels, Mirza Mohammed Hadi Ruswa’s UMRAO JAN ADA (1905; itself later filmed several times; see notes on UMRAO JAAN). PAKEEZAH offers another variation on the theme.”
See also about Pakeezah the paper of Richard Allen and Ira Brashkar Pakeezah: Dreamscape of Desire, on https://www.academia.edu/36264030/Pakeezah_Dreamscape_of_Desire
In the iconic scene of this video Sahibjaan/Meena Kumari sings and dances for the “villain” of the movie, an aristocrat (Nawab) named Zafar Ali Khan (played by Kamal Kapoor), who wishes to own her. The ambiguities and dynamics of the situation and of the relationship between the two are depicted in excellent way in this scene, which takes place at the Gulabi Mahal (Pink Palace) of Luchnow. According to the paper of Allen and Brashkar:
“The Gulabi Mahal (the Pink Palace) at Lucknow evokes a more rarified atmosphere. In Amrohi’s imagination, the space of the kotha is here fused with the idea of a Greek temple where the central colonnaded performance space doubles as a space of worship to the divine feminine, and discrete spaces are orchestrated in a theatrical hierarchy from the outer court with its fountains at the entrance to the inner sanctum sanctorum, which houses the bedroom of the courtesan, essentially off limits to all but the chosen client, and separated from the main performance space by a lighted causeway between reflecting pools of water.The Pink Palace is a sublime temple of femininity, whose fountains, atriums, reflecting pools form a microcosm of artifice that rivals that of the natural world. Indeed, even the moon appears artful in this landscape and the saturated deep blue sky, a studied backcloth to the whole.”
But, as the same article continues a bit further, the Pink Palace is also a prison for Sahibjaan:
“Meanwhile, for Sahibjaan whose desire for self-fulfillment has been awakened, the Pink Palace becomes a prison. In a metaphor that recurs in the film, and echoes throughout the genre, she is likened to a bird in a gilded cage from which she yearns to escape...
...The quality and texture of her performances for him [the Nawab] are now markedly different from her earlier ones. Gone is the vivacity and vibrancy of an Inhin logon ne or a Thade rahiyo as she mournfully sings the haunting Chalte Chalte, which articulates her desire for freedom and happiness.Yet it also returns us to the pathos of her entrapment in a manner that evokes the equation of the courtesan and the flickering flame that opens the film. At the conclusion of the performance, as she sings Yeh chiraag bujh rahein hain / Mere saath jalte jalte (These lamps are fading / As they burn with me), she hears the screech of a train whistle. It is impossible initially to discern whether it is somewhere physically off-screen or within her mind.The camera cranes upward from the floor to the red chandelier, recalling the red aalta of her feet.The lights darken as the escalating screech of the train whistle resounds through the performance space, taking over the song and abruptly bringing the dance to an end. When the camera cranes down again, the dancers have disappeared from the floor.The camera then tracks forward towards the fountains that abruptly stop playing as the whistling ends. It is as if the space in which she dwells, her erstwhile tomb, is now cut to the measure of her desire. She rushes to the balcony to see the train she has seen before, but this time it is motionless, silhouetted against the sky, almost as if waiting for her to come to her balcony before it can leave.Though real, the train appears as if in a vision, so detached is the spectacle from the space she inhabits.What is finally required for Sahibjaan to escape her sealed world is a transformation of environment and character of a magnitude that challenges the tone in which the film has hitherto been cast.”
The lyrics of Chalte chalte yuhni koi were written by the Urdu poet Kaifi Azmi (1919-2002) and its music was composed years before the release of Pakeezah by Ghulam Mohammed (1903-1968). Although Meena Kumari was also a singer, the voice in the song is of the great Indian singer Lata Mangeshkar (1929-2022).
Unfortunately I couldn’t do anything with the advertisements at the end of the video.
