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#like zootopia apparently had the fox as the main character until a YEAR before it's release!!!
happyendingsong · 3 years
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i think raya dragon is less disney sameface and more friendship is magic ponyfication
what i think is MUCH funnier is how the design has completely changed from the first design we got in 2019, barely a year and a half ago!!!!
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how much of this film have they completely overhauled since then!!!!! like the circumstances under which this film was developed, including but not limited to 1) the ousting of john lasseter 2) the resulting creative/corporate shakeup at disney appointing jennifer lee as chief creative officer and 3) having to switch to working remotely in 2020/21, are so so tasty and unfathomable. this film is gonna be such a fucking trainwreckkkkk <3333
#raya and the last dragon#disney#it's so so so funny looking into the development hell at disney nowadays#i think it's the case with all 3d animation studios now#like because you spend the first couple years building sets and models and you have different departments working on different sequences at#the same time#so if you completely overhaul the story like a year or two before it's meant to be in cinemas#you physically CAN rework the scenes you have and just abuse your workers with ridiculous crunch until it's finished#like at this point they just have a general jist of the look and shape of the film#so they can have the modellers and lighting department and layout artists and whoever else working on shit in the meantime before you even#have to touch animating#so they can leave the actual story in limbo til the last minute#it sounds so fucking exhausting and infuriating lol#like zootopia apparently had the fox as the main character until a YEAR before it's release!!!#when disney did a screening at pixar and i think it was pete docter who advised them to make the rabbit the main character#so that we're introduced to zootopia as a place to be redeemed as opposed to left behind#so that's a complete fucking reworking of the film they had to do in a YEAR it sounds so awful#and couldve been fixed if they just gave the writers and artists enough time to figure that basic storytelling choice out at the start!#anyway it's all very juicy and disney's development hell is the most interesting shit to come out of their animation studio in years#o#media thots
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thefoxesboxes · 6 years
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A Gathering of Guys
Time to get back into the saddle on these reviews! This one has been a long time coming, something I honestly meant to review many months ago. But, between teaching English and travelling around the world, this writing fox has had a significant decrease in available brainpower. Did watching this movie for a second time help? Will it have passed the vulpine standards check? Look under the cut to find out as we discuss the “First R-Rated CGI Cartoon”, Sausage Party.
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To begin, I will preface two things. First, I love animation. The creativity and freedom that can be made from almost any kind of animated movie has always been an easy way to make me happy. Look at movies like Zootopia, Spirited Away, and even Aladdin. These movies are each dramatically different in tone, style, and overall thematics. But they’re all some of my favorite movies. Even if I think CGI is overdone in the modern animation market, it still doesn’t detract from my love of watching something creative and fresh.
I also don’t mind movies that are using raunchy or vulgar humor. A movie like Deadpool can make me laugh pretty hard at the stupid jokes and over the top violence that it employs. A movie like this should use the language and themes to push the style of the movie. Is it a violent story with a murderous mercenary hell bent on revenge? Yeah, dark and violent, but add in the fun. These things can break up the movie into a more manageable tone than most people would like. Look at the difference in things like DC and Marvel, or new Ghostbusters and old Ghostbusters. That’s a coming review, by the way.
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So the big point is that this movie is awful. It’s a raunchy and joke filled movie, but it’s never creative. It’s like someone took the movie FoodFight and pushed up the production quality and age rating. The movie is graphic, violent, and full of warnings for mature content and imagery. The whole movie tries very, very hard to make sure you know that this is mature and grown up.
Maturity, in this sense, means something that says the word ‘fuck’ approximately 1.85 times a minute, often in heavy bursts. Maturity is something that makes incredibly sophomoric and heavy handed assertions about the nature of religion and real life interactions between thousand year old cultures. Mature is when you have the movies plotline come to a screeching halt to constantly point out how edgy you are over and over again. Mature, in this sense, is being a 15 year old on Reddit screaming about how you took the red pill and don’t believe in things like religion, man.
There is nothing really mature here. At all.
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“Just the tips” What the fuck is a tip? Your finger? Why does a hotdog have a glove but the lady doesn’t? Save it. It’ll keep.
But let’s talk detail. First, the movie has a song. It’s not a bad song, at least for how it’s written and sung. It’s really mostly just kind of tuneless and shifts a lot into ways that obviously want to invoke religious worship songs, but doesn’t do that very well. The song does a great job of setting the tone of this movie, which is “Religious people are dumb, ya here?”. It’s not really something I want to get into, but it slides nicely into the hotdog bun of hatred I have for this movie.
The writing.
As mentioned, the writing is self-congratulatory about the idea of being R-rated when it doesn’t know what that should mean. It decided to go out of its way to be a cartoon about hotdogs and sex before seemingly having any direction, as the world itself and characters are all over the place. Do they make any particular point using food that couldn’t be done with a different material? Nope. Do they make timely or classical references throughout the movie? Well, Meatloaf plays a singing Meatloaf. They make a “To Sir with Love” reference, which intrudes on one of my absolutely favorite films ever. Saving Private Ryan? Not exactly timeless.
