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waitingforsecretsouls · 4 months

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I'll always maintain that (Crown Prince!) Fëanáro gave his sons names befitting Princes and future Kings of the Ñoldor, as (King!) Finwë himself did for his sons. They're basically dynastic names and given how his sons are Princes and it's the schema he and his half-brothers were named for as well, it's difficult for me to see anything wrong with that. These people are royalty afterall, which means they're figures of public and to a certain extent political life by matter of birth.

It always seemed to me that father-names are the official names used for the political sphere (honestly something like titles almost), at least among the Finwëans (not least because their fathers tend to be the members of the royal family while their mothers marry in). Something I feel supported by the announcement of it in an official ceremony (Essecarmë), and which makes the contrast between the Fëanorians general tendency to prefer their mother-name and their half-brothers/cousins general preference for father-names very interesting (Obviously you can argue that it's simple personal preference or speculate about parental relationships (such as is canonically the case in at the least Fëanáro's case, though it's also still partly a political statement in its own right), but the point of this post is to go a little more political).

The Fëanorians are heirs to Finwë as the Elder House, but alone out of their wider family they're not primarily or even tangentially associated with one of the royal residencies. Rather, they spend their time travelling Aman to its outermost edges, and when not busy with exploration, are guests in Aulë or Oromë's Halls. They do not seem to have been involved in "politics" at all, prior to the Unrest, much less established in Tirion. In light of the abovementioned hypothesis regarding father-names political associations, the primary use of their mother-names serves to contribute to this air of an already rather casual conduct and presentation (see also Maitimo's comparatively 'casual' epessë (compared to eg. Artanis' or Gil-Galad's) in use specifically among close family, or the Ambarussa's nicknames (Given how they're not described as epessë) of 'First- and Second-Russa', which is not even mentioning the Fëanorians shortened father-names which could be considered potential 'nicknames' as well and even if not certainly imply a certain disregard for formality).

I'd argue that their unique status as not only descendants from someone confirmed to be neither royalty nor nobility nor associated with Tirion in any particular way in Nerdanel (which is not to claim that all Ñoldor of Tirion were career-politicians as a matter of course), but also the general fact of a less official and courtly daily environment and social contacts, e.g. seen in both Fëanáro's and Maitimo's notably close relationship to Nerdanels father Mahtan, both via kinship but moreso shared close relations with Aulë (with whom the Sons of Fëanáro additionally likely would have had closer contact growing up than Finwë, given aforementioned shared close association with Aulë and his halls yet Fëanáro explicitly not associated with Tirion as residency and noted to be living apart from the Finwë and Indis family unit even prior to founding his own family-branch) would have played an additional role in the development of their more informal manner (not that I see them as incapable of courtly manners, mind you (+ given Fëanáro's 'let them sa-si' comment were weaned on linguistic discourse at the very least, so no slouches in the academic department as well (Carnistir becoming economist prime in Beleriand as just one of the more concrete examples)) , they just canonically are very frank and to the point. Something I can see working favourable in the establishment of their many cross-cultural alliances in Beleriand).

I also think Nerdanel's lack of royal status might have played a role in keeping the mother-names she gave comparatively simple for the most part, making reference to their appearance and disposition (or, in Makalaurë's and the Ambarussa's case, prophetic insight, but even in the latter only because Fëanáro insisted on giving them separate names rather than just 'Ambarussa') in a less pompous or high-brow manner (compared to the mother-names given by noble-born Indis or of equally royal lineage Eärwen to their eldest in particular, Obviously this is more of a general tendecy, as we e.g. also get a prophetic name in Aikanáro, but I stand by Nerdanel keeping it notably simple by comparison).

The Ñolofinwëans in contrast are associated primarily with Tirion via Ñolofinwë, who, unlike Arafinwë, isn't mentioned to have had close contacts and frequent visits to Alqualondë, or primarily travel like Fëanáro and sons. Lack of additional crafts also leaves his later political plotting as only point of reference we get on his potential activities prior, making him a likely career-politician (which coheres with his better PR-management choices in the eventual feud and his kingly ambitions). Ñolofinwë married Anairë, who is most likely a Ñoldor of Tirion, given the lack of additional information on her (that mostly tends to get reserved for noteworthy deviations from "the norm", see also descriptions of hair-colour, where only deviations from the standart dark brown get explicit descriptions, or even regarding Finwëan wives, e.g. Indis, aside from the circumstances of her marriage, most noted for being a Vanyar and Eärwen a Falmari, Nerdanel for falling outside the beauty norms expected of the wife of a prince). Given that we do not get her children's mother-names, it's impossible to tell whether she added similarly ambitious/declaratory touches into them as Indis seemingly did for her sons.

The only child of Ñolofinwë singled out of the bunch during life in pre-Unchaining of Melkor Valinor is their daughter Írissë, for often going hunting in the forests with the sons of Fëanáro (to the point the narration sees fit to clarify that no romance was involved). While undoubtedly a free and adventurous spirit, the likely fact that she lived life in Aman primarily in Tirion would also add a neat layer to her readiness to accompany Turukáno (and eventually return) to Gondolin, the Tirion replica par exellence. While less overtly ambitious than her brothers or father I still propose that she was more comfortable in or at the very least used to the more formal environment of politics and appearances than often credited to her. Leaving its history of development aside, the fact that her father-name has a sindarized form (Íreth) which does not correspond to her Sindarin name actual in use (Aredhel) the argument can be made that her father-name wouldn't have been her preferred Quenya name, but rather her afaik unknown mother-name.

Given that we get no additional information on their whereabouts, it therefore also seems likely her brothers would have primarily been active in Tirion, and indeed later emerge as some of their fathers chief political supporters, Findecáno as primary Ñolofinwëan leader in the first half of the exile, and in Turukano's case commanding an eventual large following in his own right (thus fitting the pattern of favouring their more politically loaded names due to primary involvement in said social sphere).

The Arafinwëans are interesting, due to echoing Ñolo- and Arafinwë, descending from two royal lines, in their case both Nõldor (Arafinwë) and Falmari (Eärwen), yet firmly self-identifying as Ñoldor. Which I'd argue their deliberate use of father-name over mother-name signifies or at the least in effect serves to enhance, in addition to general royal gravitas. Given Melkor's warning to Ñolo- and Arafinwë that:

"Beware! Small love has the proud son of Míriel ever had for the children of Indis. Now he has become great, and he has his father in his hand. It will not be long before he drives you forth from Túna!"

, it also seems like, despite his distance from the family feud and marriage into the Falmari of Alqualondë, in whose company he often shared ("[...]he often sought peace among the Teleri, whose language he learned"), Arafinwë and his family still primarily resided in Tirion rather than Alqualondë. We later also see that at least Findaráto and Artanis out of their siblings harbour grand political ambitions such as ruling their own realms in Middle-Earth (mentioned as their motive for participating in the exile), while of Artanis we furthermore get told of a steep and ambitious participation in Ñoldorin academia (As for Arafinwë, given how Eärwen gave his own mother-name (Ingoldo) to their son Findaráto, it feels safe to say it wasn't the one her husband was primarily using. But in his case I'd even argue that his mother-name was the more explicit political statement, so there was no escaping the drama. As eventually happens, with ruling over the remnants of the Ñoldor-in-Aman. Though, funnily enough, it's Arafinwë rather than Findaráto for whom one can argue for a prophetic rather than strictly political nature of said name, even if I myself do not consider it as such).

