#i've hit chapter 5 in project 1 and i've started typing up and editing the first few chapters :)))))

[bakerstmel]

Fall Favorite Fic Festival, Entry 5

Remember, winter doesn't officially begin until December 21, she said pedantically.

I've delayed writing this entry because I was trying to define the reason (or reasons) why I love this fic so damn much. I read this fic at least twice a year, usually sometime in February and then again in the fall. It's a sports fic, and while I am not in general a sports person, I do love me some baseball. But the sport isn't the reason I love this fic, and I think I may have figured it out. Stick with me.

I started the link at Chapter 2, because Chapter 1 is a guide to baseball for the uninitiated. Some of it is out of date now, because MLB in its STUPIDITY has messed around with the rules this year because GOD FORBID people have to wait longer than a minute for anything to fucking happen on a sports field, and of course only HITS matter, but it is still fun to read. You don't need it to appreciate the fic, though.

Whilst I was processing this fic, I spent some time thinking about sports fics in general, and that led me to reread a couple of other favorites. One was A Study in Winning, by Jupiter_Ash. I really like that fic as well, even though I know next to nothing about tennis. I like the drama of the story, I like Sherlock faking his nationality just because, and I enjoy John being a petty little bitch to Moriarty there at the end. I feel like there for a while everyone had read or was reading that fic. Another one I went back to was Of Ice and Men, by SinceWhenDoYouCallMe_John, which is an OT3 set during the Winter Olympics. That one has John in the Paralympics, which gives the relationships an entirely new dimension. There are other good sports fics - throw your favorite in the comments, if you like. I'm mostly limiting my scope in these musings to Sherlock, as I've said before, but I'll read anything if it's good. Links to these two fics are below.

One of the ways in which sports fics have an advantage is that they have a built in structure. There's a match, or a tournament, or a season, and the relationship drama plays out against that backdrop. Writing classes always talk about the "ticking clock" approach to narrative tension, and almost every sport has some type of literal ticking clock. The Bang and the Clatter plays out over a full baseball season, including Spring Training and the postseason. That's basically a year minus the main American holidays, and EarlGreyTea does a really good job of letting the story play out at an appropriate pace. That's very impressive considering that she was posting this as a WIP over the course of an actual season.

(I need to take a minute to talk about my issues with EGT, and by "issues" I mean "soul churning jealousy." EGT is ridiculously prolific. If you go back into the fandom annals and look at the timing of some of her biggest fics, she was posting what became major reference points for the fandom in tandem, writing multiple fics at the same damn time, while, you know, teaching law or moving cross country. She is the best example I know of the importance of writing regularly. Of course, she's incredibly gifted, highly skilled at plotting, characterization, pacing, and just words. She has a fabulous imagination. Her dialogue rings true, and it's fun. But she can turn really good stuff out relatively quickly because she's limber AF. She writes. Anyone who comes to Word Sprints on Sundays or just hangs with me writing knows I'm not fast. I'm lucky to break 100 words in 15 minutes. Part of that is that I edit as I go, but it's also that I don't write as often as I would like to, so it takes me some time to warm up. I would like to be more like EGT, which probably sounds kind of creepy. I hope she doesn't see this. Anyway, she's written many of my top 20, and she actually finishes her stuff. So, yeah. Issues.)

So here is where I ended up: this is a good AU that takes advantage of the time crunch of the sport in which it is set, but that is not why I read it 2+ times per year. I read it because this is one of my favorite John and Sherlock relationships ever. It feels so in character for the way we see them in the show (at least through S2; this was written in 2013). We see them meet, we feel their attraction, we feel Sherlock's very authentic confusion. We feel their fear at being caught out, at first by each other and then by the world. They earn their angst. The way to my heart is good characterization, and this has that. Alongside the battery, the OCs (especially Sherlock and John's families) are complex and have issues of their own. Moriarty doesn't show up until the All Star Workout, which is halfway through the season for those of you who don't know, but it works because by that point, John and Sherlock have things to lose. Lestrade is the best effing choice for a beleaguered, exasperated baseball manager there ever was. Mycroft saves the day AND fucks it up, which I wish we'd seen more of in those days.