I have found on the net the following transliteration and translation of the lyrics of Chalte chalte yuhni koi:
Chalte chalte, chalte chalte    While walking, while walking
Yun hi koi mil gaya tha    I met someone by chance
Yun hi koi mil gaya tha  I met someone by chance
Sare raah chalte chalte   Walking around the path
Sare raah chalte chalte    Walking around the path
Wahin thamke reh gayi hai  Right there it stood still
Wahin thamke reh gayi hai   Right there it stood still
Meri raat dhalte dhalte    This night of mine, which is fading away
Meri raat dhalte dhalte     This night of mine, which is fading away
Joh kahi gayi na mujhse      What I was unable to say
Joh kahi gayi na mujhse     What I was unable to say
Woh zamaana keh raha hai      The world is saying that
Woh zamaana keh raha hai    The world is saying that
Ke fasana                                A story
Ke fasana ban gayi hai     A story has been created
Ke fasana ban gayi hai      A story has been created
Meri baat chalte chalte      From those words of mine
Meri baat chalte chalte   From those words of mine
Yun hi koi mil gaya tha    I met someone by chance
Yun hi koi mil gaya tha    I met someone by chance
Sare raah chalte chalte      Walking around the path
Sare raah chalte chalte      Walking around the path
Yun hi koi mil gaya tha    I met someone by chance
Sare raah                               Around the path
Chalte chalte, chalte chalte     While walking, while walking
Sare raah                                Around the path
Chalte chalte, chalte chalte       While walking, while walking
Chalte chalte, chalte chalte          While walking, while walking
Yun hi koi mil gaya tha            I met someone by chance
Yun hi koi mil gaya tha            I met someone by chance
Shab-e-intezaar aakhir             The night of waiting
Shab-e-intezaar aakhir              The night of waiting
Kabhi hogi mukhtasar bhi            Will after all shorten soon
Kabhi hogi mukhtasar bhi           Will after all shorten soon
Yeh chirag                                    These lamps
Yeh chirag bujh rahe hai              These lamps are dying
Yeh chirag bujh rahe hai               These lamps are dying
Mere saath jalte jalte                 As they burn alongside me
Mere saath jalte jalte                 As they burn alongside me
Yeh chirag bujh rahe hai              These lamps are dying
Yeh chirag bujh rahe hai                These lamps are dying
Yeh chirag bujh rahe hai               These lamps are dying
Yeh chirag bujh rahe hai                These lamps are dying
Yeh chirag bujh rahe hai                 These lamps are dying
Yeh chirag bujh rahe hai               These lamps are dying
Mere saath jalte jalte                   As they burn alongside me
Mere saath jalte jalte                  As they burn alongside me
Yun hi koi mil gaya tha                   I met someone by chance
Yun hi koi mil gaya tha                I met someone by chance
Sare raah chalte chalte                Walking around the path
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indiejones · 9 months
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OF 1963: THE YEAR THAT CHANGED MEENA KUMARI FOREVER! ... OF 'OPERATION MEENA KUMARI' IE THE 'OPERATION CHINESE WHISPERS' !
Pradeep Kumari once, in fact many a times, described Meena Kumari as "the nicest person he'd ever met" & "a veritable angel on earth". Even going on to add, "I don't think there is any person on earth who couldn't fall in love with Meena Kumari".
The media narrative around Meena Kumari was always very sober & dignified & respectful. Till 1962.
You see Meena Kumari was always a very big star, from 1952 (& 'Baiju Bawra') yet not in a league of her own, but in the very top rung with 2-3 other actresses.
But her cinematic career took on a whole different trajectory in 1961, when the film 'Bhabhi Ki Chudiyan' released, & "The Bollywood Goddess" was born!
In many expert & mass assessments till today, one of the greatest performances by a female on celluloid, in history ever!
This was followed by 1962, with 3 more legendary performances in 'Main Chup Rahungi', 'Sahib Biwi Aur Ghulam' & 'Aarti', & March 1963's 'Dil Ek Mandir', & within a gap of exactly 2 yrs & 5 Films, 4 of which are in The Forever All-Time Top 50 of Indian Cinema, Meena Kumari had gone from sure-shot No. 3 Of All Time, to, the most likely 'FOREVER NO. 1 ACTRESS OF INDIAN CINEMA", infact challenging the WORLD NO. 1 tag too!