Basically, I think that keeping in mind the more official nature of the Finwëan father-names adds fun potential additional layers to the world-building and characters in question.

#Silm #Finwëans assemble #“Hehehe silly Finwëans giving too unimaginative names” ENOUGH! That's the POINT they're ROYALS! A DYNASTY!#People are smart enough to realize the pattern but use it basically just to showcase how petty or egotistical Fëanáro or #Ñolofinwë are..#No Fëanáro and Nolofinwë and Arafinwë didn't just suck at giving names #The royal implications and brand recognition are both deliberate and reasonable to their stations #If everyone's doing it maybe it's not just a funny quirk but purposeful and the norm #Sorry if the Quenya names make me sound insufferable but it's not different in principle than the Melkor v Morgoth usage #that tends to be pretty consistent and wide-spread in fandom from what I've seen #and I felt like exploiting mobile for the easy acess to all the special characters of their Quenya names

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iinmysights · 2 months

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tfw you’re so mentally unwell and desperate for an older brother like so many people online have that you

#Ravage.txt #dl #vent cw #ugh. UGH.#i love this show i watch with dad i genuinely do but at the same time it makes me feel sick seeing the brotherly bond these four have #esp the beret. like i connect so hardcore with him being the go-to medic of the group (@family friends: i do not possess my dad’s expertise #but i DO possess pattern recognition and puzzle solving skills and common sense and google) and being the/a caretaker basically. seeing them #prank each other and joke and drop each other in crazy ass places with a laugh while still caring deeply for the health and safety of #whoever got royally fucked over that round. fuckin military produces such steadfast bonds man it’s a found family system built in if you #survive everything and i wish i could find that bond outside of it. i’ll never have that with either of my brothers and no one around me #seems to understand just how badly it hurts to hear about how great all these other older brothers are to their younger siblings. i want #that too. why couldn’t i have it? why can’t i have it?#i don’t wanna. sign up to be nearly killed and then go kill a bunch of people just for that bond. but man. man. maybe i need to connect w #some military dudes or some shit i don’t know i don’t know. i’m just. fucking miserable right now.#i’m trying so hard to be grateful for the life that i have (esp when ive seen how it could’ve been so much worse at so many different points #in it) but fuck dude. i just want a guy who’s the older brother to my younger sibling. and a cat who doesn’t sleep on my blanket in the 5 #minutes i spend with it off of me so that i could get pickles.

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zincbot · 3 months

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beat undertale yellow!!

#undertale yellow #jfc am i grateful for easy mode. there's no way i would have been able to beat ceroba without it jfCHRIST #the newly implemented dodging mechanic....bruh i know it was in mew mew love blaster and i played the shit out of mew mew love blaster #but i never beat the final boss. + i barely moved and definitely never dodged #yeah even with easy mode i nearly fucking died. so.#it was very good i understand the hype. good music. fun characters #the ANIMATIONS. those were incredible #but yeah i do think the bullet patterns. especially for bosses. were a weaker point #the retry battle option and later the easy mode carried the game through for me #but i think that a lot of the fights in the original game had more patterns that #once you learned the right movement to do. they were avoidable basically 100% of the time #and there definitely were difficult fights that still had that recognition. the gardener is one that comes to mind as being challenging #but doable!#i also think the implementation of new mechanics was a little clumsy occasionally. the wet floor for the mop bot comes to mind #especially in duo fights where the wet floor will stay even when the enemy is spared #(though that may be a bug because the sign doesn't display)#but things like dodging and the shield weren't telegraphed enough within their fights.#and in my opinion were added as mechanical changes too late before two very difficult fights #(pacifist axis and ceroba)#one mechanic i really enjoyed was the lasso. the patterns felt more crafted in line with movement on the lasso. good design #i suppose the audience of undertale yellow is expected to be familiar with undertale but also i felt like blue and orange attacks were #maybe sometimes overused in boss fights. again especially the last 2 in pacifist. to be fair i didn't notice them as much in cerobas #because i didn't notice anything because it was crazy in there #honestly though compared to many many many undertale fangames i've seen. the bullet patterns were very good. some undertale fangames....#anyway i'm glad i played undertale yellow and honestly it made me want more peeks at the underground further in the past #i liked how it made the underground seem a lot bigger #now i want undertale orange-#i've been wanting to replay undertale but its too fresh in my mind still imo. but this helped whet my hunger for undertale/deltarune content

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xerith-42 · 3 months

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I know it seems like striking on social media might not do enough, but as someone who has been outright obsessively using the internet since I was a child to the point that it is literally woven in my soul, been active and involved in online activism for about five years, and been using social media as marketing for about the same amount of time, I can confidently say that

THIS FUCKING WORKS!!

People base their entire businesses on their success on social media. They look at trending topics on twitter and don't see bite sized chunks of culture distilled to its finest and worst moments, they see market data! They don't see you as a single human being, they see you as a data point among thousands run through a probably AI assisted system that's prone to fucking up, that determines everything they're going to do.

How they're going to advertise, who they target it with it, what the general public wants. Every single major corporation uses data from social media websites to do this. Every. Single. One. Social media is a lot of things, and one of those things is a tool for business and politics. We know for a fact that social media politics bleeds out into the real world very fucking quickly.

Even if you can't strike financially, even if you have to go to work or school to survive, striking on social media is one of the best things you can do. Even if it's quiet. People are going to notice when thousands upon thousands of users across various sites go completely dark, and even more when some of them start getting real fucking loud about this. The US Capitalist Infused Government loves sweeping war crimes under the rug once they think the general public has forgotten about their atrocities and fallen into complacency. This system has been doing this for literal centuries.

Social media is just the newest and most expansive form we as a species have developed in the ongoing invention of ways to express our thoughts about things. It's the weirdest one, that's for sure, but executives pay attention to it. They don't often seek to understand it beyond a very basic level, because as I said, they view us as numbers on a screen, not as multifaceted incredibly and deeply fucked human beings. They do not seek to understand us on a personal level unless they think the cost of it won't outweigh the potential profit.

Pattern recognition is the tool of the moment. Machine Learning. Gathering endless amounts of data so we can replicate human existence through machines. You may think that social media strikes are ineffective because social media is just on the internet and it's "not real", but it is real! You are really doing stuff! You are contributing! Even if you're just lurking! Basic amounts of engagement can make a huge impact in a busted algorithm. Maybe you're not someone who would ever be drafted into an actual war-zone due to physical or mental health conditions, but you are probably a part of a key demographic of people that businesses are absolutely hungry for.

The budding adult has always been the target of greedy capitalists basically since this system was established and continued to get worse over time. The stage of your life when you are in the age range of 18-25 is an incredibly important transitional period, followed by a transitional period every six months until you lose sense of what six months even is because you haven't been happy in eight, and if you're in the 18-25 range currently, you got extra fucked by the pandemic. The world is in a turbulent stage and we are at the center of all of it and have been since 2001. Every single social media marketing expert will tell you the 18-25 demographic of social media users is a target demographic, because they are the most prone to extremes due to a life chock full of them.

