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#kimura tatsunari
ahneunjin · 8 months
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watched in 2023:
OLD FASHION CUPCAKE (2022) dir. Kato Ayaka オールドファッションカップケーキ
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allovelyhappily · 5 months
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Nozue & Togawa from Old Fashion Cupcake
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smittenskitten · 2 years
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Old Fashion Cupcake (2022)  - dir. Kato Ayaka Old Fashioned Cupcake (2019) - author & artist Sagan Sagan
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seawherethesunsets · 2 years
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OLD FASHION CUPCAKE (2022)
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i4219s · 1 year
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木村達成 — dans le froid je me tenais.
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liyazaki · 2 years
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Takeda Kouhei as NOZUE, Kimura Tatsunari as TOGAWA
OLD FASHION CUPCAKE [2022]
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bubblegeon · 2 years
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featuring Togawa’s hamster agenda 🧁 OLD FASHION CUPCAKE (2022)
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alwayspining · 1 year
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This kiss deserves a place here pt. 6
Old Fashion Cupcake (2022) l ep 4 l dir. Ayaka Katô
*They filmed this four minute scene in one take and I think that says a lot about how talented this cast and crew is.
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dengswei · 2 years
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Wait, hold on. Dementia? Are you calling me old? You just said I'm still young. I’m sorry.
Old Fashion Cupcake (2022) episode two
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If I go back to my passive self, Togawa will never smile for me again. No, I'm not okay with that at all. I want to see his cute smile.
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ahsung · 2 years
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I want to experience with you new happiness you have yet to know. The good and the bad. I’m confident I can be part of your life. I like you.
OLD FASHION CUPCAKE (2022) dir. Kato Ayaka
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jdramasource · 2 years
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Then will you stick with me until then? With pleasure.
Old Fashion Cupcake (オールドファッションカップケーキ) 2022, dir. Kato Ayaka.
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smittenskitten · 2 years
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I was scared, about what would come after I said I love you. I didn’t know, so I was scared. Sorry I was running again. I am sorry. But not having you next to me tomorrow is far more scarier to me. I’m your boss and I’m not young. I might be stain or a burden later in your life. That’s not... But I’m young enough to be able to say that’s just an excuse.
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Why hello! I don’t see why we can’t keep the Top 5 trend alive in the new year so…
From one chronic rewatcher to another, what are your top 5 most rewatched scenes?
Sorry this took so long, @wen-kexing-apologist! I'm just now getting back to posting a bit more regularly after the holidays got me totally off track, and this question brought up a lot of Thoughts so I've been chipping away at it for weeks.
So, um, this is the best question ever. Except it’s the meanest question ever, because I'm terrible at choosing between things like this.
I am a massive rewatcher, whether you’re talking about whole series, episodes, or scenes. Scenes especially. Why watch an entire thing when you can go right for the best part/s and watch them over and over? This is also one of the reasons I have way too many gifs saved on my phone.
I thought about coming up with a list that was based more on what would make a good post, and/or what would make me look less uncool, than what I actually rewatch the most. But I couldn't bring myself to do it. I wanted to be honest instead. So at the risk of seeming even more like an Utsukare obsessive and overall one-trick pony, I'm going to talk about the five scenes I think I've actually rewatched the most, even though four of them are from my perennial obsession.
The four Utsukushii Kare scenes are in the order they occur in the series, not from most rewatched to least. Then I'll talk about a fifth scene from another series that I've been pretty vocal about appreciating, and I'll mention some runners-up.
“who do you like, him or me?”
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If gif posts are any indication—gifs are the smallest increment of rewatching, after all—some of my favorite scenes to rewatch aren’t that popular with other rewatchers. This one gets gif’ed, sure, as you can see. But it's not as popular a choice for this kind of treatment as a lot of other Utsukare scenes.
There are a few reasons this one is a favorite of mine. One is that I tend to like some jealousy in my romance. I have my theories about why it’s so appealing to me specifically, but I’m not entirely sure how to explain it. I also love a good aggressive shirt-grab. (Utsukare certainly delivers these regularly.) But the main reason I keep coming back to this moment is that in just a few sentences, a bunch of character development happens. Well, I guess it would be more correct to call it character revelation. This is the first time we really see this side of Kiyoi, and in that respect, it foreshadows the big perspective shift that’s just around the corner. The viewer picks up a lot of hints that Kiyoi has feelings for Hira prior to this point (even if Hira remains stubbornly oblivious to them). We’ve even seen Kiyoi kiss Hira already (even if he did push him to the ground a split second later). But this is the first time we see such direct evidence of the strength of his feelings for Hira. Kiyoi is so unguarded for this brief moment. The mask slips and what’s underneath is total desperation.
