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#i totally didn't steal the suit from anthem
hamelastralis · 6 months
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Redesigned my Titanfall character because I was tired of people using him for their own character gallery. So now I can use him outside of the Titanfall universe too
This is 204, a wraith stuck between being corporeal and incorporeal. He wears this exosuit as a type of life support.
He's a very grumpy boy who don't particularly like people.
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introvertguide · 3 years
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Duck Soup (1933); AFI #60
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The next film on the AFI top 100 is a throwback to before the Golden Age of Hollywood when "talkies" were new, Duck Soup (1933). This film was the last attached to a 5 feature contract that the Marx Brothers had with Paramount pictures. It was moderately well received at the time but has since become the most critically acclaimed of the Marx Brothers films. The movie is only 68 minutes and is absolutely packed with gags. It is not, however, packed with a storyline or plot. I want to very briefly go over the summary because that is not what this movie is known for. Let's unnecessarily start with...
SPOILER ALERT? THIS MOVIE HAS NO PLOT. IT IS ALL ABOUT SITE GAGS AND SET PIECES. READ AWAY!!! IT WILL NOT DO ANYTHING TO HURT THE EXPERIENCE!!!
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The film starts off with the wealthy Mrs. Teasdale (Margaret Dumont) insisting that a man that she is sweet on, Rufus T. Firefly (Groucho), be appointed leader of the small, bankrupt country of Freedonia before she will continue to provide much-needed financial aid. Meanwhile, neighboring Sylvania is attempting to annex the country. Sylvanian ambassador Trentino (Louis Calhem) tries to foment a revolution and to woo Mrs. Teasdale, and he tries to dig up dirt on Firefly by sending in spies Chicolini (Chico) and Pinky (Harpo).
After failing to collect useful information against Firefly, Chicolini and Pinky are able to infiltrate the government when Chicolini is appointed Secretary of War after Firefly sees him selling peanuts outside his window. Meanwhile, Firefly's secretary, Bob Roland (Zeppo), suspects Trentino's motives, and he advises Firefly to get rid of Trentino by insulting him. Firefly agrees to the plan, but after a series of personal insults exchanged between Firefly and Trentino, the plan backfires when Firefly slaps Trentino instead of being slapped by him. As a result, the two countries come to the brink of war. Adding to the international friction is the fact that Firefly is also courting Mrs. Teasdale, and, like Trentino, hoping to get his hands on her late husband's wealth.
Trentino learns from his femme fatale spy, Vera Marcal (Raquel Torres), that Freedonia's plans of war are in Mrs. Teasdale's safe and tells her to assist Chicolini and Pinky in stealing them. Chicolini is caught by Firefly and put on trial, during which war is officially declared, and everyone is overcome by war frenzy, breaking into song and dance. Chicolini and Pinky join Firefly and Bob Roland in anarchic battle, resulting in general mayhem.
After a fierce battle, the end of the film finds Trentino caught in a makeshift pillory, with the Brothers pelting him with fruit. Trentino surrenders, but Firefly tells him to wait until they run out of fruit. Mrs. Teasdale begins singing the Freedonia national anthem in her operatic voice and the Brothers begin hurling fruit at her instead.
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There are many exceptionally good and bad aspects of this film. On the good side, there are a couple of amazing set pieces that the Marx Brothers did like no other. The mirror scene in which Groucho and Harpo stand in front of each other and Harpo perfectly mimics his brother's movements was outstanding. Specifically, there is a point where Groucho stands outside the reflection and moves in a ridiculous way past what he thinks is a reflection. The mirroring between the brothers is exceptional. Add in the same dressing gown and cap to the actual resemblance (they are full actual brothers) makes for quite an effect. This mirror gag was first done on film by Charlie Chaplin almost 15 years earlier, but this is likely the most well known and best done example of the bit by real people. It was repeated by Bugs Bunny, Mickey Mouse, The Pink Panther, Tom and Jerry, Scooby-Doo, and the Smurfs. That kind of mirror quality action was only repeatable through animation, apparently.
The constant wardrobe changes during the frenzied war scene have caused full speculative articles to be written. Groucho starts out in a Union officer suit, then appears in a Confederate officer suite, then a British palace guard uniform, and then in what looks to be a boy scout officer suit, and finally a Davy Crockett hat? The deep cynicism and anti-war sentiment of the brothers was blatant. It is summed up by the line "while you're out out there risking life and limb through shot and shell, we'll be in here thinking what a sucker you are." The United States had just gotten out of a war and many militaristic leads felt the need to show off. This lack of care after feeling so dominant following WW1 was the mindset that in part led to the Stock Market crash and the Great Depression. There was turmoil brewing in Europe and many Americans wanted nothing to do with it after seeing so many young boys getting ripped apart by trench warfare and machine gun fire. The brothers were satirizing all of those figures that we use to teach boys to want to fight for their country. They also went after what they believed were the causes of many wars: money and moral indignation between powerful men.
Although the film gives the audience insight into the mindset of much of the population during those extremely turbulent times between wars, it also boasts some of the most unsophisticated humor of a new visual medium. The silly songs do not translate well and sound like something created by a child. With truly clever artists like Frank Zappa, the Dead Kennedys, and national treasure Weird Al Yankovic, the Marx Brother's songs just sound lame to me. I think the same of Groucho's one liners. With comedians like Mitch Hedberg, Paula Poundstone, Steven Wright, and Jimmy Carr, the work of Groucho Marx feels seriously dated and quite cringy.
The real let down for me in this particular film was the fighting between Harpo and the Lemonade salesman. In fact, the character of Pinkie was "The Joker" levels of psychotic. I know he represented the constant undermining of communism. That is fine and makes a good point. Practically speaking, though, he reveled in causing problems for no reason and he was a constant nuisance. I have been around a lot of teachers and they sat that students who act like that are the bane of everyone's existence. It may be witty, but it is not funny. I have seen movies like Borat and Jackass, who are at least very creative in the way they cause problems and mostly harm themselves. I legitimately hate the character of Pinky and find him devoid of any real humor beyond the mirror scene. I also realize that Chicolini is a play on Mussolini, but I didn't really find him funny either. I want to emphasize that these are my opinions and I welcome comments on why Pinkie and Chicolini are hilarious.
There are some things that I do forgive and almost find charming. Directors from the silent film era had to emphasize that their actors over dramatize their lines so that the audience could get even a modicum of tone. This over-the-top dramatic speaking continued with many actors into the era of talking pictures. You can tell that this film was made near the change over because a lot of the actors talk like they are making one continual speech. Just about everyone is projecting for the cheap seats, and I totally appreciate it and smile. I also appreciate that the Marx Brothers absolutely jam pack the film with gags. I don't think many of the gags are funny, but I acknowledge that the movie is 68 minutes of constant jokes and the Marx Brothers made a concerted effort to give their audience the most bang for their buck. Good for them.
So does this movie belong on the AFI top 100? I am actually going to say no. I think that Horse Feathers is a funnier film and has the iconic football scene that got a screen cap on the cover of Time magazine. If the AFI was going to choose a Paramount produced Marx Brothers film, this one seems to me to only be second or third choice of the five. Would I recommend it? Sure. It is definitely dated and the jokes will not make a lot of sense any more, but some of the scenes have become iconic and it is fun to see what has been so heavily referenced in current media. It is a pretty fun movie to sit back and just experience for an hour, so I would give it a shot.
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