We have to remember to be human, but we have to also know how to speak their language. They just see us as numbers? Let's show them some fucking numbers. Make posts about Gaza trend on every platform you have your hands on. Even if it's just liking posts, that gives them a slight boost in the algorithm. Commenting on posts is especially important on sites like Twitter and Instagram. But across every site the most important thing to do is reblog/retweet/share/send/copy link, whatever it is for that site, it is the biggest thing that everyone, and I mean EVERYONE looks at.

From a humble artist to a head of marketing at a billion dollar corporation about to have a meeting with a barely over 21 intern about how they need to run the twitter account, to said intern bumbling their way through adulthood with a job they only feel they're good at because they've been using social media since Skype was invented. We need to be loud, we need to make sure this can't be ignored, we can't sweep this under the rug. Mass media, especially coming out of the West, has been trying to censor, de-sanitize, and keep this issue quiet.

DO NOT LET YOURSELF BE SILENCED

There are tens of thousands of DEAD CHILDREN who have been BOMBED while in CIVILIAN AREAS and that is a FUCKING WAR CRIME.

THIS IS A GENOCIDE

Say that as many times as you can. Do not let it be ignored. A silent populous is a complacent one. Use your voice, even as small as it may seem. Make noise. Be loud. Be annoying. Don't let this be ignored. Talk about it everywhere you go. Do not let this be ignored.

Sometimes even we get disconnected from the real people around us. We base our sense of worth as a person based on the numbers going up or down but instead of developing a gambling addiction we just got angry about it but still fall into it because of cultural conditioning. But even if you only have let's say, completely random example, 70 followers. And only a small percent of them will see your post. Let's say maybe 20 on average, 30 on a good day, and even higher based on the machinations of fate. That's still 20 people who took time out of their day to read something you wrote, process something you created, share a part of your experience of living.

And likely they felt compelled to share it too, therefore increasing the spread of people who feel your influence. 20 people may not seem like a lot, but that has a major impact. Now imagine posts into the hundreds, thousands, hundreds of thousands and even millions. Those aren't just numbers. Each and every single one of those is just another person who might have reblogged a post because someone they like shared it, or because they wanted to spread its message, and that simple act causes a single post to have massive waves of effects from simple ripples.

Don't let yourself be discouraged. Don't think your voice or your impact "isn't enough to matter." Everything counts.

Don't let this be ignored. Don't become complacent. Know that every little thing counts, and to do every little thing you can.

#freepalastine🇵🇸#free palestine #free gaza #social media strike #from the river to the sea palestine will be free #strike for palestine #palestinian genocide #palestine #ceasefire #endisraelsgenocide #isreal is committing genocie #do not be silent #please reblog #spread the word #spread awareness #be loud

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carlyraejepsans · 4 months

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I’m wording this ask so terribly sorry.

So you know sans like the back of your hand and can pinpoint inaccurate portrayals of him but is it like that for the other members of the main cast too? Are there any characters you don’t really get in that way?

the funny thing is, as much as people think of me as a sans understander, the other members of the cast being more self-contained and confined to the narrative makes them a lot easier to puzzle out and put into context. undyne, alphys, asgore, toriel and flowey specifically. their roles are so crucial and defined by undertale's story that they almost work like the gears of a well oiled machine. not only are they characters in and of themselves, but with their backgrounds being available to the player and not left to speculation, every aspect of their personality become integral to What Happens In The Story as well.

when you take sans, on the other hand, his character is still so shrouded in lore and mystery that i do NOT doubt i'm also getting a fair bit of him wrong. he's an unknowable motherfucker. i can study his voice, what we know of him, and draw patterns in his behavior all i want, but at the end of the day there's still a good chunk of context to his character that is necessarily left to speculation. of course, we do have a LOT of lore for his character, and what that lore says seems... pretty direct, at least in terms of character goals and personality (he lost some people/somewhere important to him, he tried so hard to go home, he failed. he knows about the anomaly and it basically caused an existential crisis, however his first instinct was still to empathize with it. he takes everything life throws at him in stride because he doesn't believe in a happy ending anymore. he'll hold onto anything that proves him wrong)

you know who doesn't give you anything at all though?

FUCKING. PAPYRUS.

i do NOT get that guy. honest to god. sure, i can analyze his voice all the same, his personality and actions within the story, but papyrus is just as much of a lore mystery as his brother. with papyrus though? we get NOTHING. nada! he has the most lines out of any character and they tell you nothing about him. worse than that, what little info we get about sans' life "before" has almost no repercussions on papyrus whatsoever. homesickness who? scientific background who? knowledge of the anomaly who? sure, he's surprisingly strong and really passionate about puzzle construction. you can read into those aspects, but it's not anything that ties into any of sans' deal. which makes no sense because they're brothers, they got here together! why isn't sans' obvious baggage over his past something that connects them? at this point the only thing that makes sense to me is him being an amnesiac. which ig could tie into the whole "don't forget" motif. idfk man.

but like. that being said i can still more or less track the way he behaves around the other characters, the way he relates to them, his conflicts within undertale's main story etc. that's normal story analysis and pattern recognition. he's just... a bit trickier to puzzle out than the rest of the cast. goddamn him.

#answered asks #undertale #papyrus #sans

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vasito-de-leche · 4 months

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I love how you write, your interpretations of characters are my favorite. If you're okay with it, may I ask for romantic headcanons of Horropedia (Reverse 1999) x Reader? I would love to know what he is like when he's developing a crush, how he confronts his feelings when he realized them, what he's like when in a romantic relationship, etc. Thank you very much!

;R1999 HORROPEDIA - Relationship Headcanons

Compilation of headcanons about Horropedia in a romantic relationship.

awe! i'm glad you like my stuff! and thank you for the lovely words and request, cause i've been itching to write for horropedia <3

i got a liiiiittle carried away with this one, hope that's alright!

Horropedia as a character is fascinating because at a surface level he's a mess and a walking stereotype - a "nerdy nerd" with a very specific hyperfixation on the horror genre, the tall guy with glasses who explains the plot and does his own thing regardless of how others view him, the first one to die in a movie solely because he's perceived as cringe etc, etc.

And yet, his medium is "logic" - he, better than anyone, understands the nonsensical laws that make up the concept of horror, he sees the patterns and the reason why some things are done this way instead of that way. Through logic, pattern recognition and analysis, Horropedia can pretty much understand anything and work his way around any problem, no matter how unorthodox his solutions may be.

In a sense, I'd compare Horropedia to Pavia. Both are characters who are subject to the stereotypes and images others assign to them - but whereas Pavia both fights and plays into all of these roles, Horropedia just brushes it off and continues doing his own thing, being genuine and unapologetically himself.

When it comes to romance, it's easy to assume Horropedia has no interest in it - they're two different genres that don't go together most of the time. It's also easy to assume that he would be a troublesome partner, due to the laser focus attention he gives to his interests. And the latter is partially true: his lackluster love life is entirely because romance hasn't entered his radar, at least not enough to pull his attention away from his one true love.