Also, John and Sherlock never get too far away from each other, and when they're separated, it's usually for narrative reasons. I like that in a fic, I've come to realize. I like to watch the characters' interplay. It's hard for Sherlock to keep secrets from John when they work together, commute together, and live together, and John is no fool. Their office isn't 221b Baker Street, it's a stadium in Austin, TX, where shit plays out in front of 30k people. John loves baseball. Sherlock loves John. They fight, they fall in love, they eat Chinese food, and they play baseball. And best of all, they are themselves together.

If you read the parts that EGT wrote after the big story, there's a mention of Sherlock pulling together a pick up game in London made of American ex-pats for John's sake, and I'll tell you what. That really pulls this fic together for me. This Sherlock would do that for this John, and we end up a little on the outside looking in, and it's just charming as fuck.

In conclusion, read this even if you don't know baseball, if you want great characterization, a chance to be reminded of how beautiful John and Sherlock were together back in the golden age. Pay attention to the ticking clocks in your favorite fics; intentional or not, there's almost always some time pressure ginning up the conflict. If you're a writer, the best way to get better is to write more. Feels like bullshit, but it's true. And finally, fuck MLB forever for going the completely wrong way on the DH. Pitchers in both leagues should have to/get to hit, and more to the point, DHs should have to fucking do something when their teams are out in the field. I will die on this mound.

(Also, if I'm being honest, Bull Durham is probably my favorite movie, so maybe I'm more of a baseball fan than I'm letting on. I do generally love baseball in popular media. But I still think it's the characterization.)

#fall favorite fic festival #FFFF5 #The Bang and the Clatter #EarlGreyTea68 #A Study in Winning #Jupiter_Ash #Of Ice and Men #sincewhendoyoucallme john

[jancy-central]

Welcome, everyone, to another Spotlight Saturday!

This week we are spotlighting writer @throttlegainwell so read their answers to our ‘Get To Know Your Fic Writer’ questions below the cut. And here is the ao3 link to check out all of their amazing fics:

Reminder: This month’s prompt is ‘soulmates’…

…so please see our pinned post for more info. We have posted a lot of soulmate prompts for those needing some inspiration so check those out as well.

And as always, feel free to message us with any questions, whether you are a fic reader or a fic writer. Both of us write fanfic so we are open to helping however we can. Need a beta? Message us and we’ll either help you or put out a call for beta help! Hit writer’s block? Maybe we can help? Or maybe you just want to recommend a fic? SEND US AN ASK OR A DM!

Happy Saturday! ✍🏼 📖

Spotlight Saturday Questions:

@throttlegainwell’s answers:

1. I guess I prefer one-shots generally, but it's much more satisfying to me to write (and finish!) multi-chaptered fics.

2. A mix of both? There's usually at least some degree of planning for each chapter, but sometimes I just see where it goes.

3. ... It depends on the story. Usually, I'm rushing to slap a bunch of ideas into a document as quickly as I can type (or writing notes on my phone). Lines of dialogue, character ideas, themes I want to address, bits of description or narrative or details to include, plot arcs, whole scenes sometimes... I get those into one doc (which I clean up as I go, if I'm copying them over from my phone), then I create a corresponding doc titled LINEAR that I typically view side-by-side with the fragments/notes doc. I move bits into the LINEAR doc as I work, once I know where they're going or have a place for them (like when I've built the connective tissue), until the first doc is empty; I finish writing in the LINEAR doc. There's usually a brief summary of the story, by that point, in the Synopsis window on the right (I work in Scrivener) so I don’t get too off-track, and I'll probably have some notes in the Notes window, as well as any warnings that will be necessary if I post it (so I don't forget later). But sometimes I just sit down and write, like, an entire story, without thinking about it, or I'll try something stream-of-consciousness or experimental. And sometimes I actually do outline (though sometimes that outline is just a bunch of things that I know need to happen, and I drag those around until the order of them feels like a satisfying arc--I wrote an entire 40k+ story that way).

4. Oh, everywhere, I guess. From the source material, definitely. From books I read, concepts I've studied, themes that just interest me so they tend to crop up in my work or maybe I want to try a different spin on them. Sometimes a story I've written/am writing sparks an idea, or I want to try a variation on it to see where it goes, so I branch off from that. Sometimes I just want something, out of the blue. Occasionally, I browse prompts.

5. Nah. I did the whole concrit thing back in my early fandom days. I'm here to have fun and I assume so is everyone else.

6. Nope! I used to do beta reading, a long time ago, and I've casually edited for fandom friends, but I've never used a beta reader. I don't really see myself starting now.

