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#jeanne's stuff
miqoting · 5 months
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Furina’s pnuema/ouisa mullet toggle looked familiar….
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2ghosts · 2 months
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let's dance!!
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hotwaterandmilk · 11 months
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Series: Kamikaze Kaitou Jeanne Artist: Tanemura Arina Product: Postcard from Meguro Teikoku Set sold at Super Comic City Kansai 20 (08/2014) Source: Scanned from my personal collection
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neversetyoufree · 4 months
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As much as I enjoy the idea of gay Noé, there's something so darkly funny about the idea that he actually is bi and attracted to women—he's just not into Domi specifically
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miumiins · 9 months
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only yours...
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bodylanda · 1 year
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AVA shitposts. lol. lol. (CRIES)
bonus ? humanoid designs lol
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himehikoshrine · 1 month
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Now that the translation is complete and live, I want to share these side by side. On the left is the original page from Puppet, and the right is my English version. This went through so many iterations, and I still maintain the one we chose is more legible than the original, but I'm happy with how it turned out. The second panel was tough to crack, but I hope people like the solution I ultimately went with. I think overall the vibe is preserved.
We decided to preserve the JP in the color spread as it would change it too much to try to redo it, but its part of the same lines I suspect you'll recognize. It did take a bit to decode and we had to consult someone to make sure we were getting the kanji matched up. The first two lines are just in hiragana, though in the game they are usually shown in kanji, but this makes them look really cool scrawled between the figures.
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kiru--fujimaru · 10 months
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FRENCHWOMAN DEFIES FATE, BREAKS INTO THE THRONE OF HEROES. MORE AT 11
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bombyixmori · 4 months
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So jolly and festive!!! Have a Merry VnC Christmas and Happy holidays 🎄
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lesbianliutana · 11 months
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going to start making these i think
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ange-la-ange-ootd · 4 months
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Dumping some cosplay stuff in this outfit blog (sorry, not sorry), but it's been really fun getting back into this dear old hobby of mine. ;v; Hoping to cosplay a bit more in 2024 as well.
And something silly to end the year: Al Jeanne slowmo spin~ This cosplay is sooooo fun to wear.
[ID: A cosplay selfie of the character Fumi from the visual novel Jack Jeanne, playing the role of Mary Jane the dollmaker. Mary has blonde hair that covers part of her face, red eyes, and a slight smile. She poses with one hand by her face. Her outfit is layered and in an eccentric style, featuring oversized buttons, puffy sleeves, and a ruffled collar.
An additional video of the full cosplay outfit is included. The speed is slowed down to showcase the outfit construction and various layers (pleated shorts and a long side apron). The character spins, poses, and laughs before walking towards the camera.]
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solokabuto · 10 months
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i blacked out and somehow this was sitting in my ibispaintx without further clarification
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hotwaterandmilk · 1 year
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Kamikaze Kaitou Jeanne 20th Anniversary Amusement Ichiban Café Drink Bonus Acrylic Plate w/Stand (2018)
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neversetyoufree · 1 year
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Lord I cannot believe it took me this long to realize this, but. Vnc's refrain of Noé trying to grab Vanitas's hand is a metaphor.
This whole time I've been reading the constant references to "Noé grabs Vanitas and saves him from falling, but one day he'll fail" as very literal foreshadowing for a day when Vanitas is going to fall and get hurt (or die?) and Noé will fail to catch him. And I still think there's a good chance that's true! However, it's also really obvious symbolism for the idea of salvation in general.
I've beaten this drum to death, but Vanitas is more or less the ultimate example of a character doomed by the narrative. He is going to die; the entire story is the buildup to his death. And one of the main conflicts is that Noé wants desperately to save him (and wants it more and more as they grow closer), but by nature of the story, we know he can't.
At least by Noé's definition of salvation, Vanitas is unsaveable. His death and suffering cannot be prevented, and despite Noé's best efforts, he is going to die by Noé's hand.
Enter the falling metaphor.
The absolute certainty of Vanitas's death works like the force of gravity. He is constantly being pulled down and down toward his doom like an endless free fall. But then Noé steps in and tries to save him, and in little ways he even succeeds! In all the little less important ways, he grabs Vanitas's hand time after time.
When Vanitas goes toppling off the ledge in Gévaudan, Noé catches him and shortens his fall. When Vanitas sinks into despair in Moreau's lab, Noé snaps him out of it. And when Vanitas gets lost in his own trauma and self-hypnosis at the amusement park, Noé brings him back to reality. For all of the little free falls, both literal and metaphorical, Noé is there for Vanitas before he hits the ground. The beating heart of their relationship is Noé's constant attempts to catch him.
However, Noé is haunted by the fear that he is going to fail someday. When Faustina reverts back to Naenia and dissipates in Gévaudan, he's shown a vision of Charlatan(?) telling him his hand cannot reach Vanitas. Naenia preys on people's worst fears and weaknesses, and this is one of Noé's. He fears that his hand will not reach the one he's grasping towards, and he will fail to save those that matter to him. The very broad line "you persist in reaching out for them" in the middle of Noé trying to literally catch someone more or less tells us outright that the falling and catching is a metaphor for salvation.
And when he speaks from the future, Noé confirms that this exact fear has come true. Noé in his narration is haunted by the regrets of "that day when I didn't grab your hand." His grand attempt at Vanitas's salvation has ultimately failed, and he didn't catch him when it mattered most.
The night that he first meets Vanitas, Noé throws himself out of an airship in the attempt to catch and save him. And from that point onward, he tries to catch him over and over again. Their relationship is one long straining outstretched hand as Noé attempts to pull Vanitas from his endless plummet downward. He is the one person deeply focused on Vanitas's salvation. However, Noé cannot ultimately stop the forces of tragedy and gravity and doom, and in the way that matters most, he can never quite reach Vanitas's hand.
There is going to be a day when Noé will be unable to catch him, and that day is the day that the entire rest of their relationship (and the entire rest of the metaphor) is building to. Noé is constantly reaching out, but he cannot save a man that is already dead, no matter how passionate the outstretched hand.
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miumiins · 10 months
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sin
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matrim-cauthons-hat · 7 months
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here's the latest like 270 tons (? im guessing they are 45, 55, 70, 100 tons from left to right) of mechs for St Jeanne's Fusiliers that i didnt procrastinate on thanks to @littlewormspatthegoblin. ive decided im gonna try and paint at least a decal of some sort on all my St Jeanne's mechs going forward, starting with these four. Mostly it will be crucifixes cos they're a bunch of angry nuns with a few exceptions (the inari shrine mikos in the archers for example), but i might get more adventurous. The Annihilator has a shark mouth cos i assume it chews through enemy mechs, what with four AC10s and all that, piloted by a woman who had never so much as cracked a smile before she fired an autocannon, and now claims that God put her in the galaxy just to fire autocannons. i actually got deeper lore for her and the mikos but it all feels kinda ham fisted atm like i can tell yall if ya want but ¯\_(ツ)_/¯
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