But I think this is where the aspect of "logic" comes into play. All Horropedia needs is that spark, to find something to truly become invested in when it comes to romance - once he finds it, he'll dedicate the same amount of attention to detail and care as the horror movies he loves so much.

On the subject of Horropedia developing a crush.

Similar to Click, Horropedia would need some time to start noticing the signs of a crush - the difference is that Horropedia is a little quicker when it comes to realizing he's fallen for someone. His forte is horror movies, but he still knows a thing or two when it comes to other genres.

When he cannot rationalize his behaviour around you in a way that makes sense to his current fixation or situation, that's when he knows. And given how straightforward (to the point of bordering on obliviously rude) Horropedia can be, I'd say he'd also be the type to address this crush right away. Now that there's this brand new thing in his life, he'd like to understand it better - to dissect and study the way romance is potrayed, explore how it feels and just analyze it to hell and back. Basically, he wants to know the rules, to figure out how to best proceed.

Of course, he wouldn't dream of confronting you directly, only an amateur would do such a thing. Instead, he asks his friends and pretty much anyone within his general vicinity. He wants to understand romance from every angle, to hear about it from all sorts of people until he feels like he knows enough to start forming his own opinions.

His questions are all theoretical situations that begin rather innocent, innocuous. What does the hero of a romcom do to get the romantic interest? Does it follow a three act structure? And should the third act climax start with a confession or the breakup?

Overtime, they become a little more specific. To the point where his closest friends might suspect something is up, until Horropedia finds himself asking about your interests so that he can figure out the perfect gift for you. Just in case. He finds himself watching romcoms and making extensive research and charts and essays into the genres.

The funniest thing to me is that Horropedia would be extremely casual about this whole ordeal, this crush makes him extremely intrigued in the concept of romance (an oddity for someone so themed around horror), he finds himself staring at you from across the room (this is the third time he's walked into a door because of it) and so on and so forth. But he's so chill about it.

When confronted about his crush - should Blonney or anyone else decide to tease him a little by prodding - Horropedia has no problem blurting out that he has, indeed, fallen for someone. But he'll take your name to the grave, not out of shame or embarrassment but because "he doesn't want to spoil the plot, as obvious as it might be".

On the subject of Horropedia confronting his feelings and some more insight into his mentality.

I'd say there is this small possibility of Horropedia feeling disheartened if he begins to neglect his real passion for the sake of his feelings - it's that sort of guilt and shock one gets when they realize they've forgotten their wallet the moment they're meant to pay for dinner, or when they realize they've forgotten to turn off the oven.

Horror is a huge part of his life and who he is as a person - literally look at the name he's chosen for himself - and given how heavily coded he is to be neurodivergent, I can understand this aspect of him. The feeling like one must choose between two things they enjoy, and all the other things that might come with hyperfixation, both positive and negative.

This is the biggest obstacle for Horropedia when it comes to finally taking the first steps into forming a relationship with you or confessing - the irrational thought that by doing so, he's prioritizing you and romance over horror, something that he holds very dear. One of his stories gives some insight about Horropedia's relationship with horror and how it's something he shared with (and possibly was started by) his grandfather.

I feel like he'll grow a little distant, as a way to set some boundaries for himself or draw a line between his identity and his feelings for you, separate the two so that he doesn't have to feel guilty for giving one more attention than the other. Maybe he simply stops bringing up films around you, because "you're probably not that interested anyway". Masking, he's masking.

But overall, I can see Horropedia being capable enough to get out of this mindset by himself - or with a little help from someone else. Either way, he simply loops back to realizing the obvious: you two were friends, before he realized his feelings for you. You were fine with the whole Horropedia Experience. You liked him for who he was. And he liked you just as you were.

Horropedia is the one who confesses first, the one who asks you out. 100%. And it's so unnecessarily dramatic.

I DO think that Horropedia would make sure to be the one who confesses, just so he can put everything that he's learned about romance into play. And he delivers the most award worthy performance. It would be all about redirection, an unexpected reveal - his skills and animations are also all about fake outs and misleading the audience, after all.

In my head, there's this whole scene about Horropedia asking everyone to help him out confess to you, and everyone is so excited for it - but then he just asks them to fuel this slow rift that formed between you and him, to act vague, distant and mysterious should you ask Blonney or Tooth Fairy about him. Again, unorthodox and weird, but he's cooking. This is all done with the intention of forcing a confrontation between the two of you, just so he can pour his heart out right there - it's all or nothing.

Again, I want to insist that Horropedia, despite being a logical man, still makes as many aspects of his life revolve around the things that he loves and is interested in - he likes films, he likes you. And while romance is not his preferred genre, he still wants to explore all there is about it all thanks to you.

That alone should tell you how much you mean to him. Even if his methods aren't the "proper" way, you know he's putting his whole heart into this. It's all over the top, there's fake rain, etc etc. Of course, your reaction to this is up to you!

If you're mad at him for such convoluted plan, he'll sit there and allow you to scold him to your heart's content - he's used to it as one of the many troublemakers that the Foundation failed to raise as model students. If you laugh at him because of how ridiculous this guy can be sometimes, he'll laugh along, trying to get you to tell him what he could've been done better to get a third act reconciliation. And if you start crying, jump into his arms and play along then he'll be over the moon, trying every single impactful one-liner from every romcom he's watched in the past few weeks.

On the subject of Horropedia and how he acts when he's in a relationship.

Dating Horropedia is pretty easy, because you're dating your best friend. However, it is very easy to misunderstand Horropedia's way of showing affection - those who are more on the insecure side or less receptive to his subtleties may feel like there's been absolutely no shift in the dynamic, that he's treating you the same way he'd treat Tooth Fairy or Vertin.

This is far from the truth! Once Horropedia finally settles into the relationship, he grows very comfortable and allows himself to just exist around you - which isn't saying much since he doesn't mask as much around friends, but it's all about the subtle things!

I like to think Horropedia is very particular about space, as in he makes a point not to invade people's spaces if possible and he'd rather remain in his little bubble. But when it comes to you, he's very casual with physical touch. He's not as cuddly and touchy as characters like, let's say, Matilda, Jessica or Pavia, but being able to rest his head on your shoulder means a lot to him, or just have you lean on him when sitting together. This is pushed to the limit when you two pull all-nighters, binging all of your favorite movies.

He's on cloud nine when you pay attention to his ramblings and makes sure to listen when you ramble to him as well. More than often, he'll do his own little research into the topics you like, just so you have someone to properly discuss things with! Horropedia more than anyone knows what it's like to be brushed aside for being too much or too weird, to have no one listen. Despite his confidence, he has had days of feeling like he keeps on talking to a wall, so he doesn't want you to ever feel like that.

It's all about sharing interests and recommending things that you may like, keeping up with the latest events and so on and so forth, having looong discussions at night about whatever topic you two are extremely invested in.

If these discussions get a little heated and end up as arguments, expect Horropedia to insist on arguing because he's just stubborn like that - it'll take him time to realize that he might've hurt your feelings, or that he might've be hurting too, but he'll come around eventually to talk it out.