7. Whichever one is the most interesting for the story or whichever one best serves the story's goals, usually. Sometimes because I haven't tried a particular POV before and I just really want to give it a shot, or because I'm writing it with one voice and the voice of a different POV character just *feels* right or sounds really interesting. But I've been branching out a little! I'm usually very committed to 3rd person limited, but this past year, I've been trying switching POVs a bit, I'm writing one story simultaneously from two different POVs (beginning to end, for each) just because it's such a different story for each character, and I'm writing one from omniscient POV because it was really the only one that would do what I needed.

9. I usually try to! (Not always. But usually.) I don't read a lot of fanfic, due to what I imagine is the very common combination of lack of free time and quite severe concentration issues (though I've always been a big reader and I love it a lot, so this is, needless to say, a massive bummer). It's worse with fiction than non-fiction, so if I actually manage to read a fic, it's a safe bet that I probably took notes during and the author will hear *at length* about all the ways I enjoyed it and what I found really interesting or memorable.

10. I have many WIPs, but blinks only came up in a few. One is too explicit to share here, but here's one: He can’t tamp down a shiver at the thought; he blinks extra hard, resisting the urge to grasp the back of his neck protectively.

11. Ooh. Like I said, I don't read a lot of fic (and I haven't read that many for the ST fandom), but I very much love what maddie_grove is doing with Tonight, Tonight, The Highway's Bright. I wildly enjoyed where the hours bend, by fakelight. And this world is gonna pull through, by scoutshonour, hit just right.

12. I don't tend to expect much feedback. I post because otherwise I'll go back and tinker with fics, and I don't really have the time for that, plus at a certain point it's not fun anymore, but I'm still messing with it. So when it's done enough that I've accomplished what I set out to, I post to free up my brainpower to move on to other things. It doesn't necessarily discourage me to not receive it (usually), but it really does encourage and motivate me when I *do* receive it. If someone enjoys a story and wants to talk about it, I'm likely to write more works in that vein or explore those ideas/characters/fandom more. I’m more likely to go back to a WIP if people are excited about it with me. I've received some truly lovely, thoughtful, analytical, humbling, and memorable feedback, and I hugely appreciate and enjoy all of it.

13. Don’t delete/erase anything. Save it all.

14. I tend to get into a certain headspace to write, but I wouldn't say that I usually feel what the characters are feel. Sometimes, I probably do. (I'm one of those people who moves their lips when they read an emotional scene, so I guess I do get a bit into it while I'm writing! Embodied cognition, what a trip.) I do sometimes draw from personal experience, but typically only in very broad strokes.

15. Happily. :) I've written a LOT of sex scenes over the years, for a lot of different thematic, narrative, and character purposes (and sometimes just for rule of horny, rule of funny, or to explore a particular kink). I approach each one differently, based on the tone I'm trying to set, whether I want it to be particularly erotic or emotional or something else, the level of narrative distance I want the reader to feel, what the characters are like, what the overall genre is. Sometimes I get visual or detailed, depending on what I'm trying to do (and whether I feel those characters would do so or whether it would be a help or a distraction in that moment), but I tend to depict the internal processes more than the physical details. The sensory aspects. The observations, interpretations, and reactions. Connections between characters, if there's more than one. I personally tend toward realism in my sex scenes, but I'm not going to pretend that I don't skirt the edges sometimes or just say fuck it and throw realism out the window for a particular story. But I don't think realism is necessary in smut (or any fiction, when it comes down to it). It's a matter of preference.

16. Omg how many fic ideas am I NOT nurturing right now. Way, way too many. Here's a Jancy one that hasn't quite made it to the WIP stage (still in the synopsis-in-dedicated-doc stage): Jonathan and Nancy break up over the college thing. (It’s not really the college thing.) Years later, as they're both settled into their careers (Jonathan as a photographer, Nancy as a journalist, both constantly traveling for work and hard to reach), they end up sharing a room when they visit for Lucas and Max's wedding. Lots of angst, lots of pining, lots of denial, and ultimately an exes-getting-back together story. Sometimes you just want the cliche done your way.

17. I just don't write, tbh. I try to address whatever issue is preventing me from writing (if possible) or (if it's beyond my control) I just accept that it's not a writing period of my life. I'm happier when I'm writing regularly, and I do think it's good for me overall, but I'm not going to let hobby writing cause me genuine stress. (I've got non-hobby writing for that, ha.) I take it as a sign that something is wrong or that I'm just tired of writing and need to recharge (by engaging some other interest or hobby for a while).

