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a drama review you never asked for

So yesterday, I started a drama by accident.

before we begin, here is a little glossary: Itazura Na Kiss = Playful Kiss (Korean), It Started with a Kiss (Taiwanese), Love in Tokyo (Japanese) Naoki = the main male lead in Itazura Na Kiss, stoic, bitchy brainiac whom everyone is in love with Kotoko = the main female lead in Itazura Na Kiss, a clutz, sucks at school, is in love with Naoki Yanmo = the main male lead in Le Coup de Foudre Qiaoyi = the main female lead in Le Coup de Foudre

I say by accident, because it was a weird series of events that led me to click on the first episode of Le Coup De Foudre, and by the time I realized what had happened, I was on episode 26 and it was 1:20 in the morning.

Help.

I finished it today before noon because I watch drama in the fucked-up way where I kind of skip forward by 5 second increments when they talk about things I don't really care about or when they're narrating life lessons.

(I always wonder if I'm missing something integral to the drama-watching experience when I do this because I do this 85% of the time, but it's either this or I get distracted going on social media cause I can't freaking sit still.)

(idk i think i still get most of the drama though. right?)

But I don't know, I really liked the drama. Not in the way where I want to revisit every scene on Tumblr and proclaim my love for it in the tags like I do with some. It's one of the dramas where I watch, and it just kind of sits heavily in my heart for a little bit and tells me to appreciate who I have around me.

Le Coup De Foudre begins with the ending, where the two characters are already together. They reminisce about their relationship from the very beginning, and that's how the drama progresses. I think it's that feeling, the in media res, the frequent analepsis, that strengthens the poignancy of the nostalgia.

It kind of reminds me of brewing tea.

(lol, midway through a scene, i felt a pang in my chest because i felt so bad for the female lead, and i paused the video and sighed in contentment and was like, "ahhh yes i feel feelings again.")

(sos)

So, I have been describing Le Coup De Foudre as the better version of Itazura Na Kiss--the better version of a plotline we have seen very often. The drama begins in a high school, stretches past college, and ends when both leads find their place next to each other as they leave school-life behind them.

And obviously, during high school, the female lead is failing all her classes whilst the male lead scores number one in every class. And of course, circumstances draw the two together, and the male lead grudgingly begins to tutor the female lead.

But, where Itazura Na Kiss has a male lead who is emotionally manipulative and has a side-hobby of rendering the girl to tears, Le Coup De Foudre has a male lead who is certain of what he wants and faces his feelings head on. There's no tugging back and forth and no unnecessary drama, but instead, a very natural progression from sitting next to a girl you like to finding each other again years after high school graduation.

When I watched Itazura Na Kiss (or the many iterations of it, either in different languages or under a different name cough cough A Love So Beautiful cough cough), there was an anxiety clouding the female lead. She treads carefully, trying to present herself in a version that makes the male lead happy. The male lead, on the other hand, is at a loss of how to address her feelings and thereby, ends up acting like an ass.

(Disclaimer: I don't actually remember much of the dramas. It's been a while.)

In high school, he is not mature enough to handle his feelings for the female lead alongside the stress of living up to his parents' expectations and figuring out what he wants to do in the future. In college, he is not mature enough to handle the admittedly annoying advances of the female lead alongside the new social terrain of unversity. Post-college, he is not mature enough to handle his new marriage alongside his stressful job at the company. From high school to post-college graduation, the male lead does not learn how to navigate a relationship where both parties' feelings matter and instead, focuses on what he thinks a relationship should look like.

The female lead isn't faultless either, though her archetype has evolved throughout the years. In It Started with a Kiss and Love in Tokyo, she was a caricature of what her character should have been. In A Love So Beautiful, she graduated from being utterly ridiculous to being a little clumsy and a little too head over heels for a not-great guy, but the viewer can't help but be a little fond of her.

In Le Coup De Foudre, she becomes more. Her character stops being defined by her love for the guy.

I like Le Coup De Foudre because before lovers, they are friends first.

(like. come on. that's kinda cute right.)

It's the softly veiled kind of affection that gets me. Like, when she pauses at the doorway to the classroom, and unlike last semester there are many more desks for her to choose from, but she decides to sit next to him anyways. Or, when he says something stupid and hurts her feelings and is stressing out about how to apologize, but she breaks the ice first and gives him a water bottle.

See, Yanmo is very much the same stoic, brainiac character Naoki was. But unlike Naoki, he is not afraid of his feelings. He doesn't want to hurt her, but his EQ isn't great so he inevitably does so anyways. Yet, he recognizes when he does wrong and takes the initiative to awkwardly ask her twin brother how to apologize. He admits to his mom that he likes her far, far before she even realizes she likes him. He gets drunk on a mouthful of vodka by accident and remembers this dumb thing she said about guys with ties being hot, so he grabs the tie of a fellow student and says he wants it because "guys with ties are hot." He faces his feelings in the immature way a high school student who's never been in love does, but he doesn't deride them. He doesn't think they are beneath him, or that he has larger aspirations and he's just taking a small reprieve from them to be with her.