Hira, of course, misses the real meaning of what Kiyoi is saying despite how obvious it is. Which means it's also the viewers’ first indication of how intensely Hira clings to his favored view of reality in the face of evidence to the contrary.
"sorry I like you"
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This is another scene where so much is happening in a short span, all because Kiyoi got desperate enough to talk about all of the unspoken bullshit between him and Hira. As usual, Hira doesn’t get it. But he might be starting to. 
This scene is pretty rough watching in some ways. When this episode first aired and it ended with this scene followed by each of them on their own and feeling terrible, I was a bit of a mess. It was silly of me to worry. There were plenty of favorable signs in the preview for the finale. I knew the novels had a happy ending. But it was just so sad and so real that it got to me anyway. But I also enjoyed it, because for an obsessive analyzer like myself, seeing these important relationship dynamics finally come to the surface in such concentrated form was fascinating. It was also a relief to see things out in the open.
Both leads turn in such great performances here. Yagi Yusei really steps up. It’s even more impressive given his relative lack of acting experience. His performance is so raw and affecting. If he had been less vulnerable, Kiyoi’s point about how contradictory Hira’s actions and statements are could seem like a kind of “gotcha” moment designed to win an argument--like he was pointing out that Hira was hypocritical in a bid to score points. Instead, Yagi shows viewers how deeply being caught in this double bind with Hira has hurt Kiyoi. 
Hagiwara Riku, in contrast, portrays Hira as so confused that he’s basically dissociated. Hira has a really strong tendency to see the world in whatever way suits him, regardless of the truth. Kiyoi’s words force Hira to set his usual narrative aside and see how much clinging to it is hurting the person he claims to love, and it throws him off to such an extent that he seems to be experiencing a form of psychomotor slowing. He looks like he’s moving through molasses. He can’t form sentences, or at times, even words. His normally expressive eyes seem like they’ve shrunk to half their normal size. He’s really come unmoored, and it shows. The more I think about Hagiwara’s work in this scene the more impressed I am by the insight and physical control he had to bring to bear in order for it to work. 
Of course, if I watched this scene on its own habitually, this level of blorbo distress might take a toll on my mental health. Which is why I usually follow it up with…
"I'm not going to kiss you for a while"
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I’m busting out the bullet points for this one because otherwise it might take me all day.
This scene works on so many levels!
Well, the main ones are:
Relationship progress! Character growth! 
The whole kiss fakeout thing is hot
Hira gets some payback and frankly, he deserves it
The other highlights for me are: 
Even after repeated viewings and knowing very well what happened in the story, I still feel kind of relieved to see that Kiyoi came back, especially right after rewatching the scene prior to this one. 
When Kiyoi asks Hira why he thinks he came home and he says, “to punch me?" he does it in the most weirdly cute way.
Kiyoi’s absolutely lethal snotty face/voice when he response to the possibility of punching Hira with “maybe” is so perfect that it's hard not to think that Hira might have a point about this whole King deal. 
Hira apologizes and it’s actually sincere and not just some knee-jerk bullshit. 
The way Hira closes his eyes and waits for Kiyoi to smack him is a rare case of him actually letting go and putting himself in Kiyoi’s hands instead of his usual topping-from-the-bottom thing.
More about the kiss fakeout:
Hagiwara does a great job of telegraphing Hira’s expectant response. In scenes where two characters are going to kiss but get interrupted, it's not uncommon to see a kind of hesitation or other subtle signal that the actor knows the kiss isn't going to happen. But there's none of that here. Hagiwara even does this sort of gulp/swallow thing like he thinks the kiss is going to start any moment. When the kiss doesn't materialize, he nails an absolutely pitifiul sad puppy expression.
Kiyoi’s vulnerable voice and facial expression when he explains about the kissing boundary thing is so sincere and cute. Could he be any more different from season 1 episode 1 Kiyoi?