Such was her craze & hold on public imagination then, that Filmfare did something they've never ever done for anyone else till today ever! - They nominated her in all the nomination slots for 'Best Actress" that year, as a mark of salutation, & as a statement indicating the "Crowning of Bollywood's First Queen nee First Female Megastar"!
Wonderful. But scary.
The reason this was or atleast should've been very scary & a warning sign for Meena Kumari, is that 'Bollywood Estt' or 'Deep state Bollywood', & the faction or rival groups that control it, akin to the criminal underworld, if we know anything till today, doesn't give free lunches, & extracts much more than it gives! .. If they were heaping away so much free historic praise upon her, were impossibly unlikely to try leave anyone even with the potential to overrule their dictat or narrative hold over the masses, & were sure to quietly bts extract more than their pound of flesh too!
AND A RANSOM WAS SOON PLACED ON HER REPUTATION, WITHIN THE FRATERNITY, WITH REGULAR REWARDS FOR THOSE THAT SUCCEEDED!
And that's when, mysteriously enuf by 1964, Dharmendra entered her film life, & via it, her life in general! Film magazines all of a sudden sprang to life, & news of "the crazy uncontrollable affair btwn Meen & Dharam" made it to all film headlines, to be continued in same vein for good more yrs thereafter. Stuff like "Dharmendra arrived at a airport one night all drunk, & upon being stopped, shouted, "Oh but I must get back to Bombay, I must. Meena is waiting for me!" were actually splashed all over the next morning's papers. Even further, of things like how Meena got so agitated in a outdoor shoot seeing her Dharmendra not sitting with her on way to the location, & having gone by another entourage car, stopped her car, & went to the middle of the road, sat on the road & started loudly repeating "Where is my Dharam! Oh where is my Dharam!", were being read by the Indian masses & classes on a daily basis now on. Going a step further, they even created fist fights & slapping incidents btwn the 2, & how she'd be regularly restraining her lover from brawling in drunken fights over her, were now the new norm. They then, took it to a tangential emotional plane, by renaming her "The Tragedy Queen", even in real life, equating her performances with some necessary strain in her own life. People began regularly being witness to Dharam entering Meena's room everytime, & leaving w/o fail in a sobbing state, & when asked about this reaction, saying things like "I just cant help it!". They even went after her husband,labeling her a wife-hater, & of how he egoistically once refused to hold Meena's purse, got publicly enraged at being called Meena Kumari's husband, etc etc. And how his secretary'd manhandle Meena & refuse her freedom. All false!
IT WAS THIS RELENTLESS MEDIA WAR DIRECTED AT THE COUPLE, WITH NOT A SHRED OF EVIDENCE TO SHOW FOR EVEN ONCE, THAT TOOK IT'S TOLL ON KAMAL OVER COUPLE OF YRS, FORCING HIM TO DECIDE TO LEAVE MEENA'S LIMELIGHT, TILL THIS OUTSIDE MADNESS CONTINUED.
Anyone with half a assessment, can see how Kamal's entire professional life,revolved around & was devoted to making her wife the best!
This was the final straw! & Meena took to drinking to numb herself to the world, determined to not lose & to continue working at her best. Do you know, 'deep state' even took away her most personal possessions, in return for her continuing career!?
Sadly,she didn't have the arms or tactfulness of Rajesh, to carry on next 18 yrs, nonetheless managing good 6-7 yrs within this 'golden solitary confinement Bolly jail' at the top!
(Watch Polanski's 'The Tenant'(76), for better feel on how this troll/suicide army works!)
Of the supreme sacrifices, India's legends made, to leave us awe-inspiring cultural history & worldly life lessons too.