(this is the kind of stoic male lead I like!!!)

He doesn't leave her behind, running to catch up. Instead, he's always quietly waiting for her.

And when they get together, he lets her fool around. He lets her take all the blankets, he challenges her brother to Chinese Clash of Clans and beats him senseless when he bullies his sister, he jokes with her in that deadpanned way of his, brings her soup when she's writing in a hotel, picks her up on the roadside on a rainy day, and doesn't reprimand her.

I think this sort of character who plays on the trope of the stoic, smart kid, but fleshes him out so that he cries and laughs and puts other people before him is what makes this relationship dynamic work. There's no icky feeling like in Itazura Na Kiss, where the audience is constantly questioning whether or not Naoki actually loves Kotoko, because in this drama, it's so, so clear that Yanmo loved Qiaoyi since high school.

The other characters are well-written as well. Qiaoyi sucks at math, but she's not stupid. She's shy, but she's not afraid of pursuing what she puts her mind to. She cares a ridiculous amount for other people, but she's not naive, and it's ultimately a combination of these traits that helps the characters save Yanmo's company from bankruptcy. Like I've mentioned before, Qiaoyi isn't defined by her love for Yanmo. She loves Yanmo so much that she pledged to think about him only six days of the week, and then four days, and then two days, and then eventually it'll be just one day of the week, but it never really happens. She loves Yanmo so much, but she lives the life she's supposed to live, accepting that even if he's not by her side, she still needs to work hard for her dream.

There's no second male lead, so there's no dramatic I LOVE HER MORE THAN YOU EVER WILL screaming match where the first male lead stands there and clenches his teeth because he doesn't know how to proclaim his love. Instead, there's a loving older twin brother who dotes on Qiaoyi but doesn't forget to jokingly remind her that their parents picked her up from the trashbin. Instead, there's an emotionally mature first male lead who tells Qiaoyi he loves her and will be hurt if she likes someone else.

The second female lead is gorgeous and instead of kickstarting a nasty jealousy arc, she becomes one of Qiaoyi's closest friends. It takes a while, but she eventually recognizes that maybe she's liked Yanmo since a young age, but she never really fell in love with him. Instead, she falls in love with Yanmo's uncle who is the same age as him. Uncle isn't a good looking dude, but tbh, Cheng Youmei is pretty enough for both of them.

Uncle is the number one Yanmo/Qiaoyi fan. I like him.

Le Coup De Foudre is great, but I feel kind of bad criticizing Itazura Na Kiss, because it did make up a large part of my childhood.

(i was so offended when the wall outside my house fell and my fam was evicted and we had to live at a motel and not at a hot family friend's house smh)

Also, there's always this little voice in my head whenever I say some TV show isn't good (which is very often because I'm a pretentious brat) telling me to stop being a hypocrite.

See, when I was in middle school, one of my favorite TV dramas was Meteor Shower, which is one of the many iterations of Hana Yori Dango.

(LOL Meteor Shower is a whole other can of worms)

I remember I watched it when I was in Shanghai for summer vacation, and then when season 2 came out, I was again, in Shanghai.

(even back then, I thought season 2 was trash.)

When I watched season 2, I lived with my aunt. Because I lived with my aunt, and because my aunt is one of those more-pretentious-than-me people who watches British television and has a wine cooler, I remember switching the channel to something else every time she came by my room.

Which is pretty ridiculous considering I was literally watching a PG television show and not porn.

The reason was some time in my childhood--I don't remember when--I asked to watch a show--I don't know what show it was, it might've been Happy Camp--and my aunt looked at me, appalled, and was like, "You watch that kind of trash? Isn't that kind of show for idiots?"

And I was just kind of like ¯\_(ツ)_/¯

As you can tell, that conversation has stayed with me. My aunt is living with our family right now, and even now, I feel a little sheepish watching my dramas or listening to my music.

(let me explain. my aunt came downstairs one day, and was just casually like, "Liszt is pretty good, huh?" and i was like lol um what.)

(she sits on the toilet and listens to the orchestra as she pees.)

(help.)

This is partially why I have these questions. But the bigger reason why is because I took a shower and great thoughts and questions come when you take a shower.

Is a television show created with the simple intention to entertain the viewer somehow less than one with an overarching message?

How do you judge what is a "good" and therefore, worthwhile show and what isn't?

There is a Chinese drama that's received high ratings, but many people started questioning whether or not it deserved those ratings, because it was a simple love story between two people and wasn't particularly meaningful.

But, if the ratings are given by the audience, then shouldn't that mean that it is a good TV show?

