I'm sure he'd prefer to be alive but there’s also no way that john lennon wouldn’t be a at least a little self-satisfied with the idea of his death permanently making him the center of paul’s universe. he doesn't seem like the "you need to let me go" type. he seems more like the "if you don't cry over me at least once a week I'm going to start flickering the lights on and off until you have a seizure" type
Sixty years ago today, Paul McCartney got bopped on the head
John Lennon, Paul McCartney and George Harrison in EMI studio 2 during recording sessions for A Hard Day’s Night, 27th February 1964 - part one (part two)
Ringo is a sweet guy. As you know he's given up booze and cigarettes. He's too clean for words. He and his wife Barbara are such sweet people. And as a drummer he is unique. He's not a great technical drummer if you measure him against someone like Steve Gadd or Jeff Porcaro, he wouldn't be able to play like that. But he has a unique sound. When you hear Ringo, you know it's Ringo, there's no one else. He contributed an enormous amount to The Beatles' sound with his distinctive sounding drums. Enormously supportive, he was always there.
Apart from his drumming he would be the catalyst. His opinions counted. If John was doing something a bit dubious and Ringo would say, "That's crap, John," John would take it out. He wouldn't get angry, he would accept it.
they better not cast four very conventionally attractive actors in the beatles biopics… i want john and ringo to have proper noses! i want george to have vampire teeth and a unibrow! i want paul to be beautiful but in his own twinky asymmetrically doe-eyed way!
The »The End« guitar solos
or "how to subtly show your love by playing guitar together, when talking about problems is apparently not a possibility"
Quotes by Geoff Emerick, sound engineer and record producer:
'I know!' he (John) said mischievously, unwilling to let it go. 'Why don't we all play the solo? We can take turns and trade licks.' Long guitar solos with dueling lead guitarists were becoming the vogue at the time, so it was a suggestion that clearly had merit. George (Martin) looked dubious, but Paul not only embraced the idea but upped the ante further still: 'Better yet,' he said, 'why don't all three of us play it live?' Lennon loved the idea – for the first time in weeks I saw a real gleam in his eye. It didn't take long for John's enthusiasm to rub off on George Harrison, who finally got into the spirit of things.
John, Paul and George looked like they had gone back in time, like they were kids again, playing together for the sheer enjoyment of it. More than anything, they reminded me of gunslingers, with their guitars strapped on, looks of steely-eyed resolve, determined to outdo one another. Yet there was no animosity, no tension at all – you could tell they were simply having fun.
The order was Paul first, then George, then John, and they went back and forth. They ran down their ideas a few times and before you knew it, they were ready to go. Their amps were lined up together and we recorded their parts on one track.
You could really see the joy in their faces as they played; it was like they were teenagers again. One take was all we needed. The musical telepathy between them was mind-boggling.
Incredibly, after just a brief period of rehearsal, they nailed it in a single take. When it was over, there was no backslapping or hugging – The Beatles rarely expressed themselves physically like that – but there were lots of broad grins.
I guess there's also the possibility that, as they were performing the solo, they realized they might never get to play together again; perhaps they were viewing that moment as a poignant farewell. It was the first time in a long time that the three of them were actually playing together in the studio.