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ecoamerica · 2 months
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Watch the American Climate Leadership Awards 2024 now: https://youtu.be/bWiW4Rp8vF0?feature=shared
The American Climate Leadership Awards 2024 broadcast recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by active climate leaders. Watch to find out which finalist received the $50,000 grand prize! Hosted by Vanessa Hauc and featuring Bill McKibben and Katharine Hayhoe!
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welidot · 11 months
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Kareena Kapoor
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This Biography is about one of the best celebrity of the world Kareena Kapoor including his Height, weight,Age & Other Detail... Express info Real Name Kareena Kapoor Khan Nick Name Bebo Profession Actress Age (as in 2023) 42 Years old Physical Stats & More Info Height in centimeters- 163 cm in meters- 1.63 m in Feet Inches- 5' 4” Weight in Kilograms- 54 kg in Pounds- 119 lbs Figure Measurements 34-26-35 Eye Color Hazel Green Hair Color Dark Brown Personal Life of Kareena Kapoor Date of Birth 21 September 1980 Birth Place Mumbai, Maharashtra, India Nationality Indian Hometown Mumbai, Maharashtra, India School Jamnabai Narsee School, Mumbai Welham Girls' School, Dehradun College Mithibai College, Mumbai Education Qualifications College dropout Debut Film Debut: Refugee (2000) Family Father- Randhir Kapoor (Actor) Mother- Babita (Actress) Sister- Karisma Kapoor (Actress) Brother- N/A Best Friends Karisma Kapoor, Kareena,Amrita Arora, Malaika Arora Khan Religion Hindu Home Address 1.    Fortune Heights in Bandra West, Mumbai 2.    4 floors duplex in Bandra, Mumbai Hobbies Reading, Swimming and Yoga Like & DisLike N/A Favourite Things Of Kareena Kapoor Favourite Food Dal-Chawal, Pasta and Spaghetti Favourite Actress Kajol, Nargis, Meena Kumari Favourite Actor Raj Kapoor and Shah Rukh Khan Favourite Colors Black and Red Favourite Film Bollywood: Awaara, Sangam, Bobby, Kal Aaj Aur Kal, Hollywood: Breakfast At Tiffany's, Cat On A Hot Tin Roof, Love Story, Ben Hur Favourite Sports Swimming Favourite Perfume Jean Paul Gaultier’s Classique Favourite Song Mehka Karenge (mamta),Rahe na rahe hum mehaka karenge, Tujhse Naraaz Nahin Zindagi (Masoom), Lag Jaa Gale (Woh Kaun Thi), Tu Mera Hero No. 1 (Hero No. 1) Favourite Destination Switzerland and London, Wasabi at The Taj Mahal Palace, Olive, Thai Pavilion at Taj President in Mumbai Hakkasan in London Boys , Affairs and More Of Kareena Kapoor Marital Status Married Affairs Hrithik Roshan (Actor) Shahid Kapoor (Actor) Sail Ali Khan (Actor) Marriage Date 16 October 2012 Husband Sail Ali Khan (Actor) Children Son- Taimur Ali Khan Pataudi (born on 20 December 2016) Daughter- N/A Style Of Kareena Kapoor Cars Collection BMW 7 Series, LX 470 SUVa Earning Money of Kareena Kapoor Net Worth $10 million Salary per Film 8-10 crore/film (INR) This Biography written by  www.welidot.com Read the full article
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publictaknews · 1 year
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Pakistani actress Meera ji will be seen in the remake of Bollywood classic Pakeezah. Bollywood
Pakistani actress Meera Ji will star in the remake of Pakeezah (1972). She is all set to play the role played by late actress Meena Kumari in the Pakistani remake of Bollywood classic Pakeezah. The film was written, directed and produced by Meena Kumari’s husband Kamal Amrohi. The film featured late veteran actors Ashok Kumar, Raaj Kumar and Meena Kumari in lead roles. ,Read also: Meena Kumari…
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twnenglish · 1 year
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All Time Best Women Centric Films Of Bollywood
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Hindi cinema has served as a mirror of its times, events, and the challenges the nation has faced for many years. Women in contemporary movies have gone a long way from being simple ornamental objects in movies, from occasionally being victims or powerless, to being powerful forces to be reckoned with. Hindi film actresses have established themselves as strong, confident, and powerful individuals who fight for their rights, speak up against injustice, uphold their dignity, and deserve what they do not receive. She too rejects this and resists.