Overall, dating Horropedia would be fun because he's full of surprises and excitement, but he's also considerate in his own way.

#reverse 1999 #reverse: 1999 #r1999 #reverse 1999 x reader #reverse 1999 headcanons #reverse 1999 horropedia #horropedia #hes autistic guys hesl iterally so fucking autistic im itching to write an analysis on him bc his quotes give so much. insight into #how the foundation treats arcanists AND their potential ableism BUT LIKE. HES SO AUTISTIC HES JUST LIKE ALL OF US FR

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khytal · 1 year

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I’ve been meaning to write about this since ep12 aired but I haven’t had time until now. I'm sure someone's already brought it up by this point but I wanted to put it into my own words, so here I am :]

I’m gonna talk about the “plant song”, as it’s called in stampede’s soundtrack: an 8-bar motif that comes up in several songs in the ost (but I’ll only be going through 3 of them + some other things)

*I consider "common front"/"trigun stampede" to be vash's main theme, rather than "vash the stampede" (more on this later)

it's used (or not, in one case) in some very interesting ways, which have interesting implications :)

I'm referencing track 28 from vol2 of the ost, "plant song on erhu", as the base that I'm comparing the other songs to. aside from some stylistic ornamentation, it's just the 8-bar melody on its own (which I've transcribed in the above image). this is also currently the only version of the song in the soundtrack that features this melody as a solo, with no other instruments.

some notes before I get into it:

-for my sake, I refer to "common front" as vash's theme in this post x) I know it's a shorter version of "trigun stampede" (they're the same song), but the track title makes it easier for me to associate it with vash so I'll be using that instead of "trigun stampede". the titles are more or less interchangeable though

-the rests in measures 3-4 and 7-8 in the transcription for "bio-power reactor" and "common front" don't exist in the songs themselves. I inserted them so that the corresponding parts line up with when they occur in the plant song

-the excerpt from "bio-power reactor" is a diminution (note lengths were cut in half) to make the comparison easier to see

-in "common front" 's case, the transcription isn't entirely accurate but it's more about the notes than the rhythm u-u)b

-this motif is heard in more than just these 3 songs, but about a third of the ost recycles sections from other songs (ex.: "vash the stampede" is just "the jeneora rock resistance" and "trigun stampede" stitched together), so I picked the ones I felt were like "source" songs. since this is about plants, I only had to look for the tracks that were most representative of the twins and the plants themselves

-knives has like 7 different versions of his theme (including the piano/duet ones) but they're all more or less the same so. yeah. I referenced the vocal version in vol2 since it emphasizes the plant song as the melody, and has a slight variation

-I don't talk about the duet here since it's pretty clear that it's for both vash and knives, and it's just a fancy version of the plant song. not much to analyze about it for this post

-I did annotate the music I transcribed, but no knowledge of music terminology is necessary to understand it. it's all pattern recognition, and I mostly just highlighted where the similarities and differences were

-please don't take any of my interpretations as fact, I just thought it'd be cool to point out the motif. you're more than welcome to have your own interpretations using the transcriptions I've included ^^

okay here we go :)

-the songs are listed by how closely they resemble the original plant song, with "millions knives" (and any other related themes) being nearly identical and "common front"'s excerpt being something barely recognizable as the plant song

-"millions knives" has this motif everywhere. you could say it's representative of him being in tune with his identity as an independent plant. or almost like he represents the plants--oh wait, he does (self-proclaimed, but that's irrelevant here)

-almost every time the plant song is heard, knives is there/involved. prior to ep12's implication that it comes from the plants (and the ost outright confirming this), it wouldn't be odd to assume that it's his theme; that's how frequently it pops up. and it's even more obvious in the soundtrack..........except it might as well be his theme, despite its origins lying with the plant race

basically: *knives voice* my theme now

-even though "bio-power reactor" refers to the plants, their song is barely present in the track (it's heard at the beginning and end). kinda sorta makes it feel like a transference of the theme to knives. like the plants are just vibing (they are, mostly) while knives is taking the reins (he is, mostly)

-the reason the track "vash the stampede" isn't part of this is because the plant song is nowhere to be found in it. while it does use "trigun stampede"/"common front", it doesn't have the part that I transcribed

(if you really want to read into this, you could consider the motif's absence a reference to vash being more akin to a human than a plant. I can't say whether this was intentional or not though, considering "vash the stampede" is just a mix of 2 pre-existing songs and has no melodies unique to it)

[-feel free to skip this tangent: "common front"/"trigun stampede" stands out to me because the lyrics are more about vash than the track that's literally named after him (which isn't even an original composition for some reason):

"here I come, here I come any enemy is powerless in front of me here I come, here I come, keep anybody that get(s) in my way, away from me

get everybody involved like a typhoon pull the trigger, shoot down [on a/on the/'nother?] full moon can't you see what I'm [hiding/having?] in my hands call me vash the stampede, and feel love and peace"

not that "jeneora rock resistance" 's lyrics aren't about vash, but I think it's odd that "vash the stampede" doesn't use the lyrics from "trigun stampede" beyond the initial "here I come, there is no one anywhere who is a match for me"]

-"common front" is vash's main theme to me, since it references the plant song while also being about vash himself. it describes vash as he is amongst humans, with the motif serving as an acknowledgment of his race without overpowering the rest of the song (unlike with knives, where it's nearly constant and makes up the core of his theme. if this was intentional on the composer's part, it's very clever)

-the bit I transcribed from "common front" is from the part in the middle that features a flute solo (1:17-1:26; or 1:36-1:45 in "trigun stampede"). you can also hear this in the low brass around 2:27 of "millions knives", where it follows the same pattern as the section in "common front". it looks like this (written as it's heard, without the 2 measures of rest I added):

"millions knives" and this fragment from "common front" are both in the key of b minor ("common front" starts in d minor and briefly modulates to b minor before going back to d minor)

personally I like that knives's variation is grand/drawn out, while vash's is played freely. it highlights their personalities, though we don't really get to see much of vash being "free" in stampede

-there's a very short call and response bit in ep12, where vash sings the first 2 bars to the plants and they sing back to him:

nothing specific to write about here but vash's "La"'s in the jp dub are more articulated because of how japanese people pronounce the "L" sound; whereas jyb's articulation is much softer/barely noticeable (though he sings the 2nd measure with 1 "la" instead of articulating each new note. also his F# was a little flat but like. don't take that as an actual criticism lmao I just have a really good ear)

I don't know why the plants' responses are unique between the two dubs, but I thought it'd be cool to transcribe that part as well. the rhythms were a little hard to pin down since they're sung freely so idk if it's accurate but I know the notes are right x)

-I'm guessing the dub's VA for young vash couldn't sing the C so they cut it and had them start a beat later to compensate and match the lip flaps:

not a significant difference, since the altered part exists in the plant song so it doesn't stand out unless you're listening for it (like I was), but yeah. there you have it

(-I'm sure people know this by now but I figured I'd mention it anyway since I'm talking about it. the reason "knives" asks vash what he's humming in the flashback is because it was rem who asked him that in the original memory. the song seems to be something that all plants know instinctively, so knives should've known what it was. and this discrepancy is part of what caused vash to become aware of himself again......which means knives screwed up his own plan x)

(I wonder if knives will ever talk about what the song means to him))

-when vash is poking at the piano keys at the end of ep12, he's just playing an octave (between a low and high Bb, but that isn't important). my guess is that he's trying to play the plant song, specifically starting at the octave that ties into the triplet, but for some reason he can't get any further than that.