(but then, when have the masses ever been the best judges for quality? cough produce 101 cough)

But, if public opinion is not the best judge for quality, then what is?

The opinion of experts?

(that's so pretentious.)

But also, if something is produced for free, mass consumption, shouldn't its success be measured by its reception? And shouldn't its quality, thereby, be measured by its success?

I've always had this question about books too. Like, what determines the books we read in a high school English class? Why are these particular books considered the Greats?

Why is Shakespeare so famous?

(don't brick me)

When I was in Shanghai and browsing a bookstore, I heard someone say, "Let's just come in for the AC. Most of the books are 畅销 books anyways, and not worth reading." The group she came in with agreed.

I have seen the words 畅销 before, because I watch a ridiculous amount of TV dramas derived from 畅销 books, but I never searched up the definition. Based on the person's disdainful tone and the way people talked about 畅销 books, I assumed it meant young adult, or genre fiction. Something like that?

But when I asked my cousin what it meant, she said, "Oh, it means bestseller."

And I was like. ???? What.

Evidently, readership and mass opinion have not been perceived as good judges for quality.

Fiction is judged by the usual narrative devices--plot, characterization, flow, theme, etc. But, ultimately, I think it is important to look at reception as well.

Why does a particular story and/or TV drama receive higher ratings and viewership than another? Is it the fault of the audience or of the directors/scriptwriters/actors/production company/country's censorship laws cough cough CHINA cough cough cough/etc.?

I think analyzing the narrative devices is an exciting conversation, but in media, there are more factors involved than just the author's mind.

And that isn't a conversation that you can easily have when your aunt looks over at you watching SCI: Journal of Mysterious Cases and scoffs.

(cEnSoRsHiP and LaCk Of FuNdS!!!)

(this is part of a larger discussion around genre fiction and literary fiction and literary merit that i loathe)

(but i feel like i'm in it. i'm in the part i hate omfg)

I feel like a big part of why I feel sheepish watching dramas at home is because ultimately, what you like is an indication of who you are.

Like when people say you get to know a lot about a person by looking at their bookshelf or Spotify playlist.

But, see, this is a very unidimensional way of viewing the world. All these things are indications of who you are, but not definitions of who you are.

There are multiple levels to this sort of perception. There's recognizing this is what you like, generalizing it to who you are as a person, and then making a value judgment on you about it.

(i.e. You like Harry Potter. You like genre fiction. You are shallow and have no taste in literature.)

But this process should end at step one.

Honestly, there's nothing wrong with watching trash television. Keeping Up With the Kardashians is difficult to put down once I start because I'm so intrigued by the otherworldliness of their lives. I routinely follow YouTuber drama because it's interesting and I'm nosy. Sometimes, I just want to watch two people fall in love and be dumb and cute and not get anything out of it, because life is complicated enough.

There's nothing wrong with watching trash television or a TV drama with unrealistic, poorly written characters, but I do think it's important to recognize the larger flaws of storytelling, especially when it has to do with portraying the human condition.

Media does an incredible part in shaping someone's perspective. I don't think there's anything wrong with portraying violence, rape, bullying, or suicide in television (provided there's a trigger warning), because it is an integral part of life. But, I think it is crucial, and also the social responsibility of content creators, to foster a better future through media. Media shouldn't justify or glorify these actions, but rather, acknowledge that they are negative and show the real world repercussions of them. If you are going to bring up these societal faults, you have to address them as well.

(this is easier said than done, especially when it comes to the smaller issues in life.)

Itazura Na Kiss is a drama that, in my 2020 mindset, falls behind on that standard. Not because it glorifies bullying, but because it portrays an emotionally manipulative relationship between two characters, where the girl is defined in relation to the guy, and that's that. Happily ever after.

But, Itazura Na Kiss also received incredible reception and was remade into a number of dramas and most recently, a movie. This is what concerns me. As our social consciousness evolved to respecting female characters and seeing them as more than an accessory to the male lead, how come the 2019 movie did not show that?

I can understand Itazura Na Kiss gaining traction in the past, just like how I can understand Grease being a very popular movie in the 70s and 80s despite being incredibly sexist. I struggle to understand it in 2020.

This is why I like Le Coup De Foudre. It takes all the tropes that were popular in 1990 and modernizes them so they become palatable to the 2019 audience. It creates two incredibly human and multidimensional characters and introduces them to a simulation where they meet in high school, 2006, one desk by the window.

(see, isn't it that kind of writing that's breathtaking and akin to the power of god?)

song rec: lil ghost - don’t call me davinci

#i just want to say #i am a huge fan of the yanmo/qiaoyi pairing #partly bc i think yanmo is kind of like the modern version of lwj #but also bc yanmo isn't described as super good looking so he's just very real #but also when he proposed #he literally sat by her bed when she was sleeping #and was like hey lets get our license tmr #and she didnt reply and he just nods and is like ok that's that then #isn't that adorable

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