One thing that goes crazy is those distant screaming calls for help you can hear in the background of off to the races. Like the whole basic premise is this lolita inspired dynamic between this young lonely girl and this much older man where she swears that nobody else in the world would even have her except for him and this in itself is a feat because she’s ‘crass’ and has a ‘broke down life’ etc and the whole thing is entrenched in denial. He loves her in spite of all these things wrong with her, all he asks is that she does what he wants, he’s like an omnipresent figure for her - watches her in the bathroom, getting dressed etc. and the almost hyperbolic way she describes herself smitten with him and how she believes she needs him, she’s nothing without him, the dependency borders on the paternal. It’s not that she’s unable to leave it’s that she believes she has nowhere else to go, he’s made it so she’s so enmeshed that she simply thinks she could not survive without him. he’s ‘saving’ her from herself and she’s in even more debt to him for it (sorry that im misbehaving!!!) and imo she’s almost a parody of herself bc she doubles down on this narrative that’s she’s a seductress and insane and crazy and she needs looking after by this mature older man when in reality she’s so troubled, under constant observation but she twists it so it’s like she’s running away to be caught by him rather than to escape. And in the end her calls for help can barely be heard under the passionate repetition that he’s her one true love
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