I think he's reluctant to hear the song of his people, the one that made up the duet he and his brother used to play; the one that used to calm him down but may now instead only remind him of what he did/lost. maybe he's trying to reassure himself with the song, and is unable to with the weight it suddenly holds for him

(side note: the duet is in the key of a minor and no Bb's are played in it, so he's not trying to play either parts of the duet)

-------------------------------------------

extra things I noticed that aren't very conclusive (so don't take them too seriously) but are still worth mentioning:

-these are also arranged from most to least similar

-........yeah I found the plant song in "tombi". the augmented triplets in the pre-chorus tipped me off. I'm pretty certain this is a coincidence though, since it's the only piece of the motif that I heard. I didn't look too much into it, but if "tombi" was written with stampede in mind and if kvi baba was asked to incorporate the plant song then. well. x) anyway I just wanted to point it out, coincidence or not

-knives's theme is here again but for the express purpose of being compared to "orphanage" of all things, because they're in the same key. this 2-bar excerpt plays from 0:18-0:22 in "orphanage", and it seems to be pulled from "millions knives"

the notes are split between 2 different instruments (3 if you count the piano chord reinforcing the A) but they form that exact phrase if you put them together and follow the main beats

which leads me to this point: knives's theme is in "orphanage" because he's linked to it through the eye of michael (again this is me reading deeply into the pattern, so I wouldn't say this was on purpose but if it was.....!)

-elendira's theme doesn't have the plant song in it; at least, not directly. she's actually the reason I ended up writing this whole post, because I wanted to know if the plant song was in her theme. and it's not. fascinating.

anyway this one's a HUGE stretch but I find it to be an interesting interpretation: the plant motif possibly being an inversion, as a way of saying she's neither plant nor human (as mentioned by dr conrad)

-------------------------------------------

that's all I have to say about this! I hope it wasn't too confusing x') thank you for reading, if you made it this far. the plant song is pretty significant in stampede so I'm really looking forward to hearing how it's used in s2 o)-<

(if there's anything I missed or if you have any questions feel free to ask!)

#trigun stampede #this is. a long one lmao #I never tag my rare analysis posts but I put a lot of effort into this one and I think it's worth sharing this time :')#(also please be nice I'm not the greatest at getting my thoughts across sdjkfhgskjdf)#I wrote most of this between the horrible hours of 2-4am so there might be some stuff I didn't catch #but I'm pretty sure this is everything I wanted to bring up o)-<#khyt.3gunposting

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earhartsplane · 5 months

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Since we're all talking about plagiarism now, I'd like to share this video which came out last year about a paper accepted at the CVPR 2022:

youtube

For the people not in the know, the Computer Vision and Pattern Recognition conference is the biggest conference in computer science. Last year, in 2022, the paper featured in the video got accepted. A few days later, this video was posted. The first author, a PhD student, apologized and the paper was retracted and removed from the proceedings. Hilariously, the first reaction of the co-authors, including a professor at the Seoul National University, was to say that they had nothing to do with it.

My point here is that scientific papers are not rigorously checked for plagiarism, and a background in academia tells you absolutely nothing about whether or not someone will be diligent in avoiding plagiarism. The biggest difference is that there are consequences if you're caught.

I also don't want people to be too harsh on the first author of this paper, or to think the situation is equivalent to the whole Somerton debacle. For starters, you don't get paid for publishing papers, you (or more commonly your university) pay the publishers. But the phrase publish or perish exists for a reason, and everyone in the field wants to get published in the CVPR, because it's supposed to show that you're great at research. Additionally, the number of papers and the prestige of the venues they're published in criteria on which you will be evaluated as a researcher and a university employee.

The way I see it, there are basically two kinds of plagiarism that are shown in the video. The first one concerns sentences that are lifted completely unchanged from other papers. This is bad, and it is plagiarism, but I can see how this would happen. Most instances of this appear in the introduction and on background information, so if you're insecure about your mastery of English and it's not about your contribution anyway, I can understand how you would take the shortcut of copy-pasting and tell yourself that it's just so that the rest of the paper makes sense, and why waste time on phrasing things differently if others have done it already, and it's not like there are a million way to write these equations anyways.

Let me be clear. I don't approve, or condone. It's still erasing the work of the people who took the time and pain to phrase these things. It's still plagiarism. But I understand how you could get to that point.

The second kind of plagiarism is a way bigger deal in my opinion. At 0:37 , we can see that one of the contributions of the paper is also lifted from another paper. Egregiously, the passage includes "To the best of our knowledge, this is the first [...]" , which is a hell of a thing to copy-paste. So this is not only lazily passing other people's words as your own, it's also pretending that you're making a contribution you damn well know other people have already done. I also wasn't able to find a version of the plagiarized article that had been published in a peer-reviewed venue, which might mean that the authors submitted it, got rejected, and published it on arXiv (an website on which authors can put their papers so that they're accessible to the public, but doesn't "count" as a publication because it's not peer-reviewed. You can also put papers that are under review or have been published on there as long as you're careful with the copyrights and double-blind process). And then parts of it were published in the CVPR under someone else's name.

I think there's also a third kind of plagiarism going on here, one that is incredibly common in academia, but that is not shown in the video. That's the FIVE other authors, including a professor, who were apparently happy to add their name to the paper but obviously didn't do anything meaningful since they didn't notice how much plagiarism was going on.

#Youtube #plagiarism #hbomberguy #james somerton #CVPR #computer science #Academia

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yagamimi-aka-mimi · 6 months

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> sees any man with long dark hair and a short beard: "iS tHaT mArKipLiEr??!!!?!?!"

I feel your pain, I get that shit all the time too. It's so fucking annoying. It's "markiplier" until my hair gets too long and then it's "Jesus". People just leap at the chance to point out that they have basic pattern recognition for some stupid fucking reason I guess.

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lovemyromance · 7 days

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I keep seeing this argument of "Oh the sisters all had a previous love interest before they ended up with their actual endgame mates" and people comparing Tamlin & Nesta's random one night stand to Azriel.

Which is absolutely crazy. This can be debunked with ONE piece of evidence:

Azriel got a POV. The entire Elriel interaction is told from his POV in the bonus chapter.

Tamlin was arguably the only love interest in ACOTAR. He was very much a main character. And yet, all their intimate moments (and all their moments) are told from Feyre's POV. Tamlin did not receive a POV, despite being the main love interest in book 1.

Feyre might've had a previous love interest (Tamlin) before Rhys, but that LI did not receive a POV.

Now let's look at Nesta. Nesta was on a self-destructive spiral where she slept with half of Velaris before she ended up with Cassian. And yet, not a single one of those men received a POV. She even considered Eris for a split second - did he get a POV?

Even though Nesta had previous love interests, those LIs - again - did not receive a POV.