18. Depends. Sometimes the title comes first, sometimes during, sometimes after. Sometimes I really do just fall in love with a title, though. I rarely struggle to title fics after the fact, but when I do, I'll just slap a quick and vague title on there and call it a day. Often it's a pun or something relevant, sometimes an important line from the story, sometimes lyrics. I have a series of art-related titles for some Will stories I want to do and some science ones I have saved for some Dustin stories. Some photography terms for Jonathan. Stuff like that.

19. Turns out it's hurt/comfort! This should surprise no one.

20. Oh, have I ever. Yeah, I've had people read enough of my work to point out themes that I tend to tackle a lot (I'm big on autonomy, resilience, and kindness--you'll see them repeated a LOT in my work, from different angles--and, yeah, I write about trauma a lot), and I definitely have some words/expressions that pop up a lot (and with each passing year, I try a little less to cull them). Also, you'd be hard-pressed to find a story of mine where someone isn't making, drinking, or talking/thinking about coffee. No reason. It just... seems to happen.

21. I had a shared 'verse with a friend, a long time ago. It was a huge amount of fun. We really gelled and produced just tons of material for it that had us in tears laughing and, you know, was also incredibly horny. That was a shared 'verse, rather than a collaboration for an entire story, but, yeah, I'd say that I'd be willing to collaborate. I don't consider myself terribly reliable or consistent, though, so I worry that a potential writing partner would find this frustrating.

22. I used to think so, but, honestly, I've been proved wrong many times, so I'd say no, not really. There's not a lot that I absolutely won't write. There are a few things that remain pretty serious squicks for me, but I'm sometimes able to write about things that I would find difficult to read. Some things also don't necessarily interest me or I would find it technically difficult to write them.

23. Don't worry about making it beautiful. Just get it all down. (You can’t sculpt what’s not there, you know?) And in that vein: write EVERYTHING down. Even if you’re not sure it works. Don’t assume you’ll remember or won’t need it. Just write everything.

24. Anything that's involved regimentation. That just doesn't work for me in every case. It's important to be flexible, both to discover what *does* work for you or to be able to move between different strategies for different stories or at different times in your life. Close second, though: that you should mine your pain to write because that's where true art comes from. That advice is shit. Sometimes art is aliens fucking in a time warp and also there's a ghost with daddy issues. Write whatever the hell you want. It does not have to be profound literature to be a good story.

25. For my ST fics? I think I've gotten a pretty decent response for most of what I've posted, considering it's all very niche and this is a massive fandom (and one to which I came extremely late and very recently). I guess a little more response for already wise, already worn might have been nice, just because it's a weird little experimental story that I think actually came out really neat, but it's *very* niche so I never expected much response. Or possibly Two Steps Forward, just because I think it's an interesting little ghost story that's different from everything else I have posted, and I really do have a soft spot for gen works.

26. For my ST fics, our future foe scenarios is a pretty odd one. We've got Nancy really feeling her big sister duties while also kind of worrying about Jonathan, making out with him, then convincing the Party to let her earnestly and VERY awkwardly talk to them about the importance of consent (and kind of roping Jonathan into helping her, which he's not happy about but dutifully does). It’s kind of clumsy, but she means well.

27. I love when the ideas slot into place, when I know where things are going, I see how it's moving, and I get all the pieces lined up so it's a straight shot to the end. Extremely satisfying. I dislike working out the kinds of technical details that I'd prefer to gloss over but that are sometimes story-significant, like ages and timelines. I'm increasingly just ignoring that shit.

28. Apparently I'm getting several thousand words done a day, on average, with as many as 6-7k some days. But I'm happy if I just do a couple hundred, or a line or two. This has just been an unusually productive year for me.

29. Ideally: I ignore it for a couple of weeks until I've forgotten the shape of it, then I read it over with fresh eyes. Increasingly: when it's written, I go over it for typos, overall continuity, basic coherence, and (if it covers sensitive themes) to make sure that I'm not inadvertently presenting something wildly hurtful or counter to my goals. And then I just call it done.

30. I'd say that I never really polish all that much to begin with, these days. I mostly post 1st drafts, even though there's typically stuff that I would pretty easily catch and adjust if I gave it a real once-over. I've just decided that I'm okay with not fussing with it very much. But I share WIPs these days, some of which are pretty rough. (I did not used to do this that much.)