Over the years, Hindi films have successfully portrayed how times and cultures have changed, whether it is the dramatic shift in the professions to which women have been exposed or even the current domestic violence against women. The ladies of Hindi films, from Meena Kumari to Vidya Balan, from Mother India to Lipstick Under My Burkha, have played a significant role in bringing about change in the nation. We provide you movies with strong female characters. Additionally, she is taking an active part in developing her own sense of self in society.
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Women-focused movies of all genres were made by directors throughout this decade, and the public accepted them, enjoyed them, and even desired more of them. This is a fantastic illustration of how things are altering. Today we'll talk about some of the finest female-centric Bollywood movies that got people thinking and contributed to a lot of positive social change.
All-Time Best Women-Centric Films Of Bollywood
1. Mother India (1957)
The early Indian cinematic era includes the renowned masterpiece Mother India. This was likely the first widely watched movie to get acclaim both domestically and overseas. It was an unconventional movie at the time. It's regarded as one of Nargis Dutt's most famous and significant performances.
Poor rural lady Radha (Nargis) struggles against all difficulties to raise her two boys. The locals revere him as a deity and a symbol of justice. She murders her immoral son in accordance with her moral ideals in the sake of justice.
Known for directing the social epic Mother India, which won two National Film Awards, the Filmfare Award for Best Film and Best Director, and the Academy Award for Best Foreign Language Film, Mehboob Khan was a trailblazing producer-director in Indian film.
2. Mirch Masala (1987)
The film Mirch Masala, which was directed by Ketan Mehta, depicts the tale of Sonbai, a humble villager, portrayed by Smita Patil, who decides to refuse a request from Subedar, a strong officer played by Naseeruddin Shah, in order to avoid his bad eye.
The village chief's wife, played by Deepti Naval, protests against her husband's oppression and his wish to send their daughter to school. A powerful tale of women's emancipation in backward times. This is a singular illustration of how hard it is for women to survive.
3. Bandit Queen (1994)
The movie is a biography based on the life of Phoolan Devi, an Indian dacoit who was imprisoned in 1983 and who is played by Seema Biswas. The Indian police accused him, and the populace transformed him into a legend.
This is the tale of a lady who battles all male crimes, including those done by police and thugs. She eventually defeats them all and shows herself to be a powerful lady. India's Bandit Queen: The True Story of Phoolan Devi, a movie based on Mala Sen's biography, was directed by Shekhar Kapur.
4. Astitva (2000)
The Mahesh Manjrekar-directed film Astitva exposes India's pernicious social structure. It brings to light societal problems like extramarital relationships and marital abuse that have never been freely discussed.
Aditi Shrikant Pandit, a character played by Tabu, is encouraged by her future daughter-in-law, Namrata Shirodkar, as she searches for her identity outside of marriage while being separated from her husband and kid. She eventually exits the house as well, standing by her mother-in-law.
5.  Chandni Bar (2001)
Chandni Bar sheds light on the oppressive and hopeless lives of several Mumbai women who are entangled in a labyrinth of crime, prostitution, dance clubs, and the underworld. In the movie, Tabu, who plays Mumtaz, strives to offer her kids a better future, but she is ultimately overcome by the circumstances. It is a nerve-wracking story of the reality experienced by women in particular regions of Mumbai, directed by Madhur Bhandarkar.
6. English Vinglish (2012)
The protagonist of English Vinglish is a dedicated homemaker named Shashi Godbole. Shashi puts her all into her career and is a fantastic mother, wife, and housewife, yet her husband and daughter frequently disappoint her. Shashi's lack of English language proficiency is the cause of his actions.
