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forthisone · 3 years

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Thoughts on Handmaid’s Tale Season 4 so far Spoilers up to S4E8, the episode I’ve just watched.

Fair warning: This kind of went from me trying to explain why the show feels wrong for me now in a measured way, to a full on rant wall of text. This is maybe something that should be a diary entry more than something that should exist publicly, but fuck it.

This is all just my opinion. I know some people have problems with S4 (like me) and some people are finding it an improvement on S3. Everyone finds their own things to connect with on this show, different people have different experiences--it’s a very hard-hitting show and it affects people in different ways--and my perception of the show will be different to others. I just wanted to get my thoughts down before I read too much other analysis of what other people think. This season I’ve felt myself in a cycle of feeling uncomfortable about most of the content, and then reading what other people think, feeling like I’m wrong to be feeling how I’m feeling, and somehow giving it all another chance, finding the caveats that allow me to keep watching. There’s like... one scene in twenty that I find satisfying, and the clown in me keeps watching. But I’m finding myself feeling more and more disconnected from this show that I used to love. Especially now that I’m heavily invested in another show that I actually find satisfying.

Trigger warnings for all the topics that come with watching this show, including sexual assault. Also lots of angry language from me!

When I watched Seasons 1 and 2, I really valued the show. It was painful to watch, of course. But I thought the story was important and there were elements of hope and love and goodness amongst the bad that were ‘worth’ the pain of watching it for me.

Now I just roll my eyes all. the. damn. time. All I can imagine when I watch is the writers wanking themselves off creating new situations of torture for the characters, turning these human characters into caricatures to play out their images. I don’t really feel like they actually care about the arcs anymore, they just want the same cycle on repeat. I don’t know what I expected for Janine but to see her back at Eye HQ, probably about to become a Handmaid again, and for the scene to somehow feel like it’s focusing on Lydia’s pain? Makes me feel sick.

Also seeing the Waterfords being applauded... making that the legacy of June’s testimony...ugh. I understand maybe why they did it, they’re shining a light on all the misguided right-wing bs that exists in society today. How there are people in the world who find ways and reasons to support these kinds of monsters. I just... it was such a climactic moment, right? For June to finally testify against Fred? For him to face his charges? And it ends up being a victorious moment for him and Serena? Fuuuuck that. I hope it’s temporary and karma comes around for them but I’m so almost done with this show that I don’t really care any more.

side rant: How fucking unrealistic was it that they even let Fred speak to June in the courtroom. And let him go on. Give me a fucking break. And also that they just let her walk away...?

I feel weird criticising anything June does because who am I to judge how she deals with pain for what she’s been through, right? But again I just feel like... it’s a fictional story. It should have a purpose, right? I don’t understand what the writer’s intentions are. Are we meant to be disturbed by her actions (with Emily? with Luke?) I think so? I don’t understand what the end goal is with how they are writing her? Am I just a perfectionist that wants happy endings for everyone and people to heal in unrealistic ways? Maybe. I didn’t expect it all to be plain sailing once she got to Canada... of course not, but I don’t like how she’s dictating how other people deal with their own trauma, like she’s some kind of therapist. I want people sitting in a room and crying and going through shit together and connecting. I don’t want endless shots of people staring into space and talking about ways they’d like to kill people. I totally get that they are all dealing with trauma, that they are not perfect people, but I just don’t like how they are painting what June does to be the right thing and not just the actions of someone who is hugely traumatised and needing help herself (and seemingly not receiving it currently)? Again, I repeat: it’s not what June is doing that I have an issue with, but the way it’s framed in the show as some kind of victory, or the “right thing”. I don’t get what they’re trying to do.

The fucking PINNACLE of this for me was the ending of S4E1 where they have June hand Mrs Keyes a murder weapon in front of her rapist and say “make me proud” and there’s never a question, there’s not even a NOTE, that maybe this isn’t how this situation should be dealt with. That maybe having a minor kill her rapist and then climb in to bed with June covered in his blood and tell her “I love you” (iirc) as the ending note of the episode isn’t healthy. This is the sick feeling that has been in my mouth since the beginning of S4 and I think it began with this scene.

Lydia. What the fuck even is Lydia’s storyline, beyond just wanting to keep Ann Dowd on our screens? She feels unworthy or like she has to prove herself or something. We get it. I don’t give a shit. She’s a monster who didn’t even have a backstory that made me understand on some level why she is the way she is. Why are we focusing on her pain over Janine? WHY.

Moira. To be honest Moira is the best thing about this show for me currently. She’s making me able to cope with it, because she keeps saying the things that I’m thinking in her scenes, and I’m so grateful for it, because it makes me feel like I’m not going crazy to be hating some of the things I’m seeing. Samira Wiley is a delight to have on the show.

