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#it's the dashboard killjoy who can see the workload behind the cartoons again hi everyone
kustas · 2 years
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Finally watched the CSM opening, I'm blown away by the animation but it's more worrying than exciting. These shots are insanely detailed in animation and compositing, and there's already been reports of worker abuse at Mappa - a (french) article I read two days ago interviewed an animator saying they had to animate a whole minute by themself (for comparison the dayly average for hand drawn animation in France is around two seconds) and has contracted carpal tunnel syndrome at the layout stage. That is, the first stage of planning after a finished storyboard. This is before actually animating all frames.
Given Crunchyroll has also been exposed recently for paying it's dub actors a few hundreds of dollars per person, per role, and that regarding Mappa, actual information about working conditions are mostly kept secret, it could be way worst.
This isn't to say don't watch Chainsaw man, it does look extremely dope and beautifully made. But if you're enjoying the show and others like it, and are genuinely passionate about animation, please try to be mindful of the conditions in which these shows are made. I don't think I'll be able to watch it myself after learning about this without a ball in my throat and for now will opt out.
Translated excerpts from the linked article below.
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To meet Mappa studio leads, you need to [present yourself as harmless]. Some topics, like working conditions in the studio, are taboo.
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Mappa's style goes against traditional Japanese animation's style, most often semi-realistic. A demanding style, not for everyone [...] With eight series currently in production at Mappa and animators "in a state of utter fatigue", it is hard to follow this market undergoing constant expansion.
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Mappa's working conditions are getting more and more called out [among animators]. "If you don't talk to the animators you will never hear about the working conditions", laments one of them, under the cover of anonymousity.
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While Mappa does not necessarily pay more than other studios, its productions often have higher budgets. And if animators from all around the world rush to work there it's because of the aura of these projects. "That's precisely why I am not working for them," says a big name from the industry. "I find that Mappa abuses of the aura it has to enslave young people, who are fans of animation and of these franchises"
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