I’ve written about how the no-kissing-until-Hira-takes-Kiyoi-seriously policy might seem like a controlling move or an inappropriate ultimatum to some viewers but it actually better resembles what Harriet Lerner calls a “bottom line,” resulting in a boundary that is not only justifiable but downright healthy…or almost healthy, at least. It's a bit on the extreme side, and the fakeout part remains a little mean. But they're understandable given what Hira has put Kiyoi through. 
Here's my s2e4 writeup that includes that discussion:
“sorry, Kiyoi”
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So, I’ve already written quite a bit about this scene. In one instance, I wrote a propaganda blurb when it was in bl brackets’s kiss bracket.
Here's the original blurb I wrote for @bl-bracket when I nominated the scene, as used in the post where people voted:
Hira and Kiyoi Final Kiss: "It’s an important plot point (because Kiyoi has said he won’t kiss Hira until he stops putting him on a pedestal and now Hira is making progress on that front, and because Hira hasn’t initiated physical stuff in the past, and initiating is itself a way of treating Kiyoi more like an equal). It’s also just a really well-acted and effectively shot kiss, and as a result it communicates so much about the characters and shows a side of their relationship not portrayed elsewhere in the show. And of course, it’s super hot. That includes the kind of weird but suggestive details that are typical of the show, like Hira passing candy/candy spit to Kiyoi through the kiss and then switching into this really distinct sexy voice that makes it sound almost as if he’s changing personalities."
And here's an additional, longer propaganda post I wrote to lobby for votes:
One of the points I tried to make in that post about why this scene is special was that it really does represent a leap forward in how both leads portrayed intimacy in this series. Prior to this scene, viewers had seen a dead fish kiss on graduation day, a more intense makeout situation in the season 1 finale that was shot so impressionistically that it was often hard to tell exactly what the actors were doing, and some interrupted kisses earlier in season 2. And then this happened. Here's a quote from what I wrote previously:
Personally, despite being a fan of both actors and thinking they did amazing work on the series, until I saw this scene I really didn't know if they had it in them, if they could actually pull off something that felt real. But they brought it. They're not holding back. As opposed to more stylized kisses you see in BLs and other romance dramas sometimes, I found it very naturalistic, like the way a couple of real kids in their early 20s would kiss.
So, yeah. I thought it showed real growth on the part of the actors as individuals and as a pairing/team.
This scene also caused me to dig deeper, with the help of some very knowledgeable mutuals, into what “persistent” and “cute” mean in a sexual context in Japan. My main post about that is below.
Noticing Hagiwara's use of Hira's "persistent voice" also helped me to notice something else when I checked out his other work, and that is that he often uses his voice in very different ways in different roles. I recently watched a drama he did before Utsukare and I was struck by this all over again. Again, it shows a really impressive degree of control.
And now, for our one non-Utsukare scene in the top 5:
"I'm trying to seduce you"
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I also wrote a nomination blurb about this scene for the kiss bracket. (If you're seeing a pattern here, well, yeah, it's a pattern.) The original voting post here but I'll go ahead and quote it in its entirety since it's pretty short.
This kiss is ridiculously hot and is a culmination of so much that’s been simmering beneath the surface for the entire show up to that point. Togawa has been pining so hard for Nozue for so long that when Nozue gives him a glimmer of hope and then tries to leave, everything he’s been bottling up comes surging out. Kimura Tatsunari exudes a level of desperate lustfulness in this scene that’s as intense as anything I’ve seen in any genre. We’re all familiar with the idea that people look at a person’s mouth when they want to kiss them, but Togawa looks at Nozue’s mouth like he dreams about it every night and sees it every time he closes his eyes. No wonder he feels a need to stick his thumb in there. Takeda Kouhei also communicates so much in this scene. Nozue is shocked and confused but he can’t help but respond to Togawa’s kisses. You can see the gears turning—and refusing to turn—as he tries to make sense of what’s happening—and keeps kissing Togawa back even though he still can’t process it. Togawa’s declaration, “I’ve been trying to seduce you, with everything I have,” is the cherry on top.
There's another bit of subtle physical communication here that I find interesting, and I think you might too, @wen-kexing-apologist. Just recently I've been thinking about the meaning, in kissing scenes, of what for lack of a better term I'll call the head-bonk. By this I mean the thing where one person puts their forehead against the other person's, often with at least a tiny bit of an impact that renders it a bonk rather than, like, just touching them together. Togawa kisses Nozue once, then a second time, and then goes in for a third that Nozue avoids by sinking toward the floor. The third kiss doesn't happen, but when Togawa starts to initiate it he does an absolutely sublime head-bonk. I'm still figuring out what I think about the head-bonk thing. All I know is that, from my vantage point, that little move on Kimura's part practically screams "I've been holding this back for five goddamn years and I can't wait one more second to kiss this person."
