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#mabelblogging
andromerot · 1 year
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sorry if this looks cringe to the followers
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equalseleventhirds · 3 years
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mabel: a thing can be both inside out and outside in at the same time. like a klein bottle. it's just math. the simplest thing in the world.
me: oh she's a math gay
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gaydelgard · 4 years
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ok im listening to mabel and anna gets on my nerves a lil bit sometimes
like the fact that she left you the house doesnt keep you there against your will
the stipulation was that you couldnt sell it for the next 10 years
you can still fuckin leave it didnt say anywhere you had to BE THERE you just OWN IT and have the MEANS to stay should you want to
like sorry she fuckin made it legal for you to be in her house instead of squatting there with no income for the forseeable future
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andromerot · 2 years
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o-(-( <- his mutuals are mabelblogging and she wasnt prepared to think about mabel
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equalseleventhirds · 3 years
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i know i already said mabelpod love-in-horror-in-love, but like. letter from juniper? letter from juniper????
juniper is the monster, the girl from the hill, the girl in the mirror, the girl who does not die. and she loves lily. she will go to her against the king's curse, against her mother's warning, and she will love her enough to save her.
it is not uncommon for us to want to eat what we love, and juniper does want it, she is greedy for lily, she would be lobelia on her tongue.
and yet, her love for lily is like a knot in her heart, like a stone in her shoe. like something that will hurt her. and lily, human lily, doomed lily, turns away from that devouring, redeeming love, and breaks them apart, and breaks juniper.
love as hunger, and hunger as something to be fed, i said? in lily we see the coldness of denying that hunger. we know the horror and fear and pain of love, and we know that lily should have fed it.
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equalseleventhirds · 3 years
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in other news, currently obsessing over the in-universe flower shop au in mabel
specifically how it showed a different-but-similar perspective on mabel's relationship with her family and her racial identity
like, that was there before, but it got tied up in the spookiness of the house and the world under the hill, right? like we know that sally and lily were pretty fucking awful, but they were awful in the context of a family curse that kills you. and we knew a bit abt mabel's heritage (especially bcos we meet thomas), but she's lived under the hill for so long that she's half-fey by this point and her relationship to how the world above views race is... different, bcos her relationship with the world above is different.
but! in the flower shop au! when she has been raised by her mother, when she has lived in the mundane world and her survival turned to that instead of the faeries!
first of all she's willingly estranged from her family, there's no kidnapping by faeries to muddle that. she's not precisely open about the fact that abuse happened (she wasn't particularly open about it in the other world, talked around it, avoided mentioning it, up until the house revealed it), but she's open about the fact that she hates her family and they hate her and she'll break into their house to spite them, so you get it.
she's a mixed indigenous mexican girl in a WASP town, and she connects with anna over this, immediately and instinctively. but the way she responds when anna casually references their shared ancestors (and cocoa, which, hell yeah the way mabelpod treats food) is... idk, it feels very 'mixed kid' in a particular way, right?
like, she talks about her last name with this snooty french accent ('martin. martin, if you listen to my mother.'), and you know her mother and grandmother at some point told her something about this name, this name from the white side of her family, about it meaning something, about it requiring a certain behavior from her. likely behavior she never quite emulated; likely an amount of whiteness, of conformity, of erasure of her mexican heritage in order to uphold their family image (and oh, that family is obsessed with image) that mabel was never willing or able to achieve.
and 'why would you think we had the same ancestors?', as though she expects to have half her heritage erased? we don't know where thomas is in this world, but we can assume he's not living in the martin house, that lily and sally with their pride and their money may not have allowed him there. maybe mabel got to connect with him later (she at least knows his name), but it sounds like she's used to people trying to dictate an identity to her based on being a martin.
but: 'you look a bit like an aztec statue.' she is recognizable to anna, another mixed indigenous mexican woman. whatever the martins may have tried to deny mabel, anna knows her. anna brings her to a place with proper cocoa and casually, confidently drops 'the ancestors knew what they were about', because she knows her. mabel has been rejected for everything about her, including her race, but anna sees her, and mabel wants to be seen. revels in it. recognizes something of herself in anna, and wants to stay with her.
'am i wrong?' asks anna, and mabel, obviously pleased: 'no.'
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equalseleventhirds · 3 years
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thinking so hard abt the characterization of lily in 'letter from juniper' and her diary that anna finds, vs the characterization of her in what she did to thomas, vs the characterization of her in the flower shop au where she seems to still be alive but either participated in or did not stop mabel being kicked out of the family, and 'my last name is martin *snooty french accent* martin, if you listen to my mother' and what that means for a girl who 'looks a bit like an aztec statue' to have a mother like that
mabel real mabel didn't rly know her mother much, but we have......... clues.