#jancy spotlight saturday #spotlight saturday #writer spotlight #jancy fanfic #jonathan byers #nancy wheeler #jancy

[mysterynoel]

1 Like = 1 Answer (AO3 edition)

So I did one of those "1 Like = 1 Answer" posts on Twitter, and I decided I would share my answers here as well with a little more words!

1. Favorite story written? It would be a toss-up between "And Today, You" (Fire Emblem Awakening, Lucina & Child Lucina) and "Love Persevering" (Fire Emblem Three Houses, Dimitri Alexandre Blaiddyd/f!Byleth Eisner). The former because it was a piece focused on Lucina that I had been working on for 1.5-2 years. It holds such a special place in my heart. The latter because I love writing sad, angsty things and it was fun getting to return to that with a dimileth fic.

2. Most popular work? If we go by kudos, it's "Like Her Eyes" (Dimitri/f!Byleth). I wrote it for a prompt challenge and was dropping it in review exchange threads for a year because it was a fluffy one-shot that worked well fandom-blind.

3. A work you wish was more popular? I feel really bad saying this, but "And Today, You." It's actually where it should be for a gen fic posted in the Awakening fandom and I'm really grateful for that. Still, I can't help but wonder about how it would've done had I finished and posted it not long after I started it. Or five years ago. You know, sometime when the fandom was still active.

4. Favorite trope to write? "You can't sleep either, huh?" Easily my favorite thing to write! I love those quiet bonding moments at night where people may act differently than they would during the day! I've written a one-shot ("Late Night Talks" Big Hero 6, Tadashi Hamada/Honey Lemon), a chapter of a fic ("Tell Me a Story" chapter 7, Dimitri/f!Byleth), and a multi-chapter fic ("Nights Under the Azure Moon" 4 chapters, Dimitri/f!Byleth) based around this type of discussion.

5. Least favorite trope to write? Cheater's answer: smut. Thought out answer: probably horror/suspense/thriller. Not the biggest fan of reading horror outside of a few fic authors, so I have no idea where I would start with writing it.

6. Something you want to write but don't know where to start? I have two long fics in my folder ("The Boar Prince of Remire" about mercenary!Dimitri and "Will you forgive me if I can't see your light anymore" about Dimitri's five years in exile) that I would love to actually be able to outline and write instead of simply writing random scenes. Slowly chipping away at them hoping 2023 will be the year I can post first chapters.

7. Longest work written? Currently, it's "Nights Under the Azure Moon" with 12,605 words and four of five chapters posted. I think "Notice of Transfer" (FE3H & Dead Like Me, Dimitri/f!Byleth) will overtake it once I finish and post the last chapter.

8. The shortest? Shortest fic is "Time's Flow, Interrupted" (gen) at 754 words. I think I have a chapter of "Tell Me a Story" that's shorter at around 600 words.

9. Author you would like to collab with? There's a lot of authors that I think it would be fun to come up with something with, but I'm sure I would end up falling into a beta reader position since that's what I'm used to. At that point, it basically becomes a group project where one person isn't doing their share and just going along with anything that happens, and that's not fun nor fair to the other author. However, if el_pepe ever ends his indefinite hiatus, I would love to join forces for some of the Persona 3-5 story ideas we discussed if he was cool with it.

10. What tag would definitely be included in all of your works? Definitely "fluff & angst!" I love adding some angst to make the fluff sweeter! And sometimes, nothing's better than upping the amount of fluff to make the angst hit like a ton of bricks.

#noel wants to speak #can i talk? #1 like = 1 answer #ao3 stuff

[thebirdandhersong]

I’m......... done all my finals

#exams AND assignments. this is bizarre #what do i do with my time now?? #TIME TO SWITCH GEARS #i've hit chapter 5 in project 1 and i've started typing up and editing the first few chapters :))))) #you know that paper-churning adrenaline you get when you have to pound out multiple papers in a short amount of time #i'm still running on that so hopefully i will make some progress today

[biromantic-nerd]

tag game!

tagged by @romanticism-is-maudlinism thanks! 💙

Rules: tell us the titles of all the WIPs you are currently working on right now and a little about them. Then tag five other writers.