Runners-up and honorable mentions:
Semantic Error:
Their first kiss in the restaurant after Jae Young calls Sang Woo "hyung" - I have watched this so much that if I had been asked for my top 6 this would have been #6.
Jae Young demonstrating the features of the "free trial"
Minato’s Laundromat (season 1, of course):
Shin freaking out about Minato being alone with Hanabusa
The washing machine kabedon
The “smelling the sheets” scene
Kiseki (I just watched this for the first time a week or so ago and I have already done so much scene-rewatching it's ridiculous):
That incredibly angsty sex scene with Ai Di and a drunk Chen Yi, you know the one
Chen Yi's confession to a physically restrained Ai Di
The scene at Ai Di's bar where Chen Yi puts him in a double kabedon
Ai Di and Chen Yi's conversation after Ai Di gets out of prison, where he says he fucked Chen Yi "just for fun" and offers to let him do stuff to him as "revenge"
Ai Di trying to scare Chen Yi by stroking his chest and asking him if he wants to "play" and then getting weirded out when Chen Yi asks, "What if I say yes?"
Jheruei and Zongyi's first real kiss and subsequent A+ lap-sitting moment
And as a bonus, here's my most-rewatched non-QL moment:
There's a scene I'm obsessed with in Something in the Rain where Jun Hui comes to Jin A's home and sees her ex-boyfriend there with her and her parents, lobbying to get back together and manhandling her, and he reacts exactly the way you'd expect as someone to who's in love with Jin A. It is tattooed on my brain. If I ever learn to make gifs I am gif'ing the fuck out of that scene.
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neuroticbookworm · 6 months
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Incoherent Old Fashion Cupcake ramblings
I watched Old Fashion Cupcake last night and I've been in a delicious drama brainrot ever since.
This show is brilliant in every way, from acting to camera work to music to incorporating food into the character interactions to body language (y'all know what I'm talking about *smirks*)
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gif by @itachis (I'm never gonna get over this scene, btw)
As writing, narrative and character arc fiends, @lurkingshan and I ramble a lot about how shows wrap up all of its plotlines, how satisfying it is, and more importantly, how seamless it feels.
Old Fashion Cupcake has an office romance right at its core. Nozue and Togawa are co-workers, and Togawa is Nozue's subordinate. Which means as soon as they get together, Togawa working under Nozue will be a HR violation. One of them must be reassigned so there is no overlap in their reporting structure.
Now, this is in NO WAY a central conflict that the characters have to work through. But for me, as a viewer, it is a tiny, albeit noticeable problem that will arise wayyyyyy later in the narrative, and it would be oh-so-satisfying to have that plot thread resolved and tied up into a pretty bow within the show's runtime, without it taking focus away from the other, more important themes going on in the show.
And how do the writers do it? Nozue accepts a promotion as the head of another, newly-created department that will also relocate him to a different building. But his decision to move on to a different role is not motivated by the workplace rules, AT ALL. It is beautifully tied into how Nozue *wants* new experiences in his life now, thanks to Togawa.
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The HR violation is a tertiary, almost nit-picky problem when compared to the major themes and character arc developments in the show. But it was not ignored and it was resolved exactly how it should be: as a happy coincidence that came with the closure of the main character's arc. So beautifully seamless that I want to cry.
I was rambling about this show to @waitmyturtles and she pointed out that the show's strong writing was certainly helped by the brilliant manga it was adapted from, created by Sagan Sagan. And now I'm very intrigued and might check out the manga (but in the far-off future, I am drowning in my drama watchlist atm lol). Also -- big shoutout to the screenwriter Miyamoto Takeshi. I know Japan is a pro in adapting from print/digital media to TV/movies, but to do it with such a grace? Ooooooof, all the flowers.
I highly doubt that my brainrot for this show ends here and I bet I will go on multiple OFC ramble sprees in the future. Until then, enjoy the resident OFC hamster who has no business being this fucking adorable and sexy.
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gif by @bubblegeon
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storge · 2 years
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I’ll buy an apron for next time.
Old Fashion Cupcake
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