During a journey to the United States, Shashi picks up the English language and her family's perception of her changes. Sridevi plays the role of Shashi Godbole in the movie, which is directed by Gauri Shinde.
Read This Full ARTICLE, Click Here
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rafi1228 · 1 year
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Family members forcing actress Meena for 2nd marriage
Family members forcing actress Meena for 2nd marriage
It is known that senior actress Meena has lost her husband recently. His husband passed away recently due to post COVID-19 health issues. It is a shock for everyone in the industry and also for her fans, as her husband is just around 50 years of age. This 46 years old actress is now getting compulsions from family to remarry. She has been attending movie shootings of late. We don’t know whether…
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actreesp · 2 years
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DEATH OF ACTRESS MEENAS HUSBAND / .IT IS VERY PAINFUL TO LOSE A LIFE PARTNER AT A .YOUNG AGE.MAY THE LIGHTY TO GIVE STRENGTH TO BEAR THIS SHOCK. (at Karaikudi Kothamangalam) https://www.instagram.com/p/Cfai3KEp031/?igshid=NGJjMDIxMWI=
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rudrjobdesk · 2 years
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साउथ एक्ट्रेस मीना पर टूटा दुखों का पड़ाड, लंग इन्फेक्शन से पति विद्यासागर का निधन
साउथ एक्ट्रेस मीना पर टूटा दुखों का पड़ाड, लंग इन्फेक्शन से पति विद्यासागर का निधन
साउथ इंडस्ट्री से एक बार फिर गमगीन करने वाली खबर सामने आई है. फेमस तमिल एक्ट्रेस मीना (Meena) पर दुखों का पहाड़ टूट गया है. उनके पति विद्यासागर का निधन (Meena husband Vidyasagar Death) हो गया है. इस दुखद खबर के सामने आने के बाद साउथ इंडस्ट्री भी शॉक्ड है और सोशल मीडिया पर उनके असामयिक निधन पर शोक जाहिर कर रहे हैं. एक्टर सरथ कुमार ( Sarath Kumar) ने इस खबर को ट्वीट कर साझा किया और इस दुख खबर के…
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celebmela · 2 years
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Actress Meena Husband Passed Away
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All time beauty actress Meena started her career acting in movies from an early age. She impressed everyone by acting as Andhurali in the movie 'Sirivennela'. She also dazzled everyone with her performance in many movies. Everyone fell in love with her performance in the scene. Meena, who has gained so much fame, is left with a widow. Her husband Vidyasagar passed away. Gone to worlds that will never return. Meena's husband has been ill for some time. His lungs were damaged. Meena's husband, who had previously suffered from corona, has recovered in a tough manner. However, the infection in his lungs did not cured. He confined to bed with the same lung disease. Someone had to donate his lungs for him to recover. But Vidyasagar could not be fitted with a lung transplant as he had received many applications before him. Lungs can be taken only if someone agrees to donate their organs in case of a brain dead case. That is why he could not have lung transplant immediately. Vidyasagar would have survived if he had found a donor to donate his lungs. But the donor became harder to find. At this stage his health deteriorated day by day. What even the doctors could not do with the recent health worries. He finally breathed his last. Meena was left in desperate grief. The entire film industry mourned the death of Meena's husband. https://www.youtube.com/watch?v=o95nQZ_Tyew #meena #RIPVidhyasagar #MeenaVidhyasagar #Vidyasagar #Meena #Telugu #Tollywood #celebmela #tollywoodactress #telugu #movienews #telugumovie #tollywood #tollywoodmovie #MovieNews #tollywoodactor #TollywoodNews #telugumoviereviews #moviereviews #movietrailer Read the full article
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sion5 · 2 years
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Vidyasagar, husband of actress Meena, has died in Chennai
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kollywoodkoothadi · 4 years
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நடிகை மீனா பற்றி பலருக்கும் அறியாத ரகசியங்கள்| Secrets about Actress Meena
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