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equalseleventhirds · 3 years
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also on a different theme but i am just Thinking abt mabel 8.5, but 'my mother taught me many things, but she did not teach me this'
the. the awe? the reverence? of her voice. of now i know you, now i love you, and it is not something i could have learned anywhere else.
especially considering juniper is a fairy, is immortal, is from under-the-hill where she likely was taught about magic, about the secrets of the world; but it's lily who taught her something so wondrous. not by like, telling her anything, but by existing. by being something juniper could not help but love.
and, of course, taken in context of 'was my mother warned me against you', bcos her mother likely knows the shape of things, knows the dangers of the martin family and lily's doom in particular. knows this will not end well, that this will end with a closing of a door and juniper crying and blood on the hill.
and yet, and yet, for all her mother knew, she could not teach her this.
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equalseleventhirds · 3 years
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also also do u ever think abt how the martin house, the house sally wanted, the house she loved like a religion, the house she broke her promises so she could have, because she wanted to be a wife with respect, with money, with land, with a house
it never loved sally back. it never pulled itself apart for her, never remade itself and remade her, never grew her fruit trees when she was starving. it did not keep her safe from harm, it did not bend its stairs and banisters to stop her from being hurt, it did not shelter lily when sally realized the price for her lies
but it protected mabel. it stifled her, maybe, but it loves her, it protects her, it warps itself around her and what she needs to survive and, eventually, to flourish. anna eventually has power in the house, but i think it only gave her that because it knew she loves mabel too and will protect her (and, when anna talks it into loosening its stifling hold on mabel, i think it's because it knows anna will keep her safe)
sally destroyed things and people and herself to get that house, and it never loved her back. she never deserved its love. but mabel? mabel who sally hated and hurt and wanted gone? oh, the house loves mabel.
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equalseleventhirds · 3 years
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'time is strange in hospitals' says anna limon, who just got back from a trip to fairyland where like an hour took several days
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equalseleventhirds · 3 years
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relistening to mabel while i work and u kno what.... episode 1, anna says that sally goes out of her way to be kind (to anna, it's implied) and tells her stories and is great... but she has secrets
and it's not until later that we find out that sally abused mabel, and like, it's hard to listen to, knowing that
but it's also... it's rly fucking accurate huh. how sometimes your abuser will put on this face of niceness for the world at large, even for people who love you, and those people don't see it until way later
(and anna eventually sees it, and by then sally's dead but anna can at least curse her memory and support mabel; it took a while but she got there and she changed her views of sally immediately upon learning the truth, and i am. so glad of that.)
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equalseleventhirds · 3 years
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I got into Mabel because of your posts, and I was wondering if there actually was going to be a season 7? I was confused by how it seems to have ended-- can't seem to find much information online.
there definitely is!! it’s in the works and the creators said it should be happening later this year i believe? fingers crossed bcos pandemic, u kno.
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equalseleventhirds · 3 years
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'i'm not strong or brave or particularly smart, but i'm little and sturdy and i'm here, here in your pocket, here in the dark with you'
the!! way mabelpod says this is love!! not shining heroic perfection, but just being there and trying and keeping your promises as best you can!!
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equalseleventhirds · 3 years
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mabel episode 7 and the repetition with the changes and the way you can hear mabel's tone changing with each message, bright and cheerful and pretending everything's normal, over-familiar and then remembering that anna doesn't know her, fae and strange and telling a truth no one would believe, discouraged and angry at anna and the king and the world because she's stuck here...
anyway. delightful episode.
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equalseleventhirds · 4 years
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hey i know i’ve got a lot of tma followers, and it’s the mid-season hiatus now, so if any of you are looking for something to listen to while you wait, and you particularly like any of the following:
the existential horror, the confusing body horror, and the ancient unknowable forces manipulating the world and the characters
the mostly-a-single-voice-talking-into-a-recorder format slowly growing into having more voices
slowly uncovering the mysterious past and the supernatural worldbuilding, and piecing these things together from old letters and recordings and so on
an orpheus & eurydice-style love story (but gay)
the relationship dynamic of two people desperately in love and willing to sacrifice themselves for each other over and over, but also bickering with each other in petty but also adorable ways
someone trapped into becoming monstrous while holding onto their humanity beneath it all
...jokes about the character’s name being the actor/writer’s name
AND you think this all would be very interesting and engaging if it was centered around latina women (which like, OBVIOUSLY it would be)
you might enjoy: MABEL
in which anna limon is hired as a home healthcare worker for the elderly sally martin, and gradually discovers the fate of her granddaughter, mabel martin. and then falls in love with her.
(in addition to the above, this story also features: scary fae without human concepts of morality; inter-generational trauma/ghosts/secrets; a house which loves you and will not let you go; labyrinths; changelings; death aesthetics; fire aesthetics; catholic religious imagery taken and made about two women being in love and powerful in their love; JUST A REAL GOOD TIME OK. A REAL GOOD TIME.)
episodes can be found on your podcatcher of choice or mabelpodcast.com. transcripts are also available on mabelpodcast.com. there’s some distorted noises at certain points, so transcripts can be! v useful.
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equalseleventhirds · 3 years
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ohhhh ariadne betraying her family and being abandoned by her love and then being loved & saved by the god of madness... something something mabelanna....
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