SJM has now continued the pattern, pairing Elain up with Graysen first, and then Lucien. Despite their uncomfortable interactions, the fact that Lucien is Elain's mate makes him a love interest by default. Even if Elain doesn't want him, he's still an option.

They are already mates. And yet - Lucien did not receive a POV.

Just that alone should be enough to prove that Lucien, despite being one of Elain's LIs, is not the ENDGAME.

Despite everyone knowing Elain's book is next, who received a POV in the BC?

Azriel.

We all saw hints of Elriel throughout the books, and in the Azriel BC we confirm he feels strongly for Elain. He loses sleep over thinking about her, he can't stand to be around her mating bond, he's questioning his religion for her, he desires her sexually and would beg on his knees for a taste of her.

And SJM does not write MMC POVs thinking deeply and fantasizing about women that are not endgame. Especially, not in ACOTAR.

She likes to write her MMC as completely devoted to their LIs. Even if you take CC for example, Hunt was still in love with Shahar in the beginning, but any intimate or fantasizing thought he had was about Bryce. Any shred of lust he felt was for Bryce.

This is again, similar to the Nessian bonus chapter we received before their book. We receive Cassian's POV of an interaction with Nesta, perfectly setting us up to read their story in ACOSF.

Everything from the attraction Cassian feels for Nesta down to him feeling like touching her was wrong is exactly how the Elriel interaction went down.

It is basic logic, people.

3 Archeron Sisters, 3 Bat Boys, and their respective POVs.

Genuinely at this point I'm wondering if antis have ever taken an IQ test because they might actually fail the pattern recognition section if they can't see what's right in front of them.

#elriel #elain archeron #azriel #acotar #elain x azriel #pro elain #elain

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minecraftbookshelf · 1 year

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Who Speaks What Language: The Fae Squad Edition

Scott: Speaks Quenya and Sindarin as dual first languages. Is fully fluent in Silvan. Fluent in Mythlandic but has a notable accent and speaks very formally. Decently fluent reader of Pixandrian but his pronunciation sounds like he learned it from books, because he did, and constructing sentences is difficult. His comprehension is much better than his functional vocabulary though he gets caught off guard when words aren't pronounced in a way he thought they were and it throws him off. Can recognize some common Galactic words but just in the basic pattern recognition sense. Only speaks a few basics of Mezalean and none of the Oceanic Dialects. (This results in a distinct lack of overlap in languages he speaks comfortably and languages Jimmy speaks comfortably, which is a surprise tool that will provide us with dramatic tension later ;) )

Xornoth: Speaks Quenya and Sindarin as dual first languages. Is fully fluent in Silvan and Mythlandic. Does have an accent in Mythlandic but it is less strong than Scott's. Does still speak formally but that is less a lack of familiarity with the language in an informal setting and more general social awkwardness. Is actually more comfortable with the Helianthian dialect due to most of their casual interactions being with Pearl. Has their Helianthian trash talk down to a fine point. Has learned a significant amount of an, ahem, specific category of Lost Empire vocabulary via Joey. Can read Galactic fluently against their will. (Thank you, head demon.) Speaks enough Mezalean and Pixandrian and Manual Oceanic to fake their way through formal greetings but no more.

Katherine: Silvan is her first language, fluent in both Quenya and Sindarin. (She and Scott were unofficially pre-engaged at one point before Shit Went Down so they both learned each other's languages. They were also each others only friends at that point so there was that.) Has made it her mission to be able to speak to everyone in their own languages as part of her quest for peace and neutrality. Has mastered Mythlandic, is passingly familiar with the Helianthian dialect. Can hold a basic conversation in Oceanic, substituting her wings for fins on the manual side and her vocal chords are close enough to most Sea Folk that she can manage some of the verbal components that are beyond the other Land Dwellers. Not all of them, but some. Only started learning Swamp Speech and Lost Empire Language recently, is still a bit unfamiliar with them. Fluent in both Pixandrian and Mezalean. Played hooky on her Galactic lessons. Has been learning Gnomish as well. Is maybe focusing a bit more on that language over Swamp and Lost Empire, despite the lack of political gain.

Shrub Berry: Comes from an entire different dimension, is operating at a distinct disadvantage linguistically. Joey and Katherine have been helping her learn Mythlandic, with some basics in both Lost Empire and Silvan. They have both also been learning Gnomish in return, which she appreciates more than words can express. Of the writing systems in the Empires, Mezalean is the one they've had the easiest time with, which has resulted in an interesting mish-mash of languages anytime they have to resort to written communications. Prefers to stick to speaking when possible.

The Ocean Alliance Edition

The Wither Rose Alliance Edition

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oysters-aint-for-me · 1 year

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the concept of the two-sentence horror story is actually a great way to understand the similarities between horror and humor: the way both forms are based in the same neurobiological systems and thought patterns; the creation and resolution of tension; the use of the set-up/punchline structure; the way they both rely on the recognition of an incongruity, the reveal of a surprise, or a subverted expectation; the way that the subverted expectation is based on some way on a shared cultural context or common human experience; the way they both can cause a change in breathing patterns (laughing vs. gasping); the way that knowing what is coming can lessen your reaction. tbh when you break it down, the only real difference between comedy and horror is that with comedy, the incongruity the joke hinges on is in some way safe, whereas with horror, the incongruity feels dangerous.

this holds up in a lot of ways with some evolutionary theories of laughter; basically the thought is that laughter may have developed partly as a way to quickly alert fellow humans that a threat was no longer present. ex.: your tribe sees a shape in the distance that looks like a lion; once approached, a tribe member realizes it’s just a rock; and so they laugh to let their group know the coast is clear. this may be why laughter is contagious as well; a quick way to spread the message that the coast is clear.

that theory also explains nervous laughter—people may laugh instinctually when stressed as the body’s way of trying to calm itself down and tell itself that they are safe. it can also explain why some people are hurt or offended by jokes while others are not—people are hurt or offended because in some way they don’t feel that the incongruity represented in the joke is a safe one, and people that aren’t offended don’t feel threatened at all. for example, if you’re straight and all your friends are too and you’re never known a gay person and you don’t think about them a lot—if that’s you, and someone tells you a homophobic joke, your safety and the safety of your loved ones won’t feel threatened. but if you’re gay or you have gay loved ones or the joke is told by a straight person whose background of allyship is either unknown or actively nonexistent, then you might not feel safe in that situation, and you wouldn’t laugh (except possibly out of nerves). or, alternatively, if you’re gay (for example) and the same joke is told by a gay person or someone you know to be an ally, you would know that the words don’t translate into a real life threat, you would feel safe, and you would laugh.

it’s difficult because people want jokes to be either funny or not. they want a litmus test. they want to be able to point to aspects of jokes and say “this is why this is OBJECTIVELY funny/not funny.” unfortunately, that’s not how humor works (or really any aspect of human behavior). everyone has different ideas of safety, everyone has different thresholds for determining threats, and one person’s ideas and thresholds are heavily context dependent. it changes depending on their mood, their environment, the people around them, the person telling the joke, the very rhythm of the joke, etc.—things that have nothing to do with the actual wording of the joke itself.

so if you’re writing comedy, that’s something to keep in mind: if you don’t think about your audience’s sense safety, you may accidentally end up writing a horror story.

and that’s NOT to say that mixing horror and humor is bad—works that play with the line between humor and horror are often brilliant (see: barry, every movie jordan peele has ever made, what we do in the shadows, shaun of the dead, to name a few). but walking that line needs to be with intention and care.