1. You Don't Dare (You Say Love Is A Hell You Cannot Bear)

Merlin BBC. This is my Febuwhump fic. I'm basically done with it, so it's not super a wip, but I'm still going through and editing and might write more for it. Chapter 1 will be posted on uhh this Sunday, I believe.

It's Arthur pov. Set in early season 1. Sleeping Beauty themed events, minus any romance and more focused on Arthur's insecurity.

2. box

another Merlin BBC febuwhump fic, however I don't think I'll be finishing it in time. Merlin pov.

Basically Merlin hits his head and gets a teensy weensy bit held hostage.

3. somehow a SVSSS amnesia fic??

SVSSS. Okay I started writing it as a personal joke! But you know what, I might end up going for it.

So it's a canon divergence - a what if Shen Yuan really did have amnesia from the start type of plot when he wakes up. It's third person narrator, however it's heavily focused of the disciples (Ming Fan especially) losing their minds over this

4. Damian training?

DC. Damian pov. Set before he arrives at Gotham. (Maybe will add a chapter for after too??) A slight compare and contrast of what Damian's learned to be true and what is true, but mostly just a small outtake of a possible training scene.

5. The fabrication of the story is where divergent truths emerge

The Untamed. So this one is probably never going to see the light of day bc it's a massive project and I'm terrible at keeping track of timelines! especially in alternate canons where changing the timeline can have a huge ripple effect.

It's basically a canon divergence (set in the short span of post Core Transfer but pre Yiling Laozu) where Jiang Cheng politically, platonically marries Wei Wuxian to save him. No, really.

Political shenanigans ensue. Jiang Cheng, Wei Ying, and Jiang Yanli protect each other through it.

Somehow I think Lan Zhan suffers the most in this; but somehow incredulously Jin Zixuan is a close second.

(Yes this is Wei Wuxian/Lan Wangji endgame.)

No clue who the main pov (bc all I have is the title and a very bad outline) but I suspect it'd be Jiang Cheng with the occasional WWX scene and one Jin Zixuan scene.

But I really do love the title for this actually. I think it sums up the future "misunderstandings" tag very well.

6. Clark Kent pov of Brucie Wayne and his new ward Dick Grayson

DC. So this one is mostly a practice run to see if I liked writing Clark's pov. So far, I'm not impressed with my characterization of him; which makes me delay working on it bc it doesn't vibe right yet to me.

Characterization is something I try hard to get how I want. It's usually not canon characterization, exactly, but I like to try and make characters feel like a real version of themself. So far, this Clark is very... imitation feeling.

Anyways, it's basically just a bunch of reporters at a press conference about Dick and Clark idly musing over it as he does his job.

7. chronic pain + chronic illness Eddie Brock

Venom. This one has been a long time coming. I had originally wanted to do this idea for Big Spoon, You Have So Much To Do but in order to make that one manageable to write, I didn't touch upon the idea of chronic pain+illness Eddie and focused more on figuring out boundaries involved when sharing a body.

So the original concept was far more serious in tone than the one scene I've now got drafted out so far. But it's basically at the core the same premise. Just... funnier and more light-hearted. We'll see how it goes! Who knows, maybe as I write it, it'll get heavier again. Either way is fine with me.

8. They'll speak of me (oh in whispered tones) and say my name like it shakes their bones

Merlin BBC again. Been shaking out the old cobwebs lately of fic ideas I used to have. Morgana pov. It's more of a character study warm up, like the Clark Kent wip. I have written Morgana before, but I've fallen out of practice in her vocal tics and characterization, and I wanted to spend a fic trying to to recapture that feeling of writing her again.

Plus, I really, really wanted to write a fic with these lyrics as a title. And Morgana suits them well.

Feel like I'm forgetting a bunch since I always just have a wide ongoing shuffle of wips I bounce around from.

tags: @daringyounggrayson and anyone who wants to. (yes I know this isn't five but)

#tag meme #my ramblings #tw long post #writing and stuff

[ngame989]

I'm new to writing fanfic, and always work solo, so when I saw you have a whole team at your disposal, it blew my mind. I've got a list of questions about that: 1. How did you guys find each other and get started? 2. How does your work flow look for a story vs. a page/chapter of the comic? 3. How much do you love having an editor? 4. How does your work change from draft to final? 5. The quality of your prose is very consistent, is that just you as a writer, or is it your team keeping you good?

1. Seddm, EA, and Dino were all good friends of mine from the fandom from before or during Season 3 (I started watching the show between 2B and BFM). Toxic started watching the show sometime in late 2018 and messaged me on Tumblr for some sort of formatting help, or tips and tricks for getting posts more noticed in the fandom or something? I don’t remember and Tumblr DMs are awful to navigate, but we quickly bonded over what really matters most.

Lawchan had been a longtime follower of the show and fanfic author who inspired me to get into it back after 3A and we started talking and became friends at some point in the last year or so. BMC popped into my askbox when I opened it up to headcanon suggestions and ended up sending me over 100 in a span of 3 days that were all wonderful and creative so we started talking more. This really is a “team” in a loose sense, I just have a ton of awesome and creative and supportive friends willing to help out with this.

Oddly enough, this project started less than a day after (and was inspired by) Lake House Fever. I had already been thinking about getting back into fanfiction writing after S4 ended and we were pissed and salty and just needed good Starco thoughts so I hit him up and we started chatting and thought “huh wait a Star and Marco section of a family photo album would be a cool concept for some sort of series” and it evolved from there. We’d planned out a lot of the basics for the comic before the show ended and were waiting on the canon resolution before going any further, and Cleaved shook a lot up for what the postcanon status quo would be, so my whole aforementioned group all sat in a Discord channel on and off for literally 8+ hours the day after Cleaved and roundtable’d the entire backbone of the Earthni timeline for almost every major character (so if there’s people in the credits for TGG that haven’t shown up directly in any works yet, that’s where they contributed).

2.  Overall I’m the project lead and head writer so the majority of specific ideas, what should this page have or where is the story going, etc, come from me although anything we do gets signed off on by at LEAST me, Toxic, and Seddm first.  For comics, I usually plan the concept (Star goes here, these people are talking to each other, happy or sad, etc) and then let Toxic do his thing - he’s great already but is SUUUUUUUUPER amazingly wonderful at reading my mind and making visuals that represent my thoughts even better than the visuals in my head for them. He’ll do a rough page layout and sketch, we workshop that, then he does line-art, we look for any issues or revisions there, then he colors as I make the dialogue.  Usually takes a few days of back and forth.

Honestly my workflow for writing fics is absolute ass and you should not learn from us (ESPECIALLY me) if you’re getting into the game, hahahaha. Every day that I say I’m gonna write something, I usually end up dicking around at my computer until 1 AM and THEN decide to write a little bit and lose sleep over it. A lot of Glow was written between 2 and 6 AM on a Saturday night. I’m ridiculously nitpicky of my own work and half the time before I even finish typing a sentence I’m already erasing it because I decided it was dumb or did something wrong, which makes drafts take F O R E V E R, but the silver lining is that my first draft is already very polished by the time it’s done.

Overall, we play to our strengths - Seddm and I are general idea guys, “wouldn’t it be funny/cool if X” or “we should tell a story about Y” etc, and Toxic is especially wonderful at coming up with fantastic visual designs or gags or whatever else. So there’s plenty of times where I’ll give him the rough outline for a comic page and he’ll slip in some goofy background thing that makes it so much better, or I’ll give him a joke idea and it’ll work amazingly. I also like to call Seddm my “internal debate moderator”. When I’m struggling to figure out what to do for something, I’m often torn between a few ideas. Getting outside advice on it can obviously be really helpful, but there are times that it leaves me even more confused about what to do. But because my and Seddm’s understandings of the characters and senses of design and humor are so damn similar, he can basically serve as both a neutral voice and still part of my own thought process at the same time, which really helps me get my own personal ideas in order before running them by others.

3. Editors are great and wonderful and perfect and I love my friends to death for graciously helping week in and week out with this when I ping them with “hey guys shat this out, sun has been up for an hour so im gonna go fucking die now bye”. As stated earlier, perhaps my need for one isn’t AS high because I self-edit so compulsively as I go, but it’s soooooooo easy to get caught up in your own head and intentions and not spot obvious issues with your own writing that outside voices help a ton.

4. Whoops I guess I answered already. Very little.

5. Given that edits don’t change much about the structure of my writing, I guess it’s me - thanks! But my team is great about keeping me in line with my own vision in editing and hitting any lines that just seem out of place. There was one particular cut line in Glow that I won’t post here that was easily a full standard deviation of naughty greater than the rest of the fic’s tone (unintentional, it was very late -_-) and that got caught and shot down real quick lmfao.

#tgg svtfoe #answered #aphantaray