Luke. I feel like... he’s a character that, in my opinion, they are getting right. His scenes don’t feel jarring to me (in terms of what the character is doing). That’s not to say that I don’t find some of his behaviour jarring, but I feel like... he’s not a caricature, he’s still a human character that has flaws and redeeming qualities. I think OT is playing the scenes really well. Of course it’s fucked up that he went to the trial without June’s permission. But I feel like Luke would do that. Especially when June isn’t talking to him about any of it, and he feels like he needs to understand it to make sense of the impact it’s having. Of course he’s ludicrous to suggest they can just “move on”. But he’s a human who desperately wants June back, the way he remembers her, the memory he’s been clinging on to her for 7? years and is in denial that that can’t be any more. I don’t have to think the character himself is perfect to still find the scenes interesting and content that I appreciate because it’s scenes that explore the complexities of human relationships. Societal expectations of husbands and wives. Exploring that. The pressure on women to feel like they have to produce children or they are a disappointment. Representation that you can be sexually assaulted by someone who is your girlfriend/boyfriend/wife/husband and not only by dangerous strangers in dark alleyways. That that could happen (to a man, too) and that they could choose to stay with her/him. That they couldn’t feel like they could talk about it (because who is there to talk about it with?)

Lawrence. Again it just feels like he’s on our screen for no purpose other than to include Bradley Whitford in the show. I don’t understand what his root motivation is, or what his goals are in what he is doing (does he want Gilead to continue? does he secretly want to bring it down? I’ve got no idea). I really have no interest in his character other than the fact that Bradley is a good actor and I think it’s interesting to watch him.

Rita. I’ve enjoyed her scenes too. I don’t really have much to say about them because I haven’t had a problem with them, only that I wish she was in it more, perhaps to bring out June’s human side a bit more. Their reunion in hug in the last episode was one of my favourite moments this season, because they can relate to each other on a level the others can’t. They lived in the same house.

Emily. Again, I feel the same way about her as I feel about Rita really. I feel like they just dip into her character on an occasional episode and go “tick. we’ve focused on Emily this episode. let’s move on.”

Nick. As you may or may not know reading this, my involvement in the THT fandom has largely been as a Nick/June shipper (you can go back in my nick x june tag to see this). When I talk about “elements of hope and love and goodness amongst the bad that were ‘worth’ the pain of watching it for me”, I’m really talking about N/J. So I have a lot of feelings about Nick. I could go on a whole rant here (narrator: she ended up going on a whole rant here) about how I wish Nick was acknowledged more, how I feel like his writing (when it actually exists) this season has been weird, how I feel like he’s no longer the character that I loved from Seasons 1 & 2. I think what it boils down to is, that they fucked Nick up for me (personally) when he went from “just a driver” to a Commander. I didn’t find it realistic and I don’t think it’s what they had planned for him, I think they’re just making it up from season to season and this is NEVER more apparent than with Nick. How he’s gone from washing Waterford’s car and an Eye for Pryce to apparently “leading the battle in Chicago”. And I’ve gone through weeks, months, years, of discussions with other Nick fans about this, some of whom feel the new backstory is still valid for him and makes sense, some who don’t. Some who can justify his scenes this season, others who find it jarring like me. Again, it’s a personal thing and I want so badly to love this character but honestly I feel like he’s either just neglected (most of the time) or he’s a character they just use to create storylines for other people with no real care or consistency for his own arc (edited to add: also I think they just use him to create this false sense of tension: “is he good??? is he bad???”, when anyone who paid even an iota of attention to him in the past knows he has THE SOFTEST HEART IN THE WORLD and would never betray June). He hasn’t even mentioned his daughter in two seasons (only in a discussion prompted by June in 3.06). THAT is not the Nick I know from Season 2 who cried as he held his daughter for the first and only time. I WANT THIS CHARACTER BACK. I don’t trust the writers with his story any more and it makes me sad and it makes me less invested. And I’ve felt like this since the beginning of Season 3. That’s not to say I’ve hated all his scenes but... there’s just not enough good content for me to still be invested at this point. Scenes like the bridge scene in Season 4... the display of emotion in that scene was clear but in the context of the rest of the show, I didn’t buy it. If you want me to believe that June still feels strongly enough about him that she’s going to run romantically across a bridge to him into his arms like a scene out of The Notebook or The Bodyguard, then maybe have her speak about him to ANY CHARACTER, or any voice over, once she gets to Canada (and I don’t really include the one line mentioning him to Nichole). Because otherwise, that bridge scene just feels like pandering to me, again it just feels like boxticking (”let’s keep the Nick/June fans happy”) and it leaves a bad taste in my mouth. I’m still grieving for the Nick/June scenes from Seasons 1 and 2 that felt so much more authentic to me than the bridge kiss, because they had context and they weren’t a sidenote, because Nick actually appeared more than once every 3 episodes.

Am I done with my rant? I think I’m done with my rant.

#the handmaid's tale

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