#that’s me manifesto #comedy humor

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myrfing · 4 months

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sorry to add to the #discourse about the werlyt stuff in ffxiv, and feel free to ignore this, but your posts just got me thinking about how the average western consumer of japanese media doesn't know how to spot signs of japanese nationalism in their fave game, movie, anime, etc. For example, I remember a couple of weeks ago on twitter someone said that Miyazaki's works feature prominent elements of japanese nationalism despite not necessarily being pro-war, and both the replies and QRTs were an absolute disaster. ffxiv is a liberal game, its politics are not exceptional; they just aren't (as) egregious

Considering the social locations of people who make a piece of media and how that location affects the way they write things, like politics, isn't an outlandish concept. But ffxiv fans always seem hyperdefensive about this and i cannot understand why

yeah for sure! imo people are getting better about it (don't think it even registered in most of the english-speaking side of the internet's heads that there was a pacific theater for a long time), with more eastern media being translated and gaining popularity that DOES legitimately have leftist authors, but you still have a ton of "how can this work have jp nationalist elements when they say War is Bad 🤨". feels like a lot of this is cause really anime/manga/games were so vaunted as the ultimate escape for americans (not exclusive) and now that people are gaining more of a political consciousness, there's this need for the things that are nostalgic and soothing for them to be "good" media without Problems. which is like. not the point man. though people have always studied and conversed about media trends and the influence of eras on the art created within them and there's always been a knee-jerk You're Being Crazy reaction to it (even though if it's a conversation they're not interested in right now, the people who have this reaction usually can always just...step out lol), I feel like it's just magnified by the way social media uhh does all that. and on top of it a lot of discourse is in bad faith, so sometimes not giving people the time of day DOES seem like the correct and safe option every time but it's like...some people apply it so broadly and blindly that it's basically anything that upsets me = wrong and bullshit.

And you're totally right about xiv LMFAOOO it feels like some people are compelled to do damage control for the game like it's personal. you'd assume that everyone is working off of the recognition that ffxiv is a mass market product and a feel-good fantasy and the writing may not even reflect the totality of a writer's beliefs, but rather what they believe is the median, liberal truth that they're willing to sell. sometimes in oddball places you can find hints of something more genuine but these are exceptions. & acting like it's proofed from this is suggesting that somehow final fantasy fourteen the mmo is interested in breaking any status quos and the whole of its creators have collectively managed to break apart from the time and history they exist in, when in truth it relies on it to guide its writing and business plan. i don't think this is a crazy controversial thing. it's a normal thing. & i cant really speak for how other people are talking about it, but i rarely suggest malevolence in my critiques of the shit I enjoy moreso than I'm saying Le Hegemony Has Arrived....something not even individual people can escape myself included much less a corporation....but the accusation is assumed anyway. What is the worst that can happen by acknowledging some stories and patterns in xiv's story have very liberal takes on topics in which liberalism understands and treats poorly? i dunno the answer to this one honestly I do not understand the fear

#also dont worry im the DISCOURSEKEEPER if you kill me it will cause a flood of light that will blockchain 9/10ths of the world #also enjoying werlyt or whatever doesn't make you a colonizerhead but leaping to defend it may.#like it's ok i'm not watching you play. nobody is watching.#UNTIL YOU COME ONLINE AND SAY SHIT ABOUT IT! THEN YOU'RE INI MYYYYYYYYYYYYYYYYY YARD (joke)

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tobiasdrake · 2 months

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Oh cool. Kyon has enough pattern recognition to skip a few steps of the plot.

Kyon walks in like, "Alright, pretty sure this guy's fucky too so let's just skip ahead and give me the deets."

Three years sure is a "coincidence" of a number too. Yuki said she's three years old in the earlier conversation; as in, she was created to observe Haruhi three years ago.

Mikuru wouldn't tell Kyon any details about her mission but at this point it can probably be assumed that she's been in this time period for three years too.

Yeah, Haruhi has to be doing this. It's been all but stated at this point that Haruhi is unconsciously rewriting reality to suit her interests. Or... unknowingly wrote reality three years ago to suit her interests. Or something.

Okay I guess this is happening now

Wow. God's kind of a jackass. XD

...could we not say that? Because that is far more existentially horrifying than the local violent misanthrope having subconscious reality-warping abilities.

If we don't entertain the violent misanthrope then everybody dies

Holy shit. DO NOT give my characters this kind of power. The whole world exists as a sandbox for an impulsive teenager aggressively lacking in basic human empathy. This is a Cosmic Horror story the likes of which Lovecraft wishes he could write.

UH-HUH

YEAH

DO THAT

Under no circumstances can the violent misanthrope find out that she has almighty power and dominion over all people and things that exist.

Man, this show is absolutely nothing like what I thought it was going to be. Nonetheless, I am hooked.

#the melancholy of haruhi suzumiya #haruhi suzumiya #itsuki koizumi #drake watches haruhi suzumiya

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parallaxia · 2 months

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how do you live comfortably as a female knowing that most other females are completely subhuman in behavior and mindset? I'm not being some tradtard or whatever here, I'm completely serious and its a source of despair for me

Ummmmm I'm just gonna be honest lol, I actually don't. The choices other women make actively fuck things up in my life. I HAVE to prove to men I work with in the military that I'm not like their wives, girlfriends, sisters, moms, side chicks, hostess club faves, etc. in order to do my job and be successful. And other women call me misogynistic and an "NLOG" for doing that. But they're the ones who put me in that position. Other women are the reason men sometimes look irritated/disappointed when I show up to a job, scrutinize me excessively, and make comments like "do you even know how to [basic thing in my field]?" with zero provocation. What am I supposed to do here? Be mad at men for being capable of pattern recognition?

I don't really bother with despair since it's not a useful feeling, but it's very frustrating how I have to work overtime to be impacted as little as possible by the fact that most women choose to be weak, vain, ignorant, dependent, useless, unskilled, unambitious and masochistic people who focus mainly on getting as high up in female social heirarchy as they can and not much else.

If you're asking me how I cope? Um I just work hard and do my job I guess. I prove people wrong about me, I take the sexism as a challenge and the men who actually work with me every day respect me. I don't bother trying to save women who love being slaves. At all. I spend zero energy on it. They see how I exist and they can decide to be the same way if they want.

EDIT: I guess you asked how I "live comfortably" "as a woman" and I don't completely know what you meant by it. I just like being female in spite of everything, idk. I guess it's all I know and it doesn't really keep me from doing the things I want to do at present. I like female bodies more than male bodies and I'm glad I have one. I think I'm also at a point in my career where I don't have to prove myself *as much.*

EDIT 2: The only time I have ever really experienced gender dysphoria was when I spent a lot of time in radical feminist communities when I was young and got told that my life would suck forever because of patriarchy and there was nothing I could do to be less affected by it other than be perceived as male.

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