But the writing reflects worst on characters and dialogue. While the voice acting is, mostly, fine it’s really just the characters are a bunch of assholes. Remember that scene in Star Wars where Han Solo doesn’t believe in the Force and Luke lectures him despite having learned about it that afternoon? That happens about atheism. Our beef tube hero who’s name I really don’t care to remember (it’s Frank) learns that the Gods are evil people who eat them! Oh no! So he immediately starts bashing everyone for believing in the Gods that he believed in until literally an hour ago. He makes no good points, he seems ridiculously hypocritical, and he’s just kind of a douche.
A running theme in this movie, the main villain is a literal douche. A douche who gets a tear and loses his douchey fluids, so he needs to replenish them to restore his superpowers. This begins with him forcefully and graphically violating a damaged juice container in a way obviously reminiscent of forceful oral sex. This scene was the first one that was simply disgusting, including him commenting that he’s “Juicin’ up” to reference steroids. A rape scene, classy as hell. This only continues as this literal douche walks about to murder the main heroes will constantly repeating the same joke over and over again. His plans involved him being able to teleport, his reason for revenge was almost understandable, but being a rapist murderer really made me not care about this villain.
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Also. This joke. Five fucking times.
Other than the Frankfurter Hero and Douchey Villain, we have side characters. Jewish Bagel, Mexican Lesbian Taco, overly voluptuous hotdog bun, Muslim/Middle Eastern lavash, gay Twinkee, black grits, and Firewater. These stereotypes are the closest thing to characters that exist in this film and they mostly exist pretty much solely within those roles. They exist to either be stereotypes, be annoying, or try to poke mature points at the concept of geographically interconnected regions and classically dependent cultures having feuds with each other. But let’s talk about that in terms of the world.
These foods exist for, what, a week? They exist in the same aisles, for the same goals, and often have to interact with each other for their entire existence. Their existences, mind you, which are created for explicit purpose. Why do they have different viewpoints of the Gods, to the point where it is this disseminated? Is it to make a point about the rapid distribution of altering ideals among short lived humanity? I don’t know, it just seems to be extremely crass ways to point out that these things exist and are stupid. Again a running theme.
The last major theme I want to mention is consistency. A world needs to be made in a way that follows an internal logic. Yes, magic should be explained, a world should be detailed, and even comedy should follow some form and function. If there is no law dictated within the world, then there’s no reason for me to really pay attention to what you’re doing. It’s all just whitenoise for the pretense of having jokes.
This movie fails worldbuilding with a capital F and a giant minus. The food is alive, so are douches and some other inanimate objects! But things like shoes and ladles are not, why? Why isn’t the knife alive? When we open up a thing of off brand Mentos, each of those little mints is alive. Is this things ass full of living organisms that will proceed to exist in total isolation until released?  If I make a sandwich, is it a composite of painfully attached different creatures to each other? They did show that composite foods exist as a single entity, so does that mean that pushing cheese and wheat germ together creates a new living entity? The entire idea doesn’t make sense when you show that some things would require the painful things to exist. Pizza, sandwiches, all of it. How does it work? The movie doesn’t tell you.
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This line here indicates that the peanut butter, married to jelly, is only alive as it is the container. But why isn’t the bag the hotdogs were in alive, or the box? There’s no sense to be had in this madness. Just extremely dry hotdogs.
Not that the external world is any better. Remember in Toy Story where the toys could move and had to very specifically hide that fact? Yeah, this movie says fuck it. Some of the foods move and we see people view it as a hot dog rolling around. But then the hot dog gets up, dodges, ducks, dips, dives, and dodges. They even stab a hot dog standing up in the middle of the air, or they can run across the street. Do people see them or not? It’s pointed out that they need to be literally high on bath salts to see the  food moving, but then can the food interact with the world when not on bath salts? How come the food never moves and people don’t notice it? Why do I even watch anything attached to Seth Rogan? Why did you ruin my night, Seth?
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This isn’t even getting into the ending. The movie ended two separate times at the end, once when the orgy of murder happened, and once when the orgy that murdered the movie happened. There’s a full orgy, it takes actually 5 minutes to get through. Does it add to the plot? Nope. Does it push anything? Nah, it’s also the scaled down version from the honestly horrifying original script Seth Rogan spent years drafting up. Fuck him so much.
There’s also a murder orgy where the food kills everyone. Apparently we can’t beat hotdogs. Who knew? A guy gets turned into a testicle puppet by the douche, carries a giant revolver that apparently has 8 bullets in it. They make Terminator and Wizard of Oz references. A merry time was had by apparently a lot of people that aren’t me.
Also, the food smoke weed that is… Apparently not alive? Why is the marijuana not alive? Fuck it. Probably some stupid point.
The main point is this. The movie contains many flaws and
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Fuck this movie. Fuck you Seth Rogan for your grinning assholery. Fuck the critics who think this movie is an insightful and raunchy godsend so they can openly enjoy cartoons. Fuck the idea that this movie grossed tons of money and will probably get some kinda sequel or spinoff. Fuck the media that believes that maturity is the juvenile banter of an idiot who cannot stop dragging his political diatribes into a different subject. And fuck this movie for killing any chance Kubo and the Two Strings had of being a financial success.
Summary? This movie is crass, brash, vulgar and tasteless. It’s also somehow not brave enough to say anything that has any real merit or in a way that’s unique. It’s a movie obsessed with its own egotistical idea of being the ‘first’ but has no idea of how to make that something worth seeing. This movie is just a waste of time. It’s a mix of immature and well